Pip Seymour Early Watercolours

SKU	Product Name	Price
PS013HP	Pip Seymour Watercolour Half Pan Payne's Grey Series 3	£7.45
PS004HP	Pip Seymour Watercolour Half Pan Genuine Vermilion Series 5	£12.60
PS012HP	Pip Seymour Watercolour Half Pan Oxford Mudstone (Davy's Grey) Series 1	£6.40
PS003HP	Pip Seymour Watercolour Half Pan Cinnabar Natural Vermilion Series 4	£9.60
PS008HP	Pip Seymour Watercolour Half Pan Lapis Lazuli Ashes Series 5	£12.60
PS010HP	Pip Seymour Watercolour Half Pan Oxford Ochre Series 2	£7.10
PS001HP	Pip Seymour Watercolour Half Pan Naples Yellow Genuine Series 4	£9.60
PS009HP	Pip Seymour Watercolour Half Pan Hangman's Lodge Ironstone Series 2	£7.10
PS014HP	Pip Seymour Watercolour Half Pan Honister Pass Green Slate Series 2	£7.10
PS005HP	Pip Seymour Watercolour Half Pan Genuine Malachite Series 5	£12.60
PS007HP	Pip Seymour Watercolour Half Pan Lapis Lazuli Genuine Series 7	£18.00
PS015HP	Pip Seymour Watercolour Half Pan Oxford Bluestone Series 2	£7.10
PS006HP	Pip Seymour Watercolour Half Pan Genuine Azurite Blue Series 6	£13.90
PS011HP	Pip Seymour Watercolour Half Pan Plumpton Iron Ore Series 2	£7.10
PS002HP	Pip Seymour Watercolour Half Pan Carmine Lake Genuine Series 4	£9.60

Pip Seymour Early Watercolours

Naples Yellow, genuine 4 PY 41 Historic lead-stannate pigment. High tinting strength, very opaque. Typical “body” colour when used in watercolour.

Carmine lake, genuine 4 NR 4 Prepared from female Cochineal insects (Origin: Peru). Very intense deep crimson red lake. Very transparent.

Cinnabar, natural vermilion 4 PR 106 Monte Amiata Cinnabar, form the original mine at Abbadia S. Salvatore in Tuscany. Unique hydro-thermal “Strawberry” form mineral. Crushed to 50micron. Slightly grainy. Semi-opaque.

Vermilion, genuine 5 PR 106 Process Vermilion. Solid, opaque. Bright deep tone.

Malachite - genuine 5 PG 39 Bright unique mineral pigment. Copper carbonate. Semi-opaque. Sieved to 50 micron.

Azurite – genuine 6 PB 30 Pure blue mineral pigment (Copper carbonate), Milled in Safflower Oil. Semi-Opaque.

Lapis lazuli – genuine 7 PB 29 (natural ultramarine) South American, pure Lapis lazuli. Semi-transparent.

Lapis lazuli Ashes 5 PB 29 (natural ultramarine) Crushed pale lapis rocks - yields a beautiful soft blue-grey glazing pigment. Sieved to 50 micron.

Hangman’s Lodge Ironstone 2 natural earth Yellow clay from upland Ribblesdale. Semi-transparent. Hand dug in , crushed, sieved and sieved to 50micron.

Oxford Ochre 2 natural earth Hand dug in Oxfordshire, crushed, sieved and sieved to 50micron. Warm-yellow brown tone. Unique hand-processed colour. Semi-transparent.

Plumpton Iron Ore, Cumbria 2 natural earth Hand-dug violet brown iron ore, from old pits near Ulverston in Furness, Cumbria.

Oxford Mudstone (Davy’s Grey) 1 natural earth Hand dug in Oxfordshire, crushed, sieved and sieved to 50micron. Neutral soft grey tone - perfect match for the original 19C Davy’s Grey. Unique hand-processed colour. Semi-transparent.

Payne’s Grey 3 mixed pigments Relates to the original formula (as proposed by the English watercolourist William Payne 1760 - 1830). We use a Blue-Grey Lapis lazuli from Afghanistan, admixed with Oxford Mudstone (Davy’s Grey) and Plumpton Iron Ore.

Honister Pass Green Slate, Cumbria 2 natural earth Deep level metamorphic slate from the Cumbrian mountains. The material is dug from working settling ponds and ground to 50micron. Semi-transparent pale green-grey.

Oxford Bluestone (English Green Earth) 2 natural earth Hand dug in Oxfordshire, crushed, sieved and sieved to 50micron. Deep green-brown tone. Unique hand-processed colour. Transparent.

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