Search results for 'mens'
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Schmincke Norma Set, 8 x 60 ml Tubes, Cardboard Box
£95.00Highest lightfastness. Even drying time and consistency between colours. Maximum concentration of pigments. Learn More -
Sennelier Ink Medium 30 ml
£9.50Shellac based ink medium. Can also be mixed with pigment to create inks. Learn More -
Quinacridone Magenta Pigment
Starting at: £5.50
Quinacridone Magenta Pigment (PR122). Organic pigment. Very transparent. High tinting strength. Excellent Lightfastness. High oil absorption with slow drying rate. Requires wetting agent. Suitable for all media. Developed in the 1950's. Toxicity A/B. Learn More -
Golden Fluid Acrylic 473ml
Starting at: £46.70
Equal the intensity of GOLDEN Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying, staining techniques and many others. Fluids are created by loading an acrylic polymer binder with concentrated levels of quality pigments for a wide selection of permanent and lightfast colors. No fillers or extenders are added to achieve the desired consistency, nor is the fluid quality achieved with additional water. GOLDEN Fluid Acrylics have the same pigment load as the Heavy Body Acrylics, but in a viscosity similar to heavy cream. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Aluminium Ready Stretched Screen
Starting at: £39.00
Pre-stretched aluminium screens. Our screens use the highest quality monofilament polyester mesh and are available in 43T (for fabric), 90T (for paper) and 120T (for finest detail on paper). The mesh appears in different colours, white is for fabric and yellow is for the higher mesh counts, the colour this makes registering with stencils underneath the screen easier. The screen is made of quality aluminium with a profile of 20mm x 30mm x 1.2mm thick. Learn More -
Instacoll Gilding System
Starting at: £6.85
Kölner Instacoll is a two-part system, consisting of a base coat and activator, that can be used on nearly all suitably prepared substrates to create weather-resistant, high gloss interior and exterior gilded surfaces. The Instacoll Tool is a double-ended tool with shaped tips made of elastic rubber, designed for pressing gold and silver transfer leaf into indentations when gilding uneven surfaces. The Instacoll Chiffonnette is an extra soft, lint-free cloth, used for polishing and burnishing surfaces gilded with Instacoll. *PLEASE NOTE - COLOURS OF THESE PRODUCTS MAY VARY SLIGHTLY FROM PRODUCTS PICTURED* Learn More -
Orange Shellac
Starting at: £8.00
Shellac is a natural resin that is deposited by the female lac insect on the branches of trees in India and Thailand. It is soluble with alcohol, but not with mineral spirits or turpentine. It forms a tough yet flexible film, with many applications. It is suitable as a top coat for gilding when applied thinly, a sealant for porous surfaces, an isolating layer for tempera paintings, a base for pigmented inks, a protective layer for collograph plates, and a warm varnish for wooden floors and furniture. As it is prone to darkening with age, it is not recommended as a varnish for oils, and its solubility can reduce over time. There are various grades of shellac. When mixed with alcohol, it may initially form a cloudy mixture, due to traces of wax in the shellac, but this should become clear once it has dried. The highest grades of shellac are Clear Dewaxed Shellac, which has been de-coloured using the carbon filtering method, Lemon Shellac, and Orange Shellac, which are pale in colour. Button Shellac is less refined and therefore produces a reddish varnish. It was, in fact, widely used as a red dye before synthetic dyes became available. Learn More -
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Schmincke AQUA Watercolour Ground, Transparent
Starting at: £16.85
Forms an even, matt, elastic and age-resistant film. Can be overpainted (or tinted beforehand) with watercolours, gouache or acrylic colours. Learn More -
Accurasee Proportional Divider
£15.00A drawing tool for transferring scale. Align your desired subject matter in the small end of the divider and transfer the spacing of the larger end to your drawing surface. Learn More -
Schmincke Horadam Aquarell Set, 12 Half Pans, 6 Whole Pans, Enamelled Metal Box in Leather Case
£135.00Schmincke Horadam Aquarell Set in an enamelled watercolour box with a leather case. 12 half pans: Transparent Orange, Transparent Red Deep, Perylene Violet, Dark Blue, Phthalo Green, Helio Green, Transparent Ochre, Raw Umber, Transparent Sienna, Transparent Umber, Sepia Brown, Perylene Green. 6 whole pans: Pure Yellow, Yellow Orange, Geranium Red, Ruby Red, Ultramarine Finest, Prussian Blue. Learn More -
Indigo Blue Genuine Pigment
Starting at: £8.00
NB1
Genuine Indigo is a natural vegetable pigment derived from the Indigofera Tinctoria plant, which was first imported into Europe from India in the seventeenth century. It replaced woad, which had been grown natively in Europe for its blue dye. The leaves are soaked in water to ferment; upon drying, an oxidised residue forms on the dry leaves, which is removed, washed, boiled in water, and then dried to form cakes of pigment or dye.
Indigo is very transparent, with a good tinting strength. It requires a wetting agent to disperse, and in oil it dries very slowly. It is fugitive to light; this drawback means that it is no longer commonly available in commercial paints. It fell out of general use at the beginning of the seventeenth century, largely replaced by Prussian Blue, and synthetic Indigo was patented in the 1890s. However, it provides a subtle shade of blue that is still desirable in works that are going to be protected from light.
Toxicity: B
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Fabriano Pittura Paper
Starting at: £2.65
400GSM, Woodfree, Acid Free, Natural Grain Surface, High White, Tub and Surface Sized. Learn More -
Unison 8 Portrait Assorted Pastels
£45.60The Unison classic Portrait 8 set, specially selected by John Hersey for portrait painting. Unison Colour Soft pastels allow for ease of use with a highly blendable texture.
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Ivory Black Genuine Pigment
Starting at: £38.00
PBk9
Genuine Ivory Black is produced by burning reclaimed ivory, such as piano keys. These are antique, mainly Victorian pieces, using ivory with started out as hippo or walrus teeth, and offers a higher carbon content and greater tinting strength than modern-day equivalents, which are usually derived from animal bones. It is a particularly slow-drying pigment.
Larger quantities are available by request. While stocks last.
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Schmincke Norma Artists' Oil 120ml
Starting at: £19.50
Genuine artists' pigments with highest possible concentration in linseed and sunflower oils. All colours have outstanding brilliance and highest possible lightfastness. Mainly single pigment colours. Learn More -
Cornelissen Virtual Gift Voucher
£25.00The Cornelissen Virtual Gift Voucher will arrive with the recipient in the form of an email containing a virtual gift code. This code will be emailed immediately after the order is placed. Please see the range of values available below. Vouchers can be redeemed fully or partly and do not expire. Alternatively, please call us on 020 7636 1045 or email info@cornelissen.com to request one of the following:Physical Gift Voucher (a paper voucher with a code for use only in the shop, for any value).
Combination Gift Voucher (a paper voucher with separate codes for use online or in the shop, for the values listed on the website).
If you purchase a Physical or Combination Gift Voucher, this will be sent to you in the post. Learn More -
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Indian Red Pigment
Starting at: £4.60
PR101
Indian Red was imported into the UK during the nineteenth century, its present-day equivalent is a synthetic iron oxide. Its pigment code, PR101, refers to a wide spectrum of synthetic iron oxide pigments including yellows, oranges, reds, violet-browns and green-browns; Indian Red is a slightly cool, bluish shade of red. It is semi-opaque, stable in all media, lightfast, and possesses a good tinting strength
Toxicity: B
Limeproof
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Schmincke Oil Bronze, 50 ml
Starting at: £25.10
For brilliant metal effects on oil paintings. Also suitable for wood, metal and gypsum surfaces. Use with Schmincke Bronze Medium (recipe below). Learn More -
Dragon's Blood Powder
Starting at: £28.10
Dragon's Blood is a natural, resin, mentioned by Pliny in his Natural History. It has a weak tinting strength, and its rich red-colour can be fugitive in direct sunlight. It is fully soluble in alcohol, and can be used to add a warm, transparent tone to spirit varnishes. Also available in lump form.
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Venetian Red Pigment
Starting at: £4.60
Venetian Red Pigment (PR101). Iron oxide and chalk. Semi-transparent and very lightfast. Stable in all media.
Limeproof
Toxicity: B
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Sharpening Stones
Starting at: £14.05
Professional sharpening stones used to hone each blade's cutting power on a variety of different printmaking tools. The Slip Stone is coarse whilst the Arkansas Stone has a very finely abrasive surface, perfect for carefully restoring a dull cutting instrument to its former brightness. These stones can be used to best advantage with a little honing oil. Learn More -
Charbonnel Lamour Black
Starting at: £30.20
Bitumen, turpentine. Covering varnish with hard finish. Recommended for aquatint techniques. Learn More -
Roberson Metallic Oil Sticks
Starting at: £16.40
Artists' quality metallic oil paint sticks for painting & drawing. Non-tarnishing and highly pigmented, these soft paint sticks are made with an unique mix of mica pigments, oils and waxes which generate a solid metal effect. Easy to use alongside regular oil paint. Blend and shade the colours together to make further shades. Treat as oil paint for surface preparation and clean-up. Learn More -
Silverpoint Stylus, Garzone. Renaissance Workshop Materials
£85.00Length 160 mm. For use on prepared paper. Hand-forged in London from silver bullion. Renaissance Workshop Materials are historically authentic drawing materials and tools, which would be recognisable to the artists of Renaissance Europe. Each product is made in the workshop by hand, using historical methods. Each product is borne from the same historical, European craft tradition, as the drawings and artworks from the Renaissance. In the words of the artisan maker, 'We make these materials in order to experience the historical craft and method of drawing in the most authentic way possible.' Learn More -


