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Cornelissen Historical Inks, Iron Oak Gall

Starting at: £9.00

Exclusive to Cornelissen, our intense black Iron Oak Gall Ink is inspired by a medieval recipe using oak galls collected in Cambridgeshire. The small, handmade batches are blended to give the required consistency and strength, and are steeped for several weeks and allowed to mature for several more. Lightfast and fully waterproof 5-7 days after application, Oak Gall Ink has been used for centuries by calligraphers and scribes to create illuminated manuscripts and legal documents. When used on animal skins such as vellum, the acids in the Oak Gall Ink react with collagen, effectively ‘etching’ itself into the surface, hence its permanence. As with all products derived from natural ingredients, there may be slight variations in the colour and consistency of the ink due to seasonal changes. Not Suitable for fountain pens.

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Roberson Gum Ammoniac

Starting at: £14.00

Natural gum size made to a traditional recipe. Gum Ammoniac is useful for gilding in small areas and, more generally, in detailed gilding. Two applications are needed if gilding on absorbent paper. Raised areas can be developed by using several layers and allowing each layer to dry first. Gum Ammoniac can be reactivated by breathing on the gum surface. Gum Ammoniac comes to us from Asia and is increasingly hard to source. Learn More

Kaweco Brass Sport Fountain Pen

Starting at: £80.00

The Kaweco Sport was first designed in 1911 as a pocket fountain pen which could be carried everywhere. It has an octagonal design and an oversized cap. Kaweco Sport fountain pens measure only 10.5 cm when closed, but when the cap is mounted on top of the barrel they become a 13 cm-long, standard-sized pen, hence the slogan: "small in the pocket, large in the hand". The Kaweco BRASS Sport fountain pen is made of solid, untreated, CNC-machined brass, which will age and develop its own unique patina over time unless polished. It is hand assembled in Germany and comes in a Kaweco gift tin. The nib is made in Germany. A standard international ink cartridge is included. Learn More

Cornelissen Slim HB Pencil

£1.50

L. Cornelissen & Son, own brand, slender, HB pencil. Ideal for sketching. Length 18cm Diameter 0.5cm Learn More

Daler Ivory Hardback Sketchbook

Starting at: £13.25

Daler Black Hardback Sketchbook Learn More

STABILO woody Pencils

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Starting at: £2.15

Stabilo woody Pencils Learn More

Agate Burnisher No 27 Series 2

£30.00

Agate Burnisher No 27 Series 2 Learn More

Cobalt Violet Light Pigment

Starting at: £10.00

Cobalt Violet Light Pigment (PV14). Synthetic inorganic pigment. Semi-opaque. Weak tinting strength. Excellent Lightfastness. Fast drying rate. Good for oil and watercolour but not acrylic as pigment 'settles out'. Used since early 1900's. This colour cannot be matched through mixing other colours.

Limeproof

Toxicity: C

Please note, unfortunately we are not able to send this product outside the UK.

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Cornelissen Iconographer's Pigment Set, with Aidan Hart

£38.50

Nine pigments, especially selected for L. Cornelissen & Son by Aidan Hart, renowned icon painter, writer and lecturer. Learn More

Zig Two-Way Glue

Starting at: £2.81

Dual action acrylic glue pen for permanent or temporay bonding. Acid and xylene free. Learn More

Rohrer & Klingner Soft Ground 16g

£17.10

Soft ground is a soft wax mixture for soft ground and cotton ground techniques. The warm ground plate gets coated with suet, which is then wiped off, leaving only a thin film. The soft ground is then applied on the warm plate and spread evenly with a small leather roller. Learn More

Single Row Roulette

£46.00

Single Row Roulette 85 Lines. Ideal for fine details and retouches. Learn More

Charbonnel Duroziez Retouching Ground

£32.90

Charbonnel Duroziez Retouching Etching Ground 250 ml Learn More

Schmincke Masking Fluid

Starting at: £8.65

Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. For direct application with the dispensing bottle. Contains: synthetic resin dispersion without ammonia. Learn More

Schmincke Artists Watercolour 15 ml Tube

Starting at: £12.65

Finest quality watercolours made in Germany. This range offers 139 colours, including 95 single-pigment colours, 3 perylene pigments, 5 quinacridone pigments, and a selection of granulating colours. They present endless mixing possibilities, and can combined with Schmincke's selection of watercolour mediums as well as with their gouache paints. The solid colours are produced by pouring the liquid paint into the pans four times, ensuring the maximum yield for each colour. Also available in half and whole pans and 5ml tubes. Learn More

Saunders Waterford Fat Pads

Starting at: £38.55

Mould-made, 100% cotton, gelatine tub sized, acid free, wire bound short edge. Available in HP, Cold Pressed (NOT) and Rough. 25 sheets per pad for 300gsm and 20 sheets per pad for 425 gsm. Learn More

W&N Professional Watercolour 5ml Tube

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Starting at: £8.25

Water colour, more than any other medium, reflects the unique characteristics of the pigments used and our Professional Water Colours use only the finest pigments, and are known for their brilliance, permanence and strength of colour. Learn More

Schmincke Horadam Supergranulating Set Deep Sea

Starting at: £69.90

Schmincke Horadam Supergranulating Set Deep Sea, 5 x 15ml tubes. Learn More

Talens Indian Ink

Starting at: £33.75

Fine black drawing ink. Very lightfast. For use with brush and technical drawing pen. Waterproof once dry. Learn More

Liquitex Acrylic Gloss Heavy Gel Medium

Starting at: £20.40

Liquitex Acrylic Gloss Heavy Gel Medium Learn More

Japanese Gold 23ct

Starting at: £55.00

Highest quality 23ct gold leaf from Japan. Leaves measure 109×109mm and are approximately 0.1μ～0.2μ in thickness. These Tachikiri (contemporary) leaves are beaten in between glassine paper which leaves a much softer impression on the surface of each leaf, resulting in a slightly shinier finish than the more traditional Enzuke gold leaf. Each pack contains 10 leaves. Learn More

Pro Arte Series 103 Rigger

Starting at: £3.70

Long haired synthetic brush with good colour holding capacity and spring. Very fine point. Learn More

Michael Harding Non Absorbent Acrylic Primer White

Starting at: £21.20

Apply 2 coats. First coat may be applied 25% diluted with water to increase flow and coverage if required. Apply second coat once first coat is touch dry (approx.. 1 hour). This product may be applied to: linen, wood, MDF and other supports to produce a strong, flexible, permanent, highly pigmented white ground. Suitable for as a ground for both acrylic and oil paint. May even be applied over inexpensive standard primed canvases to render them non absorbent! Do not apply over rabbit skin / hide glue or to unsound supports such as cardboard and flimsy supports! Learn More

Gold Leaf Starter Packs

Starting at: £13.70

Gold leaf starter packs - 5 leaf booklets of genuine gold leaf available in 22 ct Yellow gold and 23 3/4 ct Warm gold Learn More

Roberson Pigment Binding Medium

Starting at: £10.70

Add Pigment Binding medium to dry or aqueously dispersed pigment to create acrylic colour. Learn More

Carrageen Moss

Starting at: £51.00

Carrageen Moss is a seaweed that is gathered from the Irish coast, whose natural thickening properties are often exploited by the food industry. It is also used as a size in traditional paper marbling, as it allows colours to float and be manipulated on the surface of the water. Learn More

Transparent Medium

£14.40

Charbonnel Aqua Wash Etching Ink Transparent Medium 60 ml Learn More

Schmincke Transparent Primer 50516

£24.40

Transparent, lightfast and age-resistant primer. Slightly absorbent character and slightly rough surface. The elastic film dries transparent and water-resistant. After drying it can be overworked with pastels, acrylic, gouache and oil colours. However, this primer does not adhere perfectly on other primers so it is not recommended for mixing techniques with water-colours. Learn More

Raw Sienna Pigment

Starting at: £4.00

PBr7

Raw Sienna is a natural earth pigment that dates back to antiquity. Our Raw Sienna comes from areas of Tuscany where the earth has been coloured by iron-rich minerals. It provides a good tinting strength, excellent lightfastness, and a fast to medium drying rate in oil. It is stable in all media but, like umber pigments, can be difficult to disperse in an acrylic binder. It is similar in composition to Yellow Ochre, but whereas Yellow Ochre contains a higher proportion of clay, Raw Sienna contains a higher proportion of silica. As a natural material, the exact colour and qualities of the resultant pigments can vary, but generally this difference creates a paler, more opaque Yellow Ochre, and a darker, more transparent Raw Sienna.

Toxicity: B

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Liquitex Acrylic Gloss Medium and Varnish

Starting at: £20.40

Liquitex Acrylic Gloss Medium and Varnish Learn More

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