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Search results for: 'sable brushes watercolour'

Search results for 'sable brushes watercolour'

Cornelissen Kolinsky Sable Watercolour Filbert

Starting at: £12.30

High quality Kolinsky sable with good spring and pointing characteristics. Very useful for detailed work. Learn More
Cornelissen Series 1 Kolinsky Sable Watercolour Brush

Starting at: £11.10

Made from the highest quality Siberian Kolinsky sable. Golden ferrule with short black polished hexagonal handle. Round watercolour brush. Learn More
Cornelissen Series 80A Kolinsky Sable

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Starting at: £5.90

High quality Kolinsky sable with good spring and pointing characteristics. Very useful for detailed work. Learn More
Cornelissen Series 2 Kolinsky Sable

Starting at: £35.80

Made from the highest quality Siberian Kolinsky sable. Golden ferrule with short black polished hexagonal handle. Flat. Learn More
Cornelissen Red Sable Sketchers Set

£34.10

Cornelissen Red Sable Sketchers Set. Five sable brushes with seamless silver ferrules in sizes 5, 3, 1, 3/0 and 5/0. Complete with a small bar of brush soap for cleaning up. Learn More
Cornelissen One Stroke Sable

Starting at: £8.75

Pure red sable brushes with a high colour holding capacity enabling free flow of colour. The fine edge of this brush provides defined clean cut lines. Learn More
Cornelissen Miniature

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Starting at: £8.90

Extra short haired brush for the discerning miniaturist. Learn More
Cornelissen Series 1855 Sable

£61.00

Cornelissen Series 1855 Sable Brush Size 12. The box contain 1 x Artists' Quality Kolinsky Sable watercolour Brush and a brush soap. Learn More
Cornelissen Series 22 Spotter

Starting at: £7.35

Short haired pure sable brush fo extra control and strength while spotting and retouching. Learn More
Casein Lactic

Starting at: £15.95

Casein is a protein derived from dried milk, which has been used in painting since ancient times. It can be combined with Ammonium Carbonate to form an emulsion, which acts as a durable, non-resoluble binder for pigments, producing a matte, fast-drying paint, similar in appearance to egg tempera. We use casein as a binder for our L. Cornelissen & Son Pigment Colour Charts, as it is a medium that clearly showcases the characteristics and behaviour of each pigment in its pure form. Casein paints can be applied in thin layers to watercolour paper, but would require a more rigid support, such as a gesso panel, to be applied thickly, as the comparative inflexibility of the paint layer means that it can be prone to cracking. Subsequent layers of paint should be more diluted to aid adhesion, and impasto effects are not recommended. It is possible to varnish casein paintings using an acrylic or damar varnish to obtain a glossy surface if desired, although this is not a necessary step. Casein can also be used as an ingredient in gesso, and is a suitable binder for fresco secco techniques.

Some pigments may require a wetting agent in order to fully disperse within the binder, in which case alcohol may be used.
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