Search results for: 'mens'

Fullers Earth

Starting at: £6.30

Fullers Earth is used to remove plant debris and other impurities from cold-pressed linseed oil, as its large particle size and unusual shape attracts unwanted matter and pulls it down, away from the surface of the oil. Our Fullers earth consist sly of Bentonite.

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Caput Mortuum Pigment

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Starting at: £4.50

Caput Mortuum is a transparent, lightfast pigment that is stable in all media. Colours described as Caput Mortuum can vary greatly; our pigment is a soft purple-brown, made from a mixture of natural iron oxides. It is believed that Caput Mortuum has its roots in ancient Egypt, when colour was derived from remains that had been embalmed in asphaltum.

Toxicity B

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Cornelissen Mini Glass Muller and Slabs

Starting at: £24.00

Use Cornelissen Mini Glass Mullers in conjunction with a Cornelissen Glass Slab to make paint efficiently. The sand-blasted texture of the muller and plate helps to push and distribute the pigment throughout the binder quickly. This means less time grinding, more time painting! Learn More

French Chalk

Starting at: £5.50

French Chalk is a term commonly used to describe talcum powder and is also known as talc. This grade is very fine magnesium silicate It is sometimes used as a filler in pastels, to make soft sticks that produce velvety marks as it has a soapy like consistency.

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Golden Ochre Pigment

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Starting at: £4.50

PY43 Golden Ochre is a natural earth pigment, somewhat darker than Yellow Ochre. It is a semi-transparent, lightfast pigment, that is stable in all media. It has a medium to slow drying rate in oil, creating a tough, flexible paint film. Toxicity: B Limeproof Learn More

Liquitex Acrylic Textured and Effects Mediums

Starting at: £20.80

Liquitex Acrylic Textured and Effects Mediums Learn More

Rohrer & Klingner Drawing & Calligraphy Ink 12ml

Starting at: £4.80

Drawing & Calligraphy Ink (series 29 700). Lightfast pigmented acrylic inks in 24 colours. Intermixable with Rohrer’s Antique Drawing Inks. Suitable for brush, dip pen, technical drawing pens greater than 0.35mm and airbrush. Learn More

Roberson Acrylic Gloss Medium

Starting at: £11.20

(Copolymer emulsion) add to pigment to make acrylics. May also be added to prepared acrylic colours to extent them and increase gloss. Learn More

Silverpoint Stylus, Artista. Renaissance Workshop Materials

£195.00

Length 170mm. For use on prepared paper. Hand-forged in London from silver bullion. Renaissance Workshop Materials are historically authentic drawing materials and tools, which would be recognisable to the artists of Renaissance Europe. Each product is made in the workshop by hand, using historical methods. Each product is borne from the same historical, European craft tradition, as the drawings and artworks from the Renaissance. In the words of the artisan maker, 'We make these materials in order to experience the historical craft and method of drawing in the most authentic way possible.' Learn More

Charbonnel Lamour Black Satin

Starting at: £32.90

Bitumen, turpentine, quick drying petroleum, wax. Hard etching ground. Allows long etching time with no risk of scaling. Learn More

Empty Watercolour Pans

Starting at: £0.60

Empty Watercolour Pans Learn More

Gelatine Capsules

Starting at: £5.80

Gelatine Capsules Learn More

Vermilion Imitation Pigment

Starting at: £8.20

Vermilion Imitation Pigment (PR4, PY1, PW21). Organic pigment. Mixture of Studio Red, Hansa Yellow (Azo) and Blanc Fixe. Semi-transparent. Good tinting strength. Good Lightfastness, but prone to fading when mixed strongly with white . Slow drying rate. Requires wetting agent. Suitable for all media. Used since early 20th Century. Toxicity A. Learn More

Artist's Handbook

£30.00

By Pip Seymour. The Artist’s Handbook provides artists with in-depth, practical information on the materials, equipment and skills necessary for all areas of artistic practice. Topics covered include advice on how to select appropriate art materials, including paints, brushes, canvases and drawing materials; techniques for making your own paints, glue, varnishes and paper; advice on how to achieve the best results from both manufactured and hand-made materials; the best methods of storing and preserving finished artworks, and health and safety precautions. 520 pages. Learn More

Schmincke Medium L

Starting at: £9.30

Schmincke Medium L is a jelly-like medium for “soft” painting with oil colours. It improves flow and reduces brush strokes, accelerates drying, increases gloss and transparency. There is no change of the product quality based on the colour change of the raw material alkyd resin. Close immediately after use. Contains: alkyd resin, mineral spirit, siccative. Dosage:10% to 20% maximum. Thinner: Turpentine substitute Learn More

Ammonium Carbonate

Starting at: £9.70

Ammonium Carbonate is a highly Alkaline substance that reacts with the lactic acid present in casein to form a robust binder for tempera paints. It should only be used in a well-ventilated area, please see below for the Material Safety Data Sheet. Learn More

Azure Blue Pigment

Starting at: £12.00

Azure Blue Pigment (PB28). Inorganic pigment made from various aluminium, zinc and cobalt compounds. Semi-opaque. Weak tinting strength. Excellent Lightfastness.

Toxicity: C

Limeproof

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Schmincke Medium W

Starting at: £10.80

Schmincke Medium W is an odourless, jelly-like ("lean") medium for mixing oil colours with water instead of organic solvents such as turpentine or turpentine substitute. It increases gloss and transparency, reduces viscosity and harmonizes the drying process.

Dosage: 50%

Thinner: Water

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Cobalt Violet Dark Pigment

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Starting at: £14.00

Cobalt Violet Dark Pigment (PV14). Synthetic inorganic pigment. Semi-transparent. High tinting strength. Excellent Lightfastness. Low oil absorption with fast drying rate. All media including ceramics. Used since late 19th Century.

Limeproof

Toxicity: C

Please note, unfortunately we are not able to send this product outside the UK.

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Goatskin Vellum

Starting at: £11.15

Medium to thick with a shiny surface. Distinctive 'pebbled' appearance makes it slightly more difficult to write on.

Please note: This is a natural product that has been finished and cut by hand. As such, there may be slight variations in the surface and size of each piece.

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Cornelissen T52100 Professional Press

£3,250.00

Cornelissen Press T52100, Bed size: 52 x 100 cm, Upper Roller Diameter: 157 mm, Lower Roller Diameter: 157mm, Weight: 106 kg. Etching press base: 58 x 63 cm. We offer press demonstrations for this model. Please call Cornelissen for more details. Delivery to your address usually takes up to 4 weeks to UK & EU countries and 6 weeks to USA after the order is placed.

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Schmincke Artists Watercolour 5 ml Tube

Starting at: £6.00

Finest quality watercolours made in Germany. This range offers 139 colours, including 95 single-pigment colours, 3 perylene pigments, 5 quinacridone pigments, and a selection of granulating colours. They present endless mixing possibilities, and can combined with Schmincke's selection of watercolour mediums as well as with their gouache paints. The solid colours are produced by pouring the liquid paint into the pans four times, ensuring the maximum yield for each colour. Also available in half and whole pans and 15ml tubes. Learn More

Rohrer & Klingner Antique Ink

Starting at: £10.20

The Rohrer & Klingner Traditional Ink range provides 18 colours of high luminance and brilliance, suitable for use with dip pens, brushes, fountain pens, and even airbrush devices. They can be used to produce crisp edges or more painterly washes. They have an acrylic resin base, with a high pigment content, and are completely intermixable. They can also be used in conjunction with Rohrer & Klingner's Drawing and Calligraphy range, to create an even more extensive range of tones. Learn More

Ultramarine Blue Dark Pigment

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Starting at: £4.00

PB29

Ultramarine Blue Dark is an artificial mineral pigment that is produced by heating clay, soda, sulphur and coal to high temperatures. Its name comes from outremer, or over-the-sea, as a reference to the highly-prized Lapis Lazuli pigment which had been imported into Europe from Afghanistan since the Middle Ages. First manufactured in France and Germany in 1828, synthetic Ultramarine provided a brilliant and affordable blue to artists, and it remains one of the most popular blues on artists' palettes today.

It is a transparent pigment, with a high tinting strength and excellent lightfastness. It reacts to alkali, therefore it is not suitable for use in lime-fresco; we do offer a Limeproof Ultramarine Blue for this purpose. It is stable in all other media, although it can be tricky to grind in oil. Instead of creating a thick, buttery paste, it can remain stringy and deteriorate when stored in a tube. To correct this, many commercial paint manufacturers include additives and waxes in their recipes; if you intend on grinding your own paint, you could try replacing 10-15% of your Linseed Oil with Poppy Oil to improve the consistency. Ultramine Blue provides a slow-drying, fairly hard paint film, which can tend towards brittleness.

Toxicity: B

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Carmine Red Genuine Pigment

Starting at: £10.00

NR4

Carmine has been used as a dye and pigment since antiquity. Originally derived from the kermes insect, it was replaced by cochineal following the discovery of the Americas. It has a good tinting strength and is very transparent, although it is fugitive to light.

Larger quantities are available by request.

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Schmincke Mussini Artists' Oil 35 ml

Starting at: £11.85

Mussini resin oil colours are based on a Florentine recipe, passed on to the German company Schmincke in 1881, in which excess oil is replaced by natural resins. The result is a balanced range of 101 colours with improved brilliance and lustre especially suited to working in glazes. Learn More

Gum Sandarac

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Starting at: £8.60

Gum Sandarac, derived from a coniferous tree, is available in powdered or lump form. It can be dissolved in alcohol to create a varnish that is suitable as an isolating layer in oil painting and as a traditional top coat for egg tempera. It forms a brittle layer, so is only suitable for use on a rigid support. Another application is as a surface preparation for calligraphy; the ground gum can be dusted across a piece of prepared vellum or paper to create a resist, which shrinks ink strokes slightly, making them appear finer, with crisp edges. Learn More

Raw Sienna Pigment

Starting at: £4.00

PBr7

Raw Sienna is a natural earth pigment that dates back to antiquity. Our Raw Sienna comes from areas of Tuscany where the earth has been coloured by iron-rich minerals. It provides a good tinting strength, excellent lightfastness, and a fast to medium drying rate in oil. It is stable in all media but, like umber pigments, can be difficult to disperse in an acrylic binder. It is similar in composition to Yellow Ochre, but whereas Yellow Ochre contains a higher proportion of clay, Raw Sienna contains a higher proportion of silica. As a natural material, the exact colour and qualities of the resultant pigments can vary, but generally this difference creates a paler, more opaque Yellow Ochre, and a darker, more transparent Raw Sienna.

Toxicity: B

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Swann Morton Scalpel Handle No3

£8.60

Stainless steel handle No 3 compatible with blade shapes 10, 10A, 11, 12 and 15 Learn More

Michael Harding Non Absorbent Acrylic Primer White

Starting at: £21.20

Apply 2 coats. First coat may be applied 25% diluted with water to increase flow and coverage if required. Apply second coat once first coat is touch dry (approx.. 1 hour). This product may be applied to: linen, wood, MDF and other supports to produce a strong, flexible, permanent, highly pigmented white ground. Suitable for as a ground for both acrylic and oil paint. May even be applied over inexpensive standard primed canvases to render them non absorbent! Do not apply over rabbit skin / hide glue or to unsound supports such as cardboard and flimsy supports! Learn More

Search results for 'mens'