Printmaking
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Sosaku Brush 24mm
£11.15Sosaku inking brush for working the pigments and glue paste onto the carved block for printing. These are made from horse hair and are traditionally prepared by splitting and softening the hair on shark-skin or sandpaper before printing. Brushes come in 3 sizes. Learn More -
Sosaku Brush 15mm
£6.50Sosaku inking brush for working the pigments and glue paste onto the carved block for printing. These are made from horse hair and are traditionally prepared by splitting and softening the hair on shark-skin or sandpaper before printing. Brushes come in 3 sizes. Learn More -
Plastic Baren
£7.30Plastic Baren. This is a hard plastic baren 120mm across with dimples over the printing surface. There is no need for a bamboo covering for this baren as with the traditional style and has more durability then the traditional baren due to this. Perfect for those starting mokuhanga. Learn More -
Traditional Sumi Baren
£46.50Traditional Japanese "ba-ren" is the pressing and rubbing tool for printing. The inner coil or "shin" consists of flat strips of bamboo twisted together into strands and then into a long cord. The cord is then coiled onto a backing disk made from either layers of washi paper, carved wood or plastic. Finally a bamboo sheath or "takenokawa" is used as a covering, with rubbing surface for printing one side and a twisted handle for the artist to hold on the other. Over time the outer sheath may need replacing due to wear and friction of printing. Our "sumi" baren is made in the traditional way with a plastic backing disk and has a finer coil. It is 130mm across and is suitable for printing the "key block" and fine details. This baren comes in a presentation box. Replacement bamboo sheaths are available to order specially. Learn More -
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Daler Rowney Block Printing Medium
£16.50Daler Rowney Block Printing Medium 225ml. Create oil based block printing inks by mixing with oil paint. Learn More -
Gamblin Relief Printing Inks 175ml
Starting at: £16.00
Gamblin Relief Inks are formulated for all relief techniques, including woodblock, linocut, monotype, and Solarplate. They contain the right amount of stiffness and tack to hold fine detail yet spread evenly on the block or plate. The palette of ten colors is designed to give artists intense pure pigmented colors straight from the jar, along with a wide range of color mixing capabilities. Gamblin Relief Inks are all bound in the highest quality Burnt Plate Oil. Learn More -
Schmincke Lino Water-based Inks 250ml
Starting at: £21.10
Water based inks for block printing and linocut. Learn More -
Schmincke Lino Water-based Inks 120ml
Starting at: £14.90
Water based inks for block printing and linocut. Learn More -
Schmincke Lino Water-based Inks 35ml
Starting at: £7.75
Water based inks for block printing and linocut. Learn More -
Charbonnel Black Soft Crayon Ink
Starting at: £39.10
Least intense black printing ink for lithography. Learn More -
High Grade Litho Ink
£57.20Charbonnel High Grade Litho Ink 125 grams. Paste drawing ink. Very greasy. For heavily drawn or painted images. Soften with warm water. Learn More -
Rohrer & Klingner Autographic Ink
Starting at: £25.10
Autographic ink is a particularly greasy ink used for drawing in silkscreen or lithography, or as a transfer ink. It can be applied to transference paper, ideally one that is strongly sized with a fine grain, or it can be directly applied to the stone. Learn More -
Rohrer & Klingner Lithographic Inks
Starting at: £17.40
Liquid lithographic ink and solid (tushe) lithographic ink are highly resistant against acids and can be used to draw on stone, aluminium and zinc plates. Uses a highly dispersed pigment that is compounded from shellac, wax and soap. While the liquid ink is suited for complete covering, the tushe ink is excellent for halftones and transitions. * Please note that the Litho Tusche now comes in a cylindrical shape, rather than the rectangular stick photographed. Learn More -
Crocus Powder
Starting at: £8.50
A red amorphous powder consisting of ferric chloride oxide. Used as a colourant for ceramic glazes. Also used in polishing glass, metal, or gems. Also known as jeweller's rouge. Learn More -
Carborundum Powder
Starting at: £11.50
Carborundum Powder. Grid of coarseness: Fine 120/220, Medium 80/120, Coarse 60/80 Learn More -
Asphaltum Powder
Starting at: £14.30
Used in etching grounds and stopping out varnishes. Can be used as a blackish brown colourant but when combined with oil causes wrinkling and cracking. Learn More -
Tallow
Starting at: £34.60
Used in printmaking. Imparts softness and greasiness. An ingredient for producing soft etching ground. Learn More -
Ferric Chloride
Starting at: £15.00
For the etching of plates for printing fine art images in intaglio. Ferric Chloride can be used as a non toxic alternative to nitric acid in the etching process. Suitable for etching most types of metals including copper, zinc, mild steel, aluminium, iron and brass. Learn More -
Roberson Copperplate Reducing Oil
Starting at: £21.90
Printing inks can be made by mixing powdered pigments with copperplate oil. Pour small quantity of oil into well of dry pigment and grind with glass muller untill smooth. Thin oil is then added until mixture has consistency of double cream. Thin, Medium or Thick. Learn More -
Compressed Etching Press Blankets
Starting at: £0.45
Compressed Etching Blankets (Flannel). Finest quality woven blankets used for fronting. 2.5mm (1/8 inch) thickness. Prices per centimeter. Please specify the exact length in centimetres under the quantity box. Learn More -
Swanskin Etching Press Blankets
Starting at: £1.25
Swanskin Etching Blankets. Finest quality Swanskin. 8mm in thickness. Please specify the exact length in centimetres under the quantity box. Learn More -
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Compressed Lithography Sponge
£3.30Cornelissen Compressed Litho Sponge. Designed to keep the litho stone wet during printing. It can be used for preparing printmaking or watercolour paper. Learn More -
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