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  1. Winsor & Newton Granulation Medium

    Winsor & Newton Granulation Medium

    Starting at: £9.25

    Gives granular appearance to add dimension to otherwise flat areas. Learn More

  2. Branded Cross Bars

    Branded Cross Bars

    Starting at: £1.90

    These are useful for bracing a larger frame, and are necessary when one of the dimensions is over 36 inches. Cross bars are notched for overlap from 36 inches, either at the front or back. Please specify which bar arrangement you need. Supplied with wedges. *Please note - prices are for individual bars* Learn More
  3. Schmincke PRIMAcryl 250ml

    Schmincke PRIMAcryl 250ml

    Starting at: £25.30

    ONLY AVAILABLE ONLINE[]. Schmincke PRIMAcryl is a high viscosity premium acrylic range. Artists quality high pigment content gives all the shades a new dimension of brilliance and expressiveness. The titanium white is unparalleled. It's high pigmentation, opacity and cover rate enables incredibly brilliant mixtures. No colour shift between the wet and dry states. High lightfastness level either 4 or 5 stars indicates the quality of these premium acrylic paints. All colours do not yellow and the dried paint layers are durable, flexible and water resistant. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More
  4. Unison Pastels Mini Set, Drawing Half Stick 8

    Unison Pastels Mini Set, Drawing Half Stick 8

    £16.45

    This set resembles a much-loved set from Unison Colour history which was then referred to as Chiaroscuro. A selection of light and shade colours for tonal drawing to encourage a sense of depth and dimension.

    Learn More
  5. Schmincke PRIMAcryl 60ml

    Schmincke PRIMAcryl 60ml

    Starting at: £7.60

    [ONLY AVAILABLE ONLINE] Schmincke PRIMAcryl is a high viscosity premium acrylic range of 84 premium shades. Artists quality high pigment content gives all the shades a new dimension of brilliance and expressiveness. The titanium white is unparalleled. It's high pigmentation, opacity and cover rate enables incredibly brilliant mixtures. No colour shift between the wet and dry states. High lightfastness level either 4 or 5 stars indicates the quality of these premium acrylic paints. All colours do not yellow and the dried paint layers are durable, flexible and water resistant. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More
  6. Schmincke Empty Watercolour Metal Box for 10 x 15 ml Tubes

    Schmincke Empty Watercolour Metal Box for 10 x 15 ml Tubes

    £39.40

    Dimensions: 22.5 x 120 x 23 cm Learn More
  7. Cornelissen Canvas Bag

    Cornelissen Canvas Bag

    £15.00

    Cornelissen canvas bag 3 internal pockets Dimensions H36 x W39 x G12 cm Learn More
  8. Empty Watercolour Metal Box for 12 half pans

    Empty Watercolour Metal Box for 12 half pans

    £10.50

    This unbranded watercolour metal box is the same as the lightweight metal boxes used by most of the major European colour-makers. The back of the box includes a thumb ring. Dimensions: 12.6 x 7 x 1.8cm Learn More
  9. Empty Watercolour Metal Box for 48 Half Pans

    Empty Watercolour Metal Box for 48 Half Pans

    £20.00

    This unbranded watercolour metal box is the same as the lightweight metal boxes used by most of the major European colour-makers. The back of the box includes a thumb ring. Dimensions: 22.8 x 11.3 x 2.3cm Learn More
  10. Empty Watercolour Metal Box for 24 half pans

    Empty Watercolour Metal Box for 24 half pans

    £14.00

    This unbranded watercolour metal box is the same as the lightweight metal boxes used by most of the major European colour-makers. The back of the box includes a thumb ring. Dimensions: 22.2 x 7 x 2cm Learn More
  11. Fabriano Medioevalis Cards and Envelopes

    Fabriano Medioevalis Cards and Envelopes

    Starting at: £4.05

    Hand torn, deckle-edged cards with matching envelopes for invitations and greetings. 260 gsm watercolour type paper. Portrait folded. *PLEASE NOTE: Cards and matching envelopes are grouped A, B, C. Select cards and envelopes from within the same group, A. B, C. The listed card dimensions are for unfolded, flat paper; once folded along the integrated score line, cards fit into corresponding group envelopes. Learn More
  12. Daniel Smith Watercolour Ground Buff Titanium 4oz

    Daniel Smith Watercolour Ground Buff Titanium 4oz

    £10.30

    Buff Titanium is great for value studies and provides a gorgeous, classic-looking surface for work in neutral grays, earthy reds, black and white. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More
  13. Dropping Bottle

    Dropping Bottle

    Starting at: £7.00

    Dropping Bottle Learn More
  14. Whiting

    Whiting

    Starting at: £4.00

    Whiting is powdered Calcium Carbonate, which can be mixed with rabbit skin glue to create a chalk-based ground for oil, tempera, distemper or encaustic painting. Traditionally, whiting was an important ingredient when preparing painting surfaces in the north of Europe, as opposed to gypsum (Calcium Sulphate), which was widely used south of the Alps. Learn More
  15. Schmincke Aqua Granulation Spray 15 ml

    Schmincke Aqua Granulation Spray 15 ml

    £8.55

    Create effects similar to granulation effects in watercolours, with an even paint flow. Learn More
  16. Colophony

    Colophony

    Starting at: £7.30

    Colophony is a by-product of the distillation of turpentine. It is soluble in most solvents, but considered an adulterant in varnishes and paints, as it forms a weak surface that is prone to darkening and cracking. It is, however, a key ingredient in wax-based etching grounds, imparting hardness, and can be used in powdered form (rosin) to make aquatints. Learn More
  17. Burnt Umber Pigment

    Burnt Umber Pigment

    Starting at: £4.00

    PBr7

    Burnt Umber is a natural earth pigment from Italy, composed of iron oxide, manganese, and aluminium silicate. It is a form of Raw Umber that a has undergone a process of calcination, becoming warmer, more transparent and easier to disperse. It has a good tinting strength, and is very lightfast, quick-drying, and stable in all media. In oils it forms a hard, fairly flexible paint film, though it may be difficult to use in acrylic mediums.

    Toxicity: B

    Learn More
  18. Swann Morton Scalpel Handle No4

    Swann Morton Scalpel Handle No4

    £8.60

    Stainless steel handle No 4 compatible with Blade shapes 22, 23, 25 and 26 Learn More
  19. Michael Harding Non Absorbent Acrylic Primer - Colours

    Michael Harding Non Absorbent Acrylic Primer - Colours

    Starting at: £21.20

    Michael Harding Non-Absorbent Acrylic Primer (NAAP) is a versatile product suitable for application on various surfaces, including linen, wood, MDF, and more. It is designed to create a robust, flexible, permanent, and intensely pigmented ground, making it an excellent choice for both acrylic and oil paints. Important Application Guidelines: Support Selection: NAAP should not be applied over surfaces treated with rabbit skin/hide glue or on unsound, flimsy supports such as cardboard. Opt for stable substrates to ensure the primer’s effectiveness. Not a Gesso: Please note that NAAP is a primer, not a gesso. As such, there is no need for additional gessoes, sizes, or other ancillary products when using NAAP. DIRECTIONS: Coat Application: Apply a minimum of two coats of NAAP to your chosen support, ensuring liberal coverage for optimal results. Dilution for Flow: If you desire increased flow, dilute NAAP with a mixture of 1 part water to 4 parts NAAP. This adjustment allows for customization based on your artistic preferences. Second Coat Application: Apply the second coat once the first coat is touch dry, typically after approximately 1 hour. This step contributes to the creation of a well-prepared painting surface. Additional Considerations: Suitable Supports: Do not use Michael Harding Non-Absorbent Acrylic Primer on flimsy or unsound supports. It is crucial to choose a stable and well-prepared surface for priming to ensure the longevity and integrity of your artwork. Canvas Weave Consideration: Avoid using this primer on canvases with a wide weave. The non-absorbent nature of the primer may not be suitable for canvases with a loose or open structure, compromising its effectiveness. Transparency Check: Before application, inspect your canvas material by holding it up to the light. If you can see light passing through the wefts (threads) of the canvas, it is not recommended to use Michael Harding Non-Absorbent Acrylic Primer. Opt for a more appropriate primer based on the transparency of your canvas. Learn More
  20. Schmincke RAPID Medium

    Schmincke RAPID Medium

    Starting at: £10.80

    Accelerates drying. Learn More
  21. Squat & Powder Jars

    Squat & Powder Jars

    Starting at: £0.75

    Squat and Powder Jars in glass and plastic. *Please note, our glass jars are fragile, although they are packed very carefully we cannot guarantee they will arrive safely. Cases of jars are stored offsite, please allow extra time for your order to be processed and dispatched. Learn More
  22. Cadmium Brown Pigment

    Cadmium Brown Pigment

    Starting at: £10.00

    PR108

    Cadmium Brown is a shade of Cadmium Red, a synthetic organic pigment that has been in use since the 1920s. It is formed by heating cadmium sulphide and selenium, the hue is determined by the level of calcination and proportion of selenium. It is very opaque, and lightfast, with a high tinting strength. It absorbs a small amount of oil, and dries very slowly to form a hard, flexible paint film.

    Larger quantities are available by request.  

    Limeproof

    Toxicity: C

    Learn More
  23. Golden Heavy Body Acrylic 236ml

    Golden Heavy Body Acrylic 236ml

    Starting at: £29.40

    The first acrylic colors offered by Golden Acrylic, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More
  24. Natural Beeswax

    Natural Beeswax

    Starting at: £11.20

    Beeswax is derived from melted honeycomb, and is available in two grades. Bleached Beeswax Pellets are white, having been bleached by the sun, and are an appropriate choice for using with pale colours, although they may revert to yellow over time. Natural Beeswax Pellets are yellow in colour, and offer a more flexible structure with a higher resin content. Beeswax has a melting point of 63-66°c, and may turn brown if over-heated. It is the most widely used wax in artists' materials, having a wide range of applications. Please see below for more details.

     

    Learn More
  25. Phthalo Turquoise Pigment

    Phthalo Turquoise Pigment

    Starting at: £17.00

    Phthalo Turquoise Pigment (PB15.3, PG7, PW21). Mixture of Phthalo Green, Phthalo Blue and Blanc Fixe. Transparent. Excellent Lightfastness. Requires wetting agent. Toxicity B Learn More
  26. Cornelissen Pearl Lustre Pigments 100g

    Cornelissen Pearl Lustre Pigments 100g

    Starting at: £12.90

    Pearl Lustre Pigments 100g. Colour swatch on the left indicates colour on a White Background and Colour on a Black Background on the right. Learn More
  27. Roberson Liquid Metal 1Ltr

    Roberson Liquid Metal 1Ltr

    Starting at: £60.30

    Roberson Liquid Metal 1Ltr. Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and wash up with water. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and wash up with water. Coverage is approximately 7 square metres per litre. Two coats are required for most applications but if applied to walls or ceilings with a roller or a brush then three or four coats are recommended. Because of the highly reflective nature of the metallic paint when applying with a roller to a large area apply the paint evenly in long vertical strokes, finishing off the surface by rolling or brushing in one direction, i.e ceiling to floor. This will help to minimise overlapping and create a smooth and even finish. We recommend the use of a professional quality foam roller in order to achieve the best possible finish. When applying with a roller to a large area, apply the paint evenly in long vertical strokes. Finish off the surface by rolling one direction, i.e. ceiling to floor. This will help minimise overlapping and create a smooth, even finish. These paints can also be sprayed and this will produce the best and most consistent finish. To spray Liquid Metal Acrylics, you will need to use HVLP spray equipment with a 1.6mm or 1.8mm nozzle. To ensure proper flow, paint can be thinned with 25-30% water. Learn More
  28. Michael Harding Oil Paint Medium PM1

    Michael Harding Oil Paint Medium PM1

    Starting at: £9.95

    PM1 is a basic paint medium, designed to increase the flow of your oil paints and the gloss and transparency of your paint layers, adding to the depth and beauty of the your pigment colour. The inclusion of linseed stand oil in the recipe of this oil based medium prevents the “yellowing” of your paint film.

    Recommendation: Add 10-20% to your oil colour as you require.

    Learn More
  29. Spinel Black Pigment

    Spinel Black Pigment

    Starting at: £8.00

    Spinel Black, sometimes known as Manganese Ferrite Black, is a synthetic mixed-metal oxide pigment. It provides a deep, cool, transparent black, which dries quickly in oil.

    Toxicity: C

    Learn More
  30. Titanium White Pigment

    Titanium White Pigment

    Starting at: £4.00

    Titanium White, or Titanium Doixide, is an artificial mineral pigment introduced in the 1920s. It is valued for its opacity, good lightfastness, and stability in all media. Its high tinting strength can render it a dominant colour in mixtures. It is very slow drying in oil, and creates a somewhat brittle paint film, though more flexible than Zinc White. Its brightness makes it a popular addition to gesso.

    Toxicity: B

    Learn More

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