Cornelissen
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Kentonomi
£37.00Kentonomi, this chisel is used to cut the traditional Mokuhanga Kento registration mark. This tool is 15mm wide and may be used with a mallet. Learn More -
Hangito 3mm (Right Handed)
£28.00The Hangi-toh is a cutting knife with a bevelled edge. It is used to outline areas to be kept. This is the most useful tool for the Mokuhanga artist. The tool is designed to be held blade down at roughly 90 degree angle with the flat edge of the blade towards line to be kept and the bevelled edge in the area to be carved away. A small amount of pressure is excised by placing thumb over the end of the handle slightly to the left and blade tilted to the right (if you are right handed) so that you may see the blade running down the line as you work, the blade should be guided with the other hand though care is needed not to apply too much pressure. This is the traditional method of holding the tool and, for this reason right and left handed tools are required. (Please note, left handed tools can be ordered by telephone and will take 4-6 weeks to arrive). The blade may be removed and sharpened by slipping off the ferrule. Learn More -
Komasuki 1mm (U Shape)
£31.00The Komasuki is similar to western style “U” gouge tool and comes in a variety of useful sizes. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More -
Komasuki 1.5mm (U Shape)
£31.00The Komasuki is similar to western style “U” gouge tool and comes in a variety of useful sizes. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More -
Komasuki 3mm (U Shape)
£31.00The Komasuki is similar to western style “U” gouge tool and comes in a variety of useful sizes. The handle of the tool is designed to swing open when the ferrule is slipped off so that the blade may be removed for sharpening. Learn More -
Komasuki 6mm (U Shape)
£31.00The Komasuki is similar to western style “U” gouge tool and comes in a variety of useful sizes. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More -
Aisuki 1mm (Chisel Shape)
£28.00The Aisuki is a clearing tool used for clearing waste from the hangito tool. It is a small fan bevelled chisel and is designed to be used low to the wood. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More -
Aisuki 1.5mm (Chisel Shape)
£28.00The Aisuki is a clearing tool used for clearing waste from the hangito tool. It is a small fan bevelled chisel and is designed to be used low to the wood. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More -
Aisuki 3mm (Chisel Shape)
£28.00The Aisuki is a clearing tool used for clearing waste from the hangito tool. It is a small fan bevelled chisel and is designed to be used low to the wood. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More -
Aisuki 4.5mm (Chisel Shape)
£28.00The Aisuki is a clearing tool used for clearing waste from the hangito tool. It is a small fan bevelled chisel and is designed to be used low to the wood. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More -
Japanese Workbench
£14.00Workbench/ Bench hook. An aid to safely carve plywood blocks or lino. Hook over edge of table or bench and place surface to be carved in corner as displayed. Please note workbench does not include plywood block. Learn More -
Gamboge Powder
Starting at: £5.20
Gamboge is a natural tree resin, generally extracted by tapping of Garcinia trees, available as a powder and in the solid "pipe" form. One of the unique features of Pipe Gamboge is that it does not require a binding agent to be used as a paint. Instead, colour can be lifted with a wet brush, as from a watercolour pan. When used as a water colour, it gives a bright transparent golden yellow colour. It is highly transparent, fugitive to light, with a weak tinting strength. The powder can be dissolved in alcohol to colour resin-based varnishes. Gamboge was used from ancient times to dye the clothes and also to make a transparent yellow varnish for the colouring of wood, metals and leather.
Pipe Gamboge is available while stocks last. Larger quantities are available by request.
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Gamboge Pipe Pieces
Starting at: £22.00
Call to Order
Gamboge is a natural tree resin, generally extracted by tapping of Garcinia trees, available as a powder and in the solid "pipe" form. One of the unique features of Pipe Gamboge is that it does not require a binding agent to be used as a paint. Instead, colour can be lifted with a wet brush, as from a watercolour pan. When used as a water colour, it gives a bright transparent golden yellow colour. It is highly transparent, fugitive to light, with a weak tinting strength. The powder can be dissolved in alcohol to colour resin-based varnishes. Gamboge was used from ancient times to dye the clothes and also to make a transparent yellow varnish for the colouring of wood, metals and leather.
Pipe Gamboge is available while stocks last. Larger quantities are available by request.
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Litharge Pigment
Starting at: £8.00
Call to Order
PY46
Litharge is lead monoxide, also known as Massicot. It is an opaque pigment, with a weak tinting strength. Its toxicity and fugitive nature means that it is rarely used as a pigment. Instead, its fast drying time means that it has been used as a siccative in oil mediums. The colour tends to darken in all media, and it is also unstable in its dry form, as the powder can lighten when exposed to air.
Toxicity D Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.
PERMITTED USES Over 18s only. Proof of age required. Restoration of art works and protected buildings when alternatives unsuitable.
IMPORTANT Please refer to the MSDS (Material Safety Data Sheet) below. Dispose of product as hazardous waste.
SHIPPING Please note, we are not able to send this product outside the UK.
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Madder Root Pieces
Starting at: £27.80
NR9
The madder plant was once widely cultivated for the red dye extracted from its roots. Its earliest known use is in ancient Egypt, and there is evidence of its widespread adoption in Europe from the medieval period. Madder Lake, the pigment that is derived from the root, has now largely been replaced by synthetic alizarin pigments, but it is still used as an ingredient in some commercial paints. It provides a very transparent pigment, with a weak tinting strength, which can be used in all lime-free media, although it is very slow-drying in oil. It is fugitive to sunlight, so paintings containing Madder should be stored appropriately, but it remains one of the most lightfast plant-based pigments.
Larger quantities are available by request.
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Carmine Red Genuine Pigment
Starting at: £10.00
NR4
Carmine has been used as a dye and pigment since antiquity. Originally derived from the kermes insect, it was replaced by cochineal following the discovery of the Americas. It has a good tinting strength and is very transparent, although it is fugitive to light.
Larger quantities are available by request.
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Madder Lake Genuine Pigment
Starting at: £10.20
NR9
Madder Lake pigment is derived from dye that has been extracted from the root of the madder plant, and attached to alum as a base. It has largely been replaced by synthetic alizarin pigments, but it is still used as an ingredient in some commercially-available paints. It provides a very transparent pigment, with a weak tinting strength, which can be used in all lime-free media, although it is very slow-drying in oil. It is fugitive to sunlight, so paintings containing Madder should be stored appropriately, but it remains one of the most lightfast plant-based pigments. It requires a wetting agent to aid dispersion.
Larger quantities are available by request
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Cinnabar Pigment
Starting at: £16.00
Call to Order
PR106
Cinnabar, composed of mercuric sulphide, is a mineral pigment found in crusts or veins in sites of volcanic activity. It has good tinting strength and opacity but, like many red pigments, it dries very slowly in oil media. Due to its high toxicity, it is no longer an ingredient in commercial paints, but is a prominent colour in historical palettes. Generally, Cinnabar refers to the natural mineral, while Vermilion refers to the synthetic pigment. Cinnabar has been mined since at least the tenth millennium BC, and used as a painting material, gemstone, and ritual object by many cultures around the globe.
Toxicity D
PERMITTED USES Over 18s only. Proof of age required. Restoration of art works and protected buildings when alternatives unsuitable.
IMPORTANT Please refer to the MSDS (Material Safety Data Sheet) below. Dispose of product as hazardous waste.
SHIPPING Please note, we are not able to send this product outside the UK.
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Rose Madder Genuine Pigment
Starting at: £15.80
NR9 Rose Madder is an alizarin lake pigment made by precipitating dye extracted from madder root onto an inert base. It has largely been replaced by synthetic alizarin pigments, but it is still used as an ingredient in some commercially-available paints. It provides a very transparent pigment, with a weak tinting strength, which can be used in all lime-free media, although it is very slow-drying in oil. It is fugitive to sunlight, so paintings containing Madder should be stored appropriately, but it remains one of the most lightfast plant-based pigments. It requires a wetting agent to aid dispersion. Larger quantities are available by request Learn More -
Vermilion Genuine Pigment
Starting at: £17.00
Call to Order
PR106 Vermilion is an artificial pigment based on mercuric sulphide, which occurs naturally as Cinnabar. The synthetic form contains fewer impurities than Cinnabar, and was in use in China as early as the fourth century. It was present in Europe from the ninth century, and was the most widely used red pigment until the introduction of Cadmium Red in the early twentieth century. It has good tinting strength and opacity but, like many red pigments, it dries very slowly in oil media.Toxicity D
PERMITTED USES Over 18s only. Proof of age required. Restoration of art works and protected buildings when alternatives unsuitable.
IMPORTANT Please refer to the MSDS (Material Safety Data Sheet) below. Dispose of product as hazardous waste.
SHIPPING Please note, we are not able to send this product outside the UK.
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Genuine Malachite Pigment
Starting at: £14.90
Malachite is a naturally occurring copper carbonate, closely related to Azurite. It has a weak tinting strength, is quite opaque, and works best in aqueous media. Larger sizes available on request. Learn More -
Synthetic Malachite Pigment
Starting at: £4.20
Synthetic Malachite is an artificial mineral pigment, copper carbonate, chemically based on Malachite. It has a medium tinting strength and good opacity. Larger sizes available on request Learn More -
Lead Tin Yellow Light Pigment
Starting at: £4.80
Call to Order
Bright yellow first used in the Middle Ages as a replacement for Orpiment. Suitable for oil based media. Larger sizes available. Please ask for quotation.Toxicity D Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.
PERMITTED USES Over 18s only. Proof of age required. Restoration of art works and protected buildings when alternatives unsuitable.
IMPORTANT Please refer to the MSDS (Material Safety Data Sheet) below. Dispose of product as hazardous waste.
SHIPPING Please note, we are not able to send this product outside the UK.
Learn More -
Lead Tin Yellow Dark Pigment
Starting at: £4.80
Call to Order
Lead Tin Yellow Dark Pigment. Larger sizes available. Please ask for quotation.Toxicity D Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.
PERMITTED USES Over 18s only. Proof of age required. Restoration of art works and protected buildings when alternatives unsuitable.
IMPORTANT Please refer to the MSDS (Material Safety Data Sheet) below. Dispose of product as hazardous waste.
SHIPPING Please note, we are not able to send this product outside the UK.
Learn More -
Realgar Pigment
Starting at: £12.75
Call to Order
Realgar, like Orpiment, is sulphide of arsenic, and these two substances are often found in close proximity to each other in nature. Realgar exists in small deposits throughout the world and has been used for its colour since ancient times, although its extreme toxicity means that it has been superseded by cadmiums in modern painting. It is an opaque pigment with poor tinting strength. Larger quantities are available by request.
Toxicity D
PERMITTED USES Over 18s only. Proof of age required. Restoration of art works and protected buildings when alternatives unsuitable.
IMPORTANT Please refer to the MSDS (Material Safety Data Sheet) below. Dispose of product as hazardous waste.
SHIPPING Please note, we are not able to send this product outside the UK.
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Blue Verditer Pigment
Starting at: £7.50
** While stocks last ** Blue Verditer, sometimes referred to as Bremen Blue, is a synthetic form of Azurite, or copper-calcium carbonate. It has a weak tinting strength and is sligtly transparent. It works best in water-based binders, as the acidity of linseed oil can cause discolouration.
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Larger sizes available on request -
Egyptian Blue Pigment
Starting at: £5.90
Egyptian Blue is stable in all media, highly transparent, with a weak tinting strength. A synthetically produced calcium copper silicate, it is considered to be the earliest artificial pigment, dating from antiquity and widely used in ancient Egypt. Larger sizes available on request Learn More -
Verdigris Pigment
Starting at: £4.90
Verdigris is an artificial pigment that dates from antiquity. Originally, it was produced by exposing copper to vinegar; nowadays acetic acid is used. It is acidic, so can contribute to the deterioration of paper supports. For this reason, it is more suited to oil or tempera painting than it is to watercolour. In tempera painting, it should be bound in animal glue or isinglass glue rather than egg york. When used in oil painting it should be held in a resin oil or balsam such as Venice Turpentine, as it can turn brown when ground directly into linseed oil. It is a fast-drying, transparent pigment, with a visible crystalline structure.
Larger quantities are available by request.
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Ivory Black Genuine Pigment
Starting at: £38.00
PBk9
Genuine Ivory Black is produced by burning reclaimed ivory, such as piano keys. These are antique, mainly Victorian pieces, using ivory with started out as hippo or walrus teeth, and offers a higher carbon content and greater tinting strength than modern-day equivalents, which are usually derived from animal bones. It is a particularly slow-drying pigment.
Larger quantities are available by request. While stocks last.
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Smalt Light Pigment
Starting at: £5.20
PB32
Smalt is a kind of cobalt blue glass or frit, and its use as a pigment dates from the 1600s in the glass-making regions of Saxony. We offer two shades, light and dark, which are determined by the particle size of the pigment; the more finely ground the powder, the paler the colour. Before the introduction of Ultramarine Blue, Smalt was available in a wide variety of grades. It is a very transparent pigment, which is easily overwhelmed in mixtures due to its weak tinting strength. It works best in water based media. When ground in oil, it can become almost invisible in dried oil-paint films because its refractive index is so close to that of linseed oil.
Larger quantities are available by request.
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