Cornelissen
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Cornelissen Watercolour Book
Starting at: £13.60
Cornelissen Watercolour Book. 160gsm Rough grain, Acid free hard bound linen cover. Learn More -
Cobalt Turquoise Pigment
Starting at: £18.00
Toxicity: B
Please note, unfortunately we are not able to send this product outside the UK.
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Phthalo Turquoise Pigment
Starting at: £17.00
Phthalo Turquoise Pigment (PB15.3, PG7, PW21). Mixture of Phthalo Green, Phthalo Blue and Blanc Fixe. Transparent. Excellent Lightfastness. Requires wetting agent. Toxicity B Learn More -
Kelmscott
Starting at: £17.00
Specially prepared to give a very smooth surface for painting or calligraphy.
Please note: This is a natural product that has been finished and cut by hand. As such, there may be slight variations in the surface and size of each piece.
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Telescopic Tubes
Starting at: £14.40
Extendable black plastic telescopic tubes for storing and transporting artwork of various sizes. Learn More -
Calf Vellum
Starting at: £15.90
Medium to thick. Both sides useable for writing. Whiter and less translucent than parchment.
Please note: This is a natural product that has been finished and cut by hand. As such, there may be slight variations in the surface and size of each piece.
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Slunk
Starting at: £15.90
Skin of young calves. Very fine and translucent. Requires little or no preparation before writing.
Please note: This is a natural product that has been finished and cut by hand. As such, there may be slight variations in the surface and size of each piece.
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Cerulean Blue Pigment
Starting at: £12.60
PB35
Cerulean Blue is an artificial mineral pigment that is prepared by heating a mixture of Cobalt Chloride and Potassium Stannate. It was first synthesised in the early nineteenth century, becoming more widely used from 1870, when Rowney introduced Coeruleum Blue into their range. It produces a very bright, clear, and unusually opaque blue, hence its name, which is derived from the Latin for "sky-blue", or perhaps "heaven-blue". It has a very low tinting strength meaning that, although it is stable in all media, some artists may choose to bind it in poppy rather than linseed oil, so that the colour isn't affected by the colour of the binder. It creates a fairly flexible paint film, and is a fast-to-medium drying pigment.
Limeproof
Toxicity: B
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Cobalt Violet Dark Pigment
Starting at: £13.90
Cobalt Violet Dark Pigment (PV14). Synthetic inorganic pigment. Semi-transparent. High tinting strength. Excellent Lightfastness. Low oil absorption with fast drying rate. All media including ceramics. Used since late 19th Century.
Limeproof
Toxicity: C
Please note, unfortunately we are not able to send this product outside the UK.
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Cobalt Violet Light Pigment
Starting at: £10.00
Cobalt Violet Light Pigment (PV14). Synthetic inorganic pigment. Semi-opaque. Weak tinting strength. Excellent Lightfastness. Fast drying rate. Good for oil and watercolour but not acrylic as pigment 'settles out'. Used since early 1900's. This colour cannot be matched through mixing other colours.
Limeproof
Toxicity: C
Please note, unfortunately we are not able to send this product outside the UK.
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Roulette Medium Crossed Lines No1
£13.00Roulette Medium Crossed Lines Long handle 10x10 mm. #1 Learn More -
Roulette Coarse Crossed Lines No 7
£13.00Roulette Coarse Crossed Lines Long handle 10x10 mm. #7 Learn More -
Roulette Fine Crossed Lines No 14
£15.00Roulette Fine Crossed Lines Long handle 7,5 x 5 mm. #14 Learn More -
Roulette Crossed Lines Mushroom Handle No 6C
£18.20Roulette Mushroom handle Crossed Lines 20x 15 mm. #6C Learn More -
Carbon Black Pigment
Starting at: £10.80
PBk7
Carbon Black is an inorganic synthetic pigment, created by burning natural gases to form an almost pure carbon. It is semi-transparent, and in oil dries very slowly to a soft, brittle paint film. It requires a wetting agent, and can show in streaks, even when mixed with other colours.
Larger quantities are available by request.
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Calligraphy Cartridge Pad A3
£17.50Calligraphy Cartridge Pad A3. Recommended and developed by Patricia Lovett MBE and with a guide to lettering on the inside cover. 150gsm, 40 sheets. *While stocks last. Learn More -
Flake White Pigment
Starting at: £18.75
Call to Order
PW1
Flake White Pigment, sometimes referred to as Lead White or Cremnitz White, is an artificial mineral pigment, lead carbonate. It is no longer available as a paint, due to its extreme toxicity. For this reason, great care must be taken when handling the dry pigment.
It is not usuable in water-based media, but works well in oils. It creates a flexible paint film that dries quickly. Although opaque, small quantities do not dominate mixtures, and can help slow-drying pigments to dry. For this reason, it has been a popular mixing white historically; in fact, until the mid-19th century, Flake White was the only white pigment available to artists. Although varnishing is generally considered optional for oil paintings, it is recommended for works containing Flake White, as contact with sulphur in the atmosphere can cause it to blacken. It creates a warm white, which can yellow over time when mixed with linseed oil.
Toxicity: D
Permitted uses: Restoration of art works and protected buildings when alternatives unsuitable.
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Orpiment Pigment
Starting at: £12.75
PY39
Orpiment, also called King's Yellow, is a mineral pigment containing naturally occurring sulphide of arsenic. Its high toxicity, and the prevalence of cadmium pigments, means that it is largely obsolete outside the field of restoration. It works best bound in oil or egg tempera, but it is not reliably permanent.
Larger quantities are available by request.
Please note, unfortunately we are not able to send this product outside the UK.
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Cornelissen Historical Inks, French Sepia
Starting at: £11.70
Shellac based. Water resistant when dry. Not suitable for fountain pens. Learn More -
Lino Set with 5 Cutters
£12.70Wooden handle with 5 blades. The blades are pushed into the handle, and removed by using the dowel. The blades are made from hardened steel. The set contains 1 x V blade, 3 x U blades and 1 straight blade. Replacement blades are available for this set. Learn More -
Winsor & Newton All Purpose Varnish Aerosol
Starting at: £18.25
Provides clear, non-removable protection of craftwork. Suitable for a variety of surfaces (wood, metal, paper, modelling materials). Contains: Acrylic resin. High Gloss or Matt. Unable to send overseas. Learn More -
Winsor & Newton Picture Varnish Aerosol
Starting at: £18.25
Aerosol varnish for oil and acrylic paintings. Gloss, Satin or Matt finishes. Contains: Ketone resin, UV blockers. Unable to send overseas. Learn More -
Hing Clamps (per pair)
£16.00Hinge clamps, these are zinc plated aluminium clamps for attaching screens to any surface to create printing bed. Clamp surface is 60mm wide, and will securely hold a frame depth of min: 12mm and max: 45mm. The clamps have counter sunk screw holes 6mm diameter and 30mm a part (centres). Clamp opens up to 90 degrees. Learn More -
Stencil Strip 500ml
£10.00Stencil strip, this is a concentrated organic emulsifying stripper that is made using natural mineral salts. It quickly removes all stencil emulsions and capillary films. Can be diluted up to 1:10 with water. Always wear gloves and avoid contact with eyes. Learn More -
Madder Lake Genuine Pigment
Starting at: £10.20
NR9
Madder Lake pigment is derived from dye that has been extracted from the root of the madder plant, and attached to alum as a base. It has largely been replaced by synthetic alizarin pigments, but it is still used as an ingredient in some commercially-available paints. It provides a very transparent pigment, with a weak tinting strength, which can be used in all lime-free media, although it is very slow-drying in oil. It is fugitive to sunlight, so paintings containing Madder should be stored appropriately, but it remains one of the most lightfast plant-based pigments. It requires a wetting agent to aid dispersion.
Larger quantities are available by request
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Cinnabar Pigment
Starting at: £16.00
PR106
Cinnabar, composed of mercuric sulphide, is a mineral pigment found in crusts or veins in sites of volcanic activity. It has good tinting strength and opacity but, like many red pigments, it dries very slowly in oil media. Due to its high toxicity, it is no longer an ingredient in commercial paints, but is a prominent colour in historical palettes.
Generally, Cinnabar refers to the natural mineral, while Vermilion refers to the synthetic pigment. Cinnabar has been mined since at least the tenth millennium BC, and used as a painting material, gemstone, and ritual object by many cultures around the globe.
Larger sizes available on request.
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Carmine Red Genuine Pigment
Starting at: £10.00
NR4
Carmine has been used as a dye and pigment since antiquity. Originally derived from the kermes insect, it was replaced by cochineal following the discovery of the Americas. It has a good tinting strength and is very transparent, although it is fugitive to light.
Larger quantities are available by request.
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