Click to Hide Notification

Search results for 'GILDING'

Items 151 to 180 of 191 total

per page
Page:
  1. 3
  2. 4
  3. 5
  4. 6
  5. 7

Grid  List 

Set Ascending Direction
  1. Cornelissen 80 Renaissance Gold 22.5 ct

    Cornelissen 80 Renaissance Gold 22.5 ct

    Starting at: £48.00

    Renaissance Gold 22.5 ct, 80 x 80 mm. Book of 25 leaves. Coverage per book is 0.16 m2 (1.69 sq. feet) Learn More
  2. Cornelissen Variegated Metal Leaf 217

    Cornelissen Variegated Metal Leaf 217

    Starting at: £17.00

    Cornelissen Variegated Metal Leaf 217 Learn More
  3. Cornelissen Copper Leaf

    Cornelissen Copper Leaf

    Starting at: £7.80

    Coverage per book of 25 leaves is 0.49 m2 (5.29 sq feet) Learn More
  4. Agate Burnisher No 11 Series 1

    Agate Burnisher No 11 Series 1

    £25.00

    Agate Burnisher No 11 Series 1 Learn More
  5. Roberson Crystal Shellac Varnish

    Roberson Crystal Shellac Varnish

    Starting at: £9.30

    Clear synthetic varnish with superior clarity. Does not discolour gold and silver leaf. Use as a protective coating over gilded surfaces to prevent tarnishing and for sealing gesso prior to gilding. Learn More
  6. Roberson Liquid Metal 500ml

    Roberson Liquid Metal 500ml

    Starting at: £31.80

    Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and water wash up. Prices arranged by volume and series: Volume : Series 1 > Series 2 > Series 3 30ml : £6.80 > £7.80 > £11.60 250ml : £18.00 > £27.60 > £57.30 500ml : £31.80 > £49.30 > £103.90 1L : £58.40 > £89.50 > £194.20 5L : £238.80 > £347.90 > — Learn More
  7. Lascaux Studio Bronze Colours 250ml

    Lascaux Studio Bronze Colours 250ml

    Starting at: £34.40

    Lascaux Studio Bronze Original is a range of brilliant bronze colours made from pure, non-oxidizing metallic bronze for use in design, decoration and architecture. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More
  8. Techniques of Icon and Wall Painting

    Techniques of Icon and Wall Painting

    £40.00

    Techniques of Icon and Wall Painting - Egg Tempera, Fresco, Secco by Aidan Hart. The most comprehensive description to date of the techniques, formulae and history of Icon and Wall Painting. The book is beautifully designed and over its 490 pages, there are 450 coloured images and 180 drawings. Cornelissen materials are included in the text and in the images. Learn More
  9. Roberson Liquid Metal 5Ltr

    Roberson Liquid Metal 5Ltr

    Starting at: £238.80

    Call to Order

    5 Litre containers are not available in the shop, but only as a special order through the website or over the telephone. Prices arranged by volume and series: Volume : Series 1 > Series 2 > Series 3 30ml : £6.80 > £7.80 > £11.60 250ml : £18.00 > £27.60 > £57.30 500ml : £31.80 > £49.30 > £103.90 1L : £58.40 > £89.50 > £194.20 5L : £238.80 > £347.90 > — Learn More
  10. Shepherds Paste Brush

    Shepherds Paste Brush

    Starting at: £11.20

    Soft round domed hog hair. Bound with string instead of metal ferrule (will not rust). Suitable for application of pastes for bookbinding and laying down of gesso. Learn More
  11. HMG B72 Restoration Adhesive

    HMG B72 Restoration Adhesive

    £7.70

    B72 Acrylic Adhesive is touch dry in 3-5 minutes, surface dry in 1 hour and hard dry in around 6 hours. Not having instant grab, fragments can be easily re-adjusted and surplus adhesive removed with acetone, making any joint virtually invisible. It’s ideal for repairs to pottery, wood, metal, glass, ivory and many porous substances. 14ml. Learn More
  12. Roberson Liquid Metal 30ml

    Roberson Liquid Metal 30ml

    Starting at: £6.80

    Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and water wash up. Prices arranged by volume and series: Volume : Series 1 > Series 2 > Series 3 30ml : £6.80 > £7.80 > £11.60 250ml : £18.00 > £27.60 > £57.30 500ml : £31.80 > £49.30 > £103.90 1L : £58.40 > £89.50 > £194.20 5L : £238.80 > £347.90 > — Learn More
  13. Roberson Clear Shellac Varnish

    Roberson Clear Shellac Varnish

    Starting at: £9.40

    Fast drying varnish for metal leaf. May also be used to seal absorbent surfaces prior to sizing. Cellulose based. Clean brushes with methylated spirits. Learn More
  14. Rabbit Skin Glue

    Rabbit Skin Glue

    Starting at: £13.00

    For sizing canvas prior to priming with an oil based primer. Do not use under acrylic primer. Soak overnight in water. Heat in double boiler (do not boil). Ratio water:size 13:1. Use while still warm. Rabbit Skin Glue do not contain any preservatives. 340 - 360 Bloom Learn More

  15. Genuine Malachite Watercolour 1/4 pan

    Genuine Malachite Watercolour 1/4 pan

    £19.01

    Shell gold, so named because it was historically made and stored in a shallow shell such as a mussel shell, consists of finely powdered genuine gold mixed with a variety of gums. It is mixed with a bit of water and applied in the same way as watercolour. After drying for an hour or so, it can be burnished to a soft, beautiful lustre using an agate stone burnishing tool.
    Our Shell gold is used by calligraphers, framers, restorers, iconographers and watercolour artists.
    In recent years our colour range of genuine gold has been extended and genuine Lapis Lazuli and genuine Malachite have also been added. Learn More

  16. Gesso di Bologna

    Gesso di Bologna

    Starting at: £12.00

    Gesso di Bologna is a bright white Calcium Sulphate, or gypsum, from Italy, which can be used as a substitute for whiting in the preparation of gesso. It is ground to a particularly fine powder, which makes it a suitable ground for gilding, as the small size of the particles allows for greater compression when burnishing. Learn More
  17. Gelatine Leaf

    Gelatine Leaf

    Starting at: £5.30

    A pure form of glue from animal tissue. Used for sizing paper. Used in gliding and for weak sizes in isolating layers in tempera painting. Learn More
  18. Cornelissen Squirrel Flat Lacquer

    Cornelissen Squirrel Flat Lacquer

    Starting at: £20.05

    Extra soft brush for varnishing or lacquering. Also useful for watercolour washes. Learn More
  19. Roberson Liquid Metal 1Ltr

    Roberson Liquid Metal 1Ltr

    Starting at: £58.40

    Roberson Liquid Metal 1Ltr. Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and wash up with water. Prices arranged by volume and series: Volume : Series 1 > Series 2 > Series 3 30ml : £6.80 > £7.80 > £11.60 250ml : £18.00 > £27.60 > £57.30 500ml : £31.80 > £49.30 > £103.90 1L : £58.40 > £89.50 > £194.20 5L : £238.80 > £347.90 > — Learn More
  20. Lascaux Studio Bronze Colours 500ml

    Lascaux Studio Bronze Colours 500ml

    Starting at: £53.50

    Lascaux Studio Bronze Original is a range of brilliant bronze colours made from pure, non-oxidizing metallic bronze for use in design, decoration and architecture. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More
  21. Whiting

    Whiting

    Starting at: £4.00

    Whiting is powdered Calcium Carbonate, which can be mixed with rabbit skin glue to create a chalk-based ground for oil, tempera, distemper or encaustic painting. Traditionally, whiting was an important ingredient when preparing painting surfaces in the north of Europe, as opposed to gypsum (Calcium Sulphate), which was widely used south of the Alps. Learn More
  22. Roberson Liquid Metal 250ml

    Roberson Liquid Metal 250ml

    Starting at: £18.00

    Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and water wash up. Prices arranged by volume and series: Volume : Series 1 > Series 2 > Series 3 30ml : £6.80 > £7.80 > £11.60 250ml : £18.00 > £27.60 > £57.30 500ml : £31.80 > £49.30 > £103.90 1L : £58.40 > £89.50 > £194.20 5L : £238.80 > £347.90 > — Learn More
  23. Cornelissen Squirrel Mop

    Cornelissen Squirrel Mop

    Starting at: £21.40

    Traditional high quality soft hair mops with considerable colour carrying capacity. Useful for laying down large washes. Also used by gilders for tamping down gold leaf and for dusting. Learn More
  24. HMG Acrylic Restoration Adhesive

    HMG Acrylic Restoration Adhesive

    £6.00

    HMG Acrylic Restoration Adhesive. Heat and waterproof adhesive for repairs to pottery, wood, porcelain, leather etc. Not suitable for use on rubber. 14ml. Learn More
  25. Genuine Lapis Lazuli Watercolour 1/4 pan

    Genuine Lapis Lazuli Watercolour 1/4 pan

    £19.01

    Shell gold, so named because it was historically made and stored in a shallow shell such as a mussel shell, consists of finely powdered genuine gold mixed with a variety of gums. It is mixed with a bit of water and applied in the same way as watercolour. After drying for an hour or so, it can be burnished to a soft, beautiful lustre using an agate stone burnishing tool.
    Our Shell gold is used by calligraphers, framers, restorers, iconographers and watercolour artists.
    In recent years our colour range of genuine gold has been extended and genuine Lapis Lazuli and genuine Malachite have also been added. Learn More

  26. Glassine

    Glassine

    Starting at: £0.35

    Clear and acid free. For protecting artwork. 40 gsm. Individual sheets available at the shop only. Learn More
  27. Gelatine Capsules

    Gelatine Capsules

    Starting at: £5.80

    Gelatine Capsules Learn More
  28. Cornelissen Ox Flat Lacquer

    Cornelissen Ox Flat Lacquer

    Starting at: £12.90

    Soft but springy hair. For varnishing or lacquering. Also useful for watercolour washes. Learn More
  29. Illumination Gold and Colour Book

    Illumination Gold and Colour Book

    £15.00

    Patricia Lovett is one of the world’s leading authorities on the techniques and practical processes of making mediæval manuscripts. She lectures and teaches all over the world on calligraphy and illumination, and has written about a dozen books on these subjects, as well as producing a DVD – Illumination – Tools, Materials, Techniques, Projects. Patricia has run calligraphy courses as well as those on traditional manuscript gilding and painting techniques, and was awarded an MBE for her services to heritage crafts and calligraphy. This book takes the beginner and those with more experience through step-by-step processes to produce simple and easy projects using cheap metals and modern adhesives, and also to create mediæval miniatures and illuminated scrolls on vellum (animal skin). Learn More
  30. Orange Shellac

    Orange Shellac

    Starting at: £8.00

    Shellac is a natural resin that is deposited by the female lac insect on the branches of trees in India and Thailand. It is soluble with alcohol, but not with mineral spirits or turpentine. It forms a tough yet flexible film, with many applications. It is suitable as a top coat for gilding when applied thinly, a sealant for porous surfaces, an isolating layer for tempera paintings, a base for pigmented inks, a protective layer for collograph plates, and a warm varnish for wooden floors and furniture. As it is prone to darkening with age, it is not recommended as a varnish for oils, and its solubility can reduce over time. There are various grades of shellac. When mixed with alcohol, it may initially form a cloudy mixture, due to traces of wax in the shellac, but this should become clear once it has dried. The highest grades of shellac are Clear Dewaxed Shellac, which has been de-coloured using the carbon filtering method, Lemon Shellac, and Orange Shellac, which are pale in colour. Button Shellac is less refined and therefore produces a reddish varnish. It was, in fact, widely used as a red dye before synthetic dyes became available. Learn More

Items 151 to 180 of 191 total

per page
Page:
  1. 3
  2. 4
  3. 5
  4. 6
  5. 7

Grid  List 

Set Ascending Direction