Click to Hide Notification

Search results for 'yellow pigment'

Items 31 to 43 of 43 total

per page
Page:
  1. 1
  2. 2

Grid  List 

Set Ascending Direction
  1. Aidan Hart Pigment Set

    Aidan Hart Pigment Set

    £38.50

    Aidan Hart Pigment Set. Nine pigment colours especially selected for L. Cornelissen & Son by Aidan Hart, renowned icon painter, writer and lecturer. Ultramarine Blue, Raw Umber, Yellow Ochre Light, Terre Verte, English Red Light, Ivory Black, Warm Ochre, Red Ochre, Titanium White. Learn More
  2. Gamboge Powder

    Gamboge Powder

    Starting at: £5.20

    Gamboge is a natural tree resin, generally extracted by tapping of Garcinia trees, available as a powder and in the solid "pipe" form. One of the unique features of Pipe Gamboge is that it does not require a binding agent to be used as a paint. Instead, colour can be lifted with a wet brush, as from a watercolour pan. When used as a water colour, it gives a bright transparent golden yellow colour. It is highly transparent, fugitive to light, with a weak tinting strength. The powder can be dissolved in alcohol to colour resin-based varnishes. Gamboge was used from ancient times to dye the clothes and also to make a transparent yellow varnish for the colouring of wood, metals and leather.

    Pipe Gamboge is available while stocks last. Larger quantities are available by request.

    Learn More
  3. Golden Ochre Pigment

    Golden Ochre Pigment

    Starting at: £4.50

    PY43 Golden Ochre is a natural earth pigment, somewhat darker than Yellow Ochre. It is a semi-transparent, lightfast pigment, that is stable in all media. It has a medium to slow drying rate in oil, creating a tough, flexible paint film. Toxicity: B Limeproof Learn More
  4. Green Earth Light Pigment

    Green Earth Light Pigment

    Starting at: £4.95

    Green Earth Light Pigment Learn More
  5. Cadmium Green Pigment

    Cadmium Green Pigment

    Starting at: £4.50

    Cadmium Green is an artificial mineral pigment, a mixture of Cobalt and Cadmium Yellow. It is an opaque, lightfast, slow-drying pigment with a high tinting strength.

    Toxicity C

    Learn More
  6. Gamboge Pipe Pieces

    Gamboge Pipe Pieces

    Starting at: £22.00

    Gamboge is a natural tree resin, generally extracted by tapping of Garcinia trees, available as a powder and in the solid "pipe" form. One of the unique features of Pipe Gamboge is that it does not require a binding agent to be used as a paint. Instead, colour can be lifted with a wet brush, as from a watercolour pan. When used as a water colour, it gives a bright transparent golden yellow colour. It is highly transparent, fugitive to light, with a weak tinting strength. The powder can be dissolved in alcohol to colour resin-based varnishes. Gamboge was used from ancient times to dye the clothes and also to make a transparent yellow varnish for the colouring of wood, metals and leather.

    Pipe Gamboge is available while stocks last. Larger quantities are available by request.

    Learn More
  7. Carnauba Wax Yellow

    Carnauba Wax Yellow

    Starting at: £6.50

    Carnauba Wax is the hardest wax commonly used in the production of artists' materials, with a melting point of 83-86°c. It is derived from a tree native to South America, and is available in a natural colour (grey), or a refined colour (pale yellow). Small amounts of carnauba wax are commonly used in both oil painting mediums and encaustic painting, usually in conjunction with beeswax to add toughness, durability and sheen to the paint film. It creates an inflexible surface, so works best on rigid supports such as gesso panels, and it should be noted that it will raise the melting point of encaustic mixtures. It can produce a glossy finish; as such it is used in waxes and polishes for shoes, cars, musical instruments, furniture, and wooden floors, especially when mixed with beeswax and turpentine. Learn More
  8. Vermilion Imitation Pigment

    Vermilion Imitation Pigment

    Starting at: £8.20

    Vermilion Imitation Pigment (PR4, PY1, PW21). Organic pigment. Mixture of Studio Red, Hansa Yellow (Azo) and Blanc Fixe. Semi-transparent. Good tinting strength. Good Lightfastness, but prone to fading when mixed strongly with white . Slow drying rate. Requires wetting agent. Suitable for all media. Used since early 20th Century. Toxicity A. Learn More
  9. Natural Beeswax

    Natural Beeswax

    Starting at: £11.20

    Beeswax is derived from melted honeycomb, and is available in two grades. Bleached Beeswax Pellets are white, having been bleached by the sun, and are an appropriate choice for using with pale colours, although they may revert to yellow over time. Natural Beeswax Pellets are yellow in colour, and offer a more flexible structure with a higher resin content. Beeswax has a melting point of 63-66°c, and may turn brown if over-heated. It is the most widely used wax in artists' materials, having a wide range of applications. Please see below for more details.

     

    Learn More
  10. Carnauba Wax Grey

    Carnauba Wax Grey

    Starting at: £8.40

    Carnauba Wax is the hardest wax commonly used in the production of artists' materials, with a melting point of 83-86°c. It is derived from a tree native to South America, and is available in a natural colour (grey), or a refined colour (pale yellow). Small amounts of carnauba wax are commonly used in both oil painting mediums and encaustic painting, usually in conjunction with beeswax to add toughness, durability and sheen to the paint film. It creates an inflexible surface, so works best on rigid supports such as gesso panels, and it should be noted that it will raise the melting point of encaustic mixtures. It can produce a glossy finish; as such it is used in waxes and polishes for shoes, cars, musical instruments, furniture, and wooden floors, especially when mixed with beeswax and turpentine. Learn More
  11. Bleached Beeswax

    Bleached Beeswax

    Starting at: £12.30

    Beeswax is derived from melted honeycomb, and is available in two grades. Bleached Beeswax Pellets are white, having been bleached by the sun, and are an appropriate choice for using with pale colours, although they may revert to yellow over time. Natural Beeswax Pellets are yellow in colour, and offer a more flexible structure with a higher resin content. Beeswax has a melting point of 63-66°c, and may turn brown if over-heated. It is the most widely used wax in artists' materials, having a wide range of applications. Please see below for more details.

    Learn More
  12. Wild Weld Pigment

    Wild Weld Pigment

    £22.00

    Call to Order

    This lake pigment is made from the seeds, leaves and stem of the weld plant (Reseda Luteola) and for a natural dye based pigment is an incredibly lightfast warm yellow. Weld was used extensively throughout the 1700s -1800s to dye textiles and when mixed with verdigris the resulting grassy shade is known as the historical colour ‘Lincoln’s green’. Weld is a rare pigment to use as the pigment is not featured in many paint ranges due to its availability. Also many pigment suppliers will not have it as part of their offering. This pigment is made by extracting the soluble dye material from the plants and converting it into insoluble pigment, this is known as the leaking process. It comes in a 20 ml glass bottle with cork and wax seal. Learn More
  13. Flake White Pigment

    Flake White Pigment

    Starting at: £18.75

    Call to Order

    PW1

    Flake White Pigment, sometimes referred to as Lead White or Cremnitz White, is an artificial mineral pigment, lead carbonate. It is no longer available as a paint, due to its extreme toxicity. For this reason, great care must be taken when handling the dry pigment.

    It is not usuable in water-based media, but works well in oils. It creates a flexible paint film that dries quickly. Although opaque, small quantities do not dominate mixtures, and can help slow-drying pigments to dry. For this reason, it has been a popular mixing white historically; in fact, until the mid-19th century, Flake White was the only white pigment available to artists. Although varnishing is generally considered optional for oil paintings, it is recommended for works containing Flake White, as contact with sulphur in the atmosphere can cause it to blacken. It creates a warm white, which can yellow over time when mixed with linseed oil.

    Toxicity: D

    Permitted uses: Restoration of art works and protected buildings when alternatives unsuitable.

    Learn More

Items 31 to 43 of 43 total

per page
Page:
  1. 1
  2. 2

Grid  List 

Set Ascending Direction