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  1. London Pigment, Hampshire Grey

    London Pigment, Hampshire Grey

    £30.00

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    Pigment collected from erosion. ****Please note, these pigments are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More
  2. London Pigment, Rotherhithe Orange Pigment

    London Pigment, Rotherhithe Orange Pigment

    £20.00

    Call to Order

    This unique colour is an intense orange oxide that is made from the decay of Victorian pipes mixing with the chalk bed of the infilled docks at Rotherhithe, in south east London. Rotherhithe has a long history as a port, with many shipyards from Elizabethan times until the early 20th century and with working docks until the 1970s, when they began to be infilled due to a decline in imports to Central London. With a fine particle size and transparent quality this pigment would be great for glazing techniques.

    Follow @londonpigment on Instagram for an insight into the stories behind the colours and how she makes them. 

    ****Please note, these pigments are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More
  3. Cobalt Blue Pigment

    Cobalt Blue Pigment

    2 Review(s) | Add Your Review

    Starting at: £6.50

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    PB28

    Cobalt Blue is an artificial mineral pigment, produced by the calcination of cobalt oxide and aluminium oxide. It has been widely used since the early 1800s, following its discovery by the French chemist Thenard at the beginning of the century. The name Cobalt has its roots in the German word Kobold, meaning imp or evil spirit. German miners specifically used this name in the late-Middle Ages, as the presence of Cobalt ore in the mines made the extraction of silver very difficult. They were possibly aware of the toxic properties of the mineral frustrating their efforts.

    Cobalt remains a very popular colour today, and is present in most ranges of paints, being a semi-transparent pigment that is stable in all media. As a watercolour, all cobalt pigments tend to granulate. As an oil paint, it requires less oil content than most other pigments, and dries quite quickly. Like Cerulean Blue, some artists may choose to bind it with poppy oil, to avoid any possible colour changes brought about by the yellowish cast of linseed oil and the pigment's weak tinting strength.

    Limeproof

    Toxicity: C

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