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Schmincke Medium L 180ml
£15.00Schmincke Medium L is a jelly-like medium for “soft” painting with oil colours. It improves flow and reduces brush strokes, accelerates drying, increases gloss and transparency. There is no change of the product quality based on the colour change of the raw material alkyd resin. Shake well and stir – if necessary – before use. Close immediately after use.
Contains: alkyd resin, mineral spirit, siccative.
Dosage:10% to 20% maximum.
Thinner: Turpentine substitute
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Lascaux Studio Bronze Colours 500ml
Starting at: £53.50
Lascaux Studio Bronze Original is a range of brilliant bronze colours made from pure, non-oxidizing metallic bronze for use in design, decoration and architecture. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Winsor & Newton Cold Pressed Linseed Oil
Starting at: £9.20
From the Winsor & Newton website: A slightly yellow oil, which is extracted without the use of heat dries slightly quicker than refined linseed oil. Improves flow. Increases gloss & transparency. Reduces consistency and brushstrokes. Ideal for grinding pigments. Learn More -
Daler-Rowney Alkyd Flow Oil Medium
Starting at: £8.95
Slightly thinner than Alkyd Gel, Daler Rowney Alkyd Flow Medium increases the transparency and flow of oil colour, allowing paint to be brushed out more smoothly. Reduces drying time. Learn More -
Roberson Safflower Oil
Starting at: £7.70
Safflower Oil is light-coloured, making it suitable for grinding pale pigments. It is still sometimes used as a binder for commercially available paints, although due to its very slow drying time it is best reserved for the final layers of a painting. Compared to Linseed oil, Safflower Oil will give a matte finish.
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Cranfield (Spectrum) Linseed Oil Paste
Starting at: £24.65
From the Cranfield website:
An almost transparent painting medium based on refined linseed oil and alumina. It is similar in consistency to Studio Oil Colours in tubes. It does not promote quick drying and may be used to extend oil colours. It can be used in large ratios where the desired effect is to increase yellowing and darkening of pale colours. It will not increase gloss.
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Schmincke Norma Artists' Oil 120ml
Starting at: £18.00
Genuine artists' pigments with highest possible concentration in linseed and sunflower oils. All colours have outstanding brilliance and highest possible lightfastness. Mainly single pigment colours. Learn More -
Roberson Pure Gum Turpentine
Starting at: £8.30
Slightly less refined than rectified spirit of turpentine. Often preferred as constituent of painting mediums. Learn More -
Schmincke Oil Medium N
Starting at: £9.60
This product does not contain turpentine, and can therefore be suitable for artists with allergies.
From the Schmincke website:
A neutral, nearly non-yellowing, painting and thinning medium for oil colours. Suitable for all painting techniques except for early layers on absorbent undergrounds (not lean enough); has a low impact on drying time. For dilution, use terpin (max. 30%). Dosage: 10 to max. 20%. Contains: alkyd and acrylic resin, mineral spirit.
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Roberson Linseed Stand Oil
Starting at: £10.50
Linseed Oil is derived from flax seeds, and appears on our shelves in many guises: Cold Pressed, Refined, Stand Oil, and as a key ingredient in many mediums. It has been appreciated for its drying properties since the Medieval period, and has become the most popular oil used in painting today due to the strong, flexible and glossy film that it creates.
Stand Oil is paler and more viscous than other Linseed Oils, having been heated and kept at temperature to provoke a molecular change. It is not suitable for grinding colours, but it is a very versatile ingredient that can be thinned with turpentine to create a glazing medium or be included in a varnish. Stand Oil is notable for its ability to smooth out brush strokes to create an enamel-like surface.
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Roberson Florentine Medium
Starting at: £10.80
When Roberson Florentine Medium is mixed with oil colour, it is possible to paint freely on textile fabrics, which will stand up to subsequent hand-washing with soap and water. It may also be used when painting with oils on unprepared paper. Learn More -
Liquitex Acrylic Fabric Medium
Starting at: £12.35
Enhances blending, workability, and adhesion of acrylic colours for painting acrylics directly on to fabric. Reduces paint stiffness. No heat setting required. Learn More -
Cornelissen Canada Balsam
Starting at: £39.10
Canada Balsam is an oleoresin, meaning that it is a mixture of essential oils and resin. It comes from the fir tree Abies balsamea, native to Canada and the eastern states of North America. It is notable for its pale colour, clarity and gloss, making it a useful ingredient in recipes for oil-painting mediums.
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Schmincke Mussini Oil Medium 2
Starting at: £9.45
A slow-drying medium that allows for extending the working period, wet-in-wet painting and blending techniques.
From the Schmincke website:
Medium for oil colours rich in oil. Retards drying; allows wet-in-wet painting; its high content of oil and resin improves the gloss and develops a smooth, elastic film. Dosage: 10% to 20% maximum.
ontains: sunflower oil, stand oil, mineral spirit, aldehyde resin
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Gamblin Galkyd Lite Medium
Starting at: £12.00
Galkyd Light is produced by Gamblin. They write:
"Galkyd Lite thins oil colours and increases transparency and gloss. When used in moderation with oil colours, Galkyd Lite will retain brushstrokes. Galkyd Lite is more fluid and less glossy compared to Galkyd. Thin layers will be touch-dry in 24 to 30 hours."
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Michael Harding Artists Oils Bermuda / Tropical Set of 6 40ml
Starting at: £78.00
TROPICAL SET Inspired by Bermuda and Caribbean adventures, Michael Harding created this set to capture the essence of the tropics and natural beauty of the islands. 6 x 40ml tubes. The Tropical set contains: Warm White Yellow Lake Brilliant Pink Phthalocyanine Blue Bright Green Lake Cobalt Teal Learn More -
Schmincke Drying Accelerator for Oils
Starting at: £8.20
From the Schmincke website:
Jelly-like medium for accelerating the drying of oil colours. Preserves consistency and degree of gloss. Dosage: 10% to 30% maximum. Contains: Siccative, stand oil, resin solution, mineral spirit.
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Sennelier 6 Artist Quality Oil Sticks Set
Starting at: £43.96
Set of six artist quality 38ml oil paint bars by Sennelier, includes: Titanium White, Ivory Black, Primary Yellow, Primary Red, Primary Blue, Viridian. Learn More -
Winsor & Newton Refined Linseed Oil
Starting at: £6.85
From the Winsor & Newton website: Our most popular oil. A low viscosity alkali refined oil of pale colour that dries slowly. Reduces oil colour consistency. Increases gloss and transparency. Add to other oils to slow drying. Learn More -
Gamblin Galkyd Gel "G Gel" 150ml
£20.00Galkyd "G" Gel is produced by Gamblin. They say:
"Galkyd Gel is a stiffer gel compared to Neo Megilp that holds thicker, sharper brushmarks and dries more quickly. Galkyd Gel increases transparency of oil colours and creates impasto."
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Cornelissen Walnut Oil
Starting at: £8.20
The introduction of Walnut Oil as a pigment binder is contemporaneous with the emergence of Linseed Oil. Their drying properties have been appreciated since the Middle Ages, and throughout history there is evidence of both oils being used alongside each other within the same painting. In fact, until the sixteenth century, it is believed that Walnut Oil was the preferred binding medium among Italian artists. It is made from mature walnut kernals, offering a pale colour and brilliant gloss. For this reason, it is sometimes chosen as a binder for light colours, as it provides a stronger paint film than Poppy Oil, and faster drying times. However, a paint film made from Walnut Oil will tend to be brittle, so it is more suited to a rigid support rather than canvas.
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Winsor & Newton Art Painting Medium
Starting at: £9.20
From the Winsor & Newton website: A slow drying, gloss medium which is ideal for fine detail work, glazing and smoothly blended areas with no brush marks. Reduces consistency and improves flow. Suitable for oiling out and enriching dull patches. Resistant to yellowing.
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Lascaux Studio Bronze Colours 250ml
Starting at: £34.40
Lascaux Studio Bronze Original is a range of brilliant bronze colours made from pure, non-oxidizing metallic bronze for use in design, decoration and architecture. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Roberson Acrylic Gloss Medium
Starting at: £11.20
(Copolymer emulsion) add to pigment to make acrylics. May also be added to prepared acrylic colours to extent them and increase gloss. Learn More -
Winsor & Newton Thickened Linseed Oil
Starting at: £9.20
From the Winsor & Newton website: A pale refined oil of syrupy consistency which behaves like Linseed Stand Oil but dries quicker and darker. Improves flow and gloss. Increases the durability of paint film. Reduces brushstroke retention. Learn More -
Winsor & Newton Liquin Original
Starting at: £9.20
From the Winsor & Newton website: This reliable favourite is a general purpose semi gloss medium which speeds drying, improves flow and reduces brush stroke retention. Halves the drying time of conventional oil colour (touch dry in 1-6 days depending on colour and film thickness). Resists yellowing. Not suitable as a varnish or final coat. Learn More -
Golden Heavy Body Acrylic 119ml
Starting at: £16.20
The first acrylic colors offered by Golden Acrylic, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and light-fastness. There are no fillers, extenders, opacifiers, toners, or dyes added. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Schmincke Akademie Acrylic 2.5L Tit. White
£80.25Schmincke Akademie Acrylic 2.5L Titanium White Series 1. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Schmincke Norma Artists' Oil 35ml
Starting at: £7.55
Genuine artists' pigments with highest possible concentration in linseed and sunflower oils. All colours have outstanding brilliance and highest possible lightfastness. Mainly single pigment colours. Learn More -
Roberson Poppy Oil
Starting at: £10.20
Poppy Oil is a slightly later addition to the artist's cabinet than Linseed Oil and Walnut Oil. It is generally used as a binder for pale colours, where the warmth of Linseed Oil is not desired. It provides a matte finish and dries very slowly, so we would not advise using it in conjunction with slow-drying pigments or in underpaintings. A paint film produced by Poppy Oil is weaker and softer than that created by Linseed Oil. This is because it contains a smaller percentage of linolenic acid than Linseed Oil; this substance imparts both strength and yellowness to an oil.
Although some of these properties can be perceived as drawbacks, paints made with Poppy Oil generally obtain a "short" or buttery texture without the addition of waxes or other additives, which can be an advantage for certain colours that produce poor consistencies in Linseed oil alone. Sometimes, the addition of a small quantity of Poppy Oil when grinding a tricky or "stringy" pigment in Cold Pressed Linseed Oil can introduce some of benefits of Poppy Oil, without transmitting its negative characteristics.
Paints made with Poppy Oil are particularly suited to "alla prima" working methods, where paint is applied spontaneously. When working in successive layers, Poppy Oil would only be appropriate for the final stages of a painting.
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