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Search results for 'red pigment'

Winsor & Newton Griffin Alkyd Oil Colour

Starting at: £7.15

Artist quality range of 50 colours made from pigments bound in an oil modified alkyd resin. The main advantage of the Griffin Alkyd range is speed of drying - about 24 hours. Ideal for under painting. Compatible with traditional oils. Learn More
Roberson Acrylic Gloss Medium

Starting at: £11.20

(Copolymer emulsion) add to pigment to make acrylics. May also be added to prepared acrylic colours to extent them and increase gloss. Learn More
Schmincke Flake White Hue (Kremser White Tone) 35 ml

£11.80

The lead-free alternative to the toxic original Kremser White. Instead of the toxic pigment Lead White this substitute contains a combination of Titanium White and Zinc White pigments. These pigments are ground in a pure, light safflower oil giving a slightly warm white tone to imitate Lead White. Warm, semi-opaque white tone Lead-free, no toxic ingredients Accelerates drying Improves flow Lower opacity than Titanium White Learn More
Cornelissen Walnut Oil

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Starting at: £8.20

The introduction of Walnut Oil as a pigment binder is contemporaneous with the emergence of Linseed Oil. Their drying properties have been appreciated since the Middle Ages, and throughout history there is evidence of both oils being used alongside each other within the same painting. In fact, until the sixteenth century, it is believed that Walnut Oil was the preferred binding medium among Italian artists. It is made from mature walnut kernals, offering a pale colour and brilliant gloss. For this reason, it is sometimes chosen as a binder for light colours, as it provides a stronger paint film than Poppy Oil, and faster drying times. However, a paint film made from Walnut Oil will tend to be brittle, so it is more suited to a rigid support rather than canvas.
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Schmincke Flake White Hue (Kremser White Tone) 120 ml

£28.80

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The lead-free alternative to the toxic original Kremser White. Instead of the toxic pigment Lead White this substitute contains a combination of Titanium White and Zinc White pigments. These pigments are ground in a pure, light safflower oil giving a slightly warm white tone to imitate Lead White. Warm, semi-opaque white tone Lead-free, no toxic ingredients Accelerates drying Improves flow Lower opacity than Titanium White Learn More