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Search results for 'Red'
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Sealing Wax Mura
Starting at: £2.60
Taper/wick throughout length. Well suited to craft purposes. Assorted colours including Red, Gold, Silver and Blue. Learn More -
Pilot V Pen
Starting at: £5.45
Disposable fountain pen. Medium nib. Pure, smooth liquid ink. Learn More -
Viarco Vintage Red Pencil Box
£9.85Viarco vintage collection. The box contains 12 HB pencils. Learn More -
Pencil Extender
Starting at: £5.75
Wooden pencil extender. Useful artists' accessory in five finishes. Metal part is nickel plated. Length 12cm. Made from FSC-certified wood. Available in Mahogany, Walnut, Black, Red and Green Learn More -
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Winsor & Newton Drawing Inks
Starting at: £4.80
The Winsor & Newton Drawing Inks can be intermixed and diluted with distilled water. Not lightfast (except Black and White). All colours are transparent and water resistant once dry (except Gold & Silver). Learn More -
Pilot G-Tec C4 Microtip Rollerball
Starting at: £4.95
The world's finest rollerball! Extra Fine 0.4mm. Learn More -
Pelikan 4001 Fountain Pen Inks
Starting at: £8.20
Non clogging inks in vivid colours. Suitable for plunger fountain pens. Non waterproof. Learn More -
Schmincke Calligraphy Gouache
Starting at: £10.95
Brilliant and mainly opaque colours specially developed for use in calligraphy. Superfine pigments. Ideal for making inks. Non waterproof. Learn More -
Rohrer & Klingner Antique Ink
Starting at: £10.40
The Rohrer & Klingner Traditional Ink range provides 18 colours of high luminance and brilliance, suitable for use with dip pens, brushes, fountain pens, and even airbrush devices. They can be used to produce crisp edges or more painterly washes. They have an acrylic resin base, with a high pigment content, and are completely intermixable. They can also be used in conjunction with Rohrer & Klingner's Drawing and Calligraphy range, to create an even more extensive range of tones. Learn More -
Japanese Coloured Sumi Ink
Starting at: £10.00
Japanese Coloured Sumi Ink. These coloured sumi inks create vivid shades that can be mixed and used with black sumi stick inks. It is recommended that they be ground using a white grinding stone as opposed to the traditional grey stone. Learn More -
Roberson Silverpoint Drawing Ground
Starting at: £13.00
A natural bone ash primer for paper and card for silverpoint drawing, tinted to a traditional off white or sanguine finish. Learn More -
STABILO CarbOthello Pastel Pencils
Starting at: £1.95
STABILO CarbOthello is a chalk pastel coloured pencil range available in up to 60 colours. With its wonderfully dry and dusty stroke it is just like a chalk pastel in pencil format. It's very popular with artists, art students and people with creative hobbies. Its high pigmentation guarantees great luminosity and opacity as well as colour fastness and colour brilliance especially on dark backgrounds and delicate papers. What's more it can be sharpened to a very fine tip which make it ideal for detail. Colours can be dry mixed and blended which makes colouring more fun and special.
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Faber-Castell Albrecht Durer Watercolour Pencils
Starting at: £2.50
120 lightfast colours with high covering power. Soft and water-soluble, they combine the advantages and applications of classical watercolour paints and coloured pencils. Learn More -
Faber-Castell Polychromos Pencils
Starting at: £2.50
120 lightfast colours with high covering power. The particularly soft waterproof wax leads are smudge resistant but can be dissolved with turpentine. Learn More -
STABILO CarbOthello Pastel Pencil Sets
Starting at: £23.50
STABILO CarbOthello is a chalk pastel coloured pencil range available in up to 60 colours. With its wonderfully dry and dusty stroke it is just like a chalk pastel in pencil format. It's very popular with artists, art students and people with creative hobbies. Its high pigmentation guarantees great luminosity and opacity as well as colour fastness and colour brilliance especially on dark backgrounds and delicate papers. What's more it can be sharpened to a very fine tip which make it ideal for detail. Colours can be dry mixed and blended which makes colouring more fun and special.
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Faber-Castell Albrecht Durer Watercolour Pencil Sets
Starting at: £32.50
Faber-Castell Albrecht Durer Watercolour Pencil Sets (Please note, the Mahogany Box set is to order only, so please allow extra time for delivery) Learn More -
Faber-Castell Polychromos Pencil Sets
Starting at: £32.50
Faber-Castell Polychromos Pencil Sets (Please note, the Mahogany Box set is to order only, so please allow extra time for delivery) Learn More -
24 Watercolour Pencil Set
£26.60Water-soluble coloured pencils in a limited edition set. Learn More -
Faber-Castell PITT Artist Pen Sets
Starting at: £13.00
Faber-Castell Pitt Pen Set of 4 (Super Fine, Fine, Medium, Brush) Learn More -
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Cornelissen Historical Inks, Doomsday
£10.50Our oldest recipe, this high-quality Oak Gall Ink was used by monasteries and the crown in medieval Britain. Initially a medium blue-grey, it darkens to a rich, matte black, slightly warmer in tone than our other Oak Gall Inks. When diluted, beautiful warm red undertones are revealed as a result of the presence of wine within the mixture.
Not suitable for fountain pens. Learn More -
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Cornelissen Historical Inks, Iron Oak Gall
Starting at: £9.00
Exclusive to Cornelissen, our intense black Iron Oak Gall Ink is made to a medieval recipe using oak galls collected in Cambridgeshire. The small, handmade batches are blended to give the required consistency and strength, and are steeped for several weeks and left to ‘mature’ for several more. Lightfast and fully waterproof 5-7 days after application, Oak Gall Ink has been used for centuries by calligraphers and scribes to create illuminated manuscripts and legal documents. When used on animal skins such as vellum, the acids in the Oak Gall Ink react with collagen, effectively ‘etching’ itself into the surface, hence its permanence. As with all products derived from natural ingredients, there may be slight variations in the colour and consistency of the ink due to seasonal changes. Not Suitable for fountain pens.
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Cornelissen Historical Inks, Purple Carmine Ink 30ml
£6.50Purple Carmine is a beautiful, transparent, blue-purple ink, which can be layered up for deeper shades. This colour can create some interesting effects; when diluted, the purple splits into two colours, a red and blue. Due to the use of cochineal in our formula, this ink is not fully lightfast or vegan.
Not suitable for fountain pens. Learn More -
Cornelissen Historical Inks, Walnut
Starting at: £9.00
Made from organic walnut husks collected in Cambridgeshire, this deep brown walnut ink is made to an 18th-century formula. Small batches of the ink are blended to give the required consistency and strength. It has good permanence, but will eventually fade if left in direct sunlight for sustained periods of time, and is not wholly waterproof, but has some staying power, especially on sized watercolour papers. As with all handmade products derived from natural ingredients, there may be slight variations in the colour and consistency as a result of seasonal changes.
Not Suitable for fountain pens. Learn More -
ArtGraf Traditional Tailor Shape Colours
Starting at: £6.60
Inspired by traditional tailor’s chalk block, prepared for drawing and painting. Water soluble and extremely soft, choice of 6 traditional earth colours: sanguine, sepia, dark brown, brown, ochre and carbon black. Learn More -
Schmincke Aerocolour Inks
Starting at: £8.30
A highly concentrated acrylic pigmented colour suitable for drawing pens, calligraphy, brush and airbrush techniques. 36 standard colours and 12 'special effects' colours. Lightfast and waterproof when dry. Glass Jar with dropper. Learn More -
Sennelier Oil Sticks
Starting at: £7.65
Solid artists' quality oil paint sticks. (Ø = 3/4 ; length = 5" ) SENNELIER Extra-Fine Solid Oil Sticks can be used alone or in combination with to oil colours in tubes. The oil stick colours can be used for an entire painting. They are applied directly to any traditional oil-painting support, such as canvas, wood panel or fine art paper. They need the same archival priming (acrylic gesso or oil ground) that oil paint requires. Surfaces: Before use, the surface film of the oil stick must be peeled off. It will form again after a few days of non-use, protecting and conserving the color. The oil sticks must be applied in a thin film application of no more than 1mm thick. Once applied they can be painted over with oil stick or oil paint and if desired be diluted with turpentine. Oil stick Medium, a colorless oil stick, may be used to produce transparent effects and glazes. Once applied, the oil stick surface will dry in 2 to 5 days, depending on the atmospheric conditions Varnishing: If varnishing is desired, you must wait 6 months (as in traditional oil paint) until the colour is completely dry, before giving the painting a final coat of picture varnish. Use a soft brush to varnish so that the oil stick marks are not disturbed. SENNELIER Extra-Fine Solid Oil Stick colours are either opaque (O) or transparent (T) depending on the nature of the pigment in each colour. Oil Sticks do not change during storage and require no special precautions except to be kept away from any source of heat, which could adversely affect the stick. Application Techniques After applying the colour with the point or the edge of the oil stick, colours can be mixed directly on the support using the following methods: • Blending, with brush, finger, or drawing stump. With or without turpentine • Wash-drawing, dilute colours with turpentine or mineral spirit • Retouching, with oil stick, palette knife or brush • Textures, thick application oil stick colour. Retouch with a brush or palette knife •Sgraffito, scratching a layer of fresh paint with a point (brush handle, palette knife, etc.) to reveal the layer below. Sgraffito is related to engraving, and is used not only for revealing the under-layers of paint but also to scratch and clean unsatisfactory parts of the painting •Interior Decoration, on glass, ceramics etc. Use for decorative purposes only Learn More
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