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  1. Roberson Prouts Brown Ink

    Roberson Prouts Brown Ink

    Starting at: £6.40

    Non waterproof, The ink can be used in all types of pens. Learn More
  2. Rohrer & Klingner Antique Ink

    Rohrer & Klingner Antique Ink

    Starting at: £10.20

    The Rohrer & Klingner Traditional Ink range provides 18 colours of high luminance and brilliance, suitable for use with dip pens, brushes, fountain pens, and even airbrush devices. They can be used to produce crisp edges or more painterly washes. They have an acrylic resin base, with a high pigment content, and are completely intermixable. They can also be used in conjunction with Rohrer & Klingner's Drawing and Calligraphy range, to create an even more extensive range of tones. Learn More
  3. Kaweco Ink Cartridges, Pack of 6

    Kaweco Ink Cartridges, Pack of 6

    Starting at: £2.00

    Kaweco ink cartridges are Standard International size. There are 6 cartridges per pack. Learn More
  4. Cornelissen Historical Inks, Jane Austen Ink 30ml

    Cornelissen Historical Inks, Jane Austen Ink 30ml

    £10.50

    This ink is made to the recipe that Jane Austen used to draft her novels. Austen's maid took this formula from Martha Lloyd's book, ‘The House Keeper’. She used good-quality English oak galls, but poorer quality beer than Isaac Newton, and added a little sugar. Her recipe is less stable and turns ‘antique brown’ over a long period of time, while Sir Isaac Newton's remains black. Initially a medium blue-grey, it darkens to a rich matte back, slightly warmer in tone than our regular Oak Gall Ink. It is made in small batches and blended to give the required consistency and strength, and is fully waterproof in 5-7 days. Permanent and lightfast, it has been steeped for several weeks and left to ‘mature’ for several more in the bottle. When used on animal skins such as vellum, the acids in the Oak Gall Ink react with collagen, effectively ‘etching’ itself into the surface, hence its permanence. 

     

    Not suitable for fountain pens. Learn More
  5. Cornelissen Historical Inks,  Sir Isaac Newton Ink 30ml

    Cornelissen Historical Inks, Sir Isaac Newton Ink 30ml

    £10.50

    Formulated to the exact recipe used by Isaac Newton, this ink is completely permanant, as his surving writings attest. Although composed of very similar ingredients to our Jane Austen Ink, we consider Newton's recipe to be superior, as Austen's has browned slightly over time. Initially a medium blue-grey, it darkens to a rich, matte back, which is slightly warmer in tone than our regular Oak Gall Ink. It is made in small batches and blended to give the required consistency and strength, and is fully waterproof in 5-7 days. Permanent and lightfast, it has been steeped for several weeks and left to ‘mature’ for several more in the bottle. When used on animal skins such as vellum, the acids in the Oak Gall Ink react with collagen, effectively ‘etching’ itself into the surface, hence its permanence. 

    Not suitable for fountain pens. Learn More
  6. Cornelissen Historical Inks, Walnut

    Cornelissen Historical Inks, Walnut

    Starting at: £9.00

    Made from organic walnut husks collected in Cambridgeshire, this deep brown walnut ink is made to an 18th-century formula. Small batches of the ink are blended to give the required consistency and strength. It has good permanence, but will eventually fade if left in direct sunlight for sustained periods of time, and is not wholly waterproof, but has some staying power, especially on sized watercolour papers. As with all handmade products derived from natural ingredients, there may be slight variations in the colour and consistency as a result of seasonal changes.

    Not Suitable for fountain pens. Learn More
  7. Winsor & Newton Drawing Inks

    Winsor & Newton Drawing Inks

    Starting at: £4.80

    The Winsor & Newton Drawing Inks can be intermixed and diluted with distilled water. Not lightfast (except Black and White). All colours are transparent and water resistant once dry (except Gold & Silver). Learn More
  8. Pelikan 4001 Fountain Pen Inks

    Pelikan 4001 Fountain Pen Inks

    Starting at: £8.80

    Non clogging inks in vivid colours. Suitable for plunger fountain pens. Non waterproof. Learn More
  9. Schmincke Aerocolour Inks

    Schmincke Aerocolour Inks

    Starting at: £8.30

    A highly concentrated acrylic pigmented colour suitable for drawing pens, calligraphy, brush and airbrush techniques. 36 standard colours and 12 'special effects' colours. Lightfast and waterproof when dry. Glass Jar with dropper. Learn More
  10. London Pigment, Mediaeval Inks Set, 2

    London Pigment, Mediaeval Inks Set, 2

    £35.00

    Purple and Brown Madder Ink Orange Madder Ink Oak Gall Ink Learn More
  11. Van Dyke Crystals

    Van Dyke Crystals

    Starting at: £8.40

    Van Dyke Crystals are a traditional and natural water based wood dye made from walnut husks. They produce a colour ranging from a very light brown to dark brown depending upon concentration. Traditional method for colouring oak, mahogany and walnut. Learn More
  12. Faber-Castell Pitt Brush Pens

    Faber-Castell Pitt Brush Pens

    Starting at: £3.65

    Flexible brush tip. Extremely fade resistant colours made with pigmented drawing ink. Waterproof and PH neutral. Learn More
  13. Faber-Castell Polychromos Pencils

    Faber-Castell Polychromos Pencils

    Starting at: £2.60

    120 lightfast colours with high covering power. The particularly soft waterproof wax leads are smudge resistant but can be dissolved with turpentine. Learn More
  14. Faber-Castell Albrecht Durer Watercolour Pencils

    Faber-Castell Albrecht Durer Watercolour Pencils

    Starting at: £2.60

    120 lightfast colours with high covering power. Soft and water-soluble, they combine the advantages and applications of classical watercolour paints and coloured pencils. Learn More
  15. Pilot G-Tec C4 Microtip Rollerball

    Pilot G-Tec C4 Microtip Rollerball

    Starting at: £4.95

    The world's finest rollerball! Extra Fine 0.4mm. Learn More
  16. Sennelier Oil Sticks

    Sennelier Oil Sticks

    Starting at: £7.65

    Solid artists' quality oil paint sticks. (Ø = 3/4 ; length = 5" ) SENNELIER Extra-Fine Solid Oil Sticks can be used alone or in combination with oil colours in tubes. The oil stick colours can be used for an entire painting. They are applied directly to any traditional oil-painting support, such as canvas, wood panel or fine art paper. They need the same archival priming (acrylic gesso or oil ground) that oil paint requires. Surfaces: Before use, the surface film of the oil stick must be peeled off. It will form again after a few days of non-use, protecting and conserving the colour. The oil sticks must be applied in a thin film application of no more than 1mm thick. Once applied they can be painted over with oil stick or oil paint and if desired be diluted with turpentine. Oil stick Medium, a colourless oil stick, may be used to produce transparent effects and glazes. Once applied, the oil stick surface will dry in 2 to 5 days, depending on the atmospheric conditions Varnishing: If varnishing is desired, you must wait 6 months (as in traditional oil paint) until the colour is completely dry, before giving the painting a final coat of picture varnish. Use a soft brush to varnish so that the oil stick marks are not disturbed. SENNELIER Extra-Fine Solid Oil Stick colours are either opaque (O) or transparent (T) depending on the nature of the pigment in each colour. Oil Sticks do not change during storage and require no special precautions except to be kept away from any source of heat, which could adversely affect the stick. Application Techniques After applying the colour with the point or the edge of the oil stick, colours can be mixed directly on the support using the following methods: • Blending, with brush, finger, or drawing stump. With or without turpentine • Wash-drawing, dilute colours with turpentine or mineral spirit • Retouching, with oil stick, palette knife or brush • Textures, thick application oil stick colour. Retouch with a brush or palette knife •Sgraffito, scratching a layer of fresh paint with a point (brush handle, palette knife, etc.) to reveal the layer below. Sgraffito is related to engraving, and is used not only for revealing the under-layers of paint but also to scratch and clean unsatisfactory parts of the painting •Interior Decoration, on glass, ceramics etc. Use for decorative purposes only Learn More

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