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Items 31 to 45 of 45 total

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  1. Roberson Badger Softener

    Roberson Badger Softener

    Starting at: £40.80

    Roberson Badger Softener Ideal for softening, feathering, marbling or blending oil paints. Also used in glasswork and ceramics. Learn More
  2. Roberson Crystal Shellac Varnish

    Roberson Crystal Shellac Varnish

    Starting at: £10.60

    Clear synthetic varnish with superior clarity. Does not discolour gold and silver leaf. Use as a protective coating over gilded surfaces to prevent tarnishing and for sealing gesso prior to gilding. Learn More
  3. Cornelissen Pointed Quill Writer

    Cornelissen Pointed Quill Writer

    Starting at: £13.60

    Traditional long sable hair with plain wood handles bound in genuine quill. These brushes hold large amounts of colour for long lines and point well for detail. Learn More
  4. Pelikan Nakiplast

    Pelikan Nakiplast

    Starting at: £13.80

    Pelikan Nakiplast modeling clay is soft, pliable high-quality wax dough made with beeswax. Brightly coloured but does not stain hands. Learn More
  5. Orange Shellac

    Orange Shellac

    Starting at: £8.00

    Shellac is a natural resin that is deposited by the female lac insect on the branches of trees in India and Thailand. It is soluble with alcohol, but not with mineral spirits or turpentine. It forms a tough yet flexible film, with many applications. It is suitable as a top coat for gilding when applied thinly, a sealant for porous surfaces, an isolating layer for tempera paintings, a base for pigmented inks, a protective layer for collograph plates, and a warm varnish for wooden floors and furniture. As it is prone to darkening with age, it is not recommended as a varnish for oils, and its solubility can reduce over time. There are various grades of shellac. When mixed with alcohol, it may initially form a cloudy mixture, due to traces of wax in the shellac, but this should become clear once it has dried. The highest grades of shellac are Clear Dewaxed Shellac, which has been de-coloured using the carbon filtering method, Lemon Shellac, and Orange Shellac, which are pale in colour. Button Shellac is less refined and therefore produces a reddish varnish. It was, in fact, widely used as a red dye before synthetic dyes became available. Learn More
  6. Stencil Brushes

    Stencil Brushes

    Starting at: £3.70

    Stencil brushes have stiff hog bristles, ideal for stippling colour through stencils. Stippling ensures the paint is less likely to creep underneath the stencil edge, giving the design a crisp but textured finish. Learn More
  7. Cornelissen Virtual Gift Voucher

    Cornelissen Virtual Gift Voucher

    £25.00

    The Cornelissen Virtual Gift Voucher will arrive with the recipient in the form of an email containing a virtual gift code. This code will be emailed immediately after the order is placed. Please see the range of values available below. Vouchers can be redeemed fully or partly and do not expire.

    Alternatively, please call us on 020 7636 1045 or email info@cornelissen.com to request one of the following:

    Physical Gift Voucher (a paper voucher with a code for use only in the shop, for any value).

    Combination Gift Voucher (a paper voucher with separate codes for use online or in the shop, for the values listed on the website).

    If you purchase a Physical or Combination Gift Voucher, this will be sent to you in the post. Learn More
  8. Gum Copal Manila

    Gum Copal Manila

    Starting at: £6.00

    Gum Copal Manila is derived from the resin of a coniferous tree native to the Philippines. It is not to be confused with other copals, which are the product of fossilised plant materials. It can be dissolved in alcohol to make a spirit varnish, to be used as a substitute for shellac, or as a fixative for pastel and charcoal drawings. Please note, that when used as a fixative it may darken the colour of the image. Learn More
  9. Lefranc Flashe 125 ml

    Lefranc Flashe 125 ml

    Starting at: £13.95

    Flashe vinyl colours, like resin-based acrylic paints, can be diluted with water, dry very quickly and become insoluble once dry providing lasting flexibility and excellent preservation. They have an even matt finish which recalls primitive Italian fresco painting. This makes Flashe the ideal medium for all artworks to be photographed. Also popular for illustration, graphics, comics, model making, fresco and interior mural decoration. Learn More
  10. Roberson Stipplers

    Roberson Stipplers

    Starting at: £26.00

    Roberson Stipplers Use to produce a variety of painted effects. Apply with various pressure into wet glaze or paint reveal speckles of underlying colour, from fine freckles to soft mottling. Can be used to soften areas of colour by swirling the brush to distribute the paint evenly. Learn More
  11. Robersons Dragger 50 mm

    Robersons Dragger 50 mm

    £16.70

    Roberson Dragger 50mm Stiff bristles create textured paint effects. Ideal for faux finishes and distressing surfaces in decorating projects. Learn More
  12. Kolner Classic Caselo Casein Paint 250 ml

    Kolner Classic Caselo Casein Paint 250 ml

    Starting at: £22.40

    Casein-based paint for Gilders, Framers and Decorators. Adheres to most rigid surfaces including furniture, also used as a base coat when gilding on frames. Once dry can be burnished to a soft sheen. Water resistant & non fading. Matt / Satin finish. Learn More
  13. Casein Lactic

    Casein Lactic

    Starting at: £17.80

    Casein is a protein derived from dried milk, which has been used in painting since ancient times. It can be combined with Ammonium Carbonate to form an emulsion, which acts as a durable, non-resoluble binder for pigments, producing a matte, fast-drying paint, similar in appearance to egg tempera. We use casein as a binder for our L. Cornelissen & Son Pigment Colour Charts, as it is a medium that clearly showcases the characteristics and behaviour of each pigment in its pure form. Casein paints can be applied in thin layers to watercolour paper, but would require a more rigid support, such as a gesso panel, to be applied thickly, as the comparative inflexibility of the paint layer means that it can be prone to cracking. Subsequent layers of paint should be more diluted to aid adhesion, and impasto effects are not recommended. It is possible to varnish casein paintings using an acrylic or damar varnish to obtain a glossy surface if desired, although this is not a necessary step. Casein can also be used as an ingredient in gesso, and is a suitable binder for fresco secco techniques.

    Some pigments may require a wetting agent in order to fully disperse within the binder, in which case alcohol may be used.

    Learn More
  14. Clear Dewaxed Shellac

    Clear Dewaxed Shellac

    Starting at: £9.20

    Shellac is a natural resin that is deposited by the female lac insect on the branches of trees in India and Thailand. It is soluble with alcohol, but not with mineral spirits or turpentine. It forms a tough yet flexible film, with many applications. It is suitable as a top coat for gilding when applied thinly, a sealant for porous surfaces, an isolating layer for tempera paintings, a base for pigmented inks, a protective layer for collograph plates, and a warm varnish for wooden floors and furniture. As it is prone to darkening with age, it is not recommended as a varnish for oils, and its solubility can reduce over time. There are various grades of shellac. When mixed with alcohol, it may initially form a cloudy mixture, due to traces of wax in the shellac, but this should become clear once it has dried. The highest grades of shellac are Clear Dewaxed Shellac, which has been de-coloured using the carbon filtering method, Lemon Shellac, and Orange Shellac, which are pale in colour. Button Shellac is less refined and therefore produces a reddish varnish. It was, in fact, widely used as a red dye before synthetic dyes became available. Learn More
  15. Schmincke Flake White Hue (Kremser White Tone) 120 ml

    Schmincke Flake White Hue (Kremser White Tone) 120 ml

    £28.80

    Call to Order

    The lead-free alternative to the toxic original Kremser White. Instead of the toxic pigment Lead White this substitute contains a combination of Titanium White and Zinc White pigments. These pigments are ground in a pure, light safflower oil giving a slightly warm white tone to imitate Lead White. Warm, semi-opaque white tone Lead-free, no toxic ingredients Accelerates drying Improves flow Lower opacity than Titanium White Learn More

Items 31 to 45 of 45 total

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