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  1. Michael Harding Oil Paint Medium PM1

    Michael Harding Oil Paint Medium PM1

    Starting at: £9.95

    PM1 is a basic paint medium, designed to increase the flow of your oil paints and the gloss and transparency of your paint layers, adding to the depth and beauty of the your pigment colour. The inclusion of linseed stand oil in the recipe of this oil based medium prevents the “yellowing” of your paint film.

    Recommendation: Add 10-20% to your oil colour as you require.

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  2. Winsor & Newton Liquin Fine Detail

    Winsor & Newton Liquin Fine Detail

    Starting at: £9.20

    From the Winsor & Newton website: The most fluid of the Liquin family of products, this quick drying, gloss medium is ideal for fine details, glazing and blending, or to produce a smooth surface picture. Speeds drying (touch dry in 1-6 days depending on colour and film thickness).Resists yellowing. Not suitable as a varnish or final coat.

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  3. Winsor & Newton Liquin Original

    Winsor & Newton Liquin Original

    Starting at: £9.20

    From the Winsor & Newton website: This reliable favourite is a general purpose semi gloss medium which speeds drying, improves flow and reduces brush stroke retention. Halves the drying time of conventional oil colour (touch dry in 1-6 days depending on colour and film thickness). Resists yellowing. Not suitable as a varnish or final coat. Learn More
  4. Schmincke Medium W

    Schmincke Medium W

    Starting at: £9.60

    Schmincke Medium W is an odourless, jelly-like ("lean") medium for mixing oil colours with water instead of organic solvents such as turpentine or turpentine substitute. It increases gloss and transparency, reduces viscosity and harmonizes the drying process.

    Dosage: 50%

    Thinner: Water

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  5. Cranfield (Spectrum) Linseed Oil Paste

    Cranfield (Spectrum) Linseed Oil Paste

    Starting at: £24.65

    From the Cranfield website:

    An almost transparent painting medium based on refined linseed oil and alumina. It is similar in consistency to Studio Oil Colours in tubes. It does not promote quick drying and may be used to extend oil colours. It can be used in large ratios where the desired effect is to increase yellowing and darkening of pale colours. It will not increase gloss.

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  6. Winsor & Newton Liquin Light Gel

    Winsor & Newton Liquin Light Gel

    Starting at: £9.20

    From the Winsor & Newton website: This quick drying gloss medium offers a slight gel that brushes out smoothly and is ideal for artists looking for a non-drip effect when mixed with colour. Speeds drying (touch dry in 1-6 days depending on colour and film thickness). Ideal for glazing. Resists yellowing. Not suitable as a varnish or final coat. Learn More
  7. Winsor & Newton Liquin Impasto

    Winsor & Newton Liquin Impasto

    Starting at: £11.65

    From the Winsor & Newton website: A quick drying, semi-gloss medium which thickens slowly and extends tube colour retaining crisp textures brush marks without any visible levelling. Speeds drying (touch dry in 1-6 days depending on colour and film thickness). Resists yellowing. Not suitable as a varnish or final coat.

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  8. Schmincke Oil Medium N

    Schmincke Oil Medium N

    Starting at: £9.60

    This product does not contain turpentine, and can therefore be suitable for artists with allergies.

    From the Schmincke website:

    A neutral, nearly non-yellowing, painting and thinning medium for oil colours. Suitable for all painting techniques except for early layers on absorbent undergrounds (not lean enough); has a low impact on drying time. For dilution, use terpin (max. 30%). Dosage: 10 to max. 20%. Contains: alkyd and acrylic resin, mineral spirit.

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  9. Winsor & Newton Art Painting Medium

    Winsor & Newton Art Painting Medium

    Starting at: £9.20

    From the Winsor & Newton website: A slow drying, gloss medium which is ideal for fine detail work, glazing and smoothly blended areas with no brush marks. Reduces consistency and improves flow. Suitable for oiling out and enriching dull patches. Resistant to yellowing. 

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