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  1. Schmincke Masking Fluid, Clear

    Schmincke Masking Fluid

    Starting at: £8.65

    Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. For direct application with the dispensing bottle. Contains: synthetic resin dispersion without ammonia. Learn More
  2. Manganese Violet Pigment

    Manganese Violet Pigment

    Starting at: £8.50

    PV16

    Manganese Violet is a synthetic organic pigment, discovered in Germany in 1868 and formed by combining manganese chloride, phosphoric acid and ammonium carbonate. It is very lightfast, but sensitive to alkalis and oils. It is semi-opaque and fast-drying, with a low tinting strength and low absorption of oil. 

    Toxicity: C

    Please note, unfortunately we are not able to send this product outside the UK.

    Learn More
  3. Quill Pens

    Quill Pens

    Starting at: £13.00

    Traditional quill pen made from goose and turkey feathers. Cut by hand and cured in hot sand. Learn More
  4. STABILO CarbOthello Pencil Sharpener

    STABILO CarbOthello Pencil Sharpener

    £2.80

    The Stabilo CarbOthello Sharpener is a short cone sharpener with special blade especially designed for high quality coloured pencils like the Stabilo CarbOthello. The special blade will make sure that your pencil is correctly sharpened and won't split the chalk lead.

    Learn More
  5. Pigment Set of 30 Colours

    Pigment Set of 30 Colours

    £130.00

    The perfect introduction to working with pigment, this selection of thirty pigments provides a wide range of colours for the production of paint. Each colour is supplied in a 15ml plastic jar, and the set includes both natural and synthetic colours. Recipes can be found on our homepage, with instructions for making different paints, including watercolour, egg tempera and oil paint. Learn More

  6. Winsor & Newton Series 7 Miniature

    Winsor & Newton Series 7 Miniature

    Starting at: £24.80

    Extra short haired brushes for miniature painting. Kolinsky sable. Learn More

  7. da Vinci Series 418 Squirrel PETIT GRIS PUR Watercolour brush

    da Vinci Series 418 Squirrel PETIT GRIS PUR Watercolour brush

    Starting at: £12.40

    Wash brush, 'French' watercolour brush - Pure blue Russian squirrel hair - In plastic quills - No. 12 in goose quills - Transparent lacquered handles - For wash and watercolour painting on large areas - Finest Russian blue squirrel hair - Extraordinarily high colour absorbing capacity Learn More
  8. Lascaux Studio Bronze Colours 500ml

    Lascaux Studio Bronze Colours 500ml

    Starting at: £53.50

    Lascaux Studio Bronze Original is a range of brilliant bronze colours made from pure, non-oxidizing metallic bronze for use in design, decoration and architecture. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More
  9. Mars Violet Pigment

    Mars Violet Pigment

    Starting at: £4.50

    PR101

    Mars Violet is an artificial mineral pigment. Its pigment code, PR101, refers to a wide spectrum of synthetic iron oxide pigments including yellows, oranges, reds, violet-browns and green-browns, which replace many natural earth colours, to provide pigments without impurities and with great opacity. It has a good tinting strength, is lightfast and stable in all media, and has a medium drying time in oil. Although it is similar to Caput Mortuum and Indian Red, it is less transparent than the former and warmer than the latter.

    Toxicity: B

    Limeproof

    Learn More
  10. Kölner Instacoll Activator

    Instacoll Gilding System

    Starting at: £6.50

    Kölner Instacoll is a two-part system, consisting of a base coat and activator, that can be used on nearly all suitably prepared substrates to create weather-resistant, high gloss interior and exterior gilded surfaces. The Instacoll Tool is a double-ended tool with shaped tips made of elastic rubber, designed for pressing gold and silver transfer leaf into indentations when gilding uneven surfaces. The Instacoll Chiffonnette is an extra soft, lint-free cloth, used for polishing and burnishing surfaces gilded with Instacoll. *PLEASE NOTE - COLOURS OF THESE PRODUCTS MAY VARY SLIGHTLY FROM PRODUCTS PICTURED* Learn More
  11. Artists' Giant Willow Charcoal pictured with ruler for scale

    Artists' Giant Willow Charcoal Stick

    £14.60

    Each stick measures approximately 53cm in length and 35-40 mm in diameter. Learn More
  12. ArtGraf Graphite Tailor shape

    ArtGraf Graphite Tailor shape

    £6.60

    Inspired by traditional tailor’s chalk block, prepared for drawing and painting. Water soluble and extremely soft. Learn More
  13. Ultramarine Blue Dark Pigment

    Ultramarine Blue Dark Pigment

    Starting at: £4.00

    PB29

    Ultramarine Blue Dark is an artificial mineral pigment that is produced by heating clay, soda, sulphur and coal to high temperatures. Its name comes from outremer, or over-the-sea, as a reference to the highly-prized Lapis Lazuli pigment which had been imported into Europe from Afghanistan since the Middle Ages. First manufactured in France and Germany in 1828, synthetic Ultramarine provided a brilliant and affordable blue to artists, and it remains one of the most popular blues on artists' palettes today.

    It is a transparent pigment, with a high tinting strength and excellent lightfastness. It reacts to alkali, therefore it is not suitable for use in lime-fresco; we do offer a Limeproof Ultramarine Blue for this purpose. It is stable in all other media, although it can be tricky to grind in oil. Instead of creating a thick, buttery paste, it can remain stringy and deteriorate when stored in a tube. To correct this, many commercial paint manufacturers include additives and waxes in their recipes; if you intend on grinding your own paint, you could try replacing 10-15% of your Linseed Oil with Poppy Oil to improve the consistency. Ultramine Blue provides a slow-drying, fairly hard paint film, which can tend towards brittleness.

    Toxicity: B

    Learn More
  14. Roberson Safflower Oil

    Roberson Safflower Oil

    Starting at: £6.80

    Safflower Oil is light-coloured, making it suitable for grinding pale pigments. It is still sometimes used as a binder for commercially available paints, although due to its very slow drying time it is best reserved for the final layers of a painting. Compared to Linseed oil, Safflower Oil will give a matte finish.

    Learn More
  15. Pre-lim Metal Cleaner 200 ml

    Pre-Lim Metal Burnisher

    Starting at: £9.85

    A gently abrasive paste for non-scratch cleaning of metals and many sensitive fine-art surfaces. Learn More
  16. Cornelissen T52100 Professional Press

    Cornelissen T52100 Professional Press

    £3,250.00

    Cornelissen Press T52100, Bed size: 52 x 100 cm, Upper Roller Diameter: 157 mm, Lower Roller Diameter: 157mm, Weight: 106 kg. Etching press base: 58 x 63 cm. We offer press demonstrations for this model. Please call Cornelissen for more details. Delivery to your address usually takes up to 4 weeks to UK & EU countries and 6 weeks to USA after the order is placed.

    Learn More
  17. Rohrer & Klingner Transparent Ground Cap

    Rohrer & Klingner Transparent Ground Cap

    £9.50

    Transparent etching ground in cap form is a light-coloured, transparent product for etching plates that already carry sketch which is meant to remain visible under the etching ground. Learn More
  18. da Vinci Series 1222 COLINEO Watercolour brush, rigger

    da Vinci Series 1222 COLINEO Watercolour brush, rigger

    Starting at: £4.80

    COLINEO Rigger, medium length, sharp needle point. - Composition of straight and wavy synthetic fibres in different lengths with extra fine tips, precise point, high elasticity and colour absorption so-called silver ferrule - Handle made of water-resistant, hi-tech multicolour laminated wood - Ideal for watercolour painting - Very similar to Kolinsky Red Sable hair brushes Learn More
  19. Daler Ingres Pastel Pads

    Daler Ingres Pastel Pads

    Starting at: £14.05

    Daler-Rowney Ingres Pastel Paper is a laidline-textured paper presented in 2 pads of colour assortments. The sheets of Ingres Paper are separated by a blank paper allowing the artist to work on the back of one sheet while keeping the work of the next sheet protected. Gridline textured acid-free paper. Cylinder moulded. 160gsm. Provides excellent tooth for pastel work. Learn More
  20. Unison 8 Light Assorted Pastels

    Unison 8 Light Assorted Pastels

    £40.55

    The Unison Light 8 set, specially selected by Unison Colour. This small set contains the essential Light colours from their large range of pastels. Unison Colour Soft pastels allow for ease of use with a highly blendable texture.

    Learn More
  21. Miniatum Ink

    Miniatum Ink

    Starting at: £21.90

    Miniatum size in ink form, for raised calligraphic illumination and fine lines in gold and silver leaf. *PLEASE NOTE - COLOURS OF THESE PRODUCTS MAY VARY SLIGHTLY FROM PRODUCTS PICTURED* Learn More
  22. Professional Gilders Cushion

    Professional Gilders Cushion

    Starting at: £65.00

    L.Cornelissen & Son's Professional Gilders Cushions are handmade in London, using the highest quality materials. Soft, buffed suede nap goatskin stretched over a sturdy mahogany veneer panel, secured with brass tacks and some fitted with a genuine parchment windsheild. Learn More
  23. Japanese Classic Tool Set in Denim Case

    Japanese Classic Tool Set in Denim Case

    £29.00

    Tool set with denim case. Set contains 7pcs, including; 7mm Aisuki (flat), 8mm Hangi-toh (knife), 4mm Aisuki (flat), 6mm Komasuki (U), 3mm Komasuki (U), 4mm Sankatu-toh (V), 10mm Komasuki (U). These are pencil style tools with an imitation wooden handle that is longer when compared to the traditional tools, perfect as an introduction to Mokuhanga printing. Learn More
  24. Pro Arte Series 9 Liner

    Pro Arte Series 9 Liner

    Starting at: £4.35

    Extra long haired synthetic brush for signwriting or lining. Square tip. Learn More
  25. Schmincke Mussini Oil Medium 3

    Schmincke Mussini Oil Medium 3

    Starting at: £9.45

    Highly siccative painting medium. Dries on the palette with 40 minutes. Use sparingly to prevent gloss.

    From the Schmincke website:

    Medium for oil colours rich in resin (“lean”). Accelerates drying; increases gloss and depth; makes the colour layers more resistant. Close immediately after use. Dosage: 10% to 20%.

    Contains: aldehyde resin, mineral spirit, siccative, stand oil.

    Learn More
  26. Canson Mi-Teintes Touch Pads

    Canson Mi-Teintes Touch Pads

    Starting at: £32.00

    350GSM, 12 Sheets, A very finely textured sanded pastel paper with fine grit surface primer, 3 sheets each of the 4 colours Cream (407), Flannel Gray (122), Sepia (133) and Black (425). Learn More
  27. Laponite ®

    Laponite ®

    Starting at: £34.40

    For cleaning marble. Mix with water to thick paste. LAPONITE® is a registered trademark of BYK Additives Ltd Learn More
  28. Cobalt Green Deep Pigment

    Cobalt Green Deep Pigment

    Starting at: £9.20

    PG19

    Cobalt Green is a synthetic pigment that consists of compounds of cobalt and zinc oxides. It is sometimes referred to as Rinman's Green, after the Swedish chemist who discovered it in the late-18th century. It is a permanent, opaque colour, with a weak tinting strength. It dries quite quickly in oil, requiring a high oil content and  forming a hard, fairly fleixible paint film. Cobalt Green is available in light and dark shades; the colour is determined by the amount of zinc oxide present.

    Toxicity: B

    Please note, unfortunately we are not able to send this product outside the UK.

    Learn More
  29. Schmincke Calligraphy Gouache Set

    Schmincke Calligraphy Gouache Set

    £115.00

    Wooden box containing 12 x 20ml tubes of Schmincke Calligraphy Gouache. Learn More
  30. Cornelissen Historical Inks,  Sir Isaac Newton Ink 30ml

    Cornelissen Historical Inks, Sir Isaac Newton Ink 30ml

    £10.50

    Formulated to the exact recipe used by Isaac Newton, this ink is completely permanant, as his surving writings attest. Although composed of very similar ingredients to our Jane Austen Ink, we consider Newton's recipe to be superior, as Austen's has browned slightly over time. Initially a medium blue-grey, it darkens to a rich, matte back, which is slightly warmer in tone than our regular Oak Gall Ink. It is made in small batches and blended to give the required consistency and strength, and is fully waterproof in 5-7 days. Permanent and lightfast, it has been steeped for several weeks and left to ‘mature’ for several more in the bottle. When used on animal skins such as vellum, the acids in the Oak Gall Ink react with collagen, effectively ‘etching’ itself into the surface, hence its permanence. 

    Not suitable for fountain pens. Learn More

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