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  1. Seccotine 30 ml

    Seccotine 30 ml

    £8.50

    Refined liquid fish glue for use as a size for gilding on paper. It can also be used as a glue for paper and as a binder in gesso for raised illumination. Seccotine is made from the skin of the Atlantic deep sea cod fish. It remains flexible after drying.

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  2. Roberson PVA

    Roberson PVA

    Starting at: £12.60

    PVA mixes with pigments to make glossy acrylic colours or an easy colour wash for walls. Also suitable as an adhesive. Learn More
  3. Winsor & Newton All Purpose Varnish Aerosol

    Winsor & Newton All Purpose Varnish Aerosol

    Starting at: £18.25

    Provides clear, non-removable protection of craftwork. Suitable for a variety of surfaces (wood, metal, paper, modelling materials). Contains: Acrylic resin. High Gloss or Matt. Unable to send overseas. Learn More
  4. Casein Lactic

    Casein Lactic

    Starting at: £15.95

    Casein is a protein derived from dried milk, which has been used in painting since ancient times. It can be combined with Ammonium Carbonate to form an emulsion, which acts as a durable, non-resoluble binder for pigments, producing a matte, fast-drying paint, similar in appearance to egg tempera. We use casein as a binder for our L. Cornelissen & Son Pigment Colour Charts, as it is a medium that clearly showcases the characteristics and behaviour of each pigment in its pure form. Casein paints can be applied in thin layers to watercolour paper, but would require a more rigid support, such as a gesso panel, to be applied thickly, as the comparative inflexibility of the paint layer means that it can be prone to cracking. Subsequent layers of paint should be more diluted to aid adhesion, and impasto effects are not recommended. It is possible to varnish casein paintings using an acrylic or damar varnish to obtain a glossy surface if desired, although this is not a necessary step. Casein can also be used as an ingredient in gesso, and is a suitable binder for fresco secco techniques.

    Some pigments may require a wetting agent in order to fully disperse within the binder, in which case alcohol may be used.

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  5. Japanese Gold 14,3ct

    Japanese Gold 14,3ct

    Starting at: £48.00

    Highest quality 14,3ct gold leaf from Japan. Leaves measure 109×109mm and are approximately 0.1μ~0.2μ in thickness. These Tachikiri (contemporary) leaves are beaten in between glassine paper which leaves a much softer impression on the surface of each leaf, resulting in a slightly shinier finish than the more traditional Enzuke gold leaf. Each pack contains 10 leaves. Learn More
  6. Roberson Turks Aquarella

    Roberson Turks Aquarella

    Starting at: £21.50

    For watercolour painting on paper, ivorine, terracotta, wood and fabric. Sizing not needed. Prevents the running of colours, even on open weave fabrics. Learn More
  7. Gelatine Leaf

    Gelatine Leaf

    Starting at: £5.30

    A pure form of glue from animal tissue. Used for sizing paper. Used in gliding and for weak sizes in isolating layers in tempera painting. Learn More
  8. Sosaku Brush 24mm

    Sosaku Brush 24mm

    £11.15

    Sosaku inking brush for working the pigments and glue paste onto the carved block for printing. These are made from horse hair and are traditionally prepared by splitting and softening the hair on shark-skin or sandpaper before printing. Brushes come in 3 sizes. Learn More
  9. Verdigris Pigment

    Verdigris Pigment

    Starting at: £4.90

    Verdigris is an artificial pigment that dates from antiquity. Originally, it was produced by exposing copper to vinegar; nowadays acetic acid is used. It is acidic, so can contribute to the deterioration of paper supports. For this reason, it is more suited to oil or tempera painting than it is to watercolour. In tempera painting, it should be bound in animal glue or isinglass glue rather than egg york. When used in oil painting it should be held in a resin oil or balsam such as Venice Turpentine, as it can turn brown when ground directly into linseed oil. It is a fast-drying, transparent pigment, with a visible crystalline structure. 

    Larger quantities are available by request.

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  10. Miniatum Ink

    Miniatum Ink

    Starting at: £23.10

    Miniatum size in ink form, for raised calligraphic illumination and fine lines in gold and silver leaf. Miniatum Ink can create high gloss gilding on paper, vellum (degreased), leather and flexible surfaces such as plastic foils. The elastic nature of the size assures a long-lasting gilded surface *Please note - Colours of these products may vary slightly from those depicted in the photograph* Learn More
  11. Talens Drawing Ink 490ml

    Talens Drawing Ink 490ml

    £40.95

    Professional drawing ink. For use with brush or technical drawing pen. Waterproof. Use on paper, Bristol board or film. 490 ml Learn More
  12. Cornelissen Historical Inks, Walnut

    Cornelissen Historical Inks, Walnut

    Starting at: £9.00

    Made from organic walnut husks collected in Cambridgeshire, this deep brown walnut ink is made to an 18th-century formula. Small batches of the ink are blended to give the required consistency and strength. It has good permanence, but will eventually fade if left in direct sunlight for sustained periods of time, and is not wholly waterproof, but has some staying power, especially on sized watercolour papers. As with all handmade products derived from natural ingredients, there may be slight variations in the colour and consistency as a result of seasonal changes.

    Not Suitable for fountain pens. Learn More
  13. Japanese Gold 24ct

    Japanese Gold 24ct

    Starting at: £71.00

    Highest quality 24ct gold leaf from Japan. Leaves measure 109×109mm and are approximately 0.1μ~0.2μ in thickness. These Tachikiri (contemporary) leaves are beaten in between glassine paper which leaves a much softer impression on the surface of each leaf, resulting in a slightly shinier finish than the more traditional Enzuke gold leaf. Each pack contains 10 leaves. Learn More
  14. Schmincke Horadam Gouache

    Schmincke Horadam Gouache

    Starting at: £8.75

    Finest quality gouache paints, available in 48 shades, all of which are fully inter-mixable with the HORADAM® WATERCOLOUR range. Made following a traditional gum arabic recipe, they are naturally opaque, without the addition of white. They provide a luminous, velvet-matte finish, drying to a slightly lighter shade than when wet. 

    Schmincke recommends the following:

    "The application possibilities of HORADAM® GOUACHE are extremely versatile. Although it can be heavily diluted, gouache is mainly intended to provide opaque application of colour. Opaque, in this case, means that it is not impasto, because impasto application tends to produce cracking, unless the percentage of binder is increased by adding gum arabic (50302). While watercolour painting work goes from light to dark (the white paper is the light), in gouache painting, any process can be used. While “back painting” of lights is limited in watercolour painting, when working in gouache (and other opaque colours), light values and lights can be added later using colours."

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  15. Silverpoint Stylus, Garzone. Renaissance Workshop Materials

    Silverpoint Stylus, Garzone. Renaissance Workshop Materials

    £130.00

    Length 160 mm. For use on prepared paper. Hand-forged in London from silver bullion. Renaissance Workshop Materials are historically authentic drawing materials and tools, which would be recognisable to the artists of Renaissance Europe. Each product is made in the workshop by hand, using historical methods. Each product is borne from the same historical, European craft tradition, as the drawings and artworks from the Renaissance. In the words of the artisan maker, 'We make these materials in order to experience the historical craft and method of drawing in the most authentic way possible.' Learn More
  16. Roberson Gum Ammoniac

    Roberson Gum Ammoniac

    Starting at: £14.00

    Natural gum size made to a traditional recipe. Gum Ammoniac is useful for gilding in small areas and, more generally, in detailed gilding. Two applications are needed if gilding on absorbent paper. Raised areas can be developed by using several layers and allowing each layer to dry first. Gum Ammoniac can be reactivated by breathing on the gum surface. Gum Ammoniac comes to us from Asia and is increasingly hard to source. Learn More
  17. Leather Chelsea Watercolour Case and Pad

    Leather Chelsea Watercolour Case and Pad

    Starting at: £88.85

    This travelling watercolour case includes a spiral-bound A6 sketchbook, which is easily refillable. The case is compatible with a standard watercolour tin of twelve half-pans (not included). All of our leather goods are handmade in Spain, and dyed with natural dyes that will fade and age beautifully over time. Please see below to order this in red, green or tan brown, or ring our office to enquire about additional colours that we may have available. Learn More
  18. Schmincke  Drawing Set, 9 Pastels and Pad

    Schmincke Drawing Set, 9 Pastels and Pad

    £39.00

    Schmincke Cardboard Set of 9 Hand-Made Artists' Pastels with Ingres Pastel Paper. Learn More
  19. Leather Marco Polo Sketching Pad

    Leather Marco Polo Sketching Pad

    Starting at: £66.45

    This leather cover comes with a hardback book of Hahnemuehle drawing paper, and is easily refillable with a standard A6 portrait sketchbook, making it perfect for travelling. All of our leather goods are handmade in Spain, and dyed with natural dyes that will fade and age beautifully over time. Please see below to order this in red, green or tan brown, or ring our office to enquire about additional colours that we may have available. Learn More
  20. London Pigment, Verdigris Ink, 20 ml

    London Pigment, Verdigris Ink, 20 ml

    £20.00

    Ink made from pure copper metal leaf that has reacted with distilled vinegar. ****Please note, these inks are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More
  21. Graphite Powder (Sri Lanka)

    Graphite Powder (Sri Lanka)

    Starting at: £5.50

    PBk10

    Graphite powder is an allotropic form of pure carbon, ground to 200 mesh. It is transparent and lightfast, with a slight sheen. It can be applied directly onto a paper support.

    Larger quantities are available by request. This variety of graphite is a naturally occurring material sourced from Sri Lanka.

    Toxicity: A/B

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  22. Sennelier Oil Sticks

    Sennelier Oil Sticks

    Starting at: £7.65

    Solid artists' quality oil paint sticks. (Ø = 3/4 ; length = 5" ) SENNELIER Extra-Fine Solid Oil Sticks can be used alone or in combination with oil colours in tubes. The oil stick colours can be used for an entire painting. They are applied directly to any traditional oil-painting support, such as canvas, wood panel or fine art paper. They need the same archival priming (acrylic gesso or oil ground) that oil paint requires. Surfaces: Before use, the surface film of the oil stick must be peeled off. It will form again after a few days of non-use, protecting and conserving the colour. The oil sticks must be applied in a thin film application of no more than 1mm thick. Once applied they can be painted over with oil stick or oil paint and if desired be diluted with turpentine. Oil stick Medium, a colourless oil stick, may be used to produce transparent effects and glazes. Once applied, the oil stick surface will dry in 2 to 5 days, depending on the atmospheric conditions Varnishing: If varnishing is desired, you must wait 6 months (as in traditional oil paint) until the colour is completely dry, before giving the painting a final coat of picture varnish. Use a soft brush to varnish so that the oil stick marks are not disturbed. SENNELIER Extra-Fine Solid Oil Stick colours are either opaque (O) or transparent (T) depending on the nature of the pigment in each colour. Oil Sticks do not change during storage and require no special precautions except to be kept away from any source of heat, which could adversely affect the stick. Application Techniques After applying the colour with the point or the edge of the oil stick, colours can be mixed directly on the support using the following methods: • Blending, with brush, finger, or drawing stump. With or without turpentine • Wash-drawing, dilute colours with turpentine or mineral spirit • Retouching, with oil stick, palette knife or brush • Textures, thick application oil stick colour. Retouch with a brush or palette knife •Sgraffito, scratching a layer of fresh paint with a point (brush handle, palette knife, etc.) to reveal the layer below. Sgraffito is related to engraving, and is used not only for revealing the under-layers of paint but also to scratch and clean unsatisfactory parts of the painting •Interior Decoration, on glass, ceramics etc. Use for decorative purposes only Learn More
  23. Cornelissen Lithography Sponge, Compressed

    Cornelissen Lithography Sponge, Compressed

    £6.50

    Cornelissen Lithography Sponge, Compressed. Designed to keep the litho stone wet during printing. It can be used for preparing printmaking or watercolour paper. Learn More
  24. Japanese Gold 22,66ct

    Japanese Gold 22,66ct

    Starting at: £55.00

    Highest quality 22,66ct gold leaf from Japan. Leaves measure 109×109mm and are approximately 0.1μ~0.2μ in thickness. These Tachikiri (contemporary) leaves are beaten in between glassine paper which leaves a much softer impression on the surface of each leaf, resulting in a slightly shinier finish than the more traditional Enzuke gold leaf. Each pack contains 10 leaves. Learn More
  25. Silverpoint Stylus Maestro. Renaissance Workshop Materials

    Silverpoint Stylus Maestro. Renaissance Workshop Materials

    £290.00

    Length 220 mm. For use on prepared paper. Hand-forged in London from silver bullion. Renaissance Workshop Materials are historically authentic drawing materials and tools, which would be recognisable to the artists of Renaissance Europe. Each product is made in the workshop by hand, using historical methods. Each product is borne from the same historical, European craft tradition, as the drawings and artworks from the Renaissance. In the words of the artisan maker, 'We make these materials in order to experience the historical craft and method of drawing in the most authentic way possible.' Learn More
  26. Daniel Smith Watercolour Ground Titanium White 4oz

    Daniel Smith Watercolour Ground Titanium White 4oz

    £10.30

    Titanium White, as well as turning any surface into Watercolor Paper, allows you to rescue areas within a painting done on Watercolor paper! It’s so easy to apply Ground over an area within a painting that needs rescuing—or for working on different compositional areas. You can also lift and scrub without damaging the painting surface. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More
  27. Roberson Florentine Medium

    Roberson Florentine Medium

    Starting at: £10.80

    When Roberson Florentine Medium is mixed with oil colour, it is possible to paint freely on textile fabrics, which will stand up to subsequent hand-washing with soap and water. It may also be used when painting with oils on unprepared paper. Learn More
  28. Roberson Ormoline Gilding Medium

    Roberson Ormoline Gilding Medium

    Starting at: £9.50

    Acrylic size, fluid enough to use with dip pen. Pink colour. For gilding onto paper and parchment. Learn More
  29. Cornelissen Historical Inks, Virginia Woolf Purple

    Cornelissen Historical Inks, Virginia Woolf Purple

    £6.50

    This ink is inspired by the distinctive purple ink used by Virginia Woolf for her work and correspondence. Handmade by a master inkmaker, especially for Cornelissen, using a historic recipe based on blackthorn berries. Suitable for fountain pens and work on paper and parchment. Indelible and waterproof over time.

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  30. STABILO CarbOthello Pastel Pencils

    STABILO CarbOthello Pastel Pencils

    Starting at: £2.05

    STABILO CarbOthello is a chalk pastel coloured pencil range available in up to 60 colours. With its wonderfully dry and dusty stroke it is just like a chalk pastel in pencil format. It's very popular with artists, art students and people with creative hobbies. Its high pigmentation guarantees great luminosity and opacity as well as colour fastness and colour brilliance especially on dark backgrounds and delicate papers. What's more it can be sharpened to a very fine tip which make it ideal for detail. Colours can be dry mixed and blended which makes colouring more fun and special.

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