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  1. Illumination Gold and Colour Book

    Illumination Gold and Colour Book

    £15.00

    Patricia Lovett is one of the world’s leading authorities on the techniques and practical processes of making mediæval manuscripts. She lectures and teaches all over the world on calligraphy and illumination, and has written about a dozen books on these subjects, as well as producing a DVD – Illumination – Tools, Materials, Techniques, Projects. Patricia has run calligraphy courses as well as those on traditional manuscript gilding and painting techniques, and was awarded an MBE for her services to heritage crafts and calligraphy. This book takes the beginner and those with more experience through step-by-step processes to produce simple and easy projects using cheap metals and modern adhesives, and also to create mediæval miniatures and illuminated scrolls on vellum (animal skin). Learn More
  2. Orange Shellac

    Orange Shellac

    Starting at: £8.00

    Shellac is a natural resin that is deposited by the female lac insect on the branches of trees in India and Thailand. It is soluble with alcohol, but not with mineral spirits or turpentine. It forms a tough yet flexible film, with many applications. It is suitable as a top coat for gilding when applied thinly, a sealant for porous surfaces, an isolating layer for tempera paintings, a base for pigmented inks, a protective layer for collograph plates, and a warm varnish for wooden floors and furniture. As it is prone to darkening with age, it is not recommended as a varnish for oils, and its solubility can reduce over time. There are various grades of shellac. When mixed with alcohol, it may initially form a cloudy mixture, due to traces of wax in the shellac, but this should become clear once it has dried. The highest grades of shellac are Clear Dewaxed Shellac, which has been de-coloured using the carbon filtering method, Lemon Shellac, and Orange Shellac, which are pale in colour. Button Shellac is less refined and therefore produces a reddish varnish. It was, in fact, widely used as a red dye before synthetic dyes became available. Learn More
  3. Button Shellac

    Button Shellac

    Starting at: £8.40

    Shellac is a natural resin that is deposited by the female lac insect on the branches of trees in India and Thailand. It is soluble with alcohol, but not with mineral spirits or turpentine. It forms a tough yet flexible film, with many applications. It is suitable as a top coat for gilding when applied thinly, a sealant for porous surfaces, an isolating layer for tempera paintings, a base for pigmented inks, a protective layer for collograph plates, and a warm varnish for wooden floors and furniture. As it is prone to darkening with age, it is not recommended as a varnish for oils, and its solubility can reduce over time. There are various grades of shellac. When mixed with alcohol, it may initially form a cloudy mixture, due to traces of wax in the shellac, but this should become clear once it has dried. The highest grades of shellac are Clear Dewaxed Shellac, which has been de-coloured using the carbon filtering method, Lemon Shellac, and Orange Shellac, which are pale in colour. Button Shellac is less refined and therefore produces a reddish varnish. It was, in fact, widely used as a red dye before synthetic dyes became available. Learn More
  4. Lead Red Pigment (Minium)

    Lead Red Pigment (Minium)

    Starting at: £4.50

    PR105

    Lead Red is an early articficial pigment that dates back to antiquity. It is created by heating Lead White or Litharge at a constant temperature of 480ºC over a prolonged period of time. It is a fast-drying colour, with good tinting strength and opacity, and has been widely used as an underpaint for gilding and in industry. However, it is highly toxic and generally unstable, so has fallen out of use in favour of Cadmium pigments. The acid in linseed oil causes Lead Red to darken, and it can solidify when stored in a tube. In water-based mediums, it can turn black.

    Toxicity: D 

    Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.

    PERMITTED USES: Restoration of art works and protected buildings when there are no suitable alternatives.

    IMPORTANT: Please refer to the MSDS (Material Safety Data Sheet) below.

    SHIPPING: Please note, we are not able to send this product outside the UK.

    Learn More
  5. Lemon Shellac

    Lemon Shellac

    Starting at: £8.20

    Shellac is a natural resin that is deposited by the female lac insect on the branches of trees in India and Thailand. It is soluble with alcohol, but not with mineral spirits or turpentine. It forms a tough yet flexible film, with many applications. It is suitable as a top coat for gilding when applied thinly, a sealant for porous surfaces, an isolating layer for tempera paintings, a base for pigmented inks, a protective layer for collograph plates, and a warm varnish for wooden floors and furniture. As it is prone to darkening with age, it is not recommended as a varnish for oils, and its solubility can reduce over time. There are various grades of shellac. When mixed with alcohol, it may initially form a cloudy mixture, due to traces of wax in the shellac, but this should become clear once it has dried. The highest grades of shellac are Clear Dewaxed Shellac, which has been de-coloured using the carbon filtering method, Lemon Shellac, and Orange Shellac, which are pale in colour. Button Shellac is less refined and therefore produces a reddish varnish. It was, in fact, widely used as a red dye before synthetic dyes became available. Learn More
  6. Rabbit Skin Glue

    Rabbit Skin Glue

    Starting at: £13.00

    For sizing canvas prior to priming with an oil based primer. Do not use under acrylic primer. Soak overnight in water. Heat in double boiler (do not boil). Ratio water:size 13:1. Use while still warm. Rabbit Skin Glue does not contain preservatives. 340 - 360 Bloom Learn More

  7. Cornelissen Squirrel Flat Lacquer

    Cornelissen Squirrel Flat Lacquer

    Starting at: £20.05

    Extra soft brush for varnishing or lacquering. Also useful for watercolour washes. Learn More
  8. Gesso di Bologna

    Gesso di Bologna

    Starting at: £12.00

    Gesso di Bologna is a bright white Calcium Sulphate, or gypsum, from Italy, which can be used as a substitute for whiting in the preparation of gesso. It is ground to a particularly fine powder, which makes it a suitable ground for gilding, as the small size of the particles allows for greater compression when burnishing. Learn More
  9. Gelatine Leaf

    Gelatine Leaf

    Starting at: £5.30

    A pure form of glue from animal tissue. Used for sizing paper. Used in gliding and for weak sizes in isolating layers in tempera painting. Learn More
  10. Gelatine Capsules

    Gelatine Capsules

    Starting at: £5.80

    Gelatine Capsules Learn More
  11. Cornelissen Ox Flat Lacquer

    Cornelissen Ox Flat Lacquer

    Starting at: £12.90

    Soft but springy hair. For varnishing or lacquering. Also useful for watercolour washes. Learn More
  12. Cornelissen Squirrel Mop

    Cornelissen Squirrel Mop

    Starting at: £21.40

    Traditional high quality soft hair mops with considerable colour carrying capacity. Useful for laying down large washes. Also used by gilders for tamping down gold leaf and for dusting. Learn More
  13. Whiting

    Whiting

    Starting at: £4.00

    Whiting is powdered Calcium Carbonate, which can be mixed with rabbit skin glue to create a chalk-based ground for oil, tempera, distemper or encaustic painting. Traditionally, whiting was an important ingredient when preparing painting surfaces in the north of Europe, as opposed to gypsum (Calcium Sulphate), which was widely used south of the Alps. Learn More
  14. Japanese Gold 14,3ct

    Japanese Gold 14,3ct

    Starting at: £48.00

    Highest quality 14,3ct gold leaf from Japan. Leaves measure 109×109mm and are approximately 0.1μ~0.2μ in thickness. These Tachikiri (contemporary) leaves are beaten in between glassine paper which leaves a much softer impression on the surface of each leaf, resulting in a slightly shinier finish than the more traditional Enzuke gold leaf. Each pack contains 10 leaves. Learn More
  15. Chinese Gold 24 ct

    Chinese Gold 24 ct

    Starting at: £51.00

    Chinese Gold 24 ct Learn More
  16. Cornelissen 80 Renaissance Gold 22.5 ct

    Cornelissen 80 Renaissance Gold 22.5 ct

    Starting at: £63.20

    Renaissance Gold 22.5 ct, 80 x 80 mm. Book of 25 leaves. Coverage per book is 0.16 m2 (1.69 sq. feet) Learn More
  17. Cornelissen 80 Victorian Gold Leaf 23 ct

    Cornelissen 80 Victorian Gold Leaf 23 ct

    Starting at: £63.80

    Victorian Gold Leaf 23 ct, 80 x 80 mm. Book of 25 leaves. Coverage per book is 0.16 m2 (1.69 sq. feet) Learn More
  18. Agate Burnisher No 21 Short Handle Series 2

    Agate Burnisher No 21 Short Handle Series 2

    £30.00

    Agate Burnisher No 21 Small Series 2 Learn More
  19. Agate Burnisher No 12 Series 1

    Agate Burnisher No 12 Series 1

    £25.00

    Agate Burnisher No 12 Series 1 Learn More
  20. Clear Dewaxed Shellac

    Clear Dewaxed Shellac

    Starting at: £9.20

    Shellac is a natural resin that is deposited by the female lac insect on the branches of trees in India and Thailand. It is soluble with alcohol, but not with mineral spirits or turpentine. It forms a tough yet flexible film, with many applications. It is suitable as a top coat for gilding when applied thinly, a sealant for porous surfaces, an isolating layer for tempera paintings, a base for pigmented inks, a protective layer for collograph plates, and a warm varnish for wooden floors and furniture. As it is prone to darkening with age, it is not recommended as a varnish for oils, and its solubility can reduce over time. There are various grades of shellac. When mixed with alcohol, it may initially form a cloudy mixture, due to traces of wax in the shellac, but this should become clear once it has dried. The highest grades of shellac are Clear Dewaxed Shellac, which has been de-coloured using the carbon filtering method, Lemon Shellac, and Orange Shellac, which are pale in colour. Button Shellac is less refined and therefore produces a reddish varnish. It was, in fact, widely used as a red dye before synthetic dyes became available. Learn More
  21. Japanese Gold 23,44ct

    Japanese Gold 23,44ct

    Starting at: £60.00

    Highest quality 23,44ct gold leaf from Japan. Leaves measure 109×109mm and are approximately 0.1μ~0.2μ in thickness. These Tachikiri (contemporary) leaves are beaten in between glassine paper which leaves a much softer impression on the surface of each leaf, resulting in a slightly shinier finish than the more traditional Enzuke gold leaf. Each pack contains 10 leaves. Learn More
  22. Cornelissen Variegated Metal Leaf 273

    Cornelissen Variegated Metal Leaf 273

    Starting at: £26.00

    Cornelissen Variegated Metal Leaf 273 Learn More
  23. Cornelissen 80 Baroque Gold Leaf 19 ct

    Cornelissen 80 Baroque Gold Leaf 19 ct

    Starting at: £59.00

    Baroque Gold Leaf 19 ct, 80 x 80 mm. Book of 25 leaves. Coverage per book is 0.16 m2 (1.69 sq. feet) Learn More
  24. Agate Burnisher No 30 Series 3

    Agate Burnisher No 30 Series 3

    £38.00

    Agate Burnisher No 30 Series 3 Learn More
  25. Cornelissen Gold Powder 1 g Gris 9.6 Carat

    Cornelissen Gold Powder 1 g Gris 9.6 Carat

    £87.00

    Cornelissen Gold Powder 1 gram Gris. *While stocks last. Learn More
  26. Cornelissen Imitation Gold No 2 Warm

    Cornelissen Imitation Gold No 2 Warm

    Starting at: £7.40

    Coverage per book of 25 leaves is 0.49 m2 (5.29 sq feet) Learn More
  27. Cornelissen Silver Leaf Thin

    Cornelissen Silver Leaf Thin

    Starting at: £11.00

    Cornelissen Silver Leaf Thin, 95 x 95 mm (20g/1000 lvs). Book of 25 leaves Learn More
  28. Cornelissen 80 Palladium Leaf

    Cornelissen 80 Palladium Leaf

    Starting at: £75.40

    Palladium Leaf, 80 x 80 mm. Book of 25 leaves. Coverage per book is 0.16 m2 (1.69 sq. feet) Learn More
  29. Pearl Lustre Pigments 1 kg

    Pearl Lustre Pigments 1 kg

    Starting at: £94.00

    Call to Order

    Pearl Lustre Pigments 1 kg. Colour swatch on the left indicates colour on a White Background and Colour on a Black Background on the right. Learn More
  30. Agate Burnisher No 48 Series 2

    Agate Burnisher No 48 Series 2

    £30.00

    Agate Burnisher No 48 Series 2 Learn More

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