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  1. Mars Black Pigment

    Mars Black Pigment

    Starting at: £5.70

    PBk11

    Mars Black is an artificial mineral pigment composed of hydrated ferric oxides. Like other Mars colours, it provides a very opaque, permanent colour, which is stable in all media. It has an average drying time in oil, forming a hard, fairly flexible film, making it more suitable for impasto application than carbon-based black pigments, which tend to be brittle. It also wets more easily than other black pigments, and possesses a warm, brownish undertone.

    Toxicity: B

    Limeproof

    Larger quantities are available by request. 

    Learn More
  2. Naples Yellow Dark Pigment

    Naples Yellow Dark Pigment

    Starting at: £7.40

    Naples Yellow Dark Pigment (PY41). Synthetic Inorganic pigment (Lead Antimoniate). Opaque. Good tinting strength. Excellent Lightfastness. Low oil absorption with fast drying rate. Suitable for all media except watercolours.

    Toxicity: D  Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.

    PERMITTED USES: Restoration of art works and protected buildings when there are no suitable alternatives.

    IMPORTANT: Please refer to the MSDS (Material Safety Data Sheet) below.

    SHIPPING: Please note, we are not able to send this product outside the UK.

    Learn More
  3. Komasuki 6mm (U Shape)

    Komasuki 6mm (U Shape)

    £31.00

    The Komasuki is similar to western style “U” gouge tool and comes in a variety of useful sizes. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More
  4. Shell Gold Watercolour 1/4 pan Silver

    Shell Gold Watercolour 1/4 pan Silver

    £27.00

    Shell gold, so named because it was historically made and stored in a shallow shell such as a mussel shell, consists of finely powdered genuine gold mixed with a variety of gums. It is mixed with a bit of water and applied in the same way as watercolour. After drying for an hour or so, it can be burnished to a soft, beautiful lustre using an agate stone burnishing tool.
    Our Shell gold is used by calligraphers, framers, restorers, iconographers and watercolour artists.
    In recent years our colour range of genuine gold has been extended and genuine Lapis Lazuli and genuine Malachite have also been added. Learn More

  5. Lascaux Wash Resist 500ml

    Lascaux Wash Resist 500ml

    £38.70

    This coloured granular resist is painted on the plate and used in conjunction with Lascaux Spray/aquatint to create unusual etched effects similar to watercolour or tusche washes. Learn More
  6. Japanese Gold Leaf 22,66ct Enzuke

    Japanese Gold Leaf 22,66ct Enzuke

    Starting at: £61.00

    Highest quality 22,66ct gold leaf from Japan. Leaves measure 109×109mm and are approximately 0.1μ~0.2μ in thickness. Enzuke gold leaf is beaten between sheets of traditional of washi paper called furuya-gami and refers to the subtle grid pattern that appears on the surface of the leaves. In Japan, Enzuke gold is considered more traditional and has a soft lustrous appearance. Each pack contains 10 leaves. Learn More
  7. Realgar Pigment

    Realgar Pigment

    Starting at: £12.75

    Realgar, like Orpiment, is sulphide of arsenic, and these two substances are often found in close proximity to each other in nature. Realgar exists in small deposits throughout the world and has been used for its colour since ancient times, although its extreme toxicity means that it has been superseded by cadmiums in modern painting. It is an opaque pigment with poor tinting strength. Larger quantities are available by request.

    Toxicity D

    PERMITTED USES: Restoration of art works and protected buildings when there are no suitable alternatives.

    IMPORTANT: Please refer to the MSDS (Material Safety Data Sheet) below.

    SHIPPING: Please note, we are not able to send this product outside the UK.

    Learn More
  8. Charbonnel Oil Gold Size 3 hour

    Charbonnel Oil Gold Size 3 hour

    Starting at: £11.60

    High quality oil based gold size. Well known for its predictability and length of open time. Tacky in 3 hours, remains open for 6 hours. Learn More
  9. Superior Extra Soft Rubber Rollers

    Superior Extra Soft Rubber Rollers

    Starting at: £212.00

    Extra Soft (35 shore) NBR rubber rollers suitable for fine relief printing (lino, wood engraving and wood cut) and intaglio applications. The surface of the soft rubber is machined several times with a special grinder to achieve the complete smoothness of the rollers. Solid heavy metal handle. Each roller is supplied in secure wooden box. Learn More
  10. Sankaku-toh 1.5mm (V Shape)

    Sankaku-toh 1.5mm (V Shape)

    £36.00

    The Sankaku-toh is similar to western style “V” gouge tool and comes in a variety of useful sizes. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More
  11. Golden Ochre Pigment

    Golden Ochre Pigment

    Starting at: £4.50

    PY43 Golden Ochre is a natural earth pigment, somewhat darker than Yellow Ochre. It is a semi-transparent, lightfast pigment, that is stable in all media. It has a medium to slow drying rate in oil, creating a tough, flexible paint film. Toxicity: B Limeproof Learn More
  12. STAEDTLER Mars Lumograph Black Carbon Pencil

    STAEDTLER Mars Lumograph Black Carbon Pencils

    Starting at: £1.80

    STAEDTLER's Mars Lumograph pencils are premium-quality pencils that have a special lead formulation containing a high proportion of carbon for matt, jet black results. The pencils are particularly suitable for drawing and hatching as well as for expressive sketches and portraits.

    Learn More
  13. Gum Arabic

    Gum Arabic

    Starting at: £4.25

    Gum Arabic is a resoluble binding agent, commonly used in the preparation of watercolours, but also useful as an adhesive, a size, and in the production of soft pastels. It is a natural product, harvested from the Acacia tree between October and May. The highest grade of Gum Arabic comes from the Kordofan region of Sudan. It is exceptionally pale and pure and therefore particularly suited to watercolour painting, while Nigerian Gum Arabic (while stocks last) is better suited to stone lithography and other printmaking techniques. Please see the Formulas & Recipes section on our homepage for a recipe to make your own watercolour paints using Gum Arabic (currently under construction). Learn More
  14. Pearl Glue

    Pearl Glue

    Starting at: £6.50

    Pearl Glue is a traditional animal-based wood glue made from bone, used for veneering, joinery and antique restoration. 170-200 bloom. Learn More

  15. Komasuki 1.5mm (U Shape)

    Komasuki 1.5mm (U Shape)

    £31.00

    The Komasuki is similar to western style “U” gouge tool and comes in a variety of useful sizes. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More
  16. STAEDTLER Mars Plastic Eraser

    STAEDTLER Mars Plastic Eraser

    £1.60

    STAEDTLER's Mars Plastic erasers are premium-quality erasers that ensure superb erasing performance at all times. The formula of Mars Plastic results in significantly less crumbling, with practically residue-free erasing. 65 x 23 x 13mm. Phthalate and latex free.

    Learn More
  17. Cadmium Red Deep Pigment

    Cadmium Red Deep Pigment

    Starting at: £10.10

    PR108

    Cadmium Red Deep is a synthetic organic pigment, which has been in use since the 1920s, effectively replacing vermilion. It is formed by heating cadmium sulphide and selenium, the hue is determined by the level of calcination and proportion of selenium. It is very opaque, and lightfast, with a high tinting strength. It absorbs a small amount of oil, and dries very slowly to form a hard, flexible paint film.

    Larger quantities are available by request.  

    Limeproof

    Toxicity: C

    Learn More
  18. Roberson Gilt Wax Medium

    Roberson Gilt Wax Medium

    Starting at: £15.00

    To use as a medium, mix with burnishable bronze powders in equal parts. Or use to protect imitation leaf, metal, wood, furniture and paintings. Learn More
  19. Colophony

    Colophony

    Starting at: £7.30

    Colophony is a by-product of the distillation of turpentine. It is soluble in most solvents, but considered an adulterant in varnishes and paints, as it forms a weak surface that is prone to darkening and cracking. It is, however, a key ingredient in wax-based etching grounds, imparting hardness, and can be used in powdered form (rosin) to make aquatints. Learn More
  20. Maimeri Concentrated Mastic Varnish for Restoration 75 ml

    Maimeri Concentrated Mastic Varnish for Restoration 75 ml

    £40.75

    Natural varnish of traditional use. Very flexible. Can be used in conjunction with restoration colours. (Natural mastic resin 40% and essence of Turpentine). Learn More
  21. Clear Dewaxed Shellac

    Clear Dewaxed Shellac

    Starting at: £9.20

    Shellac is a natural resin that is deposited by the female lac insect on the branches of trees in India and Thailand. It is soluble with alcohol, but not with mineral spirits or turpentine. It forms a tough yet flexible film, with many applications. It is suitable as a top coat for gilding when applied thinly, a sealant for porous surfaces, an isolating layer for tempera paintings, a base for pigmented inks, a protective layer for collograph plates, and a warm varnish for wooden floors and furniture. As it is prone to darkening with age, it is not recommended as a varnish for oils, and its solubility can reduce over time. There are various grades of shellac. When mixed with alcohol, it may initially form a cloudy mixture, due to traces of wax in the shellac, but this should become clear once it has dried. The highest grades of shellac are Clear Dewaxed Shellac, which has been de-coloured using the carbon filtering method, Lemon Shellac, and Orange Shellac, which are pale in colour. Button Shellac is less refined and therefore produces a reddish varnish. It was, in fact, widely used as a red dye before synthetic dyes became available. Learn More
  22. Smalt Light Pigment

    Smalt Light Pigment

    Starting at: £5.20

    PB32

    Smalt is a kind of cobalt blue glass or frit, and its use as a pigment dates from the 1600s in the glass-making regions of Saxony. We offer two shades, light and dark, which are determined by the particle size of the pigment; the more finely ground the powder, the paler the colour. Before the introduction of Ultramarine Blue, Smalt was available in a wide variety of grades. It is a very transparent pigment, which is easily overwhelmed in mixtures due to its weak tinting strength. It works best in water based media. When ground in oil, it can become almost invisible in dried oil-paint films because its refractive index is so close to that of linseed oil.

    Larger quantities are available by request.

    Learn More
  23. Japanese Complete Woodblock Set

    Japanese Complete Woodblock Set

    £55.00

    Complete Mokuhanga set for beginners. This set includes; 1x Sosaku inking brush 15mm, 1x Tokibo carrying brush for glue, 5pcs pencil style carving tools in a plastic case including; 7mm Aisuki (flat), 10mm Hangi-toh (knife), 3mm Komasuki (U), 3mm Sankatu-toh (V), 6mm Asamaru (shallow U), 1x plastic inking dish, 1x plastic baren 120mm, 1x shina plywood 160mm x 110mm, 1 x pack of 4 colours of waterbased printing in premixed with glue paste. Learn More
  24. Sosaku Brush 24mm

    Sosaku Brush 24mm

    £11.15

    Sosaku inking brush for working the pigments and glue paste onto the carved block for printing. These are made from horse hair and are traditionally prepared by splitting and softening the hair on shark-skin or sandpaper before printing. Brushes come in 3 sizes. Learn More
  25. Prussian Blue Pigment

    Prussian Blue Pigment

    Starting at: £5.20

    PB27

    Prussian Blue is a synthetic organic pigment that was discovered by the paint maker Diesbach, apparently by accident, in Germany in the early eighteenth century. For many years, it was used not only as a colour in its own right, but also as a component of the original Hooker's Green. The other ingredient, gamboge, is highly fugitive, which is why many watercolours painted with Hooker's green have taken on a bluish tone with with age.  

    It is a very transparent and heavily staining colour. It dries quite quickly in oil, and can therefore wrinkly if applied too quickly. It is suitable for use in oils, watercolour, and egg tempera. However, it shouldn't be used in conjunction with alkali substances, such as Lead White or Calcium Carbonate as it can turn brown, so it isn't suitable for fresco. For the same reason, it isn't used with acrylic resin binders due to their alkaline nature, so most paint manufacturers will replace Prussian Blue with a mixture of Phthalo Blue and black in their acrylic ranges. It requires a wetting agent to fully disperse into a binder.

    Toxicity: B

    Learn More
  26. Japanese Workbench

    Japanese Workbench

    £14.00

    Workbench/ Bench hook. An aid to safely carve plywood blocks or lino. Hook over edge of table or bench and place surface to be carved in corner as displayed. Please note workbench does not include plywood block. Learn More
  27. Omega Series 222 Domed Hog Sash

    Omega Series 222 Domed Hog Sash

    Starting at: £10.30

    Long natural bristle hair with copper ferrule. Shaped to a slightly rounded snub tip, these brushes are suited to large scale painting in oils and acrylics. Also useful for decorative paint effects and for applying gesso during gilding. 100% pure hog hair. Learn More
  28. Mars Violet Pigment

    Mars Violet Pigment

    Starting at: £4.50

    PR101

    Mars Violet is an artificial mineral pigment. Its pigment code, PR101, refers to a wide spectrum of synthetic iron oxide pigments including yellows, oranges, reds, violet-browns and green-browns, which replace many natural earth colours, to provide pigments without impurities and with great opacity. It has a good tinting strength, is lightfast and stable in all media, and has a medium drying time in oil. Although it is similar to Caput Mortuum and Indian Red, it is less transparent than the former and warmer than the latter.

    Toxicity: B

    Limeproof

    Learn More
  29. Cornelissen T52100 Professional Press

    Cornelissen T52100 Professional Press

    £3,250.00

    Cornelissen Press T52100, Bed size: 52 x 100 cm, Upper Roller Diameter: 157 mm, Lower Roller Diameter: 157mm, Weight: 106 kg. Etching press base: 58 x 63 cm. We offer press demonstrations for this model. Please call Cornelissen for more details. Delivery to your address usually takes up to 4 weeks to UK & EU countries and 6 weeks to USA after the order is placed.

    Learn More
  30. Clutch Pencil with Sharpener Stand

    Clutch Pencil with Sharpener Stand

    Starting at: £28.00

    Classic 5.5mm clutch pencil made from FSC certified beechwood. Supplied with display stand sharpener and HB graphite lead. Packed in a gift box. Available in Ash (oiled finish) or Black Stained. Learn More

Items 451 to 480 of 1367 total

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