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  1. Lemon Yellow Pigment

    Lemon Yellow Pigment

    Starting at: £7.00

    Lemon Yellow Pigment (PY31). Synthetic Inorganic pigment (Barium Chromate). Opaque but transparent in a glaze. Low tinting strength. Excellent Lightfastness. Low oil absorption with medium drying rate. Recommended for oils but can turn slightly greenish when mixed with binder. Used since beginning of the 19th Century. Toxicity D

    Please note, unfortunately we are not able to send this product outside the UK.

    Learn More
  2. da Vinci Series 7106 Long Handle Hog Bright

    da Vinci Series 7106 Long Handle Hog Bright

    Starting at: £21.10

    Finest quality white bristle brushes, built with the natural curve of the bristles turned inwards. Two equally-sized tufts of bristle are set against each other without tension and made to interlock. Properly cleaned after each use the brush will retain this shape even after long use and many washings. Extra long 60 cm handle length. Learn More
  3. Gelatine Capsules

    Gelatine Capsules

    Starting at: £5.80

    Gelatine Capsules Learn More
  4. Kölner Instacoll Activator

    Instacoll Gilding System

    Starting at: £6.85

    Kölner Instacoll is a two-part system, consisting of a base coat and activator, that can be used on nearly all suitably prepared substrates to create weather-resistant, high gloss interior and exterior gilded surfaces. The Instacoll Tool is a double-ended tool with shaped tips made of elastic rubber, designed for pressing gold and silver transfer leaf into indentations when gilding uneven surfaces. The Instacoll Chiffonnette is an extra soft, lint-free cloth, used for polishing and burnishing surfaces gilded with Instacoll. *PLEASE NOTE - COLOURS OF THESE PRODUCTS MAY VARY SLIGHTLY FROM PRODUCTS PICTURED* Learn More
  5. Schmincke Wooden Boxed Set of 100 pastels

    Schmincke Wooden Boxed Set of 100 pastels

    Starting at: £364.15

    Schmincke Wooden Boxed Set of 100 pastels Learn More
  6. Schmincke AQUA Effect Spray

    Schmincke AQUA Effect Spray

    Starting at: £15.65

    For bizarre surface effects. Apply while watercolour is still wet. No effect on strong absorbent surfaces. Learn More
  7. da Vinci Series 1105 Short Handled Rigger

    da Vinci Series 1105 Short Handled Rigger

    Starting at: £9.30

    High quality Kolinsky Sable rigger with short handle. Learn More
  8. Lemon Shellac

    Lemon Shellac

    Starting at: £8.20

    Shellac is a natural resin that is deposited by the female lac insect on the branches of trees in India and Thailand. It is soluble with alcohol, but not with mineral spirits or turpentine. It forms a tough yet flexible film, with many applications. It is suitable as a top coat for gilding when applied thinly, a sealant for porous surfaces, an isolating layer for tempera paintings, a base for pigmented inks, a protective layer for collograph plates, and a warm varnish for wooden floors and furniture. As it is prone to darkening with age, it is not recommended as a varnish for oils, and its solubility can reduce over time. There are various grades of shellac. When mixed with alcohol, it may initially form a cloudy mixture, due to traces of wax in the shellac, but this should become clear once it has dried. The highest grades of shellac are Clear Dewaxed Shellac, which has been de-coloured using the carbon filtering method, Lemon Shellac, and Orange Shellac, which are pale in colour. Button Shellac is less refined and therefore produces a reddish varnish. It was, in fact, widely used as a red dye before synthetic dyes became available. Learn More
  9. Pro Arte Series 103 Rigger

    Pro Arte Series 103 Rigger

    Starting at: £3.70

    Long haired synthetic brush with good colour holding capacity and spring. Very fine point. Learn More
  10. Carnauba Wax Grey

    Carnauba Wax Grey

    Starting at: £8.40

    Carnauba Wax is the hardest wax commonly used in the production of artists' materials, with a melting point of 83-86°c. It is derived from a tree native to South America, and is available in a natural colour (grey), or a refined colour (pale yellow). Small amounts of carnauba wax are commonly used in both oil painting mediums and encaustic painting, usually in conjunction with beeswax to add toughness, durability and sheen to the paint film. It creates an inflexible surface, so works best on rigid supports such as gesso panels, and it should be noted that it will raise the melting point of encaustic mixtures. It can produce a glossy finish; as such it is used in waxes and polishes for shoes, cars, musical instruments, furniture, and wooden floors, especially when mixed with beeswax and turpentine. Learn More
  11. Omega Series 1031 Spalter Varnish

    Omega Series 1031 Spalter Varnish

    Starting at: £19.40

    Lily bristle brush for dragging or varnish walls and large surfaces. 100% pure hog bristles. Learn More
  12. Button Shellac

    Button Shellac

    Starting at: £8.40

    Shellac is a natural resin that is deposited by the female lac insect on the branches of trees in India and Thailand. It is soluble with alcohol, but not with mineral spirits or turpentine. It forms a tough yet flexible film, with many applications. It is suitable as a top coat for gilding when applied thinly, a sealant for porous surfaces, an isolating layer for tempera paintings, a base for pigmented inks, a protective layer for collograph plates, and a warm varnish for wooden floors and furniture. As it is prone to darkening with age, it is not recommended as a varnish for oils, and its solubility can reduce over time. There are various grades of shellac. When mixed with alcohol, it may initially form a cloudy mixture, due to traces of wax in the shellac, but this should become clear once it has dried. The highest grades of shellac are Clear Dewaxed Shellac, which has been de-coloured using the carbon filtering method, Lemon Shellac, and Orange Shellac, which are pale in colour. Button Shellac is less refined and therefore produces a reddish varnish. It was, in fact, widely used as a red dye before synthetic dyes became available. Learn More
  13. Cornelissen T52100B Professional Press

    Cornelissen T52100B Professional Press

    £2,150.00

    Cornelissen Etching Press T52100B 52 x 100 cm, Bed size: 52 x 100 cm, Upper Roller Diameter: 110 mm, Lower Roller Diameter: 110mm, Weight: 83 kg. Etching press base: 56 x 44 cm. Please call Cornelissen for more details. Delivery to your address usually takes up to 4 weeks to UK & EU countries and 6 weeks to USA after the order is placed. Please be aware these goods are heavy and it is the customer’s responsibility to check measurements for delivery before orders are placed and to be able to receive the goods over two days.

     

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  14. Orange Shellac

    Orange Shellac

    Starting at: £8.00

    Shellac is a natural resin that is deposited by the female lac insect on the branches of trees in India and Thailand. It is soluble with alcohol, but not with mineral spirits or turpentine. It forms a tough yet flexible film, with many applications. It is suitable as a top coat for gilding when applied thinly, a sealant for porous surfaces, an isolating layer for tempera paintings, a base for pigmented inks, a protective layer for collograph plates, and a warm varnish for wooden floors and furniture. As it is prone to darkening with age, it is not recommended as a varnish for oils, and its solubility can reduce over time. There are various grades of shellac. When mixed with alcohol, it may initially form a cloudy mixture, due to traces of wax in the shellac, but this should become clear once it has dried. The highest grades of shellac are Clear Dewaxed Shellac, which has been de-coloured using the carbon filtering method, Lemon Shellac, and Orange Shellac, which are pale in colour. Button Shellac is less refined and therefore produces a reddish varnish. It was, in fact, widely used as a red dye before synthetic dyes became available. Learn More
  15. Carnauba Wax Yellow

    Carnauba Wax Yellow

    Starting at: £6.50

    Carnauba Wax is the hardest wax commonly used in the production of artists' materials, with a melting point of 83-86°c. It is derived from a tree native to South America, and is available in a natural colour (grey), or a refined colour (pale yellow). Small amounts of carnauba wax are commonly used in both oil painting mediums and encaustic painting, usually in conjunction with beeswax to add toughness, durability and sheen to the paint film. It creates an inflexible surface, so works best on rigid supports such as gesso panels, and it should be noted that it will raise the melting point of encaustic mixtures. It can produce a glossy finish; as such it is used in waxes and polishes for shoes, cars, musical instruments, furniture, and wooden floors, especially when mixed with beeswax and turpentine. Learn More
  16. Omega Series 1067 Lily Varnish

    Omega Series 1067 Lily Varnish

    Starting at: £21.10

    Thick hog hair brush or varnishing or painting on a large scale. 100% pure hog bristles. Learn More
  17. Clear Dewaxed Shellac

    Clear Dewaxed Shellac

    Starting at: £9.20

    Shellac is a natural resin that is deposited by the female lac insect on the branches of trees in India and Thailand. It is soluble with alcohol, but not with mineral spirits or turpentine. It forms a tough yet flexible film, with many applications. It is suitable as a top coat for gilding when applied thinly, a sealant for porous surfaces, an isolating layer for tempera paintings, a base for pigmented inks, a protective layer for collograph plates, and a warm varnish for wooden floors and furniture. As it is prone to darkening with age, it is not recommended as a varnish for oils, and its solubility can reduce over time. There are various grades of shellac. When mixed with alcohol, it may initially form a cloudy mixture, due to traces of wax in the shellac, but this should become clear once it has dried. The highest grades of shellac are Clear Dewaxed Shellac, which has been de-coloured using the carbon filtering method, Lemon Shellac, and Orange Shellac, which are pale in colour. Button Shellac is less refined and therefore produces a reddish varnish. It was, in fact, widely used as a red dye before synthetic dyes became available. Learn More
  18. Cornelissen T52100 Professional Press

    Cornelissen T52100 Professional Press

    £3,250.00

    Cornelissen Press T52100, Bed size: 52 x 100 cm, Upper Roller Diameter: 157 mm, Lower Roller Diameter: 157mm, Weight: 106 kg. Etching press base: 58 x 63 cm. We offer press demonstrations for this model. Please call Cornelissen for more details. Delivery to your address usually takes up to 4 weeks to UK & EU countries and 6 weeks to USA after the order is placed.

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  19. Roberson 1810 Medium

    Roberson 1810 Medium

    Starting at: £34.20

    This is a traditional, high-oil "fat" painting medium, made using the highest quality materials. It will retain colour strength, is resistant to bleeding, has good flow release, is ideal for blending, and can be mixed with oil colours in any ratio. When dry, it creates an enamel-like surface.

    Contains: Stand oil, Cold-pressed Linseed oil, Canada Balsam, Rectified Spirit of Turpentine, Beeswax, Driers.

    Clean tools in white spirit. Do not use as a varnish, always mix with oil colour.

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  20. Pro Arte Series 101

    Pro Arte Series 101

    Starting at: £3.15

    Economical, hard-wearing brushes suitable for watercolours and acrylics. They retain their points well. Learn More
  21. Fabriano Pittura Paper

    Fabriano Pittura Paper

    Starting at: £2.65

    400GSM, Woodfree, Acid Free, Natural Grain Surface, High White, Tub and Surface Sized. Learn More
  22. Imitation Gold Rolls

    Imitation Gold Rolls

    Starting at: £10.00

    Imitation Gold Rolls Learn More
  23. Aluminium Rolls

    Aluminium Rolls

    Starting at: £10.00

    Aluminium Rolls Learn More
  24. Winsor & Newton Designers Gouache Sets

    Winsor & Newton Designers Gouache Sets

    Starting at: £36.65

    Winsor & Newton Designers Gouache Sets Learn More
  25. Ceramic 12 Well Palette with Lid

    Ceramic 12 Well Palette with Lid

    Starting at: £10.95

    Ceramic 12 Well Palette with Lid Learn More
  26. ArtGraf Soft Watercolour Graphite Stick

    ArtGraf Soft Watercolour Graphite Stick

    Starting at: £2.40

    ArtGraf Stick is a water-soluble, square-edged graphite bar 9cm in length. Learn More
  27. Lead Tin Yellow Dark Pigment

    Lead Tin Yellow Dark Pigment

    Starting at: £4.80

    Lead Tin Yellow Dark Pigment. Larger sizes available. Please ask for quotation. Toxicity D. Domestic shipping only Learn More
  28. Michael Harding Watercolours, Traditional English Landscape Set, 10 x 15ml tubes

    Michael Harding Watercolours, Traditional English Landscape Set, 10 x 15ml tubes

    Starting at: £132.00

    Michael Harding Watercolours, Traditional English Landscape Set, 10 x 15ml tubes, including: Warm White, Yellow Lake, Burnt Sienna, Yellow Ochre Deep, Moss Green, Forest Green, Hookers Green, Ultramarine Blue, Sky Blue (Phthalo), and Lamp Black. Learn More
  29. Fabriano Artistico Paper Traditional

    Fabriano Artistico Paper Traditional

    Starting at: £46.10

    Gelatine free. A mould-made, acid-free 100% cotton watercolour paper with 2 deckle edges.

    Mail-order customers are able to buy this paper in packs of 10 sheets. Single sheets are also available in our shop.

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  30. Cornelissen Glass Mullers.

    Cornelissen Glass Mullers

    Starting at: £24.50

    Cornelissen Glass Mullers are handmade using superior boro silicate laboratory glass, which is 40% harder, more heat resistant, and offers better clarity than soda-lime glass. The base of each muller is ground perfectly flat, and sand-blasted to create a fine tooth to facilitate the grinding of pigments. The tall handle features an ergonomic top, to ease fatigue when grinding large amounts of pigment. Mullers act as flat-bottomed pestles, which are used to grind pigment into a binding medium, suspending it evenly to create a uniform covering of binder around each pigment particle. Using a muller and slab, rather than simply mixing pigment and binder together, will create a more homogenised and stable paint. Use in conjunction with a Cornelissen Glass Slab to make paint efficiently. The sand-blasted texture of the muller and plate helps to push and distribute the pigment throughout the binder quickly. This will mean less grinding, and more painting! Learn More

Items 541 to 570 of 657 total

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