Search results for 'in'
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da Vinci Series 1840 Black Sable Bright
Starting at: £5.90
Finest Russian black sable hair with long maroon polished handles. Learn More -
Metalpoint Wire
Starting at: £0.50
Metalpoint Wire, sold as individual pieces, 2 inches long Learn More -
Transparent Containers
Starting at: £1.20
Rigid high quality boxes manufactured in clear Polystyrene. Medium and large sizes are ideal for storing loose nibs. Learn More -
Schmincke Print Medium Black 120 ml
£15.95For relief and intaglio printmaking with black oil paints. Learn More -
da Vinci, Suzi Morris, Softening and Blending Set for Oil Painting
£47.40Versatile, sturdy brushes with short wooden handles for comfort and ease of use. Learn More -
da Vinci Series 1200 Sable Rigger
Starting at: £9.40
Made from pure Kolinsky sable hair to give added control and spring when painting long lines. Learn More -
Sealing Wax Mura
Starting at: £2.26
Taper/wick throughout length. Well suited to craft purposes. Assorted colours including Blue, Red, Gold, Silver, Copper and Black. Learn More -
Rohrer and Klingner Writing Ink 50ml
Starting at: £6.40
Writing Ink (series 40). Dye based inks suitable for fountain pens and many other calligraphy tools. Not waterproof or lightfast. The range of 18 shades includes two Iron Gall inks modified from a traditional recipe to be suitable for fountain pens. The Iron Gall inks are lightfast, deepen in colour with oxidisation over time and are permanent. All colours, with the exception of Sepia, are intermixable. Learn More -
Schmincke Aero Tex Medium 28ml
£8.60Produces a textile air-brush colour when mixed with 1 part AERO TEX and 1 part AERO COLOR® Professional. Wash, dry and iron the material beforehand. After finishing the design let it dry out. Iron the reverse side. (Cotton about 2 minutes; silk/wool about 4-6 minutes; synthetics about 8 minutes.) Do not dryclean. Contains a polyurethane dispersion. Learn More -
Rohrer & Klingner Antique Ink
Starting at: £10.20
The Rohrer & Klingner Traditional Ink range provides 18 colours of high luminance and brilliance, suitable for use with dip pens, brushes, fountain pens, and even airbrush devices. They can be used to produce crisp edges or more painterly washes. They have an acrylic resin base, with a high pigment content, and are completely intermixable. They can also be used in conjunction with Rohrer & Klingner's Drawing and Calligraphy range, to create an even more extensive range of tones. Learn More -
Mezzotint Rockers
Starting at: £114.00
Rockers are (7 inches long) including the stained birch handle and made with the highest quality high carbon tool steel, EC Lyons rockers are known world wide as the finest mezzotint rockers available. The gauge (screen) sizes are available in Course (45), Medium (65 and 85), and Fine (100) lines per inch. By working the rocker (with a rocking motion) over a copper/zinc plate in a criss-cross fashion one creates burrs that will trap the ink to produce rich velvety black tones unequalled in any other intaglio process. Learn More -
Schmincke Mussini Limited Edition Ruby Red 15 ml
£26.00Schmincke Mussini Limited Edition Ruby Red 15 ml Learn More -
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da Vinci Series 1870 Nova Flat
Starting at: £2.95
Long handled synthetic brush for acrylic or oil painting. Soft bristles. Learn More -
da Vinci Series 7406 Long Handle Hog Filbert
Starting at: £21.20
Finest quality bristle brushes with extra long 60 cm handle length. Learn More -
Rotring Artpen Refill Pack of 6 Blue
£2.60Rotring Artpen Refill Pack of 6 Ultramarine Blue Learn More -
da Vinci Series 5025 Impasto Mottler
Starting at: £10.50
Extra strong white synthetic bristles, short lenght short blue polished handle, rust proof steel ferrule. Learn More -
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Schmincke Aqua Granulation Spray 15 ml
£8.20Create effects similar to granulation effects in watercolours, with an even paint flow. Learn More -
Gamblin Etching Inks 300ml
Starting at: £20.90
Gamblin Etching Inks were formulated at the request of professional printmakers in the Pacific Northwest who wanted strong reliable inks for edition printing. The palette of pure intense pigments offers a broad range of color mixing potential. Learn More -
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Genuine Malachite Pigment
Starting at: £14.90
Malachite is a naturally occurring copper carbonate, closely related to Azurite. It has a weak tinting strength, is quite opaque, and works best in aqueous media. Larger sizes available on request. Learn More -
Honing Oil for Akansas and oil Stones 125ml
£8.90Honing Oil for Akansas and oil Stones 125ml Learn More -
Velin Arches Printmaking Paper
Starting at: £7.15
Mould made, 100% rag, acid free, soft textured surface, 250 gsm. White or cream. Pack quantity 25 sheets. Learn More -
Schmincke Calligraphy Gouache
Starting at: £10.95
Brilliant and mainly opaque colours specially developed for use in calligraphy. Superfine pigments. Ideal for making inks. Non waterproof. Learn More -
Alumina Hydrate Light
Starting at: £8.30
Alumina Hydrate is an inert pigment with highly absorbent properties, which can be ground into oil paint as an almost colourless extender. It is often used as an additive in commercial oil paints, particularly in conjunction with transparent or lake pigments, as it provides stability and a homogenous consistency without effecting colour or gloss, although it may effect the pigment strength. When combined with linseed oil, it produces an almost transparent painting medium for extending oil colours. Sometimes referred to as Lake Base. Learn More -
Whiting
Starting at: £4.00
Whiting is powdered Calcium Carbonate, which can be mixed with rabbit skin glue to create a chalk-based ground for oil, tempera, distemper or encaustic painting. Traditionally, whiting was an important ingredient when preparing painting surfaces in the north of Europe, as opposed to gypsum (Calcium Sulphate), which was widely used south of the Alps. Learn More -
Casein Lactic
Starting at: £15.95
Casein is a protein derived from dried milk, which has been used in painting since ancient times. It can be combined with Ammonium Carbonate to form an emulsion, which acts as a durable, non-resoluble binder for pigments, producing a matte, fast-drying paint, similar in appearance to egg tempera. We use casein as a binder for our L. Cornelissen & Son Pigment Colour Charts, as it is a medium that clearly showcases the characteristics and behaviour of each pigment in its pure form. Casein paints can be applied in thin layers to watercolour paper, but would require a more rigid support, such as a gesso panel, to be applied thickly, as the comparative inflexibility of the paint layer means that it can be prone to cracking. Subsequent layers of paint should be more diluted to aid adhesion, and impasto effects are not recommended. It is possible to varnish casein paintings using an acrylic or damar varnish to obtain a glossy surface if desired, although this is not a necessary step. Casein can also be used as an ingredient in gesso, and is a suitable binder for fresco secco techniques.
Some pigments may require a wetting agent in order to fully disperse within the binder, in which case alcohol may be used.
Learn More -
da Vinci Luxury Travel Brush Set
£184.00da Vinci Luxury Travel Brush Set LIMITED EDITION Two interchangeable brush tips, size 2 and size 8 Selected Tobolsky Kolinsky sable hair Hand-shaped in Nuremberg, Germany Ethergraf tip on habdle base for drawing on most papers Faux leather case. Learn More


