Search results for '10'
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Gelatine Leaf
Starting at: £5.30
A pure form of glue from animal tissue. Used for sizing paper. Used in gliding and for weak sizes in isolating layers in tempera painting. Learn More -
Orpiment Pigment
Starting at: £12.75
PY39
Orpiment, also called King's Yellow, is a mineral pigment containing naturally occurring sulphide of arsenic. Its high toxicity, and the prevalence of cadmium pigments, means that it is largely obsolete outside the field of restoration. It works best bound in oil or egg tempera, but it is not reliably permanent. Toxicity D.
Larger quantities are available by request.
Please note, unfortunately we are not able to send this product outside the UK.
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Synthetic Malachite Pigment
Starting at: £4.20
Synthetic Malachite is an artificial mineral pigment, copper carbonate, chemically based on Malachite. It has a medium tinting strength and good opacity. Larger sizes available on request Learn More -
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Gamboge Powder
Starting at: £5.20
Gamboge is a natural tree resin, generally extracted by tapping of Garcinia trees, available as a powder and in the solid "pipe" form. One of the unique features of Pipe Gamboge is that it does not require a binding agent to be used as a paint. Instead, colour can be lifted with a wet brush, as from a watercolour pan. When used as a water colour, it gives a bright transparent golden yellow colour. It is highly transparent, fugitive to light, with a weak tinting strength. The powder can be dissolved in alcohol to colour resin-based varnishes. Gamboge was used from ancient times to dye the clothes and also to make a transparent yellow varnish for the colouring of wood, metals and leather.
Pipe Gamboge is available while stocks last. Larger quantities are available by request.
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Branded Stretcher Bars
Starting at: £2.15
Branded Stretcher Bars. High quality range of canvas stretcher frames made from laminated pine to minimise warping. All bars have a 1/4 inch lip to raise the canvas away from the wood. Mortised to take cross-bars from 36 inches. Supplied with wedges. *Please note - prices are for individual bars* Learn More -
Cornelissen Kolinsky Sable Watercolour Filbert
Starting at: £12.30
High quality Kolinsky sable with good spring and pointing characteristics. Very useful for detailed work. Learn More -
Branded Cross Bars
Starting at: £1.90
These are useful for bracing a larger frame, and are necessary when one of the dimensions is over 36 inches. Cross bars are notched for overlap from 36 inches, either at the front or back. Please specify which bar arrangement you need. Supplied with wedges. *Please note - prices are for individual bars* Learn More -
Cornelissen One Stroke Sable
Starting at: £8.75
Pure red sable brushes with a high colour holding capacity enabling free flow of colour. The fine edge of this brush provides defined clean cut lines. Learn More -
Standard Stretcher Bars
Starting at: £1.50
Standard Stretcher Bars. These light duty stretcher bars are made of laminated pine and have a slight lip that keeps the canvas away from the inside edge of the bar. These bars have a maximum size of 22 inches and do not come with cross bars. Supplied with wedges. *Please note - prices are for individual bars* Learn More -
Cornelissen Squirrel Mop
Starting at: £21.40
Traditional high quality soft hair mops with considerable colour carrying capacity. Useful for laying down large washes. Also used by gilders for tamping down gold leaf and for dusting. Learn More -
Fredrix Inkjet Canvas Pack
Starting at: £16.90
Call to Order
340GSM, A4, 10 Sheets, Poly-Cotton Blend. Learn More -
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Smalt Dark Pigment
Starting at: £5.30
PB32
Smalt is a kind of cobalt blue glass or frit, and its use as a pigment dates from the 1600s in the glass-making regions of Saxony. We offer two shades, light and dark, which are determined by the particle size of the pigment; the more finely ground the powder, the paler the colour. Before the introduction of Ultramarine Blue, Smalt was available in a wide variety of grades. It is a very transparent pigment, which is easily overwhelmed in mixtures due to its weak tinting strength. It works best in water based media. When ground in oil, it can become almost invisible in dried oil-paint films because its refractive index is so close to that of linseed oil.
Larger quantities are available by request.
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Smalt Light Pigment
Starting at: £5.20
PB32
Smalt is a kind of cobalt blue glass or frit, and its use as a pigment dates from the 1600s in the glass-making regions of Saxony. We offer two shades, light and dark, which are determined by the particle size of the pigment; the more finely ground the powder, the paler the colour. Before the introduction of Ultramarine Blue, Smalt was available in a wide variety of grades. It is a very transparent pigment, which is easily overwhelmed in mixtures due to its weak tinting strength. It works best in water based media. When ground in oil, it can become almost invisible in dried oil-paint films because its refractive index is so close to that of linseed oil.
Larger quantities are available by request.
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Sealing Wax Mura
Starting at: £2.85
Taper/wick throughout length. Well suited to craft purposes. Assorted colours including Red, Gold, Silver and Blue. Learn More -
Verdigris Pigment
Starting at: £4.90
Verdigris is an artificial pigment that dates from antiquity. Originally, it was produced by exposing copper to vinegar; nowadays acetic acid is used. It is acidic, so can contribute to the deterioration of paper supports. For this reason, it is more suited to oil or tempera painting than it is to watercolour. In tempera painting, it should be bound in animal glue or isinglass glue rather than egg york. When used in oil painting it should be held in a resin oil or balsam such as Venice Turpentine, as it can turn brown when ground directly into linseed oil. It is a fast-drying, transparent pigment, with a visible crystalline structure.
Larger quantities are available by request.
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Cinnabar Pigment
Starting at: £16.00
PR106
Cinnabar, composed of mercuric sulphide, is a mineral pigment found in crusts or veins in sites of volcanic activity. It has good tinting strength and opacity but, like many red pigments, it dries very slowly in oil media. Due to its high toxicity, it is no longer an ingredient in commercial paints, but is a prominent colour in historical palettes.
Generally, Cinnabar refers to the natural mineral, while Vermilion refers to the synthetic pigment. Cinnabar has been mined since at least the tenth millennium BC, and used as a painting material, gemstone, and ritual object by many cultures around the globe. Toxicity D.
Larger sizes available on request.
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Blue Verditer Pigment
Starting at: £7.50
** While stocks last ** Blue Verditer, sometimes referred to as Bremen Blue, is a synthetic form of Azurite, or copper-calcium carbonate. It has a weak tinting strength and is sligtly transparent. It works best in water-based binders, as the acidity of linseed oil can cause discolouration.
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Larger sizes available on request -
Lead Tin Yellow Dark Pigment
Starting at: £4.80
Lead Tin Yellow Dark Pigment. Larger sizes available. Please ask for quotation. Toxicity D. Domestic shipping only Learn More -
Cornelissen Glass Mullers
Starting at: £24.50
Cornelissen Glass Mullers are handmade using superior boro silicate laboratory glass, which is 40% harder, more heat resistant, and offers better clarity than soda-lime glass. The base of each muller is ground perfectly flat, and sand-blasted to create a fine tooth to facilitate the grinding of pigments. The tall handle features an ergonomic top, to ease fatigue when grinding large amounts of pigment. Mullers act as flat-bottomed pestles, which are used to grind pigment into a binding medium, suspending it evenly to create a uniform covering of binder around each pigment particle. Using a muller and slab, rather than simply mixing pigment and binder together, will create a more homogenised and stable paint. Use in conjunction with a Cornelissen Glass Slab to make paint efficiently. The sand-blasted texture of the muller and plate helps to push and distribute the pigment throughout the binder quickly. This will mean less grinding, and more painting! Learn More -
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Ivory Black Genuine Pigment
Starting at: £38.00
PBk9
Genuine Ivory Black is produced by burning reclaimed ivory, such as piano keys. These are antique, mainly Victorian pieces, using ivory with started out as hippo or walrus teeth, and offers a higher carbon content and greater tinting strength than modern-day equivalents, which are usually derived from animal bones. It is a particularly slow-drying pigment.
Larger quantities are available by request. While stocks last.
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Egyptian Blue Pigment
Starting at: £5.90
Egyptian Blue is stable in all media, highly transparent, with a weak tinting strength. A synthetically produced calcium copper silicate, it is considered to be the earliest artificial pigment, dating from antiquity and widely used in ancient Egypt. Larger sizes available on request Learn More -
Lead Tin Yellow Light Pigment
Starting at: £4.80
Bright yellow first used in the Middle Ages as a replacement for Orpiment. Suitable for oil based media. Larger sizes available. Please ask for quotation. Toxicity D. Domestic shipping only Learn More -
Genuine Malachite Pigment
Starting at: £14.90
Malachite is a naturally occurring copper carbonate, closely related to Azurite. It has a weak tinting strength, is quite opaque, and works best in aqueous media. Larger sizes available on request. Learn More -
Soft Sewn Sketchbook
Starting at: £5.00
Soft Sewn Sketchbook. 64 Pages, 120GSM Acid-Free Paper. Learn More -
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