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  1. Japanese Complete Woodblock Set

    Japanese Complete Woodblock Set

    £55.00

    Complete Mokuhanga set for beginners. This set includes; 1x Sosaku inking brush 15mm, 1x Tokibo carrying brush for glue, 5pcs pencil style carving tools in a plastic case including; 7mm Aisuki (flat), 10mm Hangi-toh (knife), 3mm Komasuki (U), 3mm Sankatu-toh (V), 6mm Asamaru (shallow U), 1x plastic inking dish, 1x plastic baren 120mm, 1x shina plywood 160mm x 110mm, 1 x pack of 4 colours of waterbased printing in premixed with glue paste. Learn More
  2. Gamblin Cold Wax Medium

    Gamblin Cold Wax Medium

    Starting at: £12.60

    * Only available online.* Cold Wax medium is made by Gamblin. They say:

    "Cold Wax medium is made from naturally white, pure beeswax. Formulated to knife consistency, Cold Wax Medium makes oil colours thicker and more matte. Cold Wax Medium can be used to make Gamblin mediums and Gamvar more matte. It can also be applied alone as a matte varnish."

    Please see below for more information.

    Learn More
  3. Daniel Smith Watercolour Ground Titanium White 4oz

    Daniel Smith Watercolour Ground Titanium White 4oz

    £10.30

    Titanium White, as well as turning any surface into Watercolor Paper, allows you to rescue areas within a painting done on Watercolor paper! It’s so easy to apply Ground over an area within a painting that needs rescuing—or for working on different compositional areas. You can also lift and scrub without damaging the painting surface. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More
  4. Cornelissen 80 Red Gold Leaf 23 ct

    Cornelissen 80 Red Gold Leaf 23 ct

    Starting at: £63.80

    Red Gold Leaf 23 ct, 80 x 80 mm. Book of 25 leaves. Coverage per book is 0.16 m2 (1.69 sq. feet) Learn More
  5. HMG B72 Restoration Adhesive

    HMG B72 Restoration Adhesive

    £7.70

    B72 Acrylic Adhesive is touch dry in 3-5 minutes, surface dry in 1 hour and hard dry in around 6 hours. Not having instant grab, fragments can be easily re-adjusted and surplus adhesive removed with acetone, making any joint virtually invisible. It’s ideal for repairs to pottery, wood, metal, glass, ivory and many porous substances. 14ml. Learn More
  6. Z

    Zinc White Pigment

    Starting at: £4.00

    Zinc White, or Zinc Oxide, is an artificial mineral pigment that was first produced in France in the late 18th century. Its use in commercial watercolours as Chinese White pre-dates its inclusion in oil painting. It is a semi-opaque, lightfast pigment, which dries very slowly in oil. Of all white pigments, it produces the most brittle paint film, so is not recommended in large quantities for impasto techniques. However, it is a good addition to a palette which requires a less overwhelming white than Titanium White.

    Toxicity: B

    Learn More
  7. da Vinci Series 488 Spin Synthetic

    da Vinci Series 488 Spin Synthetic

    Starting at: £11.10

    Wash brush, very smooth light brown synthetic fibre in plastic quills, wooden lacquered handle. Learn More
  8. Cornelissen 80 White Gold Leaf 12 ct

    Cornelissen 80 White Gold Leaf 12 ct

    Starting at: £43.30

    White Gold Leaf 12 ct, 80 x 80 mm. Book of 25 leaves. Coverage per book is 0.16 m2 (1.69 sq. feet) Learn More
  9. Button Shellac

    Button Shellac

    Starting at: £8.40

    Shellac is a natural resin that is deposited by the female lac insect on the branches of trees in India and Thailand. It is soluble with alcohol, but not with mineral spirits or turpentine. It forms a tough yet flexible film, with many applications. It is suitable as a top coat for gilding when applied thinly, a sealant for porous surfaces, an isolating layer for tempera paintings, a base for pigmented inks, a protective layer for collograph plates, and a warm varnish for wooden floors and furniture. As it is prone to darkening with age, it is not recommended as a varnish for oils, and its solubility can reduce over time. There are various grades of shellac. When mixed with alcohol, it may initially form a cloudy mixture, due to traces of wax in the shellac, but this should become clear once it has dried. The highest grades of shellac are Clear Dewaxed Shellac, which has been de-coloured using the carbon filtering method, Lemon Shellac, and Orange Shellac, which are pale in colour. Button Shellac is less refined and therefore produces a reddish varnish. It was, in fact, widely used as a red dye before synthetic dyes became available. Learn More
  10. Roberson Clear Shellac Varnish

    Roberson Clear Shellac Varnish

    Starting at: £11.50

    Fast drying varnish for metal leaf. May also be used to seal absorbent surfaces prior to sizing. Cellulose based. Clean brushes with methylated spirits. Learn More
  11. Cranfield (Spectrum) Spectragel Medium

    Cranfield (Spectrum) Spectragel Medium

    Starting at: £16.50

    From the Cranfield website:

    This is a thixotropic alkyd medium designed to mix with oil colours, retaining the body of the paint.

    Spectragel is a gloss medium and is quick drying. It is a clear medium based on a synthetic resin that improves the weather resistance of oil colours; ideal for glazing and extending colours while retaining gloss and structure of paint.

    Matt Spectragel is a quick drying, clear, weather-resistant medium based on synthetic resin. Ideal for extending colours, Matt Spectragel Medium will retain structure and dry to a matt finish.

    Learn More
  12. Schmincke Soft Pastels

    Schmincke Soft Pastels

    Starting at: £3.95

    Working with Schmincke’s finest extra-soft pastels leads you back to the origin of colour and is a real painting experience rather than simple drawing. They contain only the purest medium fine ground artists’ pigments, which are in the highest possible concentration. Contrastingly, the binding agent content, is kept to a minimum, which ensures a stable compound. In order to guarantee the highest quality it is necessary to manufacture Schmincke pastels using special recipes which avoid the use of machinery. Multiple Discounts: 10+ Pastels 10% SAVING, 30+ Pastels 17% SAVING Learn More
  13. Mixing Slab

    Mixing Slab

    Starting at: £24.00

    A glass slab with wooden cradle for the grinding of pigments.

    The friction created between the sand-blasted surfaces of the glass slab and muller facilitates the thorough mixing of pigment and medium, creating a consistent and strong paint body. This slab can be used to manufacture many types of paint including watercolours, egg tempera and oils.

    Mulling is of particular importance when making oil paint; simply mixing pigment and oil together using a palette knife will result in an unstable substance with poor plasticity, which contains a large amount of excess oil and unevenly distributed pigment particles. Thorough mulling in a figure-of-eight motion will enable the pigment to be fully combined into the binder, strengthening the resultant paint film.

    PLEASE NOTE: The separate glass slabs are in stock but it is a call to order item due to the fact that we cannot guarantee its safe delivery, however well we package it. Please ring us to discuss your delivery options. In combination with the glass frame, delivery is more secure but we still cannot guarantee a delivery without breakage.

    Learn More
  14. Lascaux Tusche Set

    Lascaux Tusche Set

    £67.10

    Set Includes; Tusche Wash 85ml, Tusche Wash/Spray 85ml, Tusche Waterproof 85ml, Tusche water-soluble 85ml, Tusche Softground 85ml, Tusche diluting Liquid 85ml. Learn More
  15. Roberson Acrylic Primers

    Roberson Acrylic Primers

    Starting at: £22.10

    Contains acrylic resin and titanium dioxide. Smooth white surface. 1 litre will cover approximately 14 square metres depending on the porsity of the surface. Learn More
  16. Leather Fitzrovia Pencil and Brush Case

    Leather Fitzrovia Pencil and Brush Case

    Starting at: £38.55

    These leather cases keep your brushes, pencils and other art materials snug and secure, and are available with a leather tie or elastic straps. They come in two sizes; 38cm and 25cm. All of our leather goods are handmade in Spain, and dyed with natural dyes that will fade and age beautifully over time. Please see below to order this in red, green or tan brown, or ring our office to enquire about additional colours that we may have available. Learn More
  17. Reagent Jar

    Reagent Jar

    Starting at: £6.50

    Our clear reagent bottles are manufactured in the EU and are made of high quality soda lime glass. They have a solid base and good wall thickness. 

    Learn More
  18. Pro Arte Series 203 Rigger Acrylix

    Pro Arte Series 203 Rigger Acrylix

    Starting at: £4.25

    Combines the strenghts of the series 202 with long hair to provide long accurate lines in all media. Learn More
  19. Roberson Interlon Series 63 Round

    Roberson Interlon Series 63 Round

    Starting at: £5.60

    Made with new improved brown interlocking tapered filaments, these brushes have an excellent shape retention and firm texture. Good spring. Gold colour ferrule with bottle green handle. Learn More
  20. Michael Harding Miracle Medium

    Michael Harding Miracle Medium

    Starting at: £12.00

    MM0 Miracle Medium is a solvent-free, odourless, vegan, and plant-based Medium that serves as an alternative to traditional turpentine. This medium offers artists a natural and sustainable option for thinning oil paints, cleaning brushes, and glazing (see our MM2 Quick Dry Dammar Varnish Miracle Medium) without the use of harsh chemicals or toxic fumes. CAN EXTEND DRYING TIME. ADD 5-10% TO OIL COLOUR AS NEEDED. Oil paint artists use MM0 Miracle Medium in several ways: Artists may dip their brush in MM0 Miracle Medium before applying it to the paint to achieve the desired consistency. Clean brushes: MM0 Miracle Medium can be used to clean oil paint brushes. After painting, artists may rinse their brushes in MM0 Miracle Medium to remove excess paint and then wash the brushes with soap and water – Use as a painting medium to mix with oil paints, enhancing flow and transparency – Clean brushes by dipping them in the medium and wiping them clean. – Dilute or thin oil paints without the use of traditional solvents. – CAN EXTEND DRYING TIME. ADD 5-10% TO OIL COLOUR AS NEEDED. – Available in 100ml, 250ml and 1 Litre. Learn More
  21. Sosaku Brush 24mm

    Sosaku Brush 24mm

    £11.15

    Sosaku inking brush for working the pigments and glue paste onto the carved block for printing. These are made from horse hair and are traditionally prepared by splitting and softening the hair on shark-skin or sandpaper before printing. Brushes come in 3 sizes. Learn More
  22. Blue Verditer Pigment

    Blue Verditer Pigment

    Starting at: £7.50

    ** While stocks last ** Blue Verditer, sometimes referred to as Bremen Blue, is a synthetic form of Azurite, or copper-calcium carbonate. It has a weak tinting strength and is sligtly transparent. It works best in water-based binders, as the acidity of linseed oil can cause discolouration. 


    Larger sizes available on request

    Learn More
  23. Cornelissen Series 42 Hog Bristle Flat

    Cornelissen Series 42 Hog Bristle Flat

    Starting at: £5.00

    Finest quality selected interlocking Chinese white hog hair. Seamless copper ferrule. Green handle. Length approximately 300mm / 370mm depending on size. Learn More
  24. Roberson White Spirit

    Roberson White Spirit

    Starting at: £7.50

    Plastic container. Solvent distilled from crude petroleum oils. Used to thin colour and to clean brushes. Slower drying time than turpentine. Learn More
  25. Japanese Workbench

    Japanese Workbench

    £14.00

    Workbench/ Bench hook. An aid to safely carve plywood blocks or lino. Hook over edge of table or bench and place surface to be carved in corner as displayed. Please note workbench does not include plywood block. Learn More
  26. Rohrer & Klingner Litho Chalk

    Rohrer & Klingner Litho Chalk

    Starting at: £17.10

    Composed of wax, tallow and Syrian asphalt, the litho chalks feature high resistance against acids. To maintaine quality of the stone, they do not seal the pores of the stone surface. Available in six degrees of hardness with No. 0 being the softest, No. 5 the hardest, and No. 3 the most commonly applied. Learn More
  27. Canson Mi-Teintes Touch Pads

    Canson Mi-Teintes Touch Pads

    Starting at: £32.00

    350GSM, 12 Sheets, A very finely textured sanded pastel paper with fine grit surface primer, 3 sheets each of the 4 colours Cream (407), Flannel Gray (122), Sepia (133) and Black (425). Learn More
  28. Gamblin Tom Huck's Outlaw Black Relief Ink 1 lb

    Gamblin Tom Huck's Outlaw Black Relief Ink 1 lb

    £25.00

    Relief printing cool black for highly detailed woodblock printing on paper. Stiff bodied, cool black Intense ink for fine detail Pure burnt plate linseed oil base No fillers, additives, or modifiers Learn More
  29. Silverpoint Stylus, Garzone. Renaissance Workshop Materials

    Silverpoint Stylus, Garzone. Renaissance Workshop Materials

    £130.00

    Length 160 mm. For use on prepared paper. Hand-forged in London from silver bullion. Renaissance Workshop Materials are historically authentic drawing materials and tools, which would be recognisable to the artists of Renaissance Europe. Each product is made in the workshop by hand, using historical methods. Each product is borne from the same historical, European craft tradition, as the drawings and artworks from the Renaissance. In the words of the artisan maker, 'We make these materials in order to experience the historical craft and method of drawing in the most authentic way possible.' Learn More
  30. Cretacolour Water Soluble Pencil

    Cretacolour Water Soluble Pencil

    Starting at: £1.95

    Cretacolour Water Soluble Pencil, available in three different grades. Learn More

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