Search results for 'al'
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Lyons Angled-Shaft Roulette Wheels
Starting at: £40.00
Made of high-carbon tool-steel, Lyons roulettes produce regular line or dot patterns on metal plates, enabling the printmaker to add texture and shading to their image. The higher the number, the denser the lines or dots will be: 45 (coarse), 85 (medium), 100 (fine) and 120 (extra fine). Total length: 12.5 cm. Learn More -
William Mitchell Round Hand Square Cut Nibs
Starting at: £1.65
William Mitchell Round Hand Square Cut Nibs Learn More -
Artools Roulette, Crossed Lines, Mushroom Handle, No. 6C
£18.76Artools Roulette, Crossed Lines, Mushroom Handle, No. 6C Learn More -
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Rohrer & Klingner Autographic Ink
Starting at: £24.60
Autographic ink is a particularly greasy ink used for drawing in silkscreen or lithography, or as a transfer ink. It can be applied to transference paper, ideally one that is strongly sized with a fine grain, or it can be directly applied to the stone. Learn More -
Rohrer & Klingner Drying Retarder 50ml
£8.90Rohrer & Klingner Liquid Watercolour Drying Retarder 50ml Learn More -
Japanese Gold 22,66ct
Starting at: £81.00
Highest quality 22,66ct gold leaf from Japan. Leaves measure 109×109mm and are approximately 0.1μ~0.2μ in thickness. These Tachikiri (contemporary) leaves are beaten in between glassine paper which leaves a much softer impression on the surface of each leaf, resulting in a slightly shinier finish than the more traditional Enzuke gold leaf. Each pack contains 10 leaves. Learn More -
Sennelier Light Wooden Box 36 Assorted pastels
Starting at: £134.95
Sennelier Light Wooden Box 36 Assorted pastels Learn More -
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Cornelissen Pigment Colour Chart
£40.00Cornelissen Pigment Colour Chart. 85 pigment samples displayed in a 6 page 300 gsm A4 booklet, including 'permanence' and 'colour index' references. Colour swatches have been made using a casein binder. Learn More -
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Sosaku Brush 60mm
£18.60Sosaku inking brush for working the pigments and glue paste onto the carved block for printing. These are made from horse hair and are traditionally prepared by splitting and softening the hair on shark-skin or sandpaper before printing. Brushes come in 3 sizes. Learn More -
Faber-Castell Polychromos Pencil Sets
Starting at: £33.95
Faber-Castell Polychromos Pencil Sets, Please note, the Mahogany Box set is is available only to order. Please allow extra time for delivery. Learn More -
Cornelissen Hardback Book of Drawing Paper
£25.00This landscape book contains 48 sheets of 200 gsm Fabriano Accademia drawing paper. White, smooth surfaced, acid free paper in a hardbacked cover featuring a 19th-Century design advocating drawing as "a necessary part of the education of all". Sheet size 19cm x 24cm (7.5 x 9.5in). Learn More -
STAEDTLER Single-Hole Tub Sharpener in Noris Design
£4.55Single-hole tub sharpener for standard-sized black lead pencils up to 8.2 mm Ø with a sharpening angle of 23° for clear and accurate lines. The sharpener has a hinged cover to prevent shavings from spilling and lid with safety lock to avoid accidental opening.
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da Vinci Series 5080 Cosmotop Varnish
Starting at: £14.85
Light brown, extra smooth and soft synthetic hair with black polished handle, tin ferrule. Learn More -
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Cornelissen Gold Powder 1 g Gris 9.6 Carat
£87.00Cornelissen Gold Powder 1 gram Gris. *While stocks last. Learn More -
Rose Madder Genuine Pigment
Starting at: £15.80
NR9 Rose Madder is an alizarin lake pigment made by precipitating dye extracted from madder root onto an inert base. It has largely been replaced by synthetic alizarin pigments, but it is still used as an ingredient in some commercially-available paints. It provides a very transparent pigment, with a weak tinting strength, which can be used in all lime-free media, although it is very slow-drying in oil. It is fugitive to sunlight, so paintings containing Madder should be stored appropriately, but it remains one of the most lightfast plant-based pigments. It requires a wetting agent to aid dispersion. Larger quantities are available by request Learn More -
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Fabriano Venezia Sketchbooks
Starting at: £12.60
200GSM, 48 Sheets, 100% Woodfree, Surface Sized, Acid Free, Fabriano Accademia 200GSM Paper. Learn More -
Fabriano 4 Cartridge Paper
Starting at: £31.30
Fabriano 4 Cartridge paper in bright white shade. Available in either smooth or not surfaces. Woodfree. Pack quantity 25 sheets. Learn More -
Viarco Vintage Green Pencil Box
£9.85Viarco vintage collection. The box contains 12 HB pencils. Learn More -
Tissue Paper
Starting at: £0.07
Call to Order
Tissue Paper. White, acid free. Pack quantity 500 sheets. Learn More -
Roberson Matt Picture Varnish
Starting at: £8.70
Ketone resin/white spirit microcrystalline wax. Clear, tough protection without gloss. Useful overpaintings where resinous media have been used. Unable to send overseas. Learn More -
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Omega Series 203 Pointed Hog Sash
Starting at: £8.70
Similar to series 222 but with shorter hair and a pointed tip. Used in the same way as above but preferred when more control needed or when applying gesso to more elaborate mouldings. 100% pure hog hair. Learn More -
Georgeson & Son Mahl Sticks
Starting at: £26.00
Each Hazel shaft used in the creation of our Mahl poles is individually selected for straightness and overall appearance before being dried and prepared. We use hazel for strength, weight, and the appearance of its rich brown bark when linseed is applied.
Our pommels and handles are made from a stock of fine Italian leather, used for its durability and flex during assembly.
"Georgeson and Son established in 2012 with a singular aim. To resurrect and manufacture forgotten Artist's tools by hand, as carefully and as beautifully as possible.
A desire to make useful things that will last underpins all that we do. We use only the finest quality materials, sustainably sourced and refuse to compromise this quality for the sake of profitability."
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Roberson Poppy Oil
Starting at: £10.20
Poppy Oil is a slightly later addition to the artist's cabinet than Linseed Oil and Walnut Oil. It is generally used as a binder for pale colours, where the warmth of Linseed Oil is not desired. It provides a matte finish and dries very slowly, so we would not advise using it in conjunction with slow-drying pigments or in underpaintings. A paint film produced by Poppy Oil is weaker and softer than that created by Linseed Oil. This is because it contains a smaller percentage of linolenic acid than Linseed Oil; this substance imparts both strength and yellowness to an oil.
Although some of these properties can be perceived as drawbacks, paints made with Poppy Oil generally obtain a "short" or buttery texture without the addition of waxes or other additives, which can be an advantage for certain colours that produce poor consistencies in Linseed oil alone. Sometimes, the addition of a small quantity of Poppy Oil when grinding a tricky or "stringy" pigment in Cold Pressed Linseed Oil can introduce some of benefits of Poppy Oil, without transmitting its negative characteristics.
Paints made with Poppy Oil are particularly suited to "alla prima" working methods, where paint is applied spontaneously. When working in successive layers, Poppy Oil would only be appropriate for the final stages of a painting.
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