Search results for: 'Red'

Stencil Brushes

Starting at: £3.70

Stencil brushes have stiff hog bristles, ideal for stippling colour through stencils. Stippling ensures the paint is less likely to creep underneath the stencil edge, giving the design a crisp but textured finish. Learn More

Winsor & Newton Refined Linseed Oil

Starting at: £6.85

From the Winsor & Newton website: Our most popular oil. A low viscosity alkali refined oil of pale colour that dries slowly. Reduces oil colour consistency. Increases gloss and transparency. Add to other oils to slow drying. Learn More

Roberson Bushey Books

Starting at: £9.00

Roberson Bushey books are available in two landscape sizes (11.3 x 18 cm and 18 x 23 cm), each one of which has a perforated and a non perforated version. 60 sheets / 120 pages Thread Bound Fedrigoni Arena Natural White Paper 100gsm Acid Free. Alkaline buffered, archival quality. Learn More

STABILO CarbOthello Pencil Sharpener

£2.95

The Stabilo CarbOthello Sharpener is a short cone sharpener with special blade especially designed for high quality coloured pencils like the Stabilo CarbOthello. The special blade will make sure that your pencil is correctly sharpened and won't split the chalk lead.

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Georgeson & Son Mahl Sticks

Starting at: £26.00

Each Hazel shaft used in the creation of our Mahl poles is individually selected for straightness and overall appearance before being dried and prepared. We use hazel for strength, weight, and the appearance of its rich brown bark when linseed is applied.

Our pommels and handles are made from a stock of fine Italian leather, used for its durability and flex during assembly.

"Georgeson and Son established in 2012 with a singular aim. To resurrect and manufacture forgotten Artist's tools by hand, as carefully and as beautifully as possible.
A desire to make useful things that will last underpins all that we do. We use only the finest quality materials, sustainably sourced and refuse to compromise this quality for the sake of profitability."

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Sosaku Brush 60mm

£18.60

Sosaku inking brush for working the pigments and glue paste onto the carved block for printing. These are made from horse hair and are traditionally prepared by splitting and softening the hair on shark-skin or sandpaper before printing. Brushes come in 3 sizes. Learn More

Cornelissen Historical Inks, Virginia Woolf Purple

£6.50

This ink is inspired by the distinctive purple ink used by Virginia Woolf for her work and correspondence. Handmade by a master inkmaker, especially for Cornelissen, using a historic recipe based on blackthorn berries. Suitable for fountain pens and work on paper and parchment. Indelible and waterproof over time.

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Schmincke AQUA Primer, Coarse 500 ml

£22.06

For structures with coarse surfaces. Learn More

Schmincke Norma Professional 35ml

Starting at: £8.15

Professional grade artist's oil paints. High pigment concentration. High lightfastness. Learn More

Ultramarine Blue Light Pigment

Starting at: £6.00

PB29

Ultramarine Blue Light is an artificial mineral pigment that is produced by heating clay, soda, sulphur and coal to high temperatures. Its name comes from outremer, or over-the-sea, as a reference to the highly-prized Lapis Lazuli pigment which had been imported into Europe from Afghanistan since the Middle Ages. First manufactured in France and Germany in 1828, synthetic Ultramarine provided a brilliant and affordable blue to artists, and it remains one of the most popular blues on artists' palettes today.

It is a transparent pigment, with a high tinting strength and excellent lightfastness. It reacts to alkali, therefore it is not suitable for use in lime-fresco; we do offer a Limeproof Ultramarine Blue for this purpose. It is stable in all other media, although it can be tricky to grind in oil. Instead of creating a thick, buttery paste, it can remain stringy and deteriorate when stored in a tube. To correct this, many commercial paint manufacturers include additives and waxes in their recipes; if you intend on grinding your own paint, you could try replacing 10-15% of your Linseed Oil with Poppy Oil to improve the consistency. Ultramine Blue provides a slow-drying, fairly hard paint film, which can tend towards brittleness.

Toxicity B

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Unison 8 Midnight Assorted Pastels

£45.60

The Unison Midnight 8 set was created by the colour experts at Unison Colour. Unison Pastels partnered with Australian artist, Chris Blake, to create Dark 19 and 20, and with British artist, Robert Dutton, to create Dark 24. The set also includes Carbon Black 1 and 2. These two colours are their darkest ‘black’ pastels. The eight colours in the Midnight Set are unrivalled in the soft pastel format.

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da Vinci Series 498 Casaneo Synthetic Watercolour brush, round

Starting at: £15.00

CASANEO Wash brush - Made from extra soft synthetic fibres with an extraordinary elasticity and an extremely high colour absorbing capacity - Manufactured in plastic quills - Bound on black lacquered handles - Ideal for watercolour painting and liquid acrylic colours - Extremely high colour absorbing capacity - Extraordinary elasticity Learn More

Madder Lake Genuine Pigment

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Starting at: £10.20

NR9

Madder Lake pigment is derived from dye that has been extracted from the root of the madder plant, and attached to alum as a base. It has largely been replaced by synthetic alizarin pigments, but it is still used as an ingredient in some commercially-available paints. It provides a very transparent pigment, with a weak tinting strength, which can be used in all lime-free media, although it is very slow-drying in oil. It is fugitive to sunlight, so paintings containing Madder should be stored appropriately, but it remains one of the most lightfast plant-based pigments. It requires a wetting agent to aid dispersion.

Larger quantities are available by request

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Michael Harding Non Absorbent Acrylic Primer - Clear Transparent

Starting at: £21.20

Michael Harding Non-Absorbent Acrylic Primer (NAAP) is a versatile product suitable for application on various surfaces, including linen, wood, MDF, and more. It is designed to create a robust, flexible, permanent, and intensely pigmented ground, making it an excellent choice for both acrylic and oil paints. Important Application Guidelines: Support Selection: NAAP should not be applied over surfaces treated with rabbit skin/hide glue or on unsound, flimsy supports such as cardboard. Opt for stable substrates to ensure the primer’s effectiveness. Not a Gesso: Please note that NAAP is a primer, not a gesso. As such, there is no need for additional gessoes, sizes, or other ancillary products when using NAAP. DIRECTIONS: Coat Application: Apply a minimum of two coats of NAAP to your chosen support, ensuring liberal coverage for optimal results. Dilution for Flow: If you desire increased flow, dilute NAAP with a mixture of 1 part water to 4 parts NAAP. This adjustment allows for customization based on your artistic preferences. Second Coat Application: Apply the second coat once the first coat is touch dry, typically after approximately 1 hour. This step contributes to the creation of a well-prepared painting surface. Additional Considerations: Suitable Supports: Do not use Michael Harding Non-Absorbent Acrylic Primer on flimsy or unsound supports. It is crucial to choose a stable and well-prepared surface for priming to ensure the longevity and integrity of your artwork. Canvas Weave Consideration: Avoid using this primer on canvases with a wide weave. The non-absorbent nature of the primer may not be suitable for canvases with a loose or open structure, compromising its effectiveness. Transparency Check: Before application, inspect your canvas material by holding it up to the light. If you can see light passing through the wefts (threads) of the canvas, it is not recommended to use Michael Harding Non-Absorbent Acrylic Primer. Opt for a more appropriate primer based on the transparency of your canvas. Learn More

Japanese Origami Sets

Starting at: £10.55

Each set contains 24 square pieces of assorted plain coloured and patterned origami paper. Learn More

Clairefontaine Oil Paper

Starting at: £3.75

360GSM, 50cm x 65cm / 19.5" x 25.5", 10 Sheets, Acid free, Subtle Linen Texture. Learn More

Ammonium Carbonate

Starting at: £9.70

Ammonium Carbonate is a highly Alkaline substance that reacts with the lactic acid present in casein to form a robust binder for tempera paints. It should only be used in a well-ventilated area, please see below for the Material Safety Data Sheet. Learn More

Silverpoint Stylus, Artista. Renaissance Workshop Materials

£215.00

Length 170mm. For use on prepared paper. Hand-forged in London from silver bullion. Renaissance Workshop Materials are historically authentic drawing materials and tools, which would be recognisable to the artists of Renaissance Europe. Each product is made in the workshop by hand, using historical methods. Each product is borne from the same historical, European craft tradition, as the drawings and artworks from the Renaissance. In the words of the artisan maker, 'We make these materials in order to experience the historical craft and method of drawing in the most authentic way possible.' Learn More

Transparent Containers

Starting at: £1.20

Rigid high quality boxes manufactured in clear Polystyrene. Medium and large sizes are ideal for storing loose nibs. Learn More

Cornelissen Historical Inks, Turquoise

£6.50

This turquoise ink is a beautiful, transparent, deep blue-green. It can be layered for deeper shades; when used at full opacity it is a deep viridian green, and when diluted with water it reveals a marked blue undertone. Made from a blend of botanical dyes, this ink is not fully lightfast.

Not suitable for fountain pens. Learn More

Miniature Table Presses

Starting at: £311.80

Type of print: General Intaglio techniques and Monotype. Plate thickness needs to be no higher than 1mm. YTI18 - Width of roller 18cm, Upper roller diameter 35mm, Lower roller diameter 35mm. YTI26 - Width of roller 25cm, Upper roller diameter 35mm, Lower roller diameter 35mm **please note - blankets not included** Learn More

Accurasee Proportional Divider

£15.00

A drawing tool for transferring scale. Align your desired subject matter in the small end of the divider and transfer the spacing of the larger end to your drawing surface. Learn More

Easy Grip Crible Point Squat No 94

£15.76

Easy Grip Crible Point Squat #94 Heavy duty tool with tapered shaft ending in a point Crible points are designed to put small holes or indentations in the surface of the plate, creating a dotted or stippled pattern. Learn More

Roberson Interlon Series 62 Flat

Starting at: £5.60

Made with new improved brown interlocking tapered filaments, these brushes have an excellent shape retention and firm texture. Good spring. Gold colour ferrule with bottle green handle. Learn More

Schmincke Mussini Medium 1

Starting at: £9.45

Low-fat (lean) painting and thinning medium for oil colours. Recommended for thin grounds and for creating transparent layers over gouache, tempera and acrylic paintings. Thins with minimal affect on drying time and gloss. Dosage: 10% to max. 20% Contains: Safflower oil, natural and synthetic resins, mineral spirit. Learn More

Daniel Smith Watercolour PrimaTek Set

£42.10

Daniel Smith PrimaTek colours are unique paints made with pure, authentic mineral pigments that are mined directly from the earth and each one has a story. These colours have captured the imagination of artists for hundreds or even thousands of years. Their diversity is amazing. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

Michael Harding Artists Oils Bermuda / Tropical Set of 6 40ml

Starting at: £78.00

TROPICAL SET Inspired by Bermuda and Caribbean adventures, Michael Harding created this set to capture the essence of the tropics and natural beauty of the islands. 6 x 40ml tubes. The Tropical set contains: Warm White Yellow Lake Brilliant Pink Phthalocyanine Blue Bright Green Lake Cobalt Teal Learn More

Roberson Acrylic Gloss Medium

Starting at: £11.20

(Copolymer emulsion) add to pigment to make acrylics. May also be added to prepared acrylic colours to extent them and increase gloss. Learn More

Daniel Smith Watercolour Ground Titanium White 4oz

£10.30

Titanium White, as well as turning any surface into Watercolor Paper, allows you to rescue areas within a painting done on Watercolor paper! It’s so easy to apply Ground over an area within a painting that needs rescuing—or for working on different compositional areas. You can also lift and scrub without damaging the painting surface. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

Schmincke Masking Fluid

Starting at: £8.65

Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. For direct application with the dispensing bottle. Contains: synthetic resin dispersion without ammonia. Learn More

Search results for 'Red'