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  1. Lascaux Tusche Diluting Liquid 500ml

    Lascaux Tusche Diluting Liquid 500ml

    £36.50

    A ready-to-use liquid for diluting Lascaux Tusches to alter their handling characteristics or to create delicate washes on positives. Learn More
  2. Mars Black Pigment

    Mars Black Pigment

    Starting at: £5.70

    PBk11

    Mars Black is an artificial mineral pigment composed of hydrated ferric oxides. Like other Mars colours, it provides a very opaque, permanent colour, which is stable in all media. It has an average drying time in oil, forming a hard, fairly flexible film, making it more suitable for impasto application than carbon-based black pigments, which tend to be brittle. It also wets more easily than other black pigments, and possesses a warm, brownish undertone.

    Toxicity: B

    Limeproof

    Larger quantities are available by request. 

    Learn More
  3. Kaweco Ink Cartridges, Pack of 6

    Kaweco Ink Cartridges, Pack of 6

    Starting at: £2.00

    Kaweco ink cartridges are Standard International size. There are 6 cartridges per pack. Learn More
  4. Japanese Calligraphy Paper

    Japanese Calligraphy Paper

    Starting at: £3.05

    Call to Order

    Yuki is Machine-made paper, 59% Rayon, 37 % woodfree 4% synthetic fibre, pH 6.2. size 64 x 94 cm (25 x 37 inches) Pack of 25 sheets. White, long Rayon fibres randomly on surface. slightly smooth on one side. Shoji (second image) Machine-made, 100% woodfree pulp, pH 6.2. Bright white, slightly smooth on one side. 48 gsm, size: 62 x 92 cm (24 x 36 inches). Pack of 25 sheets. Learn More
  5. Japanese Classic Tool Set in Wooden Case

    Japanese Classic Tool Set in Wooden Case

    £34.00

    Tool set with denim case. Set contains 7pcs, including; 7mm Aisuki (flat), 8mm Hangi-toh (knife), 4mm Aisuki (flat), 6mm Komasuki (U), 3mm Komasuki (U), 4mm Sankatu-toh (V), 10mm Komasuki (U). These pencil-style tools have imitation wooden handles that are longer than those of traditional tools, making them a perfect introduction to Mokuhanga printing. Learn More
  6. Roberson Copperplate Reducing Oil

    Roberson Copperplate Reducing Oil

    Starting at: £21.90

    Printing inks can be made by mixing powdered pigments with copperplate oil. Pour small quantity of oil into well of dry pigment and grind with glass muller untill smooth. Thin oil is then added until mixture has consistency of double cream. Thin, Medium or Thick. Learn More
  7. Lilian May,  J.M.W. Turner Watercolours, Matchbox Set, 4 Wells

    Lilian May, J.M.W. Turner Watercolours, Matchbox Set, 4 Wells

    £20.00

    Matchbox Set Dimensions 5.5 cm x 3.5 cm Prussian Blue PB27 Yellow Ochre PY43 Vermilion PR4, PY1, W21 Genuine Madder NR9 Learn More
  8. Fabriano Watercolour Postcards

    Fabriano Watercolour Postcards

    Starting at: £10.15

    300GSM, 20 Sheets, 10.5cm x 14.8cm, Woodfree, Acid Free, Cold Pressed. Learn More
  9. Korns Litho Pencil Core

    Korns Litho Pencil Core

    Starting at: £7.90

    For litho on stone, plate and aquatint. Can be mixed with water. For aquatint applications. No.1, 2 and 3 are the most suitable for creating fine tonal effects. Acid resistant. Pencil core fits in our classic 5.5mm clutch pencil. Learn More
  10. Schmincke Horadam Gouache

    Schmincke Horadam Gouache

    Starting at: £8.75

    Finest quality gouache paints, available in 48 shades, all of which are fully inter-mixable with the HORADAM® WATERCOLOUR range. Made following a traditional gum arabic recipe, they are naturally opaque, without the addition of white. They provide a luminous, velvet-matte finish, drying to a slightly lighter shade than when wet. 

    Schmincke recommends the following:

    "The application possibilities of HORADAM® GOUACHE are extremely versatile. Although it can be heavily diluted, gouache is mainly intended to provide opaque application of colour. Opaque, in this case, means that it is not impasto, because impasto application tends to produce cracking, unless the percentage of binder is increased by adding gum arabic (50302). While watercolour painting work goes from light to dark (the white paper is the light), in gouache painting, any process can be used. While “back painting” of lights is limited in watercolour painting, when working in gouache (and other opaque colours), light values and lights can be added later using colours."

    Learn More
  11. Gold Leaf Starter Packs

    Gold Leaf Starter Packs

    Starting at: £13.70

    Gold leaf starter packs - 5 leaf booklets of genuine gold leaf available in 22 ct Yellow gold and 23 3/4 ct Warm gold Learn More
  12. Komasuki 3mm (U Shape)

    Komasuki 3mm (U Shape)

    £31.00

    The Komasuki is similar to western style “U” gouge tool and comes in a variety of useful sizes. The handle of the tool is designed to swing open when the ferrule is slipped off so that the blade may be removed for sharpening. Learn More
  13. Calligraphy Cartridge Pad A3

    Calligraphy Cartridge Pad A3

    £17.50

    Calligraphy Cartridge Pad A3. Recommended and developed by Patricia Lovett MBE and with a guide to lettering on the inside cover. 150gsm, 40 sheets. *While stocks last. Learn More
  14. Cornelissen Series 2 Kolinsky Sable

    Cornelissen Series 2 Kolinsky Sable

    Starting at: £35.80

    Made from the highest quality Siberian Kolinsky sable. Golden ferrule with short black polished hexagonal handle. Flat. Learn More
  15. Cadmium Yellow Middle Pigment

    Cadmium Yellow Middle Pigment

    Starting at: £6.30

    Cadmium Yellow Middle Pigment (PY37). Synthetic Inorganic pigment. Opaque. Good tinting strength. Excellent Lightfastness. Low oil absorption with slow drying rate. Suitable for all media. Good acid and alkali resist. Exterior application not advised as discoloration occurs. Used since 19th Century. Toxicity B/C. Learn More
  16. Roberson Artists' Oil Colour 225 ml

    Roberson Artists' Oil Colour 225 ml

    Starting at: £38.60

    Unlike other commercially available oil paints, Roberson Artists' Oil Colours do not contain any fillers, extenders or stabilisers. Each paint consists solely of high-quality pigment that has been ground into cold pressed linseed oil, resulting in a highly pigmented paint. This strength of colour presents the possibility of greater economy of use and a less homogenised texture between each tube, instead allowing the unique qualities of each individual pigment to reveal themselves. By limiting our range to 59 shades, we dispense with colours that can be easily mixed, creating a focussed palette of intense, lightfast paints that offer limitless combinations.

    Available in 40ml and 225ml tubes

    Learn More
  17. Empty Watercolour box for 24 half pans

    Empty Watercolour box for 24 half pans

    £14.00

    This unbranded watercolour tin box is the same as the light weight metal boxes used by most of the major European colour-makers. The back of the box includes thumb ring. Dimensions: 22.2 x 7 x 2cm Learn More
  18. Cobalt Green Deep Pigment

    Cobalt Green Deep Pigment

    Starting at: £9.20

    PG19

    Cobalt Green is a synthetic pigment that consists of compounds of cobalt and zinc oxides. It is sometimes referred to as Rinman's Green, after the Swedish chemist who discovered it in the late-18th century. It is a permanent, opaque colour, with a weak tinting strength. It dries quite quickly in oil, requiring a high oil content and  forming a hard, fairly fleixible paint film. Cobalt Green is available in light and dark shades; the colour is determined by the amount of zinc oxide present.

    Toxicity: B

    Please note, unfortunately we are not able to send this product outside the UK.

    Learn More
  19. Prussian Blue Pigment

    Prussian Blue Pigment

    Starting at: £5.20

    PB27

    Prussian Blue is a synthetic organic pigment that was discovered by the paint maker Diesbach, apparently by accident, in Germany in the early eighteenth century. For many years, it was used not only as a colour in its own right, but also as a component of the original Hooker's Green. The other ingredient, gamboge, is highly fugitive, which is why many watercolours painted with Hooker's green have taken on a bluish tone with with age.  

    It is a very transparent and heavily staining colour. It dries quite quickly in oil, and can therefore wrinkly if applied too quickly. It is suitable for use in oils, watercolour, and egg tempera. However, it shouldn't be used in conjunction with alkali substances, such as Lead White or Calcium Carbonate as it can turn brown, so it isn't suitable for fresco. For the same reason, it isn't used with acrylic resin binders due to their alkaline nature, so most paint manufacturers will replace Prussian Blue with a mixture of Phthalo Blue and black in their acrylic ranges. It requires a wetting agent to fully disperse into a binder.

    Toxicity: B

    Learn More
  20. Burnt Sienna Pigment

    Burnt Sienna Pigment

    Starting at: £4.00

    PBr7

    Burnt Sienna is a natural earth pigment that has been in use since antiquity. Our Burnt Sienna comes from Tuscany, and is produced by calcining Raw Sienna to temperatures of about 450 degrees Celsius. This process creates a rich warm colour and increases transparency. It also offers a good tinting strength, excellent lightfastness, and a fast to medium drying rate in oil. It is stable in all media but, like umber pigments, may be difficult to disperse in acrylic binders. 

    Toxicity B

    Learn More
  21. Sosaku Brush 60mm

    Sosaku Brush 60mm

    £18.60

    Sosaku inking brush for working the pigments and glue paste onto the carved block for printing. These are made from horse hair and are traditionally prepared by splitting and softening the hair on shark-skin or sandpaper before printing. Brushes come in 3 sizes. Learn More
  22. Traditional Sumi Baren

    Traditional Sumi Baren

    £46.50

    Traditional Japanese "ba-ren" is the pressing and rubbing tool for printing. The inner coil or "shin" consists of flat strips of bamboo twisted together into strands and then into a long cord. The cord is then coiled onto a backing disk made from either layers of washi paper, carved wood or plastic. Finally a bamboo sheath or "takenokawa" is used as a covering, with rubbing surface for printing one side and a twisted handle for the artist to hold on the other. Over time the outer sheath may need replacing due to wear and friction of printing. Our "sumi" baren is made in the traditional way with a plastic backing disk and has a finer coil. It is 130mm across and is suitable for printing the "key block" and fine details. This baren comes in a presentation box. Replacement bamboo sheaths are available to order specially. Learn More
  23. Rohrer & Klingner Soft Ground 16g

    Rohrer & Klingner Soft Ground 16g

    £17.10

    Soft ground is a soft wax mixture for soft ground and cotton ground techniques. The warm ground plate gets coated with suet, which is then wiped off, leaving only a thin film. The soft ground is then applied on the warm plate and spread evenly with a small leather roller. Learn More
  24. Unison Small Soft Pastels

    Unison Small Soft Pastels

    Starting at: £5.00

    A range of pastels handmade with a minimum binder by artists living in Northumberland. Reasons for considering Unison are their rich colour harmonies, size and velvet softness. 10% Discount for purchasing 12+ pastels. Learn More

  25. STAEDTLER Mars Plastic Eraser

    STAEDTLER Mars Plastic Eraser

    £1.60

    STAEDTLER's Mars Plastic erasers are premium-quality erasers that ensure superb erasing performance at all times. The formula of Mars Plastic results in significantly less crumbling, with practically residue-free erasing. 65 x 23 x 13mm. Phthalate and latex free.

    Learn More
  26. Michael Harding Artists Oils Introductory Set of 6 40ml

    Michael Harding Artists Oils Introductory Set of 6 40ml

    Starting at: £55.50

    INTRODUCTORY SET From Michael Harding: Artists unfamiliar with my paints should begin with the MH introductory set. Use this set to mix many colours in my range. Play, experiment, and enjoy true oil paints. 6 x 40ml tubes. The Introductory set contains: Titanium White No.1 Yellow Lake Ultramarine Blue Burnt Umber Scarlet Lake Learn More
  27. Hahnemuhle Etching Paper

    Hahnemuhle Etching Paper

    Starting at: £4.55

    300GSM, 53cm x 78cm, Mould Made, Natural White Shade, Alpha Cellulose, Acid Free, Soft Sized, Watermarked, 3 Deckle Edges, Textured Surface, 25 Sheets. Learn More
  28. Ferric Chloride

    Ferric Chloride

    Starting at: £15.00

    For the etching of plates for printing fine art images in intaglio. Ferric Chloride can be used as a non toxic alternative to nitric acid in the etching process. Suitable for etching most types of metals including copper, zinc, mild steel, aluminium, iron and brass. Learn More
  29. Fredrix Inkjet Canvas Pack

    Fredrix Inkjet Canvas Pack

    Starting at: £16.90

    Call to Order

    340GSM, A4, 10 Sheets, Poly-Cotton Blend. Learn More
  30. Cornelissen Oil Sable Round

    Cornelissen Oil Sable Round

    Starting at: £5.55

    Finest quality red sable to all types of oil techniques. This brush has good sping even in the smaller sizes and retains its point well. Learn More

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