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  1. Schmincke Liquid Charcoal 15 ml

    Schmincke Liquid Charcoal 15 ml

    Starting at: £18.30

    Liquid charcoal in the 15 ml tube - a clean, dust-free way of painting, charcoal drawing and underpainting with charcoal. The three pigments of natural origin used for this (PBK 8, pit black) are created by charring fruit seeds from the EU area and result in the following unique coal nuances: a neutral peach stone black - 18 757 a warm, brownish cherry pit black - 18 756 a cool, bluish grape seed black - 18 755 Due to the larger quantity of available paint, liquid charcoal can be used to quickly process large areas. The liquid charcoal contains the high-quality binder gum Arabic like traditional artists' watercolours (gouaches, watercolours, etc.), has a gouache-like consistency and can be diluted with water, so that different shades, structures and layer thicknesses can be achieved by different application. Depending on the substrate and the thickness of the layer, it can be wiped off by hand and removed with water. Used as thin underpainting (e.g. in oil painting), subsequent paints do not become dirty or become less dirty than with conventional charcoal underpainting due to the higher adhesion of the bound carbon pigments to the substrate. Of course, the liquid charcoal can be combined with drawing charcoal. The blurring and removability of the liquid charcoal depends on the surface of the substrate - the more even and firm the surface, the easier to change the application. Pre-tests are recommended. Learn More
  2. Red Ochre Pigment

    Red Ochre Pigment

    Starting at: £4.00

    PR101

    Red Ochre is a synthetic iron oxide pigment which provides the same level of semi-opacity that is associated with natural ochres. It has a good tinting strength and is stable in all media, including lime mortar. 

    Toxicity B

    Learn More
  3. Gamblin Oil Colours 150ml

    Gamblin Oil Colours 150ml

    Starting at: £27.20

    * Only available online.* Robert Gamblin started making artists' oil paints in 1980. Since then he has built a reputation as both an innovative and imaginative maker of some of the best oils on the market today. As well as usual single pigment colours you would expect, the range also includes an interesting selection of neutral greys, beautiful metallics and the truly innovative Radiant range of pastel colours. Combining science and artistry, Gamblin paints are truly exceptional. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More
  4. Golden Fluid Acrylic 473ml

    Golden Fluid Acrylic 473ml

    Starting at: £46.70

    Equal the intensity of GOLDEN Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying, staining techniques and many others. Fluids are created by loading an acrylic polymer binder with concentrated levels of quality pigments for a wide selection of permanent and lightfast colors. No fillers or extenders are added to achieve the desired consistency, nor is the fluid quality achieved with additional water. GOLDEN Fluid Acrylics have the same pigment load as the Heavy Body Acrylics, but in a viscosity similar to heavy cream. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More
  5. Daniel Smith 238 Try it dot Card

    Daniel Smith 238 Try it dot Card

    £25.80

    Daniel Smith "Try It" Dot Cards are a great way to sample this wonderful new range. Each colour dot has been placed on to a "Try It" Card which is actually watercolour paper. You can then wet each colour dot and use the card as a sort of palette. You'll be amazed just how far one dot of colour goes. You can even revisit a colour at a later date by re-wetting it. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More
  6. Daler-Rowney Artists' Oil Colour

    Daler-Rowney Artists' Oil Colour

    Starting at: £10.15

    The distinctive buttery consistency of Daler-Rowney Artists' Oils derives from the use of linseed oil and wax, which acts as a plasticiser, helping to prevent even heavy impasto from becoming brittle and cracking over time. Learn More
  7. Daniel Smith Watercolour Ground Mars Black 4oz

    Daniel Smith Watercolour Ground Mars Black 4oz

    £10.30

    Mars Black makes our Luminescent Watercolors “pop” and also provides an exciting, unexpected background for all your standard watercolour paints. Soft pastels, graphite and watercolour pencils show up beautifully on both the buff and black. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More
  8. Winsor & Newton Kneadable Erasers

    Winsor & Newton Kneadable Erasers

    Starting at: £2.75

    For removing pencil, charcoal and pastel or paper cleaning. Learn More
  9. Roberson Turks Aquarella

    Roberson Turks Aquarella

    Starting at: £21.50

    For watercolour painting on paper, ivorine, terracotta, wood and fabric. Sizing not needed. Prevents the running of colours, even on open weave fabrics. Learn More
  10. Plain stroke, No.1 Automatic pen, made in England.

    Automatic Plain Stroke Pens

    Starting at: £19.50

    Square cut pens with smooth action and large ink reservoir. Ideal for creating posters and large lettering. Learn More
  11. Cornelissen Historical Inks, Jane Austen Ink 30ml

    Cornelissen Historical Inks, Jane Austen Ink 30ml

    £10.50

    This ink is made to the recipe that Jane Austen used to draft her novels. Austen's maid took this formula from Martha Lloyd's book, ‘The House Keeper’. She used good-quality English oak galls, but poorer quality beer than Isaac Newton, and added a little sugar. Her recipe is less stable and turns ‘antique brown’ over a long period of time, while Sir Isaac Newton's remains black. Initially a medium blue-grey, it darkens to a rich matte back, slightly warmer in tone than our regular Oak Gall Ink. It is made in small batches and blended to give the required consistency and strength, and is fully waterproof in 5-7 days. Permanent and lightfast, it has been steeped for several weeks and left to ‘mature’ for several more in the bottle. When used on animal skins such as vellum, the acids in the Oak Gall Ink react with collagen, effectively ‘etching’ itself into the surface, hence its permanence. 

     

    Not suitable for fountain pens. Learn More
  12. Cornelissen Historical Inks, Virginia Woolf Purple

    Cornelissen Historical Inks, Virginia Woolf Purple

    £6.50

    This ink is inspired by the distinctive purple ink used by Virginia Woolf for her work and correspondence. Handmade by a master inkmaker, especially for Cornelissen, using a historic recipe based on blackthorn berries. Suitable for fountain pens and work on paper and parchment. Indelible and waterproof over time.

    Learn More
  13. Unison Pastels Mini Set, Drawing Half Stick 8

    Unison Pastels Mini Set, Drawing Half Stick 8

    £16.45

    This set resembles a much-loved set from Unison Colour history which was then referred to as Chiaroscuro. A selection of light and shade colours for tonal drawing to encourage a sense of depth and dimension.

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  14. Schmincke Horadam Retro Watercolour Set, 8 x Half Pans, Enamelled Metal Box

    Schmincke Horadam Retro Watercolour Set, 8 x Half Pans, Enamelled Metal Box

    £59.00

    Schmincke Horadam Retro Artists Watercolour Set in a traditional, heavier weight, enamelled mini-watercolour box. 8 half pans: Chrome Yellow Hue Lemon, Vermillion, Ultramarine Finest, Viridian, Yellow Raw Ochre, Raw Umber, English Venetian Red and Schmincke Paynes Grey. 8.5 x 6.5 x 2 cm Learn More
  15. Golden Fluid Acrylic 119ml

    Golden Fluid Acrylic 119ml

    Starting at: £20.10

    Equal the intensity of GOLDEN Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying, staining techniques and many others. Fluids are created by loading an acrylic polymer binder with concentrated levels of quality pigments for a wide selection of permanent and lightfast colors. No fillers or extenders are added to achieve the desired consistency, nor is the fluid quality achieved with additional water. GOLDEN Fluid Acrylics have the same pigment load as the Heavy Body Acrylics, but in a viscosity similar to heavy cream. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More
  16. Miniature Table Presses

    Miniature Table Presses

    Starting at: £311.80

    Type of print: General Intaglio techniques and Monotype. Plate thickness needs to be no higher than 1mm. YTI18 - Width of roller 18cm, Upper roller diameter 35mm, Lower roller diameter 35mm. YTI26 - Width of roller 25cm, Upper roller diameter 35mm, Lower roller diameter 35mm **please note - blankets not included** Learn More
  17. Titanium White Pigment

    Titanium White Pigment

    Starting at: £4.00

    Titanium White, or Titanium Doixide, is an artificial mineral pigment introduced in the 1920s. It is valued for its opacity, good lightfastness, and stability in all media. Its high tinting strength can render it a dominant colour in mixtures. It is very slow drying in oil, and creates a somewhat brittle paint film, though more flexible than Zinc White. Its brightness makes it a popular addition to gesso.

    Toxicity: B

    Learn More
  18. Unison 8 Starter Assorted Pastels

    Unison 8 Starter Assorted Pastels

    £45.60

    The Unison classic Starter 8 set, specially selected by John Hersey for a perfect starter pastel set. Unison Colour Soft pastels allow for ease of use with a highly blendable texture.

    Learn More
  19. Japanese Gold 18,12ct

    Japanese Gold 18,12ct

    Starting at: £49.00

    Highest quality 18,12ct gold leaf from Japan. Leaves measure 109×109mm and are approximately 0.1μ~0.2μ in thickness. These Tachikiri (contemporary) leaves are beaten in between glassine paper which leaves a much softer impression on the surface of each leaf, resulting in a slightly shinier finish than the more traditional Enzuke gold leaf. Each pack contains 10 leaves. Learn More
  20. Kölner Instacoll Activator

    Instacoll Gilding System

    Starting at: £6.85

    Kölner Instacoll is a two-part system, consisting of a base coat and activator, that can be used on nearly all suitably prepared substrates to create weather-resistant, high gloss interior and exterior gilded surfaces. The Instacoll Tool is a double-ended tool with shaped tips made of elastic rubber, designed for pressing gold and silver transfer leaf into indentations when gilding uneven surfaces. The Instacoll Chiffonnette is an extra soft, lint-free cloth, used for polishing and burnishing surfaces gilded with Instacoll. *PLEASE NOTE - COLOURS OF THESE PRODUCTS MAY VARY SLIGHTLY FROM PRODUCTS PICTURED* Learn More
  21. Raw Umber Pigment

    Raw Umber Pigment

    Starting at: £4.00

    PBr7

    Raw Umber is a natural earth pigment composed of iron oxide, manganese, and aluminium silicate. It has its roots in the Umbria region of Italy, and was historically a popular colour for underpaintings, as it dries very quickly. It is semi-opaque, very lightfast, and stable in all media but may be difficult to disperse in acrylic. It requires a large amount of liquid when mixed with oil.

    Toxicity: B

    Learn More
  22. Schmincke Norma Blue 35ml

    Schmincke Norma Blue 35ml

    Starting at: £8.15

    Water-mixable (water miscible), highly pigmented, lightfast paints with a buttery consistency. Vegan, low odour, anti-allergenic, environmentally friendly. Learn More
  23. Cadmium Yellow Deep Pigment

    Cadmium Yellow Deep Pigment

    Starting at: £7.40

    Cadmium Yellow Deep Pigment (PY37). Synthetic Inorganic pigment. Opaque. Good tinting strength. Excellent Lightfastness. Low oil absorption with slow drying rate. Suitable for all media. Good acid and alkali resist. Exterior application not advised as discoloration occurs. Used since 19th Century. Toxicity B/C. Learn More
  24. Glassine

    Glassine

    Starting at: £0.35

    Clear and acid free. For protecting artwork. 40 gsm. Individual sheets available at the shop only. Learn More
  25. Schmincke Universal Varnish, Matt

    Schmincke Universal Varnish, Matt

    Starting at: £10.50

    Synthetic resin varnishes with UV- protection Learn More
  26. Roberson Extra Fine Retouching Varnish

    Roberson Extra Fine Retouching Varnish

    Starting at: £8.40

    Synthetic, Polaroid B67 retouching varnish made as an alternative to natural resin, Damar retouching varnish. superior non-yellowing characteristics. Less readily absorbed into painted surface and less susceptible sinking. Dries quickly to a breathable, uniform, gloss finish. Learn More
  27. da Vinci Luxury Travel Brush Set

    da Vinci Luxury Travel Brush Set

    £184.00

    da Vinci Luxury Travel Brush Set LIMITED EDITION Two interchangeable brush tips, size 2 and size 8 Selected Tobolsky Kolinsky sable hair Hand-shaped in Nuremberg, Germany Ethergraf tip on habdle base for drawing on most papers Faux leather case. Learn More
  28. Cornelissen Oil Sable Filbert

    Cornelissen Oil Sable Filbert

    Starting at: £8.45

    Similar to the Sable Round but with a filbert shape combining the characteristics of rounds and flats. Excellent spring and colour holding capacity. Learn More
  29. Indian Red Pigment

    Indian Red Pigment

    Starting at: £4.60

    PR101

    Indian Red was imported into the UK during the nineteenth century, its present-day equivalent is a synthetic iron oxide. Its pigment code, PR101, refers to a wide spectrum of synthetic iron oxide pigments including yellows, oranges, reds, violet-browns and green-browns; Indian Red is a slightly cool, bluish shade of red. It is semi-opaque, stable in all media, lightfast, and possesses a good tinting strength 

    Toxicity: B

    Limeproof

    Learn More
  30. Alizarin Crimson Pigment

    Alizarin Crimson Pigment

    Starting at: £4.50

    PR83

    Alizarin Crimson is a synthetic organic pigment that became available in 1868. It requires a wetting agent to disperse, and in oil it also absorbs a lot of liquid and dries very slowly to form a hard, brittle paint film. It is chemically identical to madder-root pigments and should be protected against UV light where possible as it can fade when applied onto a white ground, although it is less fugitive than its natural counterpart. Alizarin Crimson is a very transparent pigment, with a high tinting strength and slightly blue undertone.  

    Toxicity: A/B

    Larger quantities are available by request. 

    Learn More

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