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  1. Daler Rowney Ivory Artist's Sketchbooks

    Daler Rowney Ivory Artist's Sketchbooks

    Starting at: £13.25

    The Daler-Rowney Ivory Artists' Sketchbooks with their smooth creamy coloured lighter weight paper and micro-perforated pages remain ever popular sketchbooks for those who sketch with graphite pencils, charcoal or ink & pen technique. Ivory Sketchbooks are available in hardback and softback. - High-quality smooth texture cartridge paper. - 90gsm. Available in sketchbooks. - Ivory colour. - FSC® (FSC-C111372) certified paper. - Microperforated pages. - Ideal for graphite pencils, charcoal or pen & ink technique. Learn More
  2. Hahnemuhle Etching Paper

    Hahnemuhle Etching Paper

    Starting at: £4.55

    300GSM, 53cm x 78cm, Mould Made, Natural White Shade, Alpha Cellulose, Acid Free, Soft Sized, Watermarked, 3 Deckle Edges, Textured Surface, 25 Sheets. Learn More
  3. Cornelissen Oil Sable Round

    Cornelissen Oil Sable Round

    Starting at: £5.55

    Finest quality red sable to all types of oil techniques. This brush has good sping even in the smaller sizes and retains its point well. Learn More
  4. Sosaku Brush 60mm

    Sosaku Brush 60mm

    £18.60

    Sosaku inking brush for working the pigments and glue paste onto the carved block for printing. These are made from horse hair and are traditionally prepared by splitting and softening the hair on shark-skin or sandpaper before printing. Brushes come in 3 sizes. Learn More
  5. Hardback Book of Drawing Paper

    Hardback Book of Drawing Paper

    £25.00

    This landscape book contains 48 sheets of 200 gsm Fabriano Accademia drawing paper. White, smooth surfaced, acid free paper in a hardbacked cover featuring a 19th-Century design advocating drawing as "a necessary part of the education of all". Sheet size 19cm x 24cm (7.5 x 9.5in). Learn More
  6. Traditional Sumi Baren

    Traditional Sumi Baren

    £46.50

    Traditional Japanese "ba-ren" is the pressing and rubbing tool for printing. The inner coil or "shin" consists of flat strips of bamboo twisted together into strands and then into a long cord. The cord is then coiled onto a backing disk made from either layers of washi paper, carved wood or plastic. Finally a bamboo sheath or "takenokawa" is used as a covering, with rubbing surface for printing one side and a twisted handle for the artist to hold on the other. Over time the outer sheath may need replacing due to wear and friction of printing. Our "sumi" baren is made in the traditional way with a plastic backing disk and has a finer coil. It is 130mm across and is suitable for printing the "key block" and fine details. This baren comes in a presentation box. Replacement bamboo sheaths are available to order specially. Learn More
  7. Roberson Pocket Sable Travel Brush

    Roberson Pocket Sable Travel Brush

    Starting at: £24.80

    Pure Kolinsky sable with a uniquely designed case to satisfy the travelling watercolourist. Double section handle protects the brush head in transit and unscrews to form a comfortable handle. Learn More
  8. Schmincke Norma Professional 35ml

    Schmincke Norma Professional 35ml

    Starting at: £8.15

    Professional grade artist's oil paints. High pigment concentration. High lightfastness. Learn More
  9. Ferric Chloride

    Ferric Chloride

    Starting at: £15.00

    For the etching of plates for printing fine art images in intaglio. Ferric Chloride can be used as a non toxic alternative to nitric acid in the etching process. Suitable for etching most types of metals including copper, zinc, mild steel, aluminium, iron and brass. Learn More
  10. Indigo Blue Genuine Pigment

    Indigo Blue Genuine Pigment

    Starting at: £8.00

    NB1

    Genuine Indigo is a natural vegetable pigment derived from the Indigofera Tinctoria plant, which was first imported into Europe from India in the seventeenth century. It replaced woad, which had been grown natively in Europe for its blue dye. The leaves are soaked in water to ferment; upon drying, an oxidised residue forms on the dry leaves, which is removed, washed, boiled in water, and then dried to form cakes of pigment or dye.

    Indigo is very transparent, with a good tinting strength. It requires a wetting agent to disperse, and in oil it dries very slowly. It is fugitive to light; this drawback means that it is no longer commonly available in commercial paints. It fell out of general use at the beginning of the seventeenth century, largely replaced by Prussian Blue, and synthetic Indigo was patented in the 1890s. However, it provides a subtle shade of blue that is still desirable in works that are going to be protected from light.

    Toxicity: B

    Learn More
  11. Indian Red Pigment

    Indian Red Pigment

    Starting at: £4.60

    PR101

    Indian Red was imported into the UK during the nineteenth century, its present-day equivalent is a synthetic iron oxide. Its pigment code, PR101, refers to a wide spectrum of synthetic iron oxide pigments including yellows, oranges, reds, violet-browns and green-browns; Indian Red is a slightly cool, bluish shade of red. It is semi-opaque, stable in all media, lightfast, and possesses a good tinting strength 

    Toxicity: B

    Limeproof

    Learn More
  12. Fredrix Inkjet Canvas Pack

    Fredrix Inkjet Canvas Pack

    Starting at: £16.90

    Call to Order

    340GSM, A4, 10 Sheets, Poly-Cotton Blend. Learn More
  13. Schmincke Artists Watercolour Half Pan

    Schmincke Artists Watercolour Half Pan

    Starting at: £6.05

    Finest quality watercolours made in Germany. This range offers 139 colours, including 95 single-pigment colours, 3 perylene pigments, 5 quinacridone pigments, and a selection of granulating colours. They present endless mixing possibilities, and can combined with Schmincke's selection of watercolour mediums as well as with their gouache paints. The solid colours are produced by pouring the liquid paint into the pans four times, ensuring the maximum yield for each colour. Also available in whole pans and tubes of 5 and 15ml. Learn More
  14. Komasuki 1mm (U Shape)

    Komasuki 1mm (U Shape)

    £31.00

    The Komasuki is similar to western style “U” gouge tool and comes in a variety of useful sizes. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More
  15. Schmincke Supergranulating Watercolours Half Pan

    Schmincke Supergranulating Watercolours Half Pan

    Starting at: £8.10

    Schmincke’s new supergranulating watercolour range is produced by combining two or more granulating pigments in each paint. Grouped into eight colour palettes, these beautiful shades have a textural surface effect, which is exaggerated when used on rougher and more structured paper. Learn More
  16. Carbon Black Pigment

    Carbon Black Pigment

    Starting at: £10.80

    PBk7

    Carbon Black is an inorganic synthetic pigment, created by burning natural gases to form an almost pure carbon. It is semi-transparent, and in oil dries very slowly to a soft, brittle paint film. It requires a wetting agent, and can show in streaks, even when mixed with other colours. 

    Larger quantities are available by request. 

    Learn More
  17. Cadmium Vermilion Pigment

    Cadmium Vermilion Pigment

    Starting at: £7.50

    PR108

    Cadmium Red is a synthetic organic pigment that has been in use since the 1920s. It is formed by heating cadmium sulphide and selenium, the hue is determined by the level of calcination and proportion of selenium. It is very opaque, and lightfast, with a high tinting strength. It absorbs a small amount of oil, and dries very slowly to form a hard, flexible paint film. This shade has been formulated to imitate the bright hue of vermilion.

    Larger quantities are available by request.  

    Limeproof

    Toxicity: C

    Learn More
  18. Cadmium Yellow Middle Pigment

    Cadmium Yellow Middle Pigment

    Starting at: £6.30

    Cadmium Yellow Middle Pigment (PY37). Synthetic Inorganic pigment. Opaque. Good tinting strength. Excellent Lightfastness. Low oil absorption with slow drying rate. Suitable for all media. Good acid and alkali resist. Exterior application not advised as discoloration occurs. Used since 19th Century. Toxicity B/C. Learn More
  19. Daler-Rowney Artists Watercolour 5ml Tube

    Daler-Rowney Artists Watercolour 5ml Tube

    Starting at: £7.10

    Artists' Water Colour is a professional quality water colour. Based on the finest modern and traditional pigments, it is precisely formulated to offer unparalleled performance and permanence. Learn More
  20. Roberson Acrylic Gloss Medium

    Roberson Acrylic Gloss Medium

    Starting at: £11.20

    (Copolymer emulsion) add to pigment to make acrylics. May also be added to prepared acrylic colours to extent them and increase gloss. Learn More
  21. Charbonnel Whites

    Charbonnel Whites

    Starting at: £19.85

    Charbonnel Whites Learn More
  22. Omega Series 203 Pointed Hog Sash

    Omega Series 203 Pointed Hog Sash

    Starting at: £8.70

    Similar to series 222 but with shorter hair and a pointed tip. Used in the same way as above but preferred when more control needed or when applying gesso to more elaborate mouldings. 100% pure hog hair. Learn More
  23. Schmincke Medium W Gel

    Schmincke Medium W Gel

    Starting at: £8.20

    Medium for mixing oil colours with water instead of organic solvents. Odourless. Learn More
  24. Sosaku Brush 15mm

    Sosaku Brush 15mm

    £6.50

    Sosaku inking brush for working the pigments and glue paste onto the carved block for printing. These are made from horse hair and are traditionally prepared by splitting and softening the hair on shark-skin or sandpaper before printing. Brushes come in 3 sizes. Learn More
  25. Aisuki 4.5mm (Chisel Shape)

    Aisuki 4.5mm (Chisel Shape)

    £28.00

    The Aisuki is a clearing tool used for clearing waste from the hangito tool. It is a small fan bevelled chisel and is designed to be used low to the wood. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More
  26. Ultramarine Violet Pigment

    Ultramarine Violet Pigment

    Starting at: £6.20

    PV15

    Ultramarine Violet is a synthetic organic pigment that is produced by heating Ultramarine Blue with Ammonium Chloride, causing the removal of some of the sodium and sulphur and thus a change in colour. It is lightfast and semi-transparent, with a weak tinting strength. In oils, it dries quite slowly, forming a hard, flexible film.

    Toxicity: B

    Learn More
  27. Schmincke Artists Watercolour 5 ml Tube

    Schmincke Artists Watercolour 5 ml Tube

    Starting at: £6.35

    Finest quality watercolours made in Germany. This range offers 139 colours, including 95 single-pigment colours, 3 perylene pigments, 5 quinacridone pigments, and a selection of granulating colours. They present endless mixing possibilities, and can combined with Schmincke's selection of watercolour mediums as well as with their gouache paints. The solid colours are produced by pouring the liquid paint into the pans four times, ensuring the maximum yield for each colour. Also available in half and whole pans and 15ml tubes. Learn More
  28. Lascaux Plate-Backing Resist 500ml

    Lascaux Plate-Backing Resist 500ml

    £45.60

    This tough scratch-resistant coloured resist is painted onto the back and edges of the plate to prevent any biting during the etching process. Learn More
  29. Rohrer & Klingner Soft Ground 16g

    Rohrer & Klingner Soft Ground 16g

    £17.10

    Soft ground is a soft wax mixture for soft ground and cotton ground techniques. The warm ground plate gets coated with suet, which is then wiped off, leaving only a thin film. The soft ground is then applied on the warm plate and spread evenly with a small leather roller. Learn More
  30. Potters Pink Pigment

    Potters Pink Pigment

    Starting at: £22.00

    PR233

    Potter's Pink is an artificial mineral pigment produced by roasting tin oxide with various other oxides. It was first discovered in the pottery region of Staffordshire in the late-1700s, and in the following century Winsor & Newton introduced Potter's Pink into their watercolour range under the name "pink colour". It went on to become a popular addition to watercolour palettes, offering an opaque, lightfast colour with a weak tinting strength and a medium level of oil absorption.

    Toxicity A

    Learn More

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