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  1. Cobalt Green Deep Pigment

    Cobalt Green Deep Pigment

    Starting at: £9.20

    PG19

    Cobalt Green is a synthetic pigment that consists of compounds of cobalt and zinc oxides. It is sometimes referred to as Rinman's Green, after the Swedish chemist who discovered it in the late-18th century. It is a permanent, opaque colour, with a weak tinting strength. It dries quite quickly in oil, requiring a high oil content and  forming a hard, fairly fleixible paint film. Cobalt Green is available in light and dark shades; the colour is determined by the amount of zinc oxide present.

    Toxicity: B

    Please note, unfortunately we are not able to send this product outside the UK.

    Learn More
  2. Rohrer & Klingner Lithographic Inks

    Rohrer & Klingner Lithographic Inks

    Starting at: £17.10

    Liquid lithographic ink and solid (tushe) lithographic ink are highly resistant against acids and can be used to draw on stone, aluminium and zinc plates. Uses a highly dispersed pigment that is compounded from shellac, wax and soap. While the liquid ink is suited for complete covering, the tushe ink is excellent for halftones and transitions. * Please note that the Litho Tusche now comes in a cylindrical shape, rather than the rectangular stick photographed. Learn More
  3. Mars Red Pigment

    Mars Red Pigment

    Starting at: £4.50

    PR101

    Mars Red is an artificial mineral pigment. Its pigment code, PR101, refers to a wide spectrum of synthetic iron oxide pigments including yellows, oranges, reds, violet-browns and green-browns, which replace many natural earth colours to provide pigments without impurities and with great opacity. It has a good tinting strength, is lightfast and stable in all media, and has a medium drying time in oil.

    Toxicity: B

    Limeproof

    Learn More
  4. Roberson Gum Ammoniac

    Roberson Gum Ammoniac

    Starting at: £14.00

    Natural gum size made to a traditional recipe. Gum Ammoniac is useful for gilding in small areas and, more generally, in detailed gilding. Two applications are needed if gilding on absorbent paper. Raised areas can be developed by using several layers and allowing each layer to dry first. Gum Ammoniac can be reactivated by breathing on the gum surface. Gum Ammoniac comes to us from Asia and is increasingly hard to source. Learn More
  5. Cornelissen Sable Bright

    Cornelissen Sable Bright

    Starting at: £5.95

    Made from the same quality red sable as the rounds and used for short, thicker strokes of paint. Learn More
  6. Schmincke Horadam Retro Watercolour, Cochineal Red, 15 ml Tube

    Schmincke Horadam Retro Watercolour, Cochineal Red, 15 ml Tube

    £15.00

    Schmincke Horadam Retro Watercolour, Cochineal Red, 15 ml Tube Learn More
  7. Golden Silverpoint Ground 237 ml

    Golden Silverpoint Ground 237 ml

    £25.95

    Golden Silverpoint Ground 237 ml. A white acrylic ground, recommended as a preparation for all metalpoint drawing techniques. Light, flexible and sandable, great for fine detailed lines. 100% acrylic polymer dispersion which is ready to use, UV resistant, water resistant and has minimum film formation. Directions: For use on porous surfaces, shake the bottle vigorously, then allow to rest for 5 minutes before applying. Allow each coat to dry thoroughly between applications. Learn More
  8. Daler-Rowney Artists Watercolour 5ml Tube

    Daler-Rowney Artists Watercolour 5ml Tube

    Starting at: £7.10

    Artists' Water Colour is a professional quality water colour. Based on the finest modern and traditional pigments, it is precisely formulated to offer unparalleled performance and permanence. Learn More
  9. Roberson Acrylic Gloss Medium

    Roberson Acrylic Gloss Medium

    Starting at: £11.20

    (Copolymer emulsion) add to pigment to make acrylics. May also be added to prepared acrylic colours to extent them and increase gloss. Learn More
  10. Schmincke Akademie Acryl Color Royal Academy of Arts Set

    Schmincke Akademie Acryl Color Royal Academy of Arts Set

    £20.00

    Schmincke Akademie Acryl Color in association with the RA (Royal Academy of Arts) Learn More
  11. STAEDTLER Mars Plastic Eraser Core

    STAEDTLER Mars Plastic Eraser Core

    £1.50

    STAEDTLER Mars Plastic holder is a high-quality, retractable eraser for graphite pencil. The eraser is easily advanced and retracted by the sliding mechanism, and compared to conventional erasers more precise erasing can be achieved. Phthalate and latex free.

    Learn More
  12. Arches Aquarelle Paper

    Arches Aquarelle Paper

    Starting at: £51.95

    Arches Aquarelle paper is a mould-made, 100% cotton watercolour paper. It is available in hot pressed, cold pressed and rough surfaces. Gelatine tub sized internally and externally with four deckle edges, acid free and pH neutral.

    Mail-order customers are able to buy this paper in packs of 5 or 10 sheets depending on the gsm. Single sheets are also available in our shop.

    Learn More
  13. Empty Watercolour box for 48 half pans

    Empty Watercolour box for 48 half pans

    £20.00

    This unbranded watercolour tin box is the same as the light weight metal boxes used by most of the major European colour-makers. The back of the box includes thumb ring. Dimensions: 22.8 x 11.3 x 2.3cm Learn More
  14. Faber-Castell Albrecht Durer Watercolour Pencils

    Faber-Castell Albrecht Durer Watercolour Pencils

    Starting at: £2.60

    120 lightfast colours with high covering power. Soft and water-soluble, they combine the advantages and applications of classical watercolour paints and coloured pencils. Learn More
  15. Phthalo Blue Pigment

    Phthalo Blue Pigment

    Starting at: £8.00

    PB15:3

    Phthalo (Mona) Blue is a synthetic organic pigment, Copper Phthalocyanine, that has been in use since the 1930s. It has an extremely high tinting strength and is a staining colour, so cannot successfully be lifted in watercolour. It requires a wetting agent to fully disperse into a medium, and, when used at full strength, a copper sheen is visible in dried paint film. It is transparent, very lightfast, and has a medium-to-slow drying rate in oil.

    Toxicity: C

    While stocks last

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  16. Roberson Metallic Oil Sticks

    Roberson Metallic Oil Sticks

    Starting at: £16.40

    Artists' quality metallic oil paint sticks for painting & drawing. Non-tarnishing and highly pigmented, these soft paint sticks are made with an unique mix of mica pigments, oils and waxes which generate a solid metal effect. Easy to use alongside regular oil paint. Blend and shade the colours together to make further shades. Treat as oil paint for surface preparation and clean-up. Learn More
  17. Plastic Baren

    Plastic Baren

    £7.30

    Plastic Baren. This is a hard plastic baren 120mm across with dimples over the printing surface. There is no need for a bamboo covering for this baren as with the traditional style and has more durability then the traditional baren due to this. Perfect for those starting mokuhanga. Learn More
  18. Daylight Bulbs

    Daylight Bulbs

    Starting at: £11.50

    Energy saving daylight bulbs consume 80% less energy than incandescent bulbs and last up to ten times longer. The bulbs assist colour matching for those working at night or in weak winter light. They also reduce eye strain and low heat technology means they are extremely safe. Screw or bayonet fittings. Learn More
  19. Cadmium Red Pigment

    Cadmium Red Pigment

    Starting at: £8.40

    PR108

    Cadmium Red is a synthetic organic pigment, which has been in use since the 1920s, effectively replacing vermilion. It is formed by heating cadmium sulphide and selenium, the hue is determined by the level of calcination and proportion of selenium. It is very opaque, and lightfast, with a high tinting strength. It absorbs a small amount of oil, and dries very slowly to form a hard, flexible paint film.

    Larger quantities are available by request.  

    Limeproof

    Toxicity: C

    Learn More
  20. Aisuki 3mm (Chisel Shape)

    Aisuki 3mm (Chisel Shape)

    £28.00

    The Aisuki is a clearing tool used for clearing waste from the hangito tool. It is a small fan bevelled chisel and is designed to be used low to the wood. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More
  21. Cobalt Violet Light Pigment

    Cobalt Violet Light Pigment

    Starting at: £10.00

    Cobalt Violet Light Pigment (PV14). Synthetic inorganic pigment. Semi-opaque. Weak tinting strength. Excellent Lightfastness. Fast drying rate. Good for oil and watercolour but not acrylic as pigment 'settles out'. Used since early 1900's. This colour cannot be matched through mixing other colours.

    Limeproof

    Toxicity: C

    Please note, unfortunately we are not able to send this product outside the UK.

    Learn More
  22. Lascaux Plate-Backing Resist 500ml

    Lascaux Plate-Backing Resist 500ml

    £45.60

    This tough scratch-resistant coloured resist is painted onto the back and edges of the plate to prevent any biting during the etching process. Learn More
  23. Unison Large Soft Pastels

    Unison Large Soft Pastels

    Starting at: £11.00

    A range of pastels handmade with a minimum binder by artists living in Northumberland. Reasons for considering Unison are their rich colour harmonies, size and velvet softness. 10% Discount for purchasing 12+ pastels. Learn More
  24. Lascaux Tusche Soft Ground Effect 500ml

    Lascaux Tusche Soft Ground Effect 500ml

    £42.90

    This slow drying viscous tusche has been designed to produce effects similar to soft ground in traditional etching. Using this method soft non-printing drawings may be made and impressions of fabric, leaves, feathers and other collage materials may be taken. The tusche can also be used for a broad range of painted marks and can be drawn into with paint shapers and other tools. The diluted tusche dries to creategranular washes. Dry marks can be re-wet and altered. Learn More
  25. ArtGraf Watersoluble Graphite Stick 250g

    ArtGraf Watersoluble Graphite Stick 250g

    £26.00

    Extra-large hand made water-soluble graphite stick for large mark making. Draw and then use water to paint into the marks for blending. Learn More
  26. Möbius &  Ruppert Triple Metal Sharpener

    Möbius & Ruppert Triple Metal Sharpener

    £4.25

    Metal sharpener for graphite pencils. Three different blades for shaping different points. Up to 11mm barrel. Learn More
  27. Cadmium Green Pigment

    Cadmium Green Pigment

    Starting at: £4.50

    Cadmium Green is an artificial mineral pigment, a mixture of Cobalt and Cadmium Yellow. It is an opaque, lightfast, slow-drying pigment with a high tinting strength.

    Toxicity C

    Learn More
  28. Schmincke Liquid Frisket, Clear

    Schmincke Liquid Frisket

    Starting at: £5.40

    Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. Apply with writing pen, cotton bud or wooden stick. Contains: synthetic resin dispersion without ammonia. Learn More
  29. Omega Series 222 Domed Hog Sash

    Omega Series 222 Domed Hog Sash

    Starting at: £10.30

    Long natural bristle hair with copper ferrule. Shaped to a slightly rounded snub tip, these brushes are suited to large scale painting in oils and acrylics. Also useful for decorative paint effects and for applying gesso during gilding. 100% pure hog hair. Learn More
  30. Schmincke Horadam Gouache

    Schmincke Horadam Gouache

    Starting at: £8.75

    Finest quality gouache paints, available in 48 shades, all of which are fully inter-mixable with the HORADAM® WATERCOLOUR range. Made following a traditional gum arabic recipe, they are naturally opaque, without the addition of white. They provide a luminous, velvet-matte finish, drying to a slightly lighter shade than when wet. 

    Schmincke recommends the following:

    "The application possibilities of HORADAM® GOUACHE are extremely versatile. Although it can be heavily diluted, gouache is mainly intended to provide opaque application of colour. Opaque, in this case, means that it is not impasto, because impasto application tends to produce cracking, unless the percentage of binder is increased by adding gum arabic (50302). While watercolour painting work goes from light to dark (the white paper is the light), in gouache painting, any process can be used. While “back painting” of lights is limited in watercolour painting, when working in gouache (and other opaque colours), light values and lights can be added later using colours."

    Learn More

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