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  1. Winsor & Newton Lightweight Box 12 x 5ml Tubes

    Winsor & Newton Lightweight Box 12 x 5ml Tubes

    Starting at: £97.95

    Winsor & Newton Lightweight Box 12 x 5ml Tubes Learn More
  2. Michael Harding Watercolours, Misty London Set, 6 x 15ml tubes

    Michael Harding Watercolours, Misty London Set, 6 x 15ml tubes

    Starting at: £78.00

    Michael Harding Watercolours, Misty London Set, 6 x 15ml tubes, including: Warm White, yellow Ochre, Yellow Ochre Deep, Lavender, Ultramarine Blue, and Forest Green. Learn More
  3. Michael Harding Watercolours, Introductory Set, 4 x 15ml tubes

    Michael Harding Watercolours, Introductory Set, 4 x 15ml tubes

    Starting at: £54.00

    Michael Harding Watercolours, Introductory Set, 4 x 15ml tubes, Including: Vivid Blue, Scarlet Lake, Aqua Green and Yellow Benzimidazolone. Learn More
  4. Sennelier Egg Tempera Set

    Sennelier Egg Tempera Set

    Starting at: £59.95

    Genuine egg tempera. Learn More
  5. Michael Harding Watercolours, Spring Floral Set, 6 x 15ml tubes

    Michael Harding Watercolours, Spring Floral Set, 6 x 15ml tubes

    Starting at: £82.00

    Michael Harding Watercolours, Spring Floral Set, 6 x 15ml tubes, including: Quinacridone Gold, Yellow Lake, Moss Green, Hookers Green, Phthalo Blue Red Shade, and Quinacridone Rose. Learn More
  6. Michael Harding Watercolours, Traditional English Landscape Set, 10 x 15ml tubes

    Michael Harding Watercolours, Traditional English Landscape Set, 10 x 15ml tubes

    Starting at: £132.00

    Michael Harding Watercolours, Traditional English Landscape Set, 10 x 15ml tubes, including: Warm White, Yellow Lake, Burnt Sienna, Yellow Ochre Deep, Moss Green, Forest Green, Hookers Green, Ultramarine Blue, Sky Blue (Phthalo), and Lamp Black. Learn More
  7. Liquitex Heavy Body Acrylic Classic Set of 12

    Liquitex Sets

    Starting at: £29.85

    Liquitex Sets Learn More
  8. Natural Beeswax

    Natural Beeswax

    Starting at: £11.20

    Beeswax is derived from melted honeycomb, and is available in two grades. Bleached Beeswax Pellets are white, having been bleached by the sun, and are an appropriate choice for using with pale colours, although they may revert to yellow over time. Natural Beeswax Pellets are yellow in colour, and offer a more flexible structure with a higher resin content. Beeswax has a melting point of 63-66°c, and may turn brown if over-heated. It is the most widely used wax in artists' materials, having a wide range of applications. Please see below for more details.

     

    Learn More
  9. Cornelissen T52100B Professional Press

    Cornelissen T52100B Professional Press

    £2,150.00

    Cornelissen Etching Press T52100B 52 x 100 cm, Bed size: 52 x 100 cm, Upper Roller Diameter: 110 mm, Lower Roller Diameter: 110mm, Weight: 83 kg. Etching press base: 56 x 44 cm. Please call Cornelissen for more details. Delivery to your address usually takes up to 4 weeks to UK & EU countries and 6 weeks to USA after the order is placed. Please be aware these goods are heavy and it is the customer’s responsibility to check measurements for delivery before orders are placed and to be able to receive the goods over two days.

     

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  10. Daniel Smith Watercolour PrimaTek Set

    Daniel Smith Watercolour PrimaTek Set

    £42.10

    Daniel Smith PrimaTek colours are unique paints made with pure, authentic mineral pigments that are mined directly from the earth and each one has a story. These colours have captured the imagination of artists for hundreds or even thousands of years. Their diversity is amazing. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More
  11. Cornelissen T52100 Professional Press

    Cornelissen T52100 Professional Press

    £3,250.00

    Cornelissen Press T52100, Bed size: 52 x 100 cm, Upper Roller Diameter: 157 mm, Lower Roller Diameter: 157mm, Weight: 106 kg. Etching press base: 58 x 63 cm. We offer press demonstrations for this model. Please call Cornelissen for more details. Delivery to your address usually takes up to 4 weeks to UK & EU countries and 6 weeks to USA after the order is placed.

    Learn More
  12. Roberson Glaze Medium

    Roberson Glaze Medium

    Starting at: £8.50

    Mix with tube oil colours or pigment to improve flow and translucency. For thin glazes, fine details and smooth brushwork.

    Contains: Turpentine, Damar Resin, Stand Oil, Cobalt Dryers.

    Learn More
  13. Schmincke Drying Accelerator for Oils

    Schmincke Drying Accelerator for Oils

    Starting at: £8.20

    From the Schmincke website:

    Jelly-like medium for accelerating the drying of oil colours. Preserves consistency and degree of gloss. Dosage: 10% to 30% maximum. Contains: Siccative, stand oil, resin solution, mineral spirit.

    Learn More
  14. Roberson Satin Glaze Medium

    Roberson Satin Glaze Medium

    Starting at: £9.10

    Mix with tube oil colours or pigment to improve flow and translucency. For thin glazes, fine details and smooth brushwork. Learn More
  15. Winsor & Newton Liquin Impasto

    Winsor & Newton Liquin Impasto

    Starting at: £11.65

    From the Winsor & Newton website: A quick drying, semi-gloss medium which thickens slowly and extends tube colour retaining crisp textures brush marks without any visible levelling. Speeds drying (touch dry in 1-6 days depending on colour and film thickness). Resists yellowing. Not suitable as a varnish or final coat.

    Learn More
  16. Winsor & Newton Griffin Alkyd Oil Colour

    Winsor & Newton Griffin Alkyd Oil Colour

    Starting at: £7.15

    Artist quality range of 50 colours made from pigments bound in an oil modified alkyd resin. The main advantage of the Griffin Alkyd range is speed of drying - about 24 hours. Ideal for under painting. Compatible with traditional oils. Learn More
  17. Bleached Beeswax

    Bleached Beeswax

    Starting at: £12.30

    Beeswax is derived from melted honeycomb, and is available in two grades. Bleached Beeswax Pellets are white, having been bleached by the sun, and are an appropriate choice for using with pale colours, although they may revert to yellow over time. Natural Beeswax Pellets are yellow in colour, and offer a more flexible structure with a higher resin content. Beeswax has a melting point of 63-66°c, and may turn brown if over-heated. It is the most widely used wax in artists' materials, having a wide range of applications. Please see below for more details.

    Learn More
  18. Cornelissen T73140 Professional Press

    Cornelissen T73140 Professional Press

    £3,800.00

    Cornelissen Press T73140, Bed size: 73 x 140 cm, Upper Roller Diameter: 157 mm, Lower Roller Diameter: 157mm, Etching press base: 78.5 x 91 cm. Weight: 148 kg. We offer press demonstrations for this model. Please call Cornelissen for more details. This press is made to order. Delivery to your address usually takes up to 4 weeks to UK & EU countries and 6 weeks to USA after the order is placed. Please be aware these goods are heavy and it is the customer’s responsibility to check measurements for delivery before orders are placed and to be able to receive the goods over two days.

    Learn More
  19. Schmincke AQUA Pasto Medium

    Schmincke AQUA Pasto Medium

    Starting at: £20.90

    Thickener for tube watercolours. Reduces colour flow, improves gloss. Water soluble. Learn More
  20. Essdee Lino Set

    Essdee Lino Set

    £38.10

    This comprehensive kit includes a wide selection of tools and materials for Lino cutting and printing. You can experiment with artisan printing techniques and compare traditional lino and the new Softcut materials, which add new possibilities for beginners and experienced users alike. The 6 different lino cutters allow varied carving styles, whilst the safety cutter and hand guard ensure safe working for younger or less experienced users. The 3-in-1 Baren is a tool for transferring ink from your lino block to paper, but can also be used as a desk tidy for your cutters and as a stamping tool when used with the included self-adhesive Softcut™ discs. You can make many prints with the water based ink whilst keeping your work space clean with the handy ink tray. This educational and fun kit is ideal for making unique greeting cards, gifts, posters or even great works of art! Full instructions are included. Recommended Age: 12 and up with adult supervision. Learn More
  21. Roberson Matt Glaze Medium

    Roberson Matt Glaze Medium

    Starting at: £9.10

    Mix with tube oils or pigment to improve flow and translucency, resulting in a satin finish. Contains silica driers. May darken if cap is left off bottle; if this happens, replace the lid and leave overnight to restore the colour with no lasting ill effects.

    Learn More
  22. Schmincke Solvent-Free Transparent Gel Oil Medium

    Schmincke Solvent-Free Transparent Gel Oil Medium

    Starting at: £7.30

    Schmincke Solvent-Free Transparent Gel Oil Medium improves gloss and transparency of oil colours. To be mixed in ratio 1:1. Starts to dry on palette within 30 mins. Alkyd resins/mineral spirit. Learn More
  23. Schmincke Liquid Charcoal 35 ml

    Schmincke Liquid Charcoal 35 ml

    Starting at: £18.30

    Liquid charcoal in the 35 ml tube - a clean, dust-free way of painting, charcoal drawing and underpainting with charcoal. The three pigments of natural origin used for this (PBK 8, pit black) are created by charring fruit seeds from the EU area and result in the following unique coal nuances: a neutral peach stone black - 18 757 a warm, brownish cherry pit black - 18 756 a cool, bluish grape seed black - 18 755 Due to the larger quantity of available paint, liquid charcoal can be used to quickly process large areas. The liquid charcoal contains the high-quality binder gum arabic like traditional artists' watercolours (gouaches, watercolours, etc.), has a gouache-like consistency and can be diluted with water, so that different shades, structures and layer thicknesses can be achieved by different application. Depending on the substrate and the thickness of the layer, it can be wiped off by hand and removed with water. Used as thin underpainting (e.g. in oil painting), subsequent paints do not become dirty or become less dirty than with conventional charcoal underpainting due to the higher adhesion of the bound carbon pigments to the substrate. Of course, the liquid charcoal can be combined with drawing charcoal. The blurring and removability of the liquid charcoal depends on the surface of the substrate - the more even and firm the surface, the easier to change the application. Pre-tests are recommended. Learn More
  24. Schmincke Horadam Supergranulating Set Glacier

    Schmincke Horadam Supergranulating Set Glacier

    Starting at: £69.90

    Schmincke Horadam Supergranulating Set Glacier, 5 x 15ml tubes. Learn More
  25. Schmincke Artists Watercolour Whole Pan

    Schmincke Artists Watercolour Whole Pan

    Starting at: £7.95

    Finest quality watercolours made in Germany. This range offers 139 colours, including 95 single-pigment colours, 3 perylene pigments, 5 quinacridone pigments, and a selection of granulating colours. They present endless mixing possibilities, and can combined with Schmincke's selection of watercolour mediums as well as with their gouache paints. The solid colours are produced by pouring the liquid paint into the pans four times, ensuring the maximum yield for each colour. Also available in half pans and tubes of 5 and 15ml. Learn More
  26. Schmincke Calligraphy Gouache Set

    Schmincke Calligraphy Gouache Set

    £115.00

    Wooden box containing 12 x 20ml tubes of Schmincke Calligraphy Gouache. Learn More
  27. Schmincke Horadam Supergranulating Set Tundra

    Schmincke Horadam Supergranulating Set Tundra

    Starting at: £69.90

    Schmincke Horadam Supergranulating Set Galaxy, 5 x 15ml tubes. Learn More
  28. Roberson Artists' Oil Colour 40 ml

    Roberson Artists' Oil Colour 40 ml

    Starting at: £9.35

    Unlike other commercially available oil paints, Roberson Artists' Oil Colours do not contain any fillers, extenders or stabilisers. Each paint consists solely of high-quality pigment that has been ground into cold pressed linseed oil, resulting in a highly pigmented paint. This strength of colour presents the possibility of greater economy of use and a less homogenised texture between each tube, instead allowing the unique qualities of each individual pigment to reveal themselves. By limiting our range to 59 shades, we dispense with colours that can be easily mixed, creating a focussed palette of intense, lightfast paints that offer limitless combinations. 

    Available in 40ml and 225ml tubes

    Learn More
  29. Georgeson & Son Mahl Sticks

    Georgeson & Son Mahl Sticks

    Starting at: £26.00

    Each Hazel shaft used in the creation of our Mahl poles is individually selected for straightness and overall appearance before being dried and prepared. We use hazel for strength, weight, and the appearance of its rich brown bark when linseed is applied.

    Our pommels and handles are made from a stock of fine Italian leather, used for its durability and flex during assembly.

    "Georgeson and Son established in 2012 with a singular aim. To resurrect and manufacture forgotten Artist's tools by hand, as carefully and as beautifully as possible.
      A desire to make useful things that will last underpins all that we do. We use only the finest quality materials, sustainably sourced and refuse to compromise this quality for the sake of profitability."


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  30. Ultramarine Blue Limewash Pigment

    Ultramarine Blue Limewash Pigment

    Starting at: £6.30

    PB29

    Ultramarine Blue Limewash is an artificial mineral pigment that is produced by heating clay, soda, sulphur and coal to high temperatures. Its name comes from outremer, or over-the-sea, as a reference to the highly-prized Lapis Lazuli pigment which had been imported into Europe from Afghanistan since the Middle Ages. First manufactured in France and Germany in 1828, synthetic Ultramarine provided a brilliant and affordable blue to artists, and it remains one of the most popular blues on artists' palettes today.

    It is a transparent pigment, with a high tinting strength and excellent lightfastness. Most Ultramarine colours It react to alkali and are therefore unsuitable for use in lime-fresco; Limeproof Ultramarine Blue remedies this problem. It is stable in all other media, although it can be tricky to grind in oil. Instead of creating a thick, buttery paste, it can remain stringy and deteriorate when stored in a tube. To correct this, many commercial paint manufacturers include additives and waxes in their recipes; if you intend on grinding your own paint, you could try replacing 10-15% of your Linseed Oil with Poppy Oil to improve the consistency. Ultramine Blue provides a slow-drying, fairly hard paint film, which can tend towards brittleness.

    Toxicity: B

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Items 31 to 60 of 84 total

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