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  1. Schmincke Drying Accelerator for Oils

    Schmincke Drying Accelerator for Oils

    Starting at: £8.20

    From the Schmincke website:

    Jelly-like medium for accelerating the drying of oil colours. Preserves consistency and degree of gloss. Dosage: 10% to 30% maximum. Contains: Siccative, stand oil, resin solution, mineral spirit.

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  2. Schmincke Mussini Medium 1

    Schmincke Mussini Medium 1

    Starting at: £9.45

    Low-fat (lean) painting and thinning medium for oil colours. Recommended for thin grounds and for creating transparent layers over gouache, tempera and acrylic paintings. Thins with minimal affect on drying time and gloss. Dosage: 10% to max. 20% Contains: Safflower oil, natural and synthetic resins, mineral spirit. Learn More
  3. Schmincke Liquid Frisket, Clear

    Schmincke Liquid Frisket

    Starting at: £5.40

    Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. Apply with writing pen, cotton bud or wooden stick. Contains: synthetic resin dispersion without ammonia. Learn More
  4. Schmincke Medium W

    Schmincke Medium W

    Starting at: £9.60

    Schmincke Medium W is an odourless, jelly-like ("lean") medium for mixing oil colours with water instead of organic solvents such as turpentine or turpentine substitute. It increases gloss and transparency, reduces viscosity and harmonizes the drying process.

    Dosage: 50%

    Thinner: Water

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  5. Schmincke Medium L

    Schmincke Medium L

    Starting at: £9.45

    Schmincke Medium L is a jelly-like medium for “soft” painting with oil colours. It improves flow and reduces brush strokes, accelerates drying, increases gloss and transparency. There is no change of the product quality based on the colour change of the raw material alkyd resin. Close immediately after use. Contains: alkyd resin, mineral spirit, siccative. Dosage:10% to 20% maximum. Thinner: Turpentine substitute Learn More
  6. Schmincke Medium N

    Schmincke Medium N

    Starting at: £9.45

    This product does not contain turpentine, and is therefore suitable for artists with allergies. A 'neutral', nearly non-yellowing painting and thinning medium for oil colours. Applicable for all painting techniques except for ground motifs on slightly absorbent undergrounds (not “lean” enough). Low impact on drying time. Thinner: Terpin (50023) (max. 30%). Dosage: 10 to max. 20%. Learn More
  7. Schmincke Masking Fluid, Clear

    Schmincke Masking Fluid

    Starting at: £8.65

    Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. For direct application with the dispensing bottle. Contains: synthetic resin dispersion without ammonia. Learn More
  8. Schmincke Liquid Charcoal 15 ml

    Schmincke Liquid Charcoal 15 ml

    Starting at: £18.30

    Liquid charcoal in the 15 ml tube - a clean, dust-free way of painting, charcoal drawing and underpainting with charcoal. The three pigments of natural origin used for this (PBK 8, pit black) are created by charring fruit seeds from the EU area and result in the following unique coal nuances: a neutral peach stone black - 18 757 a warm, brownish cherry pit black - 18 756 a cool, bluish grape seed black - 18 755 Due to the larger quantity of available paint, liquid charcoal can be used to quickly process large areas. The liquid charcoal contains the high-quality binder gum Arabic like traditional artists' watercolours (gouaches, watercolours, etc.), has a gouache-like consistency and can be diluted with water, so that different shades, structures and layer thicknesses can be achieved by different application. Depending on the substrate and the thickness of the layer, it can be wiped off by hand and removed with water. Used as thin underpainting (e.g. in oil painting), subsequent paints do not become dirty or become less dirty than with conventional charcoal underpainting due to the higher adhesion of the bound carbon pigments to the substrate. Of course, the liquid charcoal can be combined with drawing charcoal. The blurring and removability of the liquid charcoal depends on the surface of the substrate - the more even and firm the surface, the easier to change the application. Pre-tests are recommended. Learn More

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