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Cornelissen Series 41 Hog Bristle Bright
Starting at: £5.00
Finest quality selected interlocking Chinese white hog hair. Seamless copper ferrule. Green handle. Length approximately 300mm / 370mm depending on size. Learn More -
Buff Titanium Pigment
Starting at: £4.75
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Cornelissen Historical Inks, French Sepia
Starting at: £6.50
Shellac based. Water resistant when dry. Not suitable for fountain pens. Learn More -
Cornelissen Pointed Quill Writer
Starting at: £18.45
Traditional long sable hair with plain wood handles bound in genuine quill. These brushes hold large amounts of colour for long lines but also point well for detail. Learn More -
Paraffin Wax
Starting at: £6.60
Paraffin Wax is a by-product of the petro-chemical industry. It has a low melting point of 50-60°c and a brittle texture, making it unsuitable for encaustic painting or as an additive to oil paints, but it can be used to impart softness to lithographic crayons. As a petroleum product, it is more inert than animal or vegetable waxes, and is therefore not saponified (turned into soap) by alkali substances. Learn More -
Cornelissen 80 Pure Gold Leaf 24 ct
Starting at: £68.20
Pure Gold Leaf 24 ct, 80 x 80 mm. Book of 25 leaves. Coverage per book is 0.16 m2 (1.69 sq. feet) Learn More -
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Cornelissen 80 Baroque Gold Leaf 19 ct
Starting at: £55.90
Baroque Gold Leaf 19 ct, 80 x 80 mm. Book of 25 leaves. Coverage per book is 0.16 m2 (1.69 sq. feet) Learn More -
Cornelissen Double Ended 6B/2B Lead Pencil
£2.00Double ended pencil, ideal for sketching en plein air and in the studio. Learn More -
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Graphite Powder (Sri Lanka)
Starting at: £5.50
PBk10
Graphite powder is an allotropic form of pure carbon, ground to 200 mesh. It is transparent and lightfast, with a slight sheen. It can be applied directly onto a paper support.
Larger quantities are available by request. This variety of graphite is a naturally occurring material sourced from Sri Lanka.
Toxicity: A/B
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Raw Sienna Pigment
Starting at: £4.00
PBr7
Raw Sienna is a natural earth pigment that dates back to antiquity. Our Raw Sienna comes from areas of Tuscany where the earth has been coloured by iron-rich minerals. It provides a good tinting strength, excellent lightfastness, and a fast to medium drying rate in oil. It is stable in all media but, like umber pigments, can be difficult to disperse in an acrylic binder. It is similar in composition to Yellow Ochre, but whereas Yellow Ochre contains a higher proportion of clay, Raw Sienna contains a higher proportion of silica. As a natural material, the exact colour and qualities of the resultant pigments can vary, but generally this difference creates a paler, more opaque Yellow Ochre, and a darker, more transparent Raw Sienna.
Toxicity: B
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Venetian Red Pigment
Starting at: £4.60
Venetian Red Pigment (PR101). Iron oxide and chalk. Semi-transparent and very lightfast. Stable in all media.
Limeproof
Toxicity: B
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Classic Nib Holder Sagittarius
Starting at: £2.90
Classic nib penholder made from FSC-certified wood. Available in Natural, Mahogany or Black. Learn More -
Classic Blotter
Starting at: £25.45
Classic Blotter made from beechwood. Blotting paper backing supplied. Rechargeable. Available in Natural Beechwood or Walnut stained finish. Learn More -
Ammonium Carbonate
Starting at: £9.70
Ammonium Carbonate is a highly Alkaline substance that reacts with the lactic acid present in casein to form a robust binder for tempera paints. It should only be used in a well-ventilated area, please see below for the Material Safety Data Sheet. Learn More -
Superior Extra Soft Rubber Rollers
Starting at: £212.00
Extra Soft (35 shore) NBR rubber rollers suitable for fine relief printing (lino, wood engraving and wood cut) and intaglio applications. The surface of the soft rubber is machined several times with a special grinder to achieve the complete smoothness of the rollers. Solid heavy metal handle. Each roller is supplied in secure wooden box. Learn More -
Stencil Strip 500ml
£10.00Stencil strip, this is a concentrated organic emulsifying stripper that is made using natural mineral salts. It quickly removes all stencil emulsions and capillary films. Can be diluted up to 1:10 with water. Always wear gloves and avoid contact with eyes. Learn More -
Laponite ®
Starting at: £34.40
For cleaning marble. Mix with water to thick paste. LAPONITE® is a registered trademark of BYK Additives Ltd Learn More -
Gelatine Leaf
Starting at: £5.30
A pure form of glue from animal tissue. Used for sizing paper. Used in gliding and for weak sizes in isolating layers in tempera painting. Learn More -
Plastic Baren
£7.30Plastic Baren. This is a hard plastic baren 120mm across with dimples over the printing surface. There is no need for a bamboo covering for this baren as with the traditional style and has more durability then the traditional baren due to this. Perfect for those starting mokuhanga. Learn More -
Prussian Blue Pigment
Starting at: £5.20
PB27
Prussian Blue is a synthetic organic pigment that was discovered by the paint maker Diesbach, apparently by accident, in Germany in the early eighteenth century. For many years, it was used not only as a colour in its own right, but also as a component of the original Hooker's Green. The other ingredient, gamboge, is highly fugitive, which is why many watercolours painted with Hooker's green have taken on a bluish tone with with age.
It is a very transparent and heavily staining colour. It dries quite quickly in oil, and can therefore wrinkly if applied too quickly. It is suitable for use in oils, watercolour, and egg tempera. However, it shouldn't be used in conjunction with alkali substances, such as Lead White or Calcium Carbonate as it can turn brown, so it isn't suitable for fresco. For the same reason, it isn't used with acrylic resin binders due to their alkaline nature, so most paint manufacturers will replace Prussian Blue with a mixture of Phthalo Blue and black in their acrylic ranges. It requires a wetting agent to fully disperse into a binder.
Toxicity: B
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Superior Medium Soft Rubber Rollers
Starting at: £133.20
Medium/Soft Superior NBR Rubber Rollers available in 3 different width and 60mm diameter. Suitable for all fine printmaking applications including wood engraving, lino cut and wood cut. Solid metal handle. Learn More -
Chromium Oxide Pigment
Starting at: £4.50
Chromium Oxide is a synthetic mixed-metal oxide pigment. It is stable in all media and has an average drying speed in oil, forming a hard, fairly flexible paint film. It is opaque, with a low tinting strength. It has been widely available since the mid-nineteenth century, following its introduction in 1809.
Please note, unfortunately we are not able to send this product outside the UK.
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Egyptian Blue Pigment
Starting at: £5.90
Egyptian Blue is stable in all media, highly transparent, with a weak tinting strength. A synthetically produced calcium copper silicate, it is considered to be the earliest artificial pigment, dating from antiquity and widely used in ancient Egypt. Larger sizes available on request Learn More -
Sealing Wax Mura
Starting at: £2.85
Taper/wick throughout length. Well suited to craft purposes. Assorted colours including Red, Gold, Silver and Blue. Learn More -
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Transparent Containers
Starting at: £1.20
Rigid high quality boxes manufactured in clear Polystyrene. Medium and large sizes are ideal for storing loose nibs. Learn More
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