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  1. Cornelissen Series 1 Kolinsky Sable Watercolour Brush

    Cornelissen Series 1 Kolinsky Sable Watercolour Brush

    Starting at: £11.10

    Made from the highest quality Siberian Kolinsky sable. Golden ferrule with short black polished hexagonal handle. Round watercolour brush. Learn More
  2. Pearl Lustre Pigments 7g

    Pearl Lustre Pigments 7g

    Starting at: £4.70

    Pearl Lustre Pigments 7g. Colour swatch on the left indicates colour on a White Background and Colour on a Black Background on the right. Learn More
  3. Cornelissen Pearl Lustre Pigments 100g

    Cornelissen Pearl Lustre Pigments 100g

    Starting at: £12.90

    Pearl Lustre Pigments 100g. Colour swatch on the left indicates colour on a White Background and Colour on a Black Background on the right. Learn More
  4. Metalpoint Holder

    Metalpoint Holder

    £31.00

    One end of our metalpoint holder is a reversible chuck to hold a range of wire sizes, while the other end can hold the lead of a clutch pencil.

    Please note, the image differs from the product, the newer model has a metal body with black metal ends.

    Learn More
  5. Prussian Blue Pigment

    Prussian Blue Pigment

    Starting at: £5.20

    PB27

    Prussian Blue is a synthetic organic pigment that was discovered by the paint maker Diesbach, apparently by accident, in Germany in the early eighteenth century. For many years, it was used not only as a colour in its own right, but also as a component of the original Hooker's Green. The other ingredient, gamboge, is highly fugitive, which is why many watercolours painted with Hooker's green have taken on a bluish tone with with age.  

    It is a very transparent and heavily staining colour. It dries quite quickly in oil, and can therefore wrinkly if applied too quickly. It is suitable for use in oils, watercolour, and egg tempera. However, it shouldn't be used in conjunction with alkali substances, such as Lead White or Calcium Carbonate as it can turn brown, so it isn't suitable for fresco. For the same reason, it isn't used with acrylic resin binders due to their alkaline nature, so most paint manufacturers will replace Prussian Blue with a mixture of Phthalo Blue and black in their acrylic ranges. It requires a wetting agent to fully disperse into a binder.

    Toxicity: B

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  6. Cornelissen Series 2 Kolinsky Sable

    Cornelissen Series 2 Kolinsky Sable

    Starting at: £35.80

    Made from the highest quality Siberian Kolinsky sable. Golden ferrule with short black polished hexagonal handle. Flat. Learn More
  7. Cornelissen Gift Set, Watercolour

    Cornelissen Gift Set, Watercolour

    £150.00

    LIMITED EDITION Cornelissen Watercolour Gift Set contains : -Arches Watercolour Block 20 x 20 cm -Schmincke Watercolour Set with Brush, 12 half pans -Genuine Leather Cornelissen Watercolour Case. Available in green, red, tan and black, while stocks last. Gift wrapped in a box with Cornelissen wrapping paper. To specify the colour of the Leather Watercolour Case (green, red, tan or black) and the Arches Watercolour paper surface (Hot Pressed, Cold Pressed or Rough), please contact us directly. t: 0207 636 1045 e: info@cornelissen.com. Learn More
  8. Flake White Pigment

    Flake White Pigment

    Starting at: £18.75

    Call to Order

    PW1

    Flake White Pigment, sometimes referred to as Lead White or Cremnitz White, is an artificial mineral pigment, lead carbonate. It is no longer available as a paint, due to its extreme toxicity. For this reason, great care must be taken when handling the dry pigment.

    It is not usuable in water-based media, but works well in oils. It creates a flexible paint film that dries quickly. Although opaque, small quantities do not dominate mixtures, and can help slow-drying pigments to dry. For this reason, it has been a popular mixing white historically; in fact, until the mid-19th century, Flake White was the only white pigment available to artists. Although varnishing is generally considered optional for oil paintings, it is recommended for works containing Flake White, as contact with sulphur in the atmosphere can cause it to blacken. It creates a warm white, which can yellow over time when mixed with linseed oil.

    Toxicity: D

    Permitted uses: Restoration of art works and protected buildings when alternatives unsuitable.

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  9. Asphaltum Powder

    Asphaltum Powder

    Starting at: £14.30

    Call to Order

    Used in etching grounds and stopping out varnishes. Can be used as a blackish brown colourant but when combined with oil causes wrinkling and cracking. Learn More

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