Search results for: 'DE'

Essdee Linocut Tool Sets

Starting at: £7.30

Essdee Linocut Tool Sets. Five or ten varied blades that can easily be secured into and removed from a comfortable handle. Learn More

Essdee Lino Blocks

Starting at: £0.60

Essdee traditional grey linoleum blocks. Learn More

Roberson Bronze Powders 200g

Starting at: £34.30

Roberson Bronze Powders 200g Learn More

Roberson Bronze Powders Silver 75g

Starting at: £33.70

Roberson Bronze Powders Silver 75g Learn More

Roberson Bronze Powders 25g

Starting at: £11.80

Roberson Bronze Powders 25g Learn More

Roberson Bronze Powder Shade Card A4

£15.67

Roberson Bronze Powder Shade Card A4 Learn More

Roberson Bronze Powders Silver 500g

Starting at: £129.20

Roberson Bronze Powders Silver 500g Learn More

Roberson Gilders Tips

Starting at: £11.80

Roberson Gilders Tips Learn More

Economy Gilders Cushion

£44.50

Economy Gilders Cushion Learn More

Scrim Tartalan 42 in Wide-1m

£4.40

Scrim Tartalan 42 in Wide-1m Learn More

L.Cornelissen & Son's Professional Gilders Cushions are handmade in London, using the highest quality materials. Soft, buffed suede nap goatskin stretched over a sturdy mahogany veneer panel, secured with brass tacks and some fitted with a genuine parchment windsheild. Learn More

Roberson Liquid Metal Colour Chart Hand Made

£9.17

Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are inter-mixable. This is a double sided and hand painted colour chart of the full range. Learn More

Roberson Silverpoint Drawing Ground

Starting at: £13.50

A natural bone ash primer for paper and card for silverpoint drawing, tinted to a traditional off white or sanguine finish. Learn More

Kolner Classic Caselo Casein Paint 250 ml

Starting at: £22.40

Casein-based paint for Gilders, Framers and Decorators. Adheres to most rigid surfaces including furniture, also used as a base coat when gilding on frames. Once dry can be burnished to a soft sheen. Water resistant & non fading. Matt / Satin finish. Learn More

Stencil Brushes

Starting at: £3.70

Stencil brushes have stiff hog bristles, ideal for stippling colour through stencils. Stippling ensures the paint is less likely to creep underneath the stencil edge, giving the design a crisp but textured finish. Learn More

Roberson Stipplers

Starting at: £26.00

Roberson Stipplers Learn More

Roberson Liquid Leaf Metallic Paint

Starting at: £12.50

A one-step paint, giving a permanent finish, closely resembling traditional gilding with leaf. Learn More

Robersons Dragger 50mm

£16.70

Roberson Dragger 50mm Learn More

Roberson Badger Softener

Starting at: £40.80

Roberson Badger Softener Learn More

Roberson Lily Softener 75mm

£21.90

Roberson Lily Softener 75mm Learn More

Roberson Flogger

Starting at: £23.80

Roberson Flogger Learn More

Roberson Poppy Oil

Starting at: £10.20

Poppy Oil is a slightly later addition to the artist's cabinet than Linseed Oil and Walnut Oil. It is generally used as a binder for pale colours, where the warmth of Linseed Oil is not desired. It provides a matte finish and dries very slowly, so we would not advise using it in conjunction with slow-drying pigments or in underpaintings. A paint film produced by Poppy Oil is weaker and softer than that created by Linseed Oil. This is because it contains a smaller percentage of linolenic acid than Linseed Oil; this substance imparts both strength and yellowness to an oil.

Although some of these properties can be perceived as drawbacks, paints made with Poppy Oil generally obtain a "short" or buttery texture without the addition of waxes or other additives, which can be an advantage for certain colours that produce poor consistencies in Linseed oil alone. Sometimes, the addition of a small quantity of Poppy Oil when grinding a tricky or "stringy" pigment in Cold Pressed Linseed Oil can introduce some of benefits of Poppy Oil, without transmitting its negative characteristics.

Paints made with Poppy Oil are particularly suited to "alla prima" working methods, where paint is applied spontaneously. When working in successive layers, Poppy Oil would only be appropriate for the final stages of a painting.

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Roberson Beeswax Picture Varnish

Starting at: £10.20

A final picture varnish suitable for both oil and acrylic paintings. unable to send overseas. Learn More

Roberson Clear Shellac Varnish

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Starting at: £11.50

Fast drying varnish for metal leaf. May also be used to seal absorbent surfaces prior to sizing. Cellulose based. Clean brushes with methylated spirits. Learn More

Roberson Interlon Series 63 Round

Starting at: £5.60

Made with new improved brown interlocking tapered filaments, these brushes have an excellent shape retention and firm texture. Good spring. Gold colour ferrule with bottle green handle. Learn More

Roberson Impasto Medium

Starting at: £16.50

Roberson Impasto medium is a crack-resistant medium for impasto effects. It retains palette knife and brush strokes, giving the paint sharp, defined edges. It remains thick and doubles paint easily, drying to a matte finish. To retain colour strength, mix one part medium to one part oil colour.

Contains: Stand Oil, Damar Resin, Turpentine, Bleached Beeswax.

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Roberson Water Gold Size 15 ml

£12.30

Traditional size for illumination. Made with natural gums. Yellow colour. Learn More

Roberson Straw Hat Varnish

Starting at: £37.50

Varnish (Black Dark) Meths based quick drying stopping out varnish, two coats may be needed for a good acid resist. Learn More

Roberson Cold Pressed Linseed Oil

Starting at: £7.50

Linseed Oil is derived from flax seeds, and appears on our shelves in many guises: Cold Pressed, Refined, Stand Oil, and as a key ingredient in many mediums. It has been appreciated for its drying properties since the Medieval period, and has become the most popular oil used in painting today due to the strong, flexible and glossy film that it creates. Cold Pressed Linseed Oil is ideal for the grinding of pigment to make oil paints. The process of producing Cold Pressed Linseed Oil results in a lower yield, but the resultant oil is of a superior quality to oil that has been extracted by other methods, creating a paint film that is more resistant to embrittlement on aging. Its yellow colour is caused by the high concentration of linolenic acid, the presence of which provides durability to the paint film. The amount of oil that each pigment requires can vary enormously. Alizarin Crimson, for example, requires a high percentage of oil compared to most other colours. We would always recommend mulling the pigment and oil together thoroughly to create a "short" or buttery paste, with evenly dispersed, well-coated pigment particles. This process contributes to the strength and flexibility of the paint film, and prevents the inclusion of excess oil. Origin: USA Learn More

Roberson Mastic Varnish Thin

Starting at: £18.50

Roberson Mastic Varnish Thin. Unable to send overseas. Learn More

Search results for 'DE'