Search results for: 'DE'

Roberson Bronze Powders Silver 75g

Starting at: £33.70

Roberson Bronze Powders Silver 75g Learn More

Roberson Bronze Powders 25g

Starting at: £11.80

Roberson Bronze Powders 25g Learn More

Roberson Bronze Powders Silver 500g

Starting at: £129.20

Roberson Bronze Powders Silver 500g Learn More

Roberson Bronze Powders 200g

Starting at: £34.30

Roberson Bronze Powders 200g Learn More

Roberson Bronze Powder Shade Card A4

£15.67

Roberson Bronze Powder Shade Card A4 Learn More

Economy Gilders Cushion

£44.50

Economy Gilders Cushion Learn More

Roberson Gilders Tips

Starting at: £23.30

Roberson Gilders Tips Learn More

Scrim Tartalan 42 in Wide-1m

£4.40

Scrim Tartalan 42 in Wide-1m Learn More

L.Cornelissen & Son's Professional Gilders Cushions are handmade in London, using the highest quality materials. Soft, buffed suede nap goatskin stretched over a sturdy mahogany veneer panel, secured with brass tacks and some fitted with a genuine parchment windsheild. Learn More

Roberson Liquid Metal Colour Chart Hand Made

£9.17

Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are inter-mixable. This is a double sided and hand painted colour chart of the full range. Learn More

English Lino Tool Sets

Starting at: £7.30

English Lino Tool Sets Learn More

Roberson Silverpoint Drawing Ground

Starting at: £13.50

A natural bone ash primer for paper and card for silverpoint drawing, tinted to a traditional off white or sanguine finish. Learn More

Kolner Classic Caselo Casein Paint 500 ml

Starting at: £32.40

Casein-based paint for Gilders, Framers and Decorators. Adheres to most rigid surfaces including furniture, also used as a base coat when gilding on frames. Once dry can be burnished to a soft sheen. Water resistant & non fading. Matt / Satin finish. Learn More

Stencil Brushes

Starting at: £3.70

Stencil brushes have stiff hog bristles, ideal for stippling colour through stencils. Stippling ensures the paint is less likely to creep underneath the stencil edge, giving the design a crisp but textured finish. Learn More

Roberson Flogger

Starting at: £23.80

Roberson Flogger Learn More

Roberson Stipplers

Starting at: £26.00

Roberson Stipplers Learn More

Roberson Liquid Leaf Metallic Paint

Starting at: £12.50

A one-step paint, giving a permanent finish, closely resembling traditional gilding with leaf. Learn More

Robersons Dragger 50mm

£16.70

Roberson Dragger 50mm Learn More

Roberson Badger Softener

Starting at: £40.80

Roberson Badger Softener Learn More

Roberson Lily Softener 75mm

£21.90

Roberson Lily Softener 75mm Learn More

da Vinci, Suzi Morris, Softening and Blending Set for Oil Painting

£47.40

Versatile, sturdy brushes with short wooden handles for comfort and ease of use. Learn More

Cornelissen Larch Venice Turpentine

Starting at: £28.80

Venice Trupentine is a thick, resinous liquid extracted from the Larix decidua, a larch tree native to Austria. It can impart luminosity, brilliance and gloss when used in mediums and varnishes, and as such it was highly valued during the Golden Age of painting in Venice. It is a slow-drying balsam, which can be diluted with turpentine or placed in a bath of warm water to aid flow.

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Roberson Artists' Oil Colour 120 ml

Starting at: £23.00

Unlike other commercially available oil paints, Roberson Artists' Oil Colours do not contain any fillers, extenders or stabilisers. Each paint consists solely of high-quality pigment that has been ground into cold pressed linseed oil, resulting in a highly pigmented paint. This strength of colour presents the possibility of greater economy of use and a less homogenised texture between each tube, instead allowing the unique qualities of each individual pigment to reveal themselves. By limiting our range to 59 shades, we dispense with colours that can be easily mixed, creating a focussed palette of intense, lightfast paints that offer limitless combinations.

Available in 40ml and 225ml tubes

Zinc White and Titanium White only available in this intermediate size of 120ml

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Universal Lacquer in 60ml, 120ml and 1L.

Cornelissen Universal Lacquer

Starting at: £14.40

Use to protect metal & silver leaf, white gold, Ormoline paint & Robersons Liquid Metal range. Provides extra protection on exterior projects & high-wear areas. It dries crystal clear with a satin finish, and is non-yellowing. Learn More

Roberson Copperplate Reducing Oil

Starting at: £21.90

Printing inks can be made by mixing powdered pigments with copperplate oil. Pour small quantity of oil into well of dry pigment and grind with glass muller untill smooth. Thin oil is then added until mixture has consistency of double cream. Thin, Medium or Thick. Learn More

Soft Rubber Lino Rollers

Starting at: £11.00

A soft compound EPDM at 40 shore. Resistant to printers chemicals and not affected by exposure to daylight, this is a long life product. This brayer is designed to give a more compliant coverage than hard rubber material. More forgiving on uneven surfaces, proving to be a favourite with certain printing methods but needing extra care in storage to prevent indentation to its soft surface. Especially developed for relief printing. Learn More

Roberson Damar Varnish 5 lb Cut

Starting at: £9.00

Roberson Damar Varnish 5 lb Cut. Unable to send overseas. Learn More

Roberson Liquid Metal 250ml

Starting at: £18.90

Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and wash up with water. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and wash up with water. Coverage is approximately 7 square metres per litre. Two coats are required for most applications but if applied to walls or ceilings with a roller or a brush then three or four coats are recommended. Because of the highly reflective nature of the metallic paint when applying with a roller to a large area apply the paint evenly in long vertical strokes, finishing off the surface by rolling or brushing in one direction, i.e ceiling to floor. This will help to minimise overlapping and create a smooth and even finish. We recommend the use of a professional quality foam roller in order to achieve the best possible finish. When applying with a roller to a large area, apply the paint evenly in long vertical strokes. Finish off the surface by rolling one direction, i.e. ceiling to floor. This will help minimise overlapping and create a smooth, even finish. These paints can also be sprayed and this will produce the best and most consistent finish. To spray Liquid Metal Acrylics, you will need to use HVLP spray equipment with a 1.6mm or 1.8mm nozzle. To ensure proper flow, paint can be thinned with 25-30% water. Learn More

Roberson Interlon Series 63 Round

Starting at: £5.60

Made with new improved brown interlocking tapered filaments, these brushes have an excellent shape retention and firm texture. Good spring. Gold colour ferrule with bottle green handle. Learn More

Roberson Poppy Oil

Starting at: £10.20

Poppy Oil is a slightly later addition to the artist's cabinet than Linseed Oil and Walnut Oil. It is generally used as a binder for pale colours, where the warmth of Linseed Oil is not desired. It provides a matte finish and dries very slowly, so we would not advise using it in conjunction with slow-drying pigments or in underpaintings. A paint film produced by Poppy Oil is weaker and softer than that created by Linseed Oil. This is because it contains a smaller percentage of linolenic acid than Linseed Oil; this substance imparts both strength and yellowness to an oil.

Although some of these properties can be perceived as drawbacks, paints made with Poppy Oil generally obtain a "short" or buttery texture without the addition of waxes or other additives, which can be an advantage for certain colours that produce poor consistencies in Linseed oil alone. Sometimes, the addition of a small quantity of Poppy Oil when grinding a tricky or "stringy" pigment in Cold Pressed Linseed Oil can introduce some of benefits of Poppy Oil, without transmitting its negative characteristics.

Paints made with Poppy Oil are particularly suited to "alla prima" working methods, where paint is applied spontaneously. When working in successive layers, Poppy Oil would only be appropriate for the final stages of a painting.

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Search results for 'DE'