Search results for 'Drawing paper'

This landscape book contains 48 sheets of 200 gsm Fabriano Accademia drawing paper. White, smooth surfaced, acid free paper in a hardbacked cover featuring a 19th-Century design advocating drawing as "a necessary part of the education of all". Sheet size 19cm x 24cm (7.5 x 9.5in). Learn More

Professional drawing ink. For use with brush or technical drawing pen. Waterproof. Use on paper, Bristol board or film. 490 ml Learn More

A natural bone ash primer for paper and card for silverpoint drawing, tinted to a traditional off white or sanguine finish. Learn More

Handmade from 100% long fibred cotton rag. Acid free. Deckle edge. Tub sized (surface sized) with gelatine. Learn More

Handmade Paper, 100% Long Fibred Cotton Rag, Acid free, Medium-Rough surface, Deckle Edged. All papers are internally sized with neutral pH size. Learn More

Snowdon Cartridge paper with a white shade and matt surface. Designed for drawing and many printing processes including etching and waterbased silkscreen in 300gsm. Woodfree and acid free Learn More

Coated paper for silverpoint and metalpoint drawing. A4 and A5 sheets available in 140gsm and 250gsm. (*Please note - this paper is not archival*) Learn More

LIMITED EDITION Cornelissen Drawing Gift Set contains: Cornelissen Black Sketchbook 19.5 x 19.5 cm while stocks last. Cornelissen Genuine Leather Pencil Case. Available in red or black, while stocks last. Solid Brass Pencil Sharpener. Cornelissen Bundle of Pencils, 2H, 4H, HB, B, 2B, 3B, 4B, 6B. Gift wrapped in a box with Cornelissen wrapping paper. To specify the colour of the Leather Pencil Case (red or black) please contact us directly. t: 0207 636 1045 e: info@cornelissen.com e: info@cornelissen.com. e: info@cornelissen.com Learn More

Pencil Sharpener Sandpaper Block Learn More

Calligraphy Cartridge Pad A3. Recommended and developed by Patricia Lovett MBE and with a guide to lettering on the inside cover. 150gsm, 40 sheets. *While stocks last. Learn More

This tin of STAEDTLER Mars Lumograph pencils holds a collection of premium-quality pencils that are perfect for writing, drawing and sketching on paper and on matt drafting film. The pencils have a special lead formulation that produces great results with a metallic lustre in a wide variety of grey tones.

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This tin of STAEDTLER Mars Lumograph pencils holds a collection of premium-quality pencils that are perfect for writing, drawing and sketching on paper and on matt drafting film. The pencils have a special lead formulation that produces great results with a metallic lustre in a wide variety of grey tones. Learn More

For removing pencil, charcoal and pastel or paper cleaning. Learn More

STABILO CarbOthello is a chalk pastel coloured pencil range available in up to 60 colours. With its wonderfully dry and dusty stroke it is just like a chalk pastel in pencil format. It's very popular with artists, art students and people with creative hobbies. Its high pigmentation guarantees great luminosity and opacity as well as colour fastness and colour brilliance especially on dark backgrounds and delicate papers. What's more it can be sharpened to a very fine tip which make it ideal for detail. Colours can be dry mixed and blended which makes colouring more fun and special.

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STABILO CarbOthello is a chalk pastel coloured pencil range available in up to 60 colours. With its wonderfully dry and dusty stroke it is just like a chalk pastel in pencil format. It's very popular with artists, art students and people with creative hobbies. Its high pigmentation guarantees great luminosity and opacity as well as colour fastness and colour brilliance especially on dark backgrounds and delicate papers. What's more it can be sharpened to a very fine tip which make it ideal for detail. Colours can be dry mixed and blended which makes colouring more fun and special.

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Our Cornelissen-branded sketchbooks are a popular, durable, and versatile choice. The acid-free, 140gsm paper is perfect for drawing and all dry-media techniques. The standard sizes (A6, A5, A4 and A3, portrait and landscape) contain 46 pages, while the chunky square formats contains 95 pages. Learn More

Ink made from pure copper metal leaf that has reacted with distilled vinegar. Learn More

Silverpoint Stylus, Artisan.

The Maestro, Artisan and Artista Silverpoint Styli are inspired by Jan Gossart's painting of Saint Luke drawing the Virgin from the early sixteenth century. Each stylus has been hand-forged from silver bullion to form two gradually tapered points, which can be easily re-sharpened with fine sandpaper. Length 175 mm. For use on prepared paper.

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Natural linen cover, hard back 100 sheets of 125 gsm paper suitable for drawing, pen and light wash. Portrait or Landscape. Learn More

STAEDTLER's Mars Lumograph pencils are premium-quality pencils, perfect for writing, drawing and sketching on paper and on matt drafting film. The pencils have a special lead formulation that produces great results with a metallic lustre in a wide variety of grey tones.

Learn More

STABILO CarbOthello is a chalk pastel coloured pencil range available in up to 60 colours. With its wonderfully dry and dusty stroke it is just like a chalk pastel in pencil format. It's very popular with artists, art students and people with creative hobbies. Its high pigmentation guarantees great luminosity and opacity as well as colour fastness and colour brilliance especially on dark backgrounds and delicate papers. What's more it can be sharpened to a very fine tip which make it ideal for detail. Colours can be dry mixed and blended which makes colouring more fun and special.

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90GSM, A4 / A3, 50 Sheets, Smooth Surface, White drawing paper with blue printed mm squares. Learn More

Solid artists' quality oil paint sticks. (Ø = 3/4 ; length = 5" ) SENNELIER Extra-Fine Solid Oil Sticks can be used alone or in combination with oil colours in tubes. The oil stick colours can be used for an entire painting. They are applied directly to any traditional oil-painting support, such as canvas, wood panel or fine art paper. They need the same archival priming (acrylic gesso or oil ground) that oil paint requires. Surfaces: Before use, the surface film of the oil stick must be peeled off. It will form again after a few days of non-use, protecting and conserving the colour. The oil sticks must be applied in a thin film application of no more than 1mm thick. Once applied they can be painted over with oil stick or oil paint and if desired be diluted with turpentine. Oil stick Medium, a colourless oil stick, may be used to produce transparent effects and glazes. Once applied, the oil stick surface will dry in 2 to 5 days, depending on the atmospheric conditions Varnishing: If varnishing is desired, you must wait 6 months (as in traditional oil paint) until the colour is completely dry, before giving the painting a final coat of picture varnish. Use a soft brush to varnish so that the oil stick marks are not disturbed. SENNELIER Extra-Fine Solid Oil Stick colours are either opaque (O) or transparent (T) depending on the nature of the pigment in each colour. Oil Sticks do not change during storage and require no special precautions except to be kept away from any source of heat, which could adversely affect the stick. Application Techniques After applying the colour with the point or the edge of the oil stick, colours can be mixed directly on the support using the following methods: • Blending, with brush, finger, or drawing stump. With or without turpentine • Wash-drawing, dilute colours with turpentine or mineral spirit • Retouching, with oil stick, palette knife or brush • Textures, thick application oil stick colour. Retouch with a brush or palette knife •Sgraffito, scratching a layer of fresh paint with a point (brush handle, palette knife, etc.) to reveal the layer below. Sgraffito is related to engraving, and is used not only for revealing the under-layers of paint but also to scratch and clean unsatisfactory parts of the painting •Interior Decoration, on glass, ceramics etc. Use for decorative purposes only Learn More

Classic Blotter made from beechwood. Blotting paper backing supplied. Rechargeable. Available in Natural Beechwood or Walnut stained finish. Learn More

Made from organic walnut husks collected in Cambridgeshire, this deep brown walnut ink is made to an 18th-century formula. Small batches of the ink are blended to give the required consistency and strength. It has good permanence, but will eventually fade if left in direct sunlight for sustained periods of time, and is not wholly waterproof, but has some staying power, especially on sized watercolour papers. As with all handmade products derived from natural ingredients, there may be slight variations in the colour and consistency as a result of seasonal changes.

Not Suitable for fountain pens. Learn More

Silverpoint Stylus, Artista.

The Maestro, Artisan and Artista Silverpoint Styli are inspired by Jan Gossart's painting of Saint Luke drawing the Virgin from the early sixteenth century. Each stylus has been hand-forged from silver bullion to form two gradually tapered points, which can be easily re-sharpened with fine sandpaper. Length 175 mm. For use on prepared paper.

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Metallic gel ink. Ideal for light or dark paper. Comfortable cushion grip. Broad 1.0mm. Learn More

The Maestro, Artisan and Artista Silverpoint Styli are inspired by Jan Gossart's painting of Saint Luke drawing the Virgin from the early sixteenth century. Each stylus has been hand-forged from silver bullion to form two gradually tapered points, which can be easily re-sharpened with fine sandpaper. Length 210 mm. For use on prepared paper.

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This ink is inspired by the distinctive purple ink used by Virginia Woolf for her work and correspondence. Handmade by a master inkmaker, especially for Cornelissen, using a historic recipe based on blackthorn berries. Suitable for fountain pens and work on paper and parchment. Indelible and waterproof over time.

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