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A range of 203 shades. Made in Holland. Intermediate hardness (softer than Conte crayons but harder than Schmincke soft pastels). 12% Discount for purchasing 10+ pastels. Learn More

Low-fat (lean) painting and thinning medium for oil colours. Recommended for thin grounds and for creating transparent layers over gouache, tempera and acrylic paintings. Thins with minimal affect on drying time and gloss. Dosage: 10% to max. 20% Contains: Safflower oil, natural and synthetic resins, mineral spirit. Learn More

Exhibition cross bars for Exhibition stretchers only. Notched for overlap from 120cm. Prices are for individual bars. Please note, this range is stored off-site. Please allow extra time for your order to be processed and dispatched. [Only available online] Learn More

A mini taster of favourite greens including earthy Chromium Oxide Green, yellow greens, and light sap greens. A useful spring/summer addition to the classic Landscape set.

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Cornelissen Gift Vouchers are available in a range of values and can be redeemed both on-line and in our store. Vouchers can be redeemed fully or partly and do not expire. Physical gift vouchers will be posted to the specified address. Virtual gift vouchers will be emailed immediately after the order is placed. The virtual gift voucher will arrive with the recipient in the form of an email containing a gift code.

A combination physical gift voucher with an extra code for use online can also be arranged. Please contact us on 020 7636 1045. Learn More

PBr7

Raw Umber is a natural earth pigment composed of iron oxide, manganese, and aluminium silicate. It has its roots in the Umbria region of Italy, and was historically a popular colour for underpaintings, as it dries very quickly. It is semi-opaque, very lightfast, and stable in all media but may be difficult to disperse in acrylic. It requires a large amount of liquid when mixed with oil.

Toxicity: B

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* Only available online.* Robert Gamblin started making artists' oil paints in 1980. Since then he has built a reputation as both an innovative and imaginative maker of some of the best oils on the market today. As well as usual single pigment colours you would expect, the range also includes an interesting selection of neutral greys, beautiful metallics and the truly innovative Radiant range of pastel colours. Combining science and artistry, Gamblin paints are truly exceptional. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

Brilliant and mainly opaque colours specially developed for use in calligraphy. Superfine pigments. Ideal for making inks. Non waterproof. Learn More

Made from finest selected red sable in seamless cupro-nickel ferrules. These black-handled watercolour brushes have a long established reputation. Learn More

Zinc White, or Zinc Oxide, is an artificial mineral pigment that was first produced in France in the late 18th century. Its use in commercial watercolours as Chinese White pre-dates its inclusion in oil painting. It is a semi-opaque, lightfast pigment, which dries very slowly in oil. Of all white pigments, it produces the most brittle paint film, so is not recommended in large quantities for impasto techniques. However, it is a good addition to a palette which requires a less overwhelming white than Titanium White.

Toxicity: B

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Made from organic walnut husks collected in Cambridgeshire, this deep brown walnut ink is made to an 18th-century formula. Small batches of the ink are blended to give the required consistency and strength. It has good permanence, but will eventually fade if left in direct sunlight for sustained periods of time, and is not wholly waterproof, but has some staying power, especially on sized watercolour papers. As with all handmade products derived from natural ingredients, there may be slight variations in the colour and consistency as a result of seasonal changes.

Not Suitable for fountain pens. Learn More

This lightweight set contains a selection of 24 Artists’ Water Colour half pans. Includes: Winsor Yellow, Indian Red, Raw Umber, Burnt Umber, Payne's Grey, Ivory Black, Chinese White, Aureolin, Indian Yellow, Winsor Red, Permenant Alizarin Crimson, Permanent Rose, Winsor Dioxazine Purple, French Ultramarine, Cobalt Blue, Winsor Blue (Green hue), Cerulean Blue, Burnt Sienna, Raw Sienna, Lemon Yellow (Nickel Titanate), Winsor Orange, Prussian Blue, Viridian, Indigo. Actual contents may vary depending on availability at Winsor & Newton. Learn More

Michael Harding Watercolours, Spring Floral Set, 6 x 15ml tubes, including: Quinacridone Gold, Yellow Lake, Moss Green, Hookers Green, Phthalo Blue Red Shade, and Quinacridone Rose. Learn More

Charbonnel Reds Learn More

Water based inks for block printing and linocut. Learn More

Sennelier Egg Tempera Learn More

This tin of STAEDTLER Mars Lumograph pencils holds a collection of premium-quality pencils that are perfect for writing, drawing and sketching on paper and on matt drafting film. The pencils have a special lead formulation that produces great results with a metallic lustre in a wide variety of grey tones.

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Daniel Smith Watercolour Ground creates a soft, absorbent watercolour surface with a slightly cottony texture that's similar to cold pressed paper. With this breakthrough archival quality ground, you can rescue flawed paintings, create new work on any surface, lift and scrub without damaging the painting surface. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

Michael Harding Artists’ Oil Colours are formulated to the highest possible standards. They do not include any fillers, extenders or driers and the high pigment content of the paint ensures a greater resistance to fading. The range includes 86 rich, intense colours which have a stiff and viscous texture. We have high stock levels on all Series numbers including 5,6 & 7 in larger sizes. Learn More

Exceptional quality Swiss made carving tools for lino cutting. Each tool is made from precisely ground stainless steel, with a classic mushroom hardwood handle. 70mm blade length, 125mm overall length.

Set C is designed for very fine detailed lino or woodcarving projects. The set Includes:

• L 8/3 – 3mm curved gouge
• L 8/7 – 7mm curved gouge
• L 9/2 – 2mm shallow gouge
• L 11/0.5 – 0.5mm U
• L 12/4 – 4mm V
• L 15/2 – 2mm V

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Viridian Green is a synthetic inorganic pigment, similar in composition to Chromium Oxide. However, unlike Chromium Oxide, Viridian contains water molecules within its crystal structure, imparting a greater degree of transparency. Sometimes referred to as Verte Eméraude, Viridian was discovered in France in 1838, patented in 1859, and made available in the UK in 1862. It is stable in all media, and offers excellent lightfastness and good tinting strength. It requires a high oil content, and dries slowly to form a hard, fairly flexible paint film.

Toxicity B

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Unlike other commercially available oil paints, Roberson Artists' Oil Colours do not contain any fillers, extenders or stabilisers. Each paint consists solely of high-quality pigment that has been ground into cold pressed linseed oil, resulting in a highly pigmented paint. This strength of colour presents the possibility of greater economy of use and a less homogenised texture between each tube, instead allowing the unique qualities of each individual pigment to reveal themselves. By limiting our range to 59 shades, we dispense with colours that can be easily mixed, creating a focussed palette of intense, lightfast paints that offer limitless combinations.

Available in 40ml and 225ml tubes

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Permacoll size dries within 15 to 30 minutes, and metal leaf can be applied hours or even days later. This product is designed to achieve decorative metallic finishes on surfaces that are not exposed to weather or excessive wear. It has more adhesive strength than Instacoll and is therefore particularly well suited for gilding with imitation metal leaf. The final surface is not burnishable. *PLEASE NOTE - COLOURS OF THESE PRODUCTS MAY VARY SLIGHTLY FROM PRODUCTS PICTURED* Learn More

Brush Bath is a paint thinner and solvent especially formulated for the thinning or cleaning of Liquid Leaf. For spray application, use 15-20% Brush Bath with Liquid Leaf. For cleaning, apply to a soft cloth and wipe affected area. For thinning, mix a small amount of Brush Bath with Liquid Leaf, stirring or shaking container until desired consitency. To clean brushes, pour Brush Bath into a small container and let brushes soak.

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STABILO CarbOthello is a chalk pastel coloured pencil range available in up to 60 colours. With its wonderfully dry and dusty stroke it is just like a chalk pastel in pencil format. It's very popular with artists, art students and people with creative hobbies. Its high pigmentation guarantees great luminosity and opacity as well as colour fastness and colour brilliance especially on dark backgrounds and delicate papers. What's more it can be sharpened to a very fine tip which make it ideal for detail. Colours can be dry mixed and blended which makes colouring more fun and special.

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Finest quality gouache paints, available in 48 shades, all of which are fully inter-mixable with the HORADAM® WATERCOLOUR range. Made following a traditional gum arabic recipe, they are naturally opaque, without the addition of white. They provide a luminous, velvet-matte finish, drying to a slightly lighter shade than when wet. 

Schmincke recommends the following:

"The application possibilities of HORADAM® GOUACHE are extremely versatile. Although it can be heavily diluted, gouache is mainly intended to provide opaque application of colour. Opaque, in this case, means that it is not impasto, because impasto application tends to produce cracking, unless the percentage of binder is increased by adding gum arabic (50302). While watercolour painting work goes from light to dark (the white paper is the light), in gouache painting, any process can be used. While “back painting” of lights is limited in watercolour painting, when working in gouache (and other opaque colours), light values and lights can be added later using colours."

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The perfect introduction to working with pigment, this selection of thirty pigments provides a wide range of colours for the production of paint. Each colour is supplied in a 15ml plastic jar, and the set includes both natural and synthetic colours. Recipes can be found on our homepage, with instructions for making different paints, including watercolour, egg tempera and oil paint. Learn More

Cornelissen Press T52100, Bed size: 52 x 100 cm, Upper Roller Diameter: 157 mm, Lower Roller Diameter: 157mm, Weight: 106 kg. Etching press base: 58 x 63 cm. We offer press demonstrations for this model. Please call Cornelissen for more details. Delivery to your address usually takes up to 4 weeks to UK & EU countries and 6 weeks to USA after the order is placed.

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Made from pulverised historic London bricks collected from the foreshore of the Thames near Tower Bridge and Wapping this deep red pigment is essentially a variety of red ochre. During the Victorian era, London Clay was dug up and fired on construction sites to produce the building materials for the city. Red brick pigment has a medium grain size and is opaque. ****Please note, these pigments are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More