Search results for 'the and'
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Schmincke Medium L
Starting at: £9.30
Schmincke Medium L is a jelly-like medium for “soft” painting with oil colours. It improves flow and reduces brush strokes, accelerates drying, increases gloss and transparency. There is no change of the product quality based on the colour change of the raw material alkyd resin. Close immediately after use. Contains: alkyd resin, mineral spirit, siccative. Dosage:10% to 20% maximum. Thinner: Turpentine substitute Learn More -
Lascaux Coloured coating for Hard Resist
Starting at: £38.70
These black or white coatings may be painted onto a dry layer of Hard resist so that the drawing made with etching tools is highly visible. The coloured coatings are not acid-resistant and are designed to be washed away with water before the plate is stopped-out or etched. Learn More -
Michael Harding Artists Oils Desert Set of 6 40ml
Starting at: £91.00
DESERT SET Warm colours, blue skies, and desert vegetation are all captured in this set, which was designed with the Plein Air artist in mind. 10 x 40ml tubes. The Desert set contains: Warm White Unbleached Titanium Dioxide Yellow Lake Deep Yellow Ochre Deep Venetian Red Scarlet Lake Burnt Umber Italian Green Umber Phthalocyanine Blue and Titanium White Ultramarine Blue Learn More -
Michael Harding Watercolour 15 ml Tube
Starting at: £13.60
Michael Harding's new range of Professional Watercolours are formulated with the highest pigment concentration possible. A comprehensive range of 136 colours, including historical colours such as Lapis Lazuli and Rose Madder. These watercolours have impressive colour strength, vibrance, clarity, and longevity. Learn More -
One Shot Lettering Enamel Paint
Starting at: £20.55
Designed for traditional sign painting, these oil based lettering enamels provide superior vibrancy, flexibility, durability, and single stroke coverage. Specified for fine, sign paint lettering on store fronts and vehicles, the vibrant colours of 1 Shot Lettering Enamels spread evenly and offer outstanding hiding, durability and fade resistance. Superior flow characteristics assure the virtual absence of brush marks and provide a clean, sharp edge. Ideal for use on interior or exterior metal, glass, wood, and enamel receptive banners and vinyl. Learn More -
Cornelissen Double Ended 6B/2B Lead Pencil
£2.00Double ended pencil, ideal for sketching en plein air and in the studio. Learn More -
Instacoll Gilding System
Starting at: £6.85
Kölner Instacoll is a two-part system, consisting of a base coat and activator, that can be used on nearly all suitably prepared substrates to create weather-resistant, high gloss interior and exterior gilded surfaces. The Instacoll Tool is a double-ended tool with shaped tips made of elastic rubber, designed for pressing gold and silver transfer leaf into indentations when gilding uneven surfaces. The Instacoll Chiffonnette is an extra soft, lint-free cloth, used for polishing and burnishing surfaces gilded with Instacoll. *PLEASE NOTE - COLOURS OF THESE PRODUCTS MAY VARY SLIGHTLY FROM PRODUCTS PICTURED* Learn More -
London Pigment, Leominster Ochre Pigment
£18.00Hand made from Georgian bricks found on the foreshore of the Thames near Tower Bridge. A warm yellow brown colour. Presented in a 20 ml bottle with a wax seal and label. ****Please note, these pigments are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More
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Daniel Smith Watercolour Essentials Set
£36.30The new set has six x 5ml transparent watercolours. The pigments were carefully selected to give you a wide range of colours and values. When mixed together the colours you can create are endless! The Essentials set contains Hansa Yellow Light, New Gamboge, Quinacridone Rose, Pyrrol Scarlet, Phthalo Blue GS, French Ultramarine in 5ml tubes. so you have both cool and warm Yellows, Reds and Blues. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Daniel Smith Artists Watercolour 5ml Tube
Starting at: £7.20
The 5ml range consists of 88 colours and includes some of the fabulous Primatek colours that are handmade with authentic mineral pigments and Quinacridones with their pure, intense colour combining the power of staining pigments with the luminosity of the transparents. They also have the more traditional favourites. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Daniel Smith Watercolour Ground Titanium White 4oz
£10.30Titanium White, as well as turning any surface into Watercolor Paper, allows you to rescue areas within a painting done on Watercolor paper! It’s so easy to apply Ground over an area within a painting that needs rescuing—or for working on different compositional areas. You can also lift and scrub without damaging the painting surface. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
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Daler-Rowney Artists' Oil Colour
Starting at: £10.15
The distinctive buttery consistency of Daler-Rowney Artists' Oils derives from the use of linseed oil and wax, which acts as a plasticiser, helping to prevent even heavy impasto from becoming brittle and cracking over time. Learn More -
Schmincke Horadam Retro Watercolour Set, 8 x Half Pans, Enamelled Metal Box
£59.00Schmincke Horadam Retro Artists Watercolour Set in a traditional, heavier weight, enamelled mini-watercolour box. 8 half pans: Chrome Yellow Hue Lemon, Vermillion, Ultramarine Finest, Viridian, Yellow Raw Ochre, Raw Umber, English Venetian Red and Schmincke Paynes Grey. 8.5 x 6.5 x 2 cm Learn More -
Japanese Gold 18,12ct
Starting at: £49.00
Highest quality 18,12ct gold leaf from Japan. Leaves measure 109×109mm and are approximately 0.1μ~0.2μ in thickness. These Tachikiri (contemporary) leaves are beaten in between glassine paper which leaves a much softer impression on the surface of each leaf, resulting in a slightly shinier finish than the more traditional Enzuke gold leaf. Each pack contains 10 leaves. Learn More -
Roberson Turks Aquarella
Starting at: £21.50
For watercolour painting on paper, ivorine, terracotta, wood and fabric. Sizing not needed. Prevents the running of colours, even on open weave fabrics. Learn More -
Lascaux Studio Acrylic Colours 250ml
Starting at: £25.70
Great quality acrylic paints ideal to use in silkscreen printing. Mix the colours undiluted to obtain the desired hue and then add the Lascaux Screenprinting Paste. It is advisable to experiment initially, to determine satisfactory working mixes. To find a satisfactory working ratio, it is useful to first print colours using a 50/50 mixture of undiluted colour to paste and to then shift the ratio depending on the results. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Miniature Table Presses
Starting at: £311.80
Type of print: General Intaglio techniques and Monotype. Plate thickness needs to be no higher than 1mm. YTI18 - Width of roller 18cm, Upper roller diameter 35mm, Lower roller diameter 35mm. YTI26 - Width of roller 25cm, Upper roller diameter 35mm, Lower roller diameter 35mm **please note - blankets not included** Learn More -
Ivory Black Pigment
Starting at: £4.50
Ivory Black is a natural pigment of impure carbon, derived from charred animal bones. It is semi-transparent, very lightfast, and offers good tinting strength. It is a particularly slow-drying pigment, which forms a soft, rather brittle paint film in oil.
Compared to other blacks, such as Vine Black, Ivory Black possesses warmer, brownish undertones. It should not be used at full-strength in an underpainting, as subsequent layers are likely to crack. Otherwise, it is a very useful all-purpose black for many types of paint, excluding mortar, fresco or cement.
Toxicity: B
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Cornelissen Historical Inks, Brazilwood
£6.50The highest quality ink ever found on illuminated manuscripts from medieval Britain. The muted peachy red of this ink is achieved by simmering brazilwood chunks in vinegar. Add a tiny drop of Oak Gall Ink to produce wonderfully bright violets.
Not suitable for fountain pens. Learn More -
Schmincke Norma Blue, Titanium White S1,120ml
£20.45NORMA Blue can simply be painted and cleaned with water as they are water-mixable (water miscible). Highly pigmented and lightfast, with a buttery consistency. Vegan, low odour, anti-allergenic, environmentally friendly. Learn More -
Daniel Smith Watercolour Ground Buff Titanium 4oz
£10.30Buff Titanium is great for value studies and provides a gorgeous, classic-looking surface for work in neutral grays, earthy reds, black and white. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Schmincke AQUA Watercolour Ground, Fine
Starting at: £16.85
White, lightfast, age-resistant primer for watercolour work on grease-free surfaces. For structures with even surfaces such as canvas, cardboard and wood. Dries to an elastic, matt, smooth film. Learn More -
Accurasee Proportional Divider
£15.00A drawing tool for transferring scale. Align your desired subject matter in the small end of the divider and transfer the spacing of the larger end to your drawing surface. Learn More -
Mixing Slab
Starting at: £24.00
A glass slab with wooden cradle for the grinding of pigments.
The friction created between the sand-blasted surfaces of the glass slab and muller facilitates the thorough mixing of pigment and medium, creating a consistent and strong paint body. This slab can be used to manufacture many types of paint including watercolours, egg tempera and oils.
Mulling is of particular importance when making oil paint; simply mixing pigment and oil together using a palette knife will result in an unstable substance with poor plasticity, which contains a large amount of excess oil and unevenly distributed pigment particles. Thorough mulling in a figure-of-eight motion will enable the pigment to be fully combined into the binder, strengthening the resultant paint film.
PLEASE NOTE: The separate glass slabs are in stock but it is a call to order item due to the fact that we cannot guarantee its safe delivery, however well we package it. Please ring us to discuss your delivery options. In combination with the glass frame, delivery is more secure but we still cannot guarantee a delivery without breakage.
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Schmincke AQUA Watercolour Ground, Transparent
Starting at: £16.85
Forms an even, matt, elastic and age-resistant film. Can be overpainted (or tinted beforehand) with watercolours, gouache or acrylic colours. Learn More -
Cornelissen Historical Inks, China Blue
£6.50Formulated from the same dye that was used to colour blue and white china, this ink is a deep, rich blue. Used at full opacity, it is a blue-black, and dilutes down to wonderful cold blue washes. As it is dye-based, it is not fully lightfast. Learn More -
Japanese Gold 23ct
Starting at: £55.00
Highest quality 23ct gold leaf from Japan. Leaves measure 109×109mm and are approximately 0.1μ~0.2μ in thickness. These Tachikiri (contemporary) leaves are beaten in between glassine paper which leaves a much softer impression on the surface of each leaf, resulting in a slightly shinier finish than the more traditional Enzuke gold leaf. Each pack contains 10 leaves. Learn More -
Schmincke Liquid Charcoal 15 ml
Starting at: £11.35
Liquid charcoal in the 15 ml tube - a clean, dust-free way of painting, charcoal drawing and underpainting with charcoal. The three pigments of natural origin used for this (PBK 8, pit black) are created by charring fruit seeds from the EU area and result in the following unique coal nuances: a neutral peach stone black - 18 757 a warm, brownish cherry pit black - 18 756 a cool, bluish grape seed black - 18 755 Due to the larger quantity of available paint, liquid charcoal can be used to quickly process large areas. The liquid charcoal contains the high-quality binder gum Arabic like traditional artists' watercolours (gouaches, watercolours, etc.), has a gouache-like consistency and can be diluted with water, so that different shades, structures and layer thicknesses can be achieved by different application. Depending on the substrate and the thickness of the layer, it can be wiped off by hand and removed with water. Used as thin underpainting (e.g. in oil painting), subsequent paints do not become dirty or become less dirty than with conventional charcoal underpainting due to the higher adhesion of the bound carbon pigments to the substrate. Of course, the liquid charcoal can be combined with drawing charcoal. The blurring and removability of the liquid charcoal depends on the surface of the substrate - the more even and firm the surface, the easier to change the application. Pre-tests are recommended. Learn More -
Red Ochre Pigment
Starting at: £4.00
PR101
Red Ochre is a synthetic iron oxide pigment which provides the same level of semi-opacity that is associated with natural ochres. It has a good tinting strength and is stable in all media, including lime mortar.
Toxicity B
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