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da Vinci Series 7106 Long Handle Hog Bright
Starting at: £21.10
Finest quality white bristle brushes, built with the natural curve of the bristles turned inwards. Two equally-sized tufts of bristle are set against each other without tension and made to interlock. Properly cleaned after each use the brush will retain this shape even after long use and many washings. Extra long 60 cm handle length. Learn More -
Ferric Chloride
Starting at: £12.00
Ferric chloride is a mordant (corrosive salt) for the etching of metal plates for printing fine art images in intaglio. It can be used as a safer and gentler alternative to nitric acid in the etching process, enabling the printmaker to obtain a high level of accuracy and control over the bite achieved. Suitable for metals such as copper, zinc, and steel.PERMITTED USES Over 18s only. Proof of age required. E-mail: info@cornelissen.com
IMPORTANT Please refer to the MSDS (Material Safety Data Sheet) below. Dispose of product as hazardous waste.
SHIPPING Please note, we are not able to send this product outside the UK. Learn More
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Carnauba Wax Yellow
Starting at: £6.50
Carnauba Wax is the hardest wax commonly used in the production of artists' materials, with a melting point of 83-86°c. It is derived from a tree native to South America, and is available in a natural colour (grey), or a refined colour (pale yellow). Small amounts of carnauba wax are commonly used in both oil painting mediums and encaustic painting, usually in conjunction with beeswax to add toughness, durability and sheen to the paint film. It creates an inflexible surface, so works best on rigid supports such as gesso panels, and it should be noted that it will raise the melting point of encaustic mixtures. It can produce a glossy finish; as such it is used in waxes and polishes for shoes, cars, musical instruments, furniture, and wooden floors, especially when mixed with beeswax and turpentine. Learn More -
Cornelissen T52100 Professional Press
£3,250.00Cornelissen Press T52100, Bed size: 52 x 100 cm, Upper Roller Diameter: 157 mm, Lower Roller Diameter: 157mm, Weight: 106 kg. Etching press base: 58 x 63 cm. We offer press demonstrations for this model. Please call Cornelissen for more details. Delivery to your address usually takes up to 4 weeks to UK & EU countries and 6 weeks to USA after the order is placed.
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Caput Mortuum Pigment
Starting at: £4.50
Caput Mortuum is a transparent, lightfast pigment that is stable in all media. Colours described as Caput Mortuum can vary greatly; our pigment is a soft purple-brown, made from a mixture of natural iron oxides. It is believed that Caput Mortuum has its roots in ancient Egypt, when colour was derived from remains that had been embalmed in asphaltum.
Toxicity B
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Ivory Black Genuine Pigment
Starting at: £38.00
PBk9
Genuine Ivory Black is produced by burning reclaimed ivory, such as piano keys. These are antique, mainly Victorian pieces, using ivory with started out as hippo or walrus teeth, and offers a higher carbon content and greater tinting strength than modern-day equivalents, which are usually derived from animal bones. It is a particularly slow-drying pigment.
Larger quantities are available by request. While stocks last.
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Sharpening Stones
Starting at: £14.05
Professional sharpening stones used to hone each blade's cutting power on a variety of different printmaking tools. The Slip Stone is coarse whilst the Arkansas Stone has a very finely abrasive surface, perfect for carefully restoring a dull cutting instrument to its former brightness. These stones can be used to best advantage with a little honing oil. Learn More -
Egyptian Blue Pigment
Starting at: £5.90
Egyptian Blue is stable in all media, highly transparent, with a weak tinting strength. A synthetically produced calcium copper silicate, it is considered to be the earliest artificial pigment, dating from antiquity and widely used in ancient Egypt. Larger sizes available on request Learn More -
Cretacolour Classic Lead Holder
£16.80Cretacolour Classic Lead Holder. Supplied with 5mm 2B lead. Learn More -
Cretacolour Ergonomic Lead Holder
£19.50Cretacolour Ergonomic Lead Holder. Supplied with 5mm 2B lead. Includes a sharpener in the end cap. Learn More -
Rohrer & Klingner Drying Retarder 50ml
£8.90Rohrer & Klingner Liquid Watercolour Drying Retarder 50ml Learn More -
Omega Series 71 Hog Fitch Filbert
Starting at: £14.50
Soft flat domed Italian hog hair with long flexible bristles and good colour holding capacity. Well suited to flat strokes and blocking in of colour. Ideal for large scale painting. 100% pure hog hair. Learn More -
Möbius & Ruppert Brass Grenade Sharpener
£4.25Unusual cylinder-shaped single brass sharpener 7.8mm diameter. Precision milled sides for good grip. Learn More -
Schmincke Aero Color Professional, Acrylic Inks
Starting at: £8.85
A highly concentrated acrylic pigmented colour suitable for drawing pens, calligraphy, brush and airbrush techniques. 36 standard colours and 12 'special effects' colours. Lightfast and waterproof when dry. Glass Jar with dropper. Learn More -
Cornelissen Glass Mullers
Starting at: £24.50
Cornelissen Glass Mullers are handmade using superior boro silicate laboratory glass, which is 40% harder, more heat resistant, and offers better clarity than soda-lime glass. The base of each muller is ground perfectly flat, and sand-blasted to create a fine tooth to facilitate the grinding of pigments. The tall handle features an ergonomic top, to ease fatigue when grinding large amounts of pigment. Mullers act as flat-bottomed pestles, which are used to grind pigment into a binding medium, suspending it evenly to create a uniform covering of binder around each pigment particle. Using a muller and slab, rather than simply mixing pigment and binder together, will create a more homogenised and stable paint. Use in conjunction with a Cornelissen Glass Slab to make paint efficiently. The sand-blasted texture of the muller and plate helps to push and distribute the pigment throughout the binder quickly. This will mean less grinding, and more painting! Learn More -
Rembrandt Soft Pastels
Starting at: £3.35
A range of 203 shades. Made in Holland. Intermediate hardness (softer than Conte crayons but harder than Schmincke soft pastels). 12% Discount for purchasing 10+ pastels. Learn More -
Liquitex Acrylic Textured and Effects Mediums
Starting at: £21.40
Liquitex Acrylic Textured and Effects Mediums Learn More -
Roberson Silverpoint Drawing Ground
Starting at: £13.50
A natural bone ash primer for paper and card for silverpoint drawing, tinted to a traditional off white or sanguine finish. Learn More -
Lyons Drum-Wheel Roulettes
Starting at: £54.00
Made of high-carbon tool-steel, Lyons drum-wheel roulettes produce regular line or dot patterns on metal plates, enabling the printmaker to add texture and shading to their image. The number indicates the density of the lines or dots: 65 (medium) and 100 (fine). Total length: 17 cm. Learn More -
Liquid Glass Mediums
Starting at: £32.00
Renaissance Materials by Dr. David Cranswick.
A thick glazing medium of the 'Old Masters'. Liquid Glass Mediums facilitate building up layers of transparent glaze. Gloss or Satin. Contains: Damar resin, linseed oil and beeswax (for Satin medium only)
Avoid applying a final varnish. The medium can be used as a varnish.
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Automatic Plain Stroke Pens
Starting at: £19.50
Square cut pens with smooth action and large ink reservoir. Ideal for creating posters and large lettering. Learn More -
Schmincke Lino Water-based Inks 120ml
Starting at: £16.15
Water based inks for block printing and linocut. Learn More -
Lascaux Studio Acrylic Colours 250ml
Starting at: £25.70
Great quality acrylic paints ideal to use in silkscreen printing. Mix the colours undiluted to obtain the desired hue and then add the Lascaux Screenprinting Paste. It is advisable to experiment initially, to determine satisfactory working mixes. To find a satisfactory working ratio, it is useful to first print colours using a 50/50 mixture of undiluted colour to paste and to then shift the ratio depending on the results. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Schmincke Medium W Gel
Starting at: £8.55
Medium for mixing oil colours with water instead of organic solvents. Odourless. Learn More -
Gamblin Cold Wax Medium
Starting at: £12.60
* Only available online.* Cold Wax medium is made by Gamblin. They say:
"Cold Wax medium is made from naturally white, pure beeswax. Formulated to knife consistency, Cold Wax Medium makes oil colours thicker and more matte. Cold Wax Medium can be used to make Gamblin mediums and Gamvar more matte. It can also be applied alone as a matte varnish."
Please see below for more information.
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Snowdon Cartridge Fat Pads
Starting at: £14.15
130GSM, A4 / A3, 80 Sheets, Woodfree, Acid Free, White Shade, Matt Surface, Wire bound on short edge. Learn More -
Japanese Shell Gold
Starting at: £28.00
Japanese shell gold in ceramic pans.
Shell gold, so named because it was historically made and stored in shallow shells such as mussel shells, consists of finely powdered genuine gold mixed with a variety of gums. This Japanese shell gold range is made using the highest quality handmade Japanese gold and precious metal powders bound with Nikawa gelatine glue.
Mix with a bit of water and apply in the same way as watercolour (a drop of oxgall can be added to break the surface tension) After drying, it can be burnished to a soft, beautiful lustre using an agate stone burnishing tool.
Contains 0.4g Learn More -
Faber-Castell Pitt Brush Pens
Starting at: £3.65
Flexible brush tip. Extremely fade resistant colours made with pigmented drawing ink. Waterproof and PH neutral. Learn More -
Fabriano 5 Paper
Starting at: £2.55
Fabriano 5 paper is mould made and 50% cotton. Available in hot pressed and cold pressed surfaces. Surface sized and acid free. Learn More -
Milliput
Starting at: £4.80
2 part, epoxy resin moulding material for prepairing surfaces and mouldings. Store in a cool, dry place. Shelf life is 2-3 years. Hardener may yellow if it dries out. This is due to the resin leeching out to the surface of the stick. If this happens, kneading with fingers will make it smooth and white again. Learn More
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