Search results for 'a'
- 
                        
                        Unison 72 Standard Landscape Pastels
Starting at: £303.50
Unison 72 Standard Landscape Pastels Learn More - 
                        
                        Schmincke Akademie Acrylic 250ml
Starting at: £10.75
Schmincke Akademie Acrylic 250ml. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More - 
                        
                        Terre Verte Pigment
Starting at: £4.00
Terre Verte, sometimes known as Green Earth, is a natural earth pigment derived from clay coloured by iron silicate. As with other natural pigments, impurities can prevent it from fully dispersing in an acrylic binder, although it is a popular pigment in all other mediums. It has been in use since antiquity, providing excellent lightfastness and great transparency, with a low tinting strength. It requires a high volume of oil, and dries slowly to create a soft, flexible paint film. When calcined, Terre Verte becomes Burnt Green Earth.
Toxicity B Learn More - 
                        
                        Cornelissen Red Sable Sketchers Set
£40.30Cornelissen Red Sable Sketchers Set. Five sable brushes with seamless silver ferrules in sizes 5, 3, 1, 3/0 and 5/0. Complete with a small bar of brush soap for cleaning up. Learn More - 
                        
                        Roberson Damar Varnish Low Gloss
Starting at: £8.90
Gum Damar/Turpentine. Dries hard/clear. Gives low gloss. Less prone to blooming than mastic. Non-yellowing. Removable with turpentine or white spirit. Unable to send overseas. Learn More - 
                        
                        Schmincke Horadam Retro Watercolour, Cochineal Red, 15 ml Tube
£15.00Schmincke Horadam Retro Watercolour, Cochineal Red, 15 ml Tube Learn More - 
                        
                        Chrome Yellow Middle Pigment
Starting at: £10.00
Chrome Yellow Middle Pigment.
Toxicity: D Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.
PERMITTED USES: Restoration of art works and protected buildings when there are no suitable alternatives.
IMPORTANT: Please refer to the MSDS (Material Safety Data Sheet) below.
SHIPPING: Please note, we are not able to send this product outside the UK.
Learn More - 
                        
                        Cornelissen Variegated Metal Leaf 260
Starting at: £23.00
Cornelissen Variegated Metal Leaf 260 Learn More - 
                        
                        Roberson Metallic Ink 30ml
Starting at: £11.30
Pale gold, rich pale gold and copper. Non waterproof. Learn More - 
                        
                        Bockingford Fat Pad
Starting at: £25.90
300GSM, 14.8cm x 42cm, 25 Sheets, Mould Made, Woodfree, Internally Sized, Acid free, Wire Bound. Learn More - 
                        
                        Schmincke Horadam Supergranulating Set Deep Sea
Starting at: £69.90
Schmincke Horadam Supergranulating Set Deep Sea, 5 x 15ml tubes. Learn More - 
                        
                        Liquitex Acrylic Matte Medium
Starting at: £20.40
Decreases gloss. Can be used as sealer for canvas etc. Learn More - 
                        
                         - 
                        
                        Pentel Aquash Empty Brush Pen
Starting at: £7.80
Fill with non-waterproof ink of your choice or fill with water for watercolour trips. Available in Fine, Medium and Broad tips. Learn More - 
                        
                        Orpiment Pigment
Starting at: £12.75
PY39
Orpiment, also called King's Yellow, is a mineral pigment containing naturally occurring sulphide of arsenic. Its high toxicity, and the prevalence of cadmium pigments, means that it is largely obsolete outside the field of restoration. It works best bound in oil or egg tempera, but it is not reliably permanent. Larger quantities are available by request.
Toxicity D.PERMITTED USES: Restoration of art works and protected buildings when there are no suitable alternatives.
IMPORTANT: Please refer to the MSDS (Material Safety Data Sheet) below.
SHIPPING: Please note, we are not able to send this product outside the UK.
Learn More - 
                        
                        Liquitex Acrylic Varnish Gloss
Starting at: £20.40
Increases colour brilliance and transparency. Promotes flow and levelling. Use as varnish over varnished painting to add gloss and depth of colour. Non removable. Learn More - 
                        
                        Surrey Ivory Cartridge Paper
Starting at: £67.15
Surrey Ivory Cartridge paper with a cream shade and matt surface. Woodfree and acid free. Pack quantity 100 sheets. Learn More - 
                        
                        Sennelier 6 Artist Quality Oil Sticks Set
£49.95Set of six artist quality 38ml oil paint bars by Sennelier, includes: Titanium White, Ivory Black, Primary Yellow, Primary Red, Primary Blue, Viridian. Learn More - 
                        
                         - 
                        
                        Silverpoint Stylus, Garzone. Renaissance Workshop Materials
£130.00Length 160 mm. For use on prepared paper. Hand-forged in London from silver bullion. Renaissance Workshop Materials are historically authentic drawing materials and tools, which would be recognisable to the artists of Renaissance Europe. Each product is made in the workshop by hand, using historical methods. Each product is borne from the same historical, European craft tradition, as the drawings and artworks from the Renaissance. In the words of the artisan maker, 'We make these materials in order to experience the historical craft and method of drawing in the most authentic way possible.' Learn More - 
                        
                        Cornelissen Historical Inks, Iron Oak Gall
Starting at: £9.00
Exclusive to Cornelissen, our intense black Iron Oak Gall Ink is inspired by a medieval recipe using oak galls collected in Cambridgeshire. The small, handmade batches are blended to give the required consistency and strength, and are steeped for several weeks and allowed to mature for several more. Lightfast and fully waterproof 5-7 days after application, Oak Gall Ink has been used for centuries by calligraphers and scribes to create illuminated manuscripts and legal documents. When used on animal skins such as vellum, the acids in the Oak Gall Ink react with collagen, effectively ‘etching’ itself into the surface, hence its permanence. As with all products derived from natural ingredients, there may be slight variations in the colour and consistency of the ink due to seasonal changes. Not Suitable for fountain pens.
Learn More - 
                        
                        Burnt Umber Pigment
Starting at: £4.00
PBr7
Burnt Umber is a natural earth pigment from Italy, composed of iron oxide, manganese, and aluminium silicate. It is a form of Raw Umber that a has undergone a process of calcination, becoming warmer, more transparent and easier to disperse. It has a good tinting strength, and is very lightfast, quick-drying, and stable in all media. In oils it forms a hard, fairly flexible paint film, though it may be difficult to use in acrylic mediums.
Toxicity: B
Learn More - 
                        
                        Liquitex Acrylic Fabric Medium
Starting at: £12.35
Enhances blending, workability, and adhesion of acrylic colours for painting acrylics directly on to fabric. Reduces paint stiffness. No heat setting required. Learn More - 
                        
                        Winsor & Newton Fixative
Starting at: £9.20
Vinyl resin/methylated spirit. Water white quick drying liquid which protects pictures from smudging and dirt accumulation. Dries to a low sheen. Fixes pastel, pencil and chalk drawings. Learn More - 
                        
                        Clutch Pencil with Sharpener Stand
Starting at: £28.00
Classic 5.5mm clutch pencil made from FSC certified beechwood. Supplied with display stand sharpener and HB graphite lead. Packed in a gift box. Available in Ash (oiled finish) or Black Stained. Learn More - 
                        
                        Shell Gold Watercolour 1/4 pan Silver
£27.00Shell gold, so named because it was historically made and stored in a shallow shell such as a mussel shell, consists of finely powdered genuine gold mixed with a variety of gums. It is mixed with a bit of water and applied in the same way as watercolour. After drying for an hour or so, it can be burnished to a soft, beautiful lustre using an agate stone burnishing tool.
Our Shell gold is used by calligraphers, framers, restorers, iconographers and watercolour artists.
In recent years our colour range of genuine gold has been extended and genuine Lapis Lazuli and genuine Malachite have also been added. Learn More - 
                        
                         - 
                        
                        Liquitex Soft Body 237 ml
Starting at: £25.50
A range of artists quality acrylics which are durable, permanent and do not yellow with age. Soft Body colour has a creamy consistancy which dries to a smooth, even surface which is slightly more matt than the Heavy Body colour. Learn More - 
                        
                        Cornelissen Larch Venice Turpentine
Starting at: £28.80
Venice Trupentine is a thick, resinous liquid extracted from the Larix decidua, a larch tree native to Austria. It can impart luminosity, brilliance and gloss when used in mediums and varnishes, and as such it was highly valued during the Golden Age of painting in Venice. It is a slow-drying balsam, which can be diluted with turpentine or placed in a bath of warm water to aid flow.
Learn More - 
                        
                        Schmincke Horadam 48 Half Pans
Starting at: £260.90
Includes a wonderful range of 47 Horadam® Aquarell colours and a half pan of Onetz; a natural, thickened wetting agent for water-colours and gouache colours. It decreases the surface tension of the colours diluted with water and should be used sparingly. Learn More 


                                    
                                    