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  1. Cadmium Red Pigment

    Cadmium Red Pigment

    Starting at: £8.40

    PR108

    Cadmium Red is a synthetic organic pigment, which has been in use since the 1920s, effectively replacing vermilion. It is formed by heating cadmium sulphide and selenium, the hue is determined by the level of calcination and proportion of selenium. It is very opaque, and lightfast, with a high tinting strength. It absorbs a small amount of oil, and dries very slowly to form a hard, flexible paint film.

    Larger quantities are available by request.  

    Limeproof

    Toxicity: C

    Learn More
  2. Shell Gold Watercolour 1/4 pan Silver

    Shell Gold Watercolour 1/4 pan Silver

    £27.00

    Shell gold, so named because it was historically made and stored in a shallow shell such as a mussel shell, consists of finely powdered genuine gold mixed with a variety of gums. It is mixed with a bit of water and applied in the same way as watercolour. After drying for an hour or so, it can be burnished to a soft, beautiful lustre using an agate stone burnishing tool.
    Our Shell gold is used by calligraphers, framers, restorers, iconographers and watercolour artists.
    In recent years our colour range of genuine gold has been extended and genuine Lapis Lazuli and genuine Malachite have also been added. Learn More

  3. Cornelissen Oil Sable Round

    Cornelissen Oil Sable Round

    Starting at: £5.55

    Finest quality red sable to all types of oil techniques. This brush has good sping even in the smaller sizes and retains its point well. Learn More
  4. Empty Watercolour Metal Box for 12 half pans

    Empty Watercolour Metal Box for 12 half pans

    £10.00

    This unbranded watercolour metal box is the same as the lightweight metal boxes used by most of the major European colour-makers. The back of the box includes a thumb ring. Dimensions: 12.6 x 7 x 1.8cm Learn More
  5. Schmincke Mussini Set 10 x 35 ml tubes, including Medium W Gel, Wooden Box

    Schmincke Mussini Set 10 x 35 ml tubes, including Medium W Gel, Wooden Box

    Regular Price: £137.00

    Special Price £99.00

    Schmincke Mussini Set 10 x 35 ml tubes, including Medium W Gel, Wooden Box Includes Medium W Gel. This medium enables the mixing oil colours with water, instead of organic solvents. Odourless.

    Call us on 020 7636 1045 to arrange free postage and packing with this particular offer. Learn More

  6. Liquitex Soft Body 237 ml

    Liquitex Soft Body 237 ml

    Starting at: £26.00

    A range of artists quality acrylics which are durable, permanent and do not yellow with age. Soft Body colour has a creamy consistancy which dries to a smooth, even surface which is slightly more matt than the Heavy Body colour. Learn More
  7. Schmincke Horadam Gouache

    Schmincke Horadam Gouache

    Starting at: £9.35

    Finest quality gouache paints, available in 48 shades, all of which are fully inter-mixable with the HORADAM® WATERCOLOUR range. Made following a traditional gum arabic recipe, they are naturally opaque, without the addition of white. They provide a luminous, velvet-matte finish, drying to a slightly lighter shade than when wet. 

    Schmincke recommends the following:

    "The application possibilities of HORADAM® GOUACHE are extremely versatile. Although it can be heavily diluted, gouache is mainly intended to provide opaque application of colour. Opaque, in this case, means that it is not impasto, because impasto application tends to produce cracking, unless the percentage of binder is increased by adding gum arabic (50302). While watercolour painting work goes from light to dark (the white paper is the light), in gouache painting, any process can be used. While “back painting” of lights is limited in watercolour painting, when working in gouache (and other opaque colours), light values and lights can be added later using colours."

    Learn More
  8. Roberson Gum Ammoniac

    Roberson Gum Ammoniac

    Starting at: £14.00

    Natural gum size made to a traditional recipe. Gum Ammoniac is useful for gilding in small areas and, more generally, in detailed gilding. Two applications are needed if gilding on absorbent paper. Raised areas can be developed by using several layers and allowing each layer to dry first. Gum Ammoniac can be reactivated by breathing on the gum surface. Gum Ammoniac comes to us from Asia and is increasingly hard to source. Learn More
  9. Cadmium Yellow Deep Pigment

    Cadmium Yellow Deep Pigment

    Starting at: £7.40

    Cadmium Yellow Deep Pigment (PY37). Synthetic Inorganic pigment. Opaque. Good tinting strength. Excellent Lightfastness. Low oil absorption with slow drying rate. Suitable for all media. Good acid and alkali resist. Exterior application not advised as discoloration occurs. Used since 19th Century. Toxicity B/C. Learn More
  10. Schmincke Universal Varnish, Matt, 300 ml

    Schmincke Universal Varnish, Matt, 300 ml

    £17.80

    Synthetic resin varnish with UV- protection Learn More
  11. Primed Linen Panels

    Primed Linen Panels

    Starting at: £10.50

    Hand-primed pure Belgian linen. Oil or Acrylic (universally) primed. Learn More
  12. Lascaux Wash Resist 500ml

    Lascaux Wash Resist 500ml

    £38.70

    This coloured granular resist is painted on the plate and used in conjunction with Lascaux Spray/aquatint to create unusual etched effects similar to watercolour or tusche washes. Learn More
  13. Cerulean Blue Pigment

    Cerulean Blue Pigment

    Starting at: £14.50

    PB35

    Cerulean Blue is an artificial mineral pigment that is prepared by heating a mixture of Cobalt Chloride and Potassium Stannate. It was first synthesised in the early nineteenth century, becoming more widely used from 1870, when Rowney introduced Coeruleum Blue into their range. It produces a very bright, clear, and unusually opaque blue, hence its name, which is derived from the Latin for "sky-blue", or perhaps "heaven-blue". It has a very low tinting strength meaning that, although it is stable in all media, some artists may choose to bind it in poppy rather than linseed oil, so that the colour isn't affected by the colour of the binder. It creates a fairly flexible paint film, and is a fast-to-medium drying pigment.

    Limeproof

    Toxicity: B

    Learn More
  14. Daylight Bulbs

    Daylight Bulbs

    Starting at: £11.50

    Energy saving daylight bulbs consume 80% less energy than incandescent bulbs and last up to ten times longer. The bulbs assist colour matching for those working at night or in weak winter light. They also reduce eye strain and low heat technology means they are extremely safe. Screw or bayonet fittings. Learn More
  15. Roberson Artists' Oil Colour 120 ml

    Roberson Artists' Oil Colour 120 ml

    Starting at: £23.00

    Unlike other commercially available oil paints, Roberson Artists' Oil Colours do not contain any fillers, extenders or stabilisers. Each paint consists solely of high-quality pigment that has been ground into cold pressed linseed oil, resulting in a highly pigmented paint. This strength of colour presents the possibility of greater economy of use and a less homogenised texture between each tube, instead allowing the unique qualities of each individual pigment to reveal themselves. By limiting our range to 59 shades, we dispense with colours that can be easily mixed, creating a focussed palette of intense, lightfast paints that offer limitless combinations.

    Available in 40ml and 225ml tubes

    Zinc White and Titanium White only available in this intermediate size of 120ml

    Learn More
  16. Lascaux Tusche Wash Spray 500ml

    Lascaux Tusche Wash Spray 500ml

    £42.90

    This tusche can be sprayed from a simple airbrush and is required if Lascaux Lift Solution is to be used. Other airbrush techniques can be employed and tonal effects similar to aquatints in etching can be created. It can also be used for painting washes and handles like Chinese ink. When diluted it creates a further range of washes. Learn More
  17. Cobalt Green Light Pigment

    Cobalt Green Light Pigment

    Starting at: £8.70

    PG19

    Cobalt Green is a synthetic pigment that consists of compounds of cobalt and zinc oxides. It is sometimes referred to as Rinman's Green, after the Swedish chemist who discovered it in the late-18th century. It is a permanent, opaque colour, with a weak tinting strength. It dries quite quickly in oil, requiring a high oil content and  forming a hard, fairly fleixible paint film. Cobalt Green is available in light and dark shades; the colour is determined by the amount of zinc oxide present.

    Toxicity: B

    Please note, unfortunately we are not able to send this product outside the UK.

    Learn More
  18. Charbonnel Blacks

    Charbonnel Blacks

    Starting at: £18.60

    Charbonnel Blacks Learn More
  19. Omega Series 203 Pointed Hog Sash

    Omega Series 203 Pointed Hog Sash

    Starting at: £8.70

    Similar to series 222 but with shorter hair and a pointed tip. Used in the same way as above but preferred when more control needed or when applying gesso to more elaborate mouldings. 100% pure hog hair. Learn More
  20. Ultramarine Blue Limewash Pigment

    Ultramarine Blue Limewash Pigment

    Starting at: £7.50

    PB29

    Ultramarine Blue Limewash is an artificial mineral pigment that is produced by heating clay, soda, sulphur and coal to high temperatures. Its name comes from outremer, or over-the-sea, as a reference to the highly-prized Lapis Lazuli pigment which had been imported into Europe from Afghanistan since the Middle Ages. First manufactured in France and Germany in 1828, synthetic Ultramarine provided a brilliant and affordable blue to artists, and it remains one of the most popular blues on artists' palettes today.

    It is a transparent pigment, with a high tinting strength and excellent lightfastness. Most Ultramarine colours react to alkali and are therefore unsuitable for use in lime-fresco; Limeproof Ultramarine Blue remedies this problem. It is stable in all other media, although it can be tricky to grind in oil. Instead of creating a thick, buttery paste, it can remain stringy and deteriorate when stored in a tube. To correct this, many commercial paint manufacturers include additives and waxes in their recipes; if you intend on grinding your own paint, you could try replacing 10-15% of your Linseed Oil with Poppy Oil to improve the consistency. Ultramine Blue provides a slow-drying, fairly hard paint film, which can tend towards brittleness.

    Toxicity: B

    Learn More
  21. Golden Silverpoint Ground 237 ml

    Golden Silverpoint Ground 237 ml

    £25.95

    Golden Silverpoint Ground 237 ml. A white acrylic ground, recommended as a preparation for all metalpoint drawing techniques. Light, flexible and sandable, great for fine detailed lines. 100% acrylic polymer dispersion which is ready to use, UV resistant, water resistant and has minimum film formation. Directions: For use on porous surfaces, shake the bottle vigorously, then allow to rest for 5 minutes before applying. Allow each coat to dry thoroughly between applications. Learn More
  22. Somerset Enhanced Inkjet Paper

    Somerset Enhanced Inkjet Paper

    Starting at: £52.80

    225GSM, A4 / A3+, Satin / Velvet / Textured Surface, 100% Cotton, pH Neutral, Coated on one side, Radiant White. Learn More
  23. Roberson Artists' Oil Colour 225 ml

    Roberson Artists' Oil Colour 225 ml

    Starting at: £38.60

    Unlike other commercially available oil paints, Roberson Artists' Oil Colours do not contain any fillers, extenders or stabilisers. Each paint consists solely of high-quality pigment that has been ground into cold pressed linseed oil, resulting in a highly pigmented paint. This strength of colour presents the possibility of greater economy of use and a less homogenised texture between each tube, instead allowing the unique qualities of each individual pigment to reveal themselves. By limiting our range to 59 shades, we dispense with colours that can be easily mixed, creating a focussed palette of intense, lightfast paints that offer limitless combinations.

    Available in 40ml and 225ml tubes

    Learn More
  24. STAEDTLER Mars Plastic Eraser

    STAEDTLER Mars Plastic Eraser

    £1.85

    STAEDTLER's Mars Plastic erasers are premium-quality erasers that ensure superb erasing performance at all times. The formula of Mars Plastic results in significantly less crumbling, with practically residue-free erasing. 65 x 23 x 13mm. Phthalate and latex free.

    Learn More
  25. Hing Clamps (per pair)

    Hing Clamps (per pair)

    £16.00

    Hinge clamps, these are zinc plated aluminium clamps for attaching screens to any surface to create printing bed. Clamp surface is 60mm wide, and will securely hold a frame depth of min: 12mm and max: 45mm. The clamps have counter sunk screw holes 6mm diameter and 30mm a part (centres). Clamp opens up to 90 degrees. Learn More
  26. Cadmium Yellow Light Pigment

    Cadmium Yellow Light Pigment

    Starting at: £6.20

    Cadmium Yellow Light Pigment (PY37). Synthetic Inorganic pigment. Opaque. Good tinting strength. Excellent Lightfastness. Low oil absorption with slow drying rate. Suitable for all media. Good acid and alkali resist. Exterior application not advised as discoloration occurs. Used since 19th Century. Toxicity B/C. Learn More
  27. Schmincke Medium W Gel

    Schmincke Medium W Gel

    Starting at: £8.55

    Medium for mixing oil colours with water instead of organic solvents. Odourless. Learn More
  28. Roberson Rhinds Stopping Out Varnish

    Roberson Rhinds Stopping Out Varnish

    Starting at: £8.60

    Traditional strongly resistant SOV. Very dark and opaque finish. Appropriate for backing the plate as well as stopping out areas. Learn More
  29. Schmincke Universal Varnish, Gloss, 300 ml

    Schmincke Universal Varnish, Gloss, 300 ml

    £17.80

    Synthetic resin varnish with UV- protection Learn More
  30. Cornelissen Oil Sable Filbert

    Cornelissen Oil Sable Filbert

    Starting at: £8.45

    Similar to the Sable Round but with a filbert shape combining the characteristics of rounds and flats. Excellent spring and colour holding capacity. Learn More

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