Search results for 'i'
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da Vinci Series 1870 Nova Flat
Starting at: £2.95
Long handled synthetic brush for acrylic or oil painting. Soft bristles. Learn More -
da Vinci Series 5080 Cosmotop Varnish
Starting at: £14.85
Light brown, extra smooth and soft synthetic hair with black polished handle, tin ferrule. Learn More -
da Vinci Series 5598 CASANEO Watercolour brush, round
Starting at: £6.60
CASANEO water colour brush round - Made from extra soft synthetic fibres with an extraordinary elasticity and an extremely high colour absorbing capacity - Short black polished handles - For watercolour, reverse glass and silk painting, design, graphic and retouching - Extraordinary elasticity and extremely high colour absorption capacity - Particularly suitable for watercolour and fluid acrylic colour Learn More -
Schmincke Mussini Oil Medium 3
Starting at: £9.45
Highly siccative painting medium. Dries on the palette with 40 minutes. Use sparingly to prevent gloss.
From the Schmincke website:
Medium for oil colours rich in resin (“lean”). Accelerates drying; increases gloss and depth; makes the colour layers more resistant. Close immediately after use. Dosage: 10% to 20%.
Contains: aldehyde resin, mineral spirit, siccative, stand oil.
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Accurasee Proportional Divider
£15.00A drawing tool for transferring scale. Align your desired subject matter in the small end of the divider and transfer the spacing of the larger end to your drawing surface. Learn More -
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Japanese Coloured Sumi Ink
Starting at: £10.00
Japanese Coloured Sumi Ink. These coloured sumi inks create vivid shades that can be mixed and used with black sumi stick inks. It is recommended that they be ground using a white grinding stone as opposed to the traditional grey stone. Learn More -
Sealing Wax Mura
Starting at: £2.85
Taper/wick throughout length. Well suited to craft purposes. Assorted colours including Red, Gold, Silver and Blue. Learn More -
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Roberson Cobalt Siccative
Starting at: £7.70
A cobalt drier in white spirit, to be added sparingly to oil colours to accelerate drying. Learn More -
Cadmium Yellow Lemon Pigment
Starting at: £4.50
Synthetic Inorganic pigment. Opaque. Good tinting strength. Excellent Lightfastness. Low oil absorption with slow drying rate. Suitable for all media. Good acid and alkali resist. Exterior application not advised as discoloration occurs. Used since 19th Century. Toxicity B/C
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Vermilion Imitation Pigment
Starting at: £8.20
Vermilion Imitation Pigment (PR4, PY1, PW21). Organic pigment. Mixture of Studio Red, Hansa Yellow (Azo) and Blanc Fixe. Semi-transparent. Good tinting strength. Good Lightfastness, but prone to fading when mixed strongly with white . Slow drying rate. Requires wetting agent. Suitable for all media. Used since early 20th Century. Toxicity A. Learn More -
da Vinci Series 1200 Sable Rigger
Starting at: £9.40
Made from pure Kolinsky sable hair to give added control and spring when painting long lines. Learn More -
Schmincke Medium W
Starting at: £9.60
Schmincke Medium W is an odourless, jelly-like ("lean") medium for mixing oil colours with water instead of organic solvents such as turpentine or turpentine substitute. It increases gloss and transparency, reduces viscosity and harmonizes the drying process.
Dosage: 50%
Thinner: Water
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Studio Safe Retouching Damar Varnish
Starting at: £15.20
Studio Safe Retouching Damar Varnish. Use where dull or sunken areas of a painting need lifting. Learn More -
Schmincke PRIMAcryl 60ml
Starting at: £7.60
[ONLY AVAILABLE ONLINE] Schmincke PRIMAcryl is a high viscosity premium acrylic range of 84 premium shades. Artists quality high pigment content gives all the shades a new dimension of brilliance and expressiveness. The titanium white is unparalleled. It's high pigmentation, opacity and cover rate enables incredibly brilliant mixtures. No colour shift between the wet and dry states. High lightfastness level either 4 or 5 stars indicates the quality of these premium acrylic paints. All colours do not yellow and the dried paint layers are durable, flexible and water resistant. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Schmincke Mussini Limited Edition Topaz Orange 15 ml
£26.00Topaz Orange Limited Edition 15 ml. is an opaque, richly coloured and sparkling brown orange, produced from the mineral phyllosilicate, one of the hardest naturally occurring minerals. Learn More -
Fabriano Accademia Paper
Starting at: £29.40
Cartridge paper with a slight texture. 200gsm, woodfree, surface sized and acid free. Pack quantity 100 sheets. Learn More -
da Vinci Series 7106 Long Handle Hog Bright
Starting at: £21.10
Finest quality white bristle brushes, built with the natural curve of the bristles turned inwards. Two equally-sized tufts of bristle are set against each other without tension and made to interlock. Properly cleaned after each use the brush will retain this shape even after long use and many washings. Extra long 60 cm handle length. Learn More -
STABILO CarbOthello Pencil Sharpener
£2.95The Stabilo CarbOthello Sharpener is a short cone sharpener with special blade especially designed for high quality coloured pencils like the Stabilo CarbOthello. The special blade will make sure that your pencil is correctly sharpened and won't split the chalk lead.
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Transparent Containers
Starting at: £1.20
Rigid high quality boxes manufactured in clear Polystyrene. Medium and large sizes are ideal for storing loose nibs. Learn More -
da Vinci Series 422 COLINEO Watercolour brush, fan brush
Starting at: £9.60
COLINEO Fan brush - Composition of straight and wavy synthetic fibres in different lengths with extra fine tips, precise point, high elasticity and colour absorption. - Handle made of water-resistant, hi-tech multicolour laminated wood - Ideal for watercolour painting - Very similar to Kolinsky Red Sable hair brushes Learn More -
Schmincke Mussini Oil Medium 1
Starting at: £9.45
From the Schmincke website:
Low-fat (“lean”) painting and thinning medium for oil colours. Recommended for thin grounds and to create transparent layers over gouache, tempera and acrylic paintings; thins without hardly affecting the drying time and gloss. Dosage: 10% to max. 20%
Contains: Safflower oil, natural and synthetic resins, mineral spirit.
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Unison Large Soft Pastels
Starting at: £11.00
A range of pastels handmade with a minimum binder by artists living in Northumberland. Reasons for considering Unison are their rich colour harmonies, size and velvet softness. 10% Discount for purchasing 12+ pastels. Learn More -
STABILO CarbOthello Pastel Pencil Sets
Starting at: £25.20
STABILO CarbOthello is a chalk pastel coloured pencil range available in up to 60 colours. With its wonderfully dry and dusty stroke it is just like a chalk pastel in pencil format. It's very popular with artists, art students and people with creative hobbies. Its high pigmentation guarantees great luminosity and opacity as well as colour fastness and colour brilliance especially on dark backgrounds and delicate papers. What's more it can be sharpened to a very fine tip which make it ideal for detail. Colours can be dry mixed and blended which makes colouring more fun and special.
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Schmincke Akademie Acrylic 500ml
Starting at: £17.20
Schmincke Akademie Acrylic 500ml. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Schmincke Liquid Charcoal 15 ml
Starting at: £18.30
Liquid charcoal in the 15 ml tube - a clean, dust-free way of painting, charcoal drawing and underpainting with charcoal. The three pigments of natural origin used for this (PBK 8, pit black) are created by charring fruit seeds from the EU area and result in the following unique coal nuances: a neutral peach stone black - 18 757 a warm, brownish cherry pit black - 18 756 a cool, bluish grape seed black - 18 755 Due to the larger quantity of available paint, liquid charcoal can be used to quickly process large areas. The liquid charcoal contains the high-quality binder gum Arabic like traditional artists' watercolours (gouaches, watercolours, etc.), has a gouache-like consistency and can be diluted with water, so that different shades, structures and layer thicknesses can be achieved by different application. Depending on the substrate and the thickness of the layer, it can be wiped off by hand and removed with water. Used as thin underpainting (e.g. in oil painting), subsequent paints do not become dirty or become less dirty than with conventional charcoal underpainting due to the higher adhesion of the bound carbon pigments to the substrate. Of course, the liquid charcoal can be combined with drawing charcoal. The blurring and removability of the liquid charcoal depends on the surface of the substrate - the more even and firm the surface, the easier to change the application. Pre-tests are recommended. Learn More -
Traditional Sumi Baren
£46.50Traditional Japanese "ba-ren" is the pressing and rubbing tool for printing. The inner coil or "shin" consists of flat strips of bamboo twisted together into strands and then into a long cord. The cord is then coiled onto a backing disk made from either layers of washi paper, carved wood or plastic. Finally a bamboo sheath or "takenokawa" is used as a covering, with rubbing surface for printing one side and a twisted handle for the artist to hold on the other. Over time the outer sheath may need replacing due to wear and friction of printing. Our "sumi" baren is made in the traditional way with a plastic backing disk and has a finer coil. It is 130mm across and is suitable for printing the "key block" and fine details. This baren comes in a presentation box. Replacement bamboo sheaths are available to order specially. Learn More