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da Vinci Synthetic Set Series 4206

£7.75

da Vinci Synthetic Set Series 4206 Learn More

Gamblin Galkyd Gel "G Gel" 150ml

£19.40

Galkyd "G" Gel is produced by Gamblin. They say:

"Galkyd Gel is a stiffer gel compared to Neo Megilp that holds thicker, sharper brushmarks and dries more quickly. Galkyd Gel increases transparency of oil colours and creates impasto."

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Schmincke Primer 2 500 ml

£24.40

Slightly Absorbent. Pure white, fine For oil, acrylic and gouache colours with slightly absorbent character. Learn More

Holbein White Plastic Reversible Palette

Starting at: £4.90

Call to Order

Holbein White Plastic Reversible Palette Learn More

Charbonnel Blues

Starting at: £20.85

Charbonnel Blues Learn More

One Shot Lettering Enamel Paint

Starting at: £20.55

Designed for traditional sign painting, these oil based lettering enamels provide superior vibrancy, flexibility, durability, and single stroke coverage. Specified for fine, sign paint lettering on store fronts and vehicles, the vibrant colours of 1 Shot Lettering Enamels spread evenly and offer outstanding hiding, durability and fade resistance. Superior flow characteristics assure the virtual absence of brush marks and provide a clean, sharp edge. Ideal for use on interior or exterior metal, glass, wood, and enamel receptive banners and vinyl. Learn More

Fabriano Rosaspina Paper

Starting at: £2.90

285GSm, 70cm x 50cm, Mould Made, 60% Cotton, Internally Sized, Acid free, Watermarked, 2 Deckle Edges, Matt Surface, White / Ivory Shades. Learn More

Schmincke Mussini Artists' Oil 150 ml

Starting at: £29.85

Schmincke Mussini Artists' Oil 150 ml Learn More

Japanese Easy Grip Tento Carving Set

£21.00

Tento easy grip carving set. This set comes in a plastic box and contains 5pcs, including; 7.5mm Hangi-toh (knife), 7.5mm Aisuki (flat), 6mm Komasuki (U), 3mm Komasuki (U), 3mm Sankatu-toh (V). These are pencil style tools with a soft easy grip, non-slip rubber ferrule and plastic handle. The handle is longer when compared to the traditional tools, perfect as an introduction to Mokuhanga printing. Learn More

Cornelissen Aluminium Leaf Bulk Packs

Starting at: £16.00

Cornelissen Aluminium Leaf Bulk Packs Learn More

Charbonnel Lamour Black Satin

Starting at: £32.90

Bitumen, turpentine, quick drying petroleum, wax. Hard etching ground. Allows long etching time with no risk of scaling. Learn More

Bockingford Paper Rough

Starting at: £83.45

Bockingford Paper Rough. Pack contains 25 sheets. 4 trimmed edges. Mould-made and woodfree. Acid free.Calcium Carbonate buffered. Learn More

Gamblin Ground

Starting at: £22.70

Gamblin Ground Learn More

Schmincke Wooden Boxed Set of 400 pastels

Starting at: £1,199.70

Schmincke Wooden Boxed Set of 400 pastels Learn More

Brause Nibs

Starting at: £1.75

Brause Nibs Learn More

Roberson Poppy Oil

Starting at: £10.20

Poppy Oil is a slightly later addition to the artist's cabinet than Linseed Oil and Walnut Oil. It is generally used as a binder for pale colours, where the warmth of Linseed Oil is not desired. It provides a matte finish and dries very slowly, so we would not advise using it in conjunction with slow-drying pigments or in underpaintings. A paint film produced by Poppy Oil is weaker and softer than that created by Linseed Oil. This is because it contains a smaller percentage of linolenic acid than Linseed Oil; this substance imparts both strength and yellowness to an oil.

Although some of these properties can be perceived as drawbacks, paints made with Poppy Oil generally obtain a "short" or buttery texture without the addition of waxes or other additives, which can be an advantage for certain colours that produce poor consistencies in Linseed oil alone. Sometimes, the addition of a small quantity of Poppy Oil when grinding a tricky or "stringy" pigment in Cold Pressed Linseed Oil can introduce some of benefits of Poppy Oil, without transmitting its negative characteristics.

Paints made with Poppy Oil are particularly suited to "alla prima" working methods, where paint is applied spontaneously. When working in successive layers, Poppy Oil would only be appropriate for the final stages of a painting.

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Schmincke AQUA Fix Medium

Starting at: £10.45

Dries watercolours to be waterproof. Learn More

Schmincke Horadam Supergranulating Set Glacier

Starting at: £69.90

Schmincke Horadam Supergranulating Set Glacier, 5 x 15ml tubes. Learn More

Lemon Shellac

Starting at: £8.20

Shellac is a natural resin that is deposited by the female lac insect on the branches of trees in India and Thailand. It is soluble with alcohol, but not with mineral spirits or turpentine. It forms a tough yet flexible film, with many applications. It is suitable as a top coat for gilding when applied thinly, a sealant for porous surfaces, an isolating layer for tempera paintings, a base for pigmented inks, a protective layer for collograph plates, and a warm varnish for wooden floors and furniture. As it is prone to darkening with age, it is not recommended as a varnish for oils, and its solubility can reduce over time. There are various grades of shellac. When mixed with alcohol, it may initially form a cloudy mixture, due to traces of wax in the shellac, but this should become clear once it has dried. The highest grades of shellac are Clear Dewaxed Shellac, which has been de-coloured using the carbon filtering method, Lemon Shellac, and Orange Shellac, which are pale in colour. Button Shellac is less refined and therefore produces a reddish varnish. It was, in fact, widely used as a red dye before synthetic dyes became available. Learn More

Cornelissen Silver Leaf Thin

Starting at: £12.50

Cornelissen Silver Leaf Thin, 95 x 95 mm (20g/1000 lvs). Book of 25 leaves. * Glass Quality - Please note the loose leaf has been double-checked to ensure suitability for gilding on glass. Learn More

Schmincke Akademie Acrylic 500ml

Starting at: £17.20

Schmincke Akademie Acrylic 500ml. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

Charbonnel Duroziez Retouching Ground

£32.90

Charbonnel Duroziez Retouching Etching Ground 250 ml Learn More

Charbonnel Reds

Starting at: £18.60

Charbonnel Reds Learn More

Roberson Copperplate Reducing Oil

Starting at: £24.00

Printing inks can be made by mixing powdered pigments with copperplate oil. Pour small quantity of oil into well of dry pigment and grind with glass muller untill smooth. Thin oil is then added until mixture has consistency of double cream. Thin, Medium or Thick. Learn More

Small, 15ml Pigment sizes

Starting at: £4.00

15 ml pots of pure pigment Learn More

Schmincke AQUA Watercolour Ground, Coarse

Starting at: £17.15

White, lightfast and age-resistant, ideal for structures with coarse surfaces. Learn More

Schmincke AQUA Primer, Coarse 500 ml

£22.06

For structures with coarse surfaces. Learn More

Bockingford Fat Pad

Starting at: £25.90

300GSM, 14.8cm x 42cm, 25 Sheets, Mould Made, Woodfree, Internally Sized, Acid free, Wire Bound. Learn More

Roberson Liquid Leaf Metallic Paint

Starting at: £12.50

A one-step paint, giving a permanent finish, closely resembling traditional gilding with leaf. Learn More

Caligo Safe Wash Etching Inks

Starting at: £11.05

Oil-based and washable - Artist quality etching inks for non-toxic printmaking. Solvent-free cleaning and lightfast, this unique range of etching inks can be washed away with liquid soap and water. Suitable for all types of intaglio printing e.g. etching, aquatint and line engraving. This range does not contain any driers. For faster drying rates, add a small amount of cobalt or manganese driers.

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