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Items 601 to 630 of 940 total

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  1. Schmincke Horadam 8 Half Pans with Water Container

    Schmincke Horadam 8 Half Pans with Water Container

    £79.25

    Artist's pigments in the highest possible concentration. Integrated water carrying system, ideal for painting en plein air. Learn More
  2. Cornelissen 80 Green Gold Leaf 18 ct

    Cornelissen 80 Green Gold Leaf 18 ct

    Starting at: £52.30

    Green Gold Leaf 18 ct, 80 x 80 mm. Book of 25 leaves. Coverage per book is 0.16 m2 (1.69 sq. feet) Learn More
  3. Rohrer & Klingner Lithographic Inks

    Rohrer & Klingner Lithographic Inks

    Starting at: £17.10

    Liquid lithographic ink and solid (tushe) lithographic ink are highly resistant against acids and can be used to draw on stone, aluminium and zinc plates. Uses a highly dispersed pigment that is compounded from shellac, wax and soap. While the liquid ink is suited for complete covering, the tushe ink is excellent for halftones and transitions. * Please note that the Litho Tusche now comes in a cylindrical shape, rather than the rectangular stick photographed. Learn More
  4. Lamp Black Pigment

    Lamp Black Pigment

    Starting at: £6.70

    PBk 6

    Lamp Black is an inorganic, synthetic, pure carbon pigment. Originally made from soot collected from oil lamps and fireplaces, its modern equivalent is derived from partly combusted mineral and vegetable oil. It is a cool, transparent, bluish black, with a good tinting strength, and stable in all media. It requires a wetting agent, and in oil it has a very high absorption drying very slowly.

    Larger quantities are available by request. 

    Learn More
  5. Liquid Glass Mediums

    Liquid Glass Mediums

    Starting at: £32.00

    Renaissance Materials by Dr. David Cranswick.

    A thick glazing medium of the 'Old Masters'. Liquid Glass Mediums facilitate building up layers of transparent glaze. Gloss or Satin.

    Contains: Damar resin, linseed oil and beeswax (for Satin medium only)

    Learn More
  6. Practical Gilding

    Practical Gilding

    £11.95

    By Peter & Ann Mactaggart. This book is an attempt to set down detailed descriptions and explanations of the traditional, professional methods of both oil and water gilding in a way that can be followed by another craftsman. It does not discuss some of the methods that have been suggested recently for amateur use. (74 pages) Learn More
  7. Winsor & Newton Series 7 Kolinsky Sable

    Winsor & Newton Series 7 Kolinsky Sable

    Starting at: £25.30

    Made from finest selected red sable in seamless cupro-nickel ferrules. These black-handled watercolour brushes have a long established reputation. Learn More

  8. Traditional Japanese Sumi Baren

    Traditional Japanese Sumi Baren

    £46.50

    Traditional Japanese "ba-ren" is the pressing and rubbing tool for printing. The inner coil or "shin" consists of flat strips of bamboo twisted together into strands and then into a long cord. The cord is then coiled onto a backing disk made from either layers of washi paper, carved wood or plastic. Finally a bamboo sheath or "takenokawa" is used as a covering, with rubbing surface for printing one side and a twisted handle for the artist to hold on the other. Over time the outer sheath may need replacing due to wear and friction of printing. Our "sumi" baren is made in the traditional way with a plastic backing disk and has a finer coil. It is 130mm across and is suitable for printing the "key block" and fine details. This baren comes in a presentation box. Replacement bamboo sheaths are available to order specially. Learn More
  9. Empty Watercolour box for 24 half pans

    Empty Watercolour box for 24 half pans

    £14.00

    This unbranded watercolour tin box is the same as the light weight metal boxes used by most of the major European colour-makers. The back of the box includes thumb ring. Dimensions: 22.2 x 7 x 2cm Learn More
  10. Michael Harding Non Absorbent Acrylic Primer - Colours

    Michael Harding Non Absorbent Acrylic Primer - Colours

    Starting at: £21.20

    Michael Harding Non-Absorbent Acrylic Primer (NAAP) is a versatile product suitable for application on various surfaces, including linen, wood, MDF, and more. It is designed to create a robust, flexible, permanent, and intensely pigmented ground, making it an excellent choice for both acrylic and oil paints. Important Application Guidelines: Support Selection: NAAP should not be applied over surfaces treated with rabbit skin/hide glue or on unsound, flimsy supports such as cardboard. Opt for stable substrates to ensure the primer’s effectiveness. Not a Gesso: Please note that NAAP is a primer, not a gesso. As such, there is no need for additional gessoes, sizes, or other ancillary products when using NAAP. DIRECTIONS: Coat Application: Apply a minimum of two coats of NAAP to your chosen support, ensuring liberal coverage for optimal results. Dilution for Flow: If you desire increased flow, dilute NAAP with a mixture of 1 part water to 4 parts NAAP. This adjustment allows for customization based on your artistic preferences. Second Coat Application: Apply the second coat once the first coat is touch dry, typically after approximately 1 hour. This step contributes to the creation of a well-prepared painting surface. Additional Considerations: Suitable Supports: Do not use Michael Harding Non-Absorbent Acrylic Primer on flimsy or unsound supports. It is crucial to choose a stable and well-prepared surface for priming to ensure the longevity and integrity of your artwork. Canvas Weave Consideration: Avoid using this primer on canvases with a wide weave. The non-absorbent nature of the primer may not be suitable for canvases with a loose or open structure, compromising its effectiveness. Transparency Check: Before application, inspect your canvas material by holding it up to the light. If you can see light passing through the wefts (threads) of the canvas, it is not recommended to use Michael Harding Non-Absorbent Acrylic Primer. Opt for a more appropriate primer based on the transparency of your canvas. Learn More
  11. Cornelissen 80 Renaissance Gold 22.5 ct

    Cornelissen 80 Renaissance Gold 22.5 ct

    Starting at: £63.20

    Renaissance Gold 22.5 ct, 80 x 80 mm. Book of 25 leaves. Coverage per book is 0.16 m2 (1.69 sq. feet) Learn More
  12. Rottenstone Grey

    Rottenstone Grey

    Starting at: £7.00

    Fine abrasive powder used historically for polishing daguerreotype plates. Can be used to age wooden frames and object's d'art. Learn More
  13. Titanium White Pigment

    Titanium White Pigment

    Starting at: £4.00

    Titanium White, or Titanium Doixide, is an artificial mineral pigment introduced in the 1920s. It is valued for its opacity, good lightfastness, and stability in all media. Its high tinting strength can render it a dominant colour in mixtures. It is very slow drying in oil, and creates a somewhat brittle paint film, though more flexible than Zinc White. Its brightness makes it a popular addition to gesso.

    Toxicity: B

    Learn More
  14. Schmincke AQUA Shine Medium

    Schmincke AQUA Shine Medium

    Starting at: £11.05

    Iridescent medium for shimmering and pearl effects. Retards drying slightly. Stays water-soluble. Learn More
  15. Daler-Rowney Artists Watercolour 15ml Tube

    Daler-Rowney Artists Watercolour 15ml Tube

    Starting at: £15.00

    Artists' Water Colour is a professional quality water colour. Based on the finest modern and traditional pigments, it is precisely formulated to offer unparalleled performance and permanence. Learn More
  16. Cornelissen T52100 Professional Press

    Cornelissen T52100 Professional Press

    £3,250.00

    Cornelissen Press T52100, Bed size: 52 x 100 cm, Upper Roller Diameter: 157 mm, Lower Roller Diameter: 157mm, Weight: 106 kg. Etching press base: 58 x 63 cm. We offer press demonstrations for this model. Please call Cornelissen for more details. Delivery to your address usually takes up to 4 weeks to UK & EU countries and 6 weeks to USA after the order is placed.

    Learn More
  17. Miniatum Ink

    Miniatum Ink

    Starting at: £23.10

    Miniatum size in ink form, for raised calligraphic illumination and fine lines in gold and silver leaf. Miniatum Ink can create high gloss gilding on paper, vellum (degreased), leather and flexible surfaces such as plastic foils. The elastic nature of the size assures a long-lasting gilded surface *Please note - Colours of these products may vary slightly from those depicted in the photograph* Learn More
  18. Pozzuoli Red Pigment

    Pozzuoli Red Pigment

    Starting at: £5.20

    Pozzuoli Red is a natural earth pigment that was originally found in the volcanic areas in Pozzuoli, Italy. It was unique for its cement-like setting qualities due to naturally occurring silica. Modern Pozzuoli Red refers to the warm red colour rather than this physical characteristic.

    Toxicity: B

    Learn More
  19. Mussini Set 10 x 35 ml tubes

    Mussini Set 10 x 35 ml tubes

    £120.20

    Schmincke Mussini Wooden Set 10 x 35 ml tubes Learn More
  20. Botanical Ultra Smooth Glued Pad

    Botanical Ultra Smooth Glued Pad

    Starting at: £8.05

    Mould-made, 50% cotton, surface sized and acid-free. 10 sheets per pad. Hot-pressed (HP) surface. 300 gsm. A4 and A3 pads are glued on the short edge, and A5 pads are glued on the long edge. Learn More

  21. Daler Rowney Lincoln Table Easel

    Daler Rowney Lincoln Table Easel

    £54.90

    Lincoln Table Easel Learn More
  22. Schmincke Malbutter Impasto Medium

    Schmincke Malbutter Impasto Medium

    Starting at: £8.20

    A gel medium that increases the buttery character of oil colours and decreases their drying time. Useful for impasto techniques and knife application. Add to oils in a maximum ratio of 1:4. Contains alkyd resin.

    Learn More
  23. Natural Beeswax

    Natural Beeswax

    Starting at: £11.20

    Beeswax is derived from melted honeycomb, and is available in two grades. Bleached Beeswax Pellets are white, having been bleached by the sun, and are an appropriate choice for using with pale colours, although they may revert to yellow over time. Natural Beeswax Pellets are yellow in colour, and offer a more flexible structure with a higher resin content. Beeswax has a melting point of 63-66°c, and may turn brown if over-heated. It is the most widely used wax in artists' materials, having a wide range of applications. Please see below for more details.

     

    Learn More
  24. Komasuki 1.5mm (U Shape)

    Komasuki 1.5mm (U Shape)

    £31.00

    The Komasuki is similar to western style “U” gouge tool and comes in a variety of useful sizes. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More
  25. Cerulean Blue Pigment

    Cerulean Blue Pigment

    Starting at: £14.50

    PB35

    Cerulean Blue is an artificial mineral pigment that is prepared by heating a mixture of Cobalt Chloride and Potassium Stannate. It was first synthesised in the early nineteenth century, becoming more widely used from 1870, when Rowney introduced Coeruleum Blue into their range. It produces a very bright, clear, and unusually opaque blue, hence its name, which is derived from the Latin for "sky-blue", or perhaps "heaven-blue". It has a very low tinting strength meaning that, although it is stable in all media, some artists may choose to bind it in poppy rather than linseed oil, so that the colour isn't affected by the colour of the binder. It creates a fairly flexible paint film, and is a fast-to-medium drying pigment.

    Limeproof

    Toxicity: B

    Learn More
  26. Schmincke Horadam 18 x 5ml Tubes

    Schmincke Horadam 18 x 5ml Tubes

    Starting at: £113.25

    Schmincke Horadam 18 x 5ml Tubes. Learn More
  27. Roberson Gum Ammoniac

    Roberson Gum Ammoniac

    Starting at: £14.00

    Natural gum size made to a traditional recipe. Gum Ammoniac is useful for gilding in small areas and, more generally, in detailed gilding. Two applications are needed if gilding on absorbent paper. Raised areas can be developed by using several layers and allowing each layer to dry first. Gum Ammoniac can be reactivated by breathing on the gum surface. Gum Ammoniac comes to us from Asia and is increasingly hard to source. Learn More
  28. Gamboge Pipe Pieces

    Gamboge Pipe Pieces

    Starting at: £22.00

    Call to Order

    Gamboge is a natural tree resin, generally extracted by tapping of Garcinia trees, available as a powder and in the solid "pipe" form. One of the unique features of Pipe Gamboge is that it does not require a binding agent to be used as a paint. Instead, colour can be lifted with a wet brush, as from a watercolour pan. When used as a water colour, it gives a bright transparent golden yellow colour. It is highly transparent, fugitive to light, with a weak tinting strength. The powder can be dissolved in alcohol to colour resin-based varnishes. Gamboge was used from ancient times to dye the clothes and also to make a transparent yellow varnish for the colouring of wood, metals and leather.

    Pipe Gamboge is available while stocks last. Larger quantities are available by request.

    Learn More
  29. Omega Series 70 Hog Fitch Round

    Omega Series 70 Hog Fitch Round

    Starting at: £14.90

    Soft round Italian hog hair with long flexible bristles and good colour holding capacity. Ideal for large scale painting in oils or acrylics. 100% pure hog hair. Learn More
  30. Sennelier Egg Tempera

    Sennelier Egg Tempera

    Starting at: £11.25

    Sennelier Egg Tempera Learn More

Items 601 to 630 of 940 total

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