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Items 631 to 660 of 940 total

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  1. Japanese Gold 14,3ct

    Japanese Gold 14,3ct

    Starting at: £48.00

    Highest quality 14,3ct gold leaf from Japan. Leaves measure 109×109mm and are approximately 0.1μ~0.2μ in thickness. These Tachikiri (contemporary) leaves are beaten in between glassine paper which leaves a much softer impression on the surface of each leaf, resulting in a slightly shinier finish than the more traditional Enzuke gold leaf. Each pack contains 10 leaves. Learn More
  2. Schmincke Artists Watercolour Whole Pan

    Schmincke Artists Watercolour Whole Pan

    Starting at: £7.95

    Finest quality watercolours made in Germany. This range offers 139 colours, including 95 single-pigment colours, 3 perylene pigments, 5 quinacridone pigments, and a selection of granulating colours. They present endless mixing possibilities, and can combined with Schmincke's selection of watercolour mediums as well as with their gouache paints. The solid colours are produced by pouring the liquid paint into the pans four times, ensuring the maximum yield for each colour. Also available in half pans and tubes of 5 and 15ml. Learn More
  3. Schmincke Fixatives

    Schmincke Fixatives

    Starting at: £17.20

    Schmincke Fixatives. Unable to send overseas. Learn More
  4. Schmincke  Drawing Set, 9 Pastels and Pad

    Schmincke Drawing Set, 9 Pastels and Pad

    £39.00

    Schmincke Cardboard Set of 9 Hand-Made Artists' Pastels with Ingres Pastel Paper. Learn More
  5. Cornelissen 80 Lemon Gold Leaf 20 ct

    Cornelissen 80 Lemon Gold Leaf 20 ct

    Starting at: £56.50

    Lemon Gold Leaf 20 ct, 80 x 80 mm. Book of 25 leaves. Coverage per book is 0.16 m2 (1.69 sq. feet) Learn More
  6. Roberson Canada Balsam Medium

    Roberson Canada Balsam Medium

    Starting at: £39.10

    A high quality painting medium which will produce a deep glow, made from Canada Balsam and Turpentine. Especially effective with transparent oil colours, it is recommended as the medium of choice in the final stages of an oil painting. Learn More
  7. Lyons Burnisher and Scraper

    Lyons Burnisher and Scraper

    £28.00

    Combined triangular scraper and curved burnisher made of high-carbon tool-steel. Total length is 17.75 cm. Learn More
  8. Rohrer and Klingner Writing Ink 50ml

    Rohrer and Klingner Writing Ink 50ml

    Starting at: £6.40

    Writing Ink (series 40). Dye based inks suitable for fountain pens and many other calligraphy tools. Not waterproof or lightfast. The range of 18 shades includes two Iron Gall inks modified from a traditional recipe to be suitable for fountain pens. The Iron Gall inks are lightfast, deepen in colour with oxidisation over time and are permanent. All colours, with the exception of Sepia, are intermixable. Learn More
  9. Roberson White Siccative

    Roberson White Siccative

    Starting at: £8.40

    A strontium-based siccative, milder than cobalt driers. Add sparingly to oil colours to accelerate drying, particularly recommended for pale colours. Learn More
  10. Cranfield (Spectrum) Thixotropic Alkyd Oil Primer

    Cranfield (Spectrum) Thixotropic Alkyd Oil Primer

    Starting at: £53.20

    Thick synthetic resin one coat primer. Rabbit skin glue size preparation recommended as base coat. Smooth finish. Allow 4 days to dry thoroughly. Learn More
  11. Cornelissen One Stroke Sable

    Cornelissen One Stroke Sable

    Starting at: £8.75

    Pure red sable brushes with a high colour holding capacity enabling free flow of colour. The fine edge of this brush provides defined clean cut lines. Learn More
  12. Phthalo Green Pigment

    Phthalo Green Pigment

    Starting at: £8.10

    Phthalo (Mona) Green Pigment (PG7). Organic pigment (Chlorinated Copper Phthalocyanine). Transparent. Very high tinting strength. Excellent Lightfastness. Medium to slow drying rate. Requires wetting agent. Suitable for all media. Developed in 1927. Toxicity B Learn More
  13. Charbonnel Reds

    Charbonnel Reds

    Starting at: £18.60

    Charbonnel Reds Learn More
  14. Daniel Smith 238 Try it dot Card

    Daniel Smith 238 Try it dot Card

    £25.80

    Daniel Smith "Try It" Dot Cards are a great way to sample this wonderful new range. Each colour dot has been placed on to a "Try It" Card which is actually watercolour paper. You can then wet each colour dot and use the card as a sort of palette. You'll be amazed just how far one dot of colour goes. You can even revisit a colour at a later date by re-wetting it. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More
  15. Roberson Clear Shellac Varnish

    Roberson Clear Shellac Varnish

    Starting at: £11.50

    Fast drying varnish for metal leaf. May also be used to seal absorbent surfaces prior to sizing. Cellulose based. Clean brushes with methylated spirits. Learn More
  16. Burnt Umber Pigment

    Burnt Umber Pigment

    Starting at: £4.00

    PBr7

    Burnt Umber is a natural earth pigment from Italy, composed of iron oxide, manganese, and aluminium silicate. It is a form of Raw Umber that a has undergone a process of calcination, becoming warmer, more transparent and easier to disperse. It has a good tinting strength, and is very lightfast, quick-drying, and stable in all media. In oils it forms a hard, fairly flexible paint film, though it may be difficult to use in acrylic mediums.

    Toxicity: B

    Learn More
  17. Roberson Glass muller, medium (7 cm)  and small (5 cm) [without logo]

    Roberson Glass Mullers

    Starting at: £25.00

    Roberson Glass Mullers are handmade using high quality-glass. 

    Mullers act as flat-bottomed pestles, which are used to grind pigment into a binding medium, suspending it evenly to create a uniform covering of binder around each pigment particle. Using a muller and slab, rather than simply mixing pigment and binder together, will create a more homogenised and stable paint. 

    Roberson Glass Mullers are handmade using superior boro silicate laboratory glass, which is 40% harder, more heat resistant, and offers better clarity than soda-lime glass. The base of each muller is ground perfectly flat, and sand-blasted to create a fine tooth to facilitate the grinding of pigments.

    Use in conjunction with a Cornelissen Glass Slab to make paint efficiently. The sand-blasted texture of the muller and plate helps to push and distribute the pigment throughout the binder quickly. This will mean less grinding, and more painting! 

    NOTE: Sizes may vary slightly as these are handmade products. 

    Learn More
  18. Gamblin Tack Reducer 150ml

    Gamblin Tack Reducer 150ml

    £11.50

    Small amounts added to ink will efficiently reduce tack. Learn More
  19. Schmincke Medium W

    Schmincke Medium W

    Starting at: £10.50

    Schmincke Medium W is an odourless, jelly-like ("lean") medium for mixing oil colours with water instead of organic solvents such as turpentine or turpentine substitute. It increases gloss and transparency, reduces viscosity and harmonizes the drying process.

    Dosage: 50%

    Thinner: Water

    Learn More
  20. Schmincke Eco Brush Cleaner

    Schmincke Eco Brush Cleaner

    Starting at: £6.00

    Biodegradable Learn More
  21. Rabbit Skin Glue

    Rabbit Skin Glue

    Starting at: £13.00

    For sizing canvas prior to priming with an oil based primer. Do not use under acrylic primer. Soak overnight in water. Heat in double boiler (do not boil). Ratio water:size 13:1. Use while still warm. Rabbit Skin Glue does not contain preservatives. 340 - 360 Bloom Learn More

  22. Aisuki 1.5mm (Chisel Shape)

    Aisuki 1.5mm (Chisel Shape)

    £28.00

    The Aisuki is a clearing tool used for clearing waste from the hangito tool. It is a small fan bevelled chisel and is designed to be used low to the wood. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More
  23. Prussian Blue Pigment

    Prussian Blue Pigment

    Starting at: £5.20

    PB27

    Prussian Blue is a synthetic organic pigment that was discovered by the paint maker Diesbach, apparently by accident, in Germany in the early eighteenth century. For many years, it was used not only as a colour in its own right, but also as a component of the original Hooker's Green. The other ingredient, gamboge, is highly fugitive, which is why many watercolours painted with Hooker's green have taken on a bluish tone with with age.  

    It is a very transparent and heavily staining colour. It dries quite quickly in oil, and can therefore wrinkly if applied too quickly. It is suitable for use in oils, watercolour, and egg tempera. However, it shouldn't be used in conjunction with alkali substances, such as Lead White or Calcium Carbonate as it can turn brown, so it isn't suitable for fresco. For the same reason, it isn't used with acrylic resin binders due to their alkaline nature, so most paint manufacturers will replace Prussian Blue with a mixture of Phthalo Blue and black in their acrylic ranges. It requires a wetting agent to fully disperse into a binder.

    Toxicity: B

    Learn More
  24. Cornelissen Pointed Quill Writer

    Cornelissen Pointed Quill Writer

    Starting at: £13.60

    Traditional long sable hair with plain wood handles bound in genuine quill. These brushes hold large amounts of colour for long lines but also point well for detail. Learn More
  25. Schmincke Horadam Box 24 x 5ml Tubes

    Schmincke Horadam Box 24 x 5ml Tubes

    Starting at: £209.60

    Schmincke Horadam Box 24 x 5ml Tubes. Learn More
  26. Schmincke Lino Water-based Inks 35ml

    Schmincke Lino Water-based Inks 35ml

    Starting at: £7.75

    Water based inks for block printing and linocut. Learn More
  27. Cornelissen Sable Bright

    Cornelissen Sable Bright

    Starting at: £5.95

    Made from the same quality red sable as the rounds and used for short, thicker strokes of paint. Learn More
  28. Winsor & Newton Stand Linseed Oil

    Winsor & Newton Stand Linseed Oil

    Starting at: £9.20

    From the Winsor & Newton website: A pale viscous oil that slows drying while imparting a tough, smooth enamel finish with no brush marks. Increases film durability. Ideal for glazing and fine detail if mixed with solvent.

    Learn More
  29. ArtGraf Watercolour Graphite Large

    ArtGraf Watercolour Graphite Large

    ArtGraf Watercolour Graphite Large 60g allows for interesting and very expressive mark making offering an extensive scale of graphite greys that range from the deep blacks to more subtle, brighter and more transparent ones Learn More
  30. Roberson Exhibition Varnish

    Roberson Exhibition Varnish

    Starting at: £8.10

    Apply to touch dry paintings as a temporary exhibition varnish. After 6 months a final picture varnish can be applied with no need to remove Ketone resin/white spirit. Unable to send overseas. Learn More

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