Search results for 'de 1'
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Omega Series 40 Varnish
Starting at: £6.90
Flat soft hog hair in cupro-nickel ferrule on short flat handle used for applying varnish to both oil and acrylic paintings. Also recommended for applying warm glue size and primers to all surfaces. Pure bristle / synthetic mix. Learn More -
Swann Morton Scalpel Handle No3
£7.15Stainless steel handle No 3 compatible with blade shapes 10, 10A, 11, 12 and 15 Learn More -
Traditional Sumi Baren
£46.50Traditional Japanese "ba-ren" is the pressing and rubbing tool for printing. The inner coil or "shin" consists of flat strips of bamboo twisted together into strands and then into a long cord. The cord is then coiled onto a backing disk made from either layers of washi paper, carved wood or plastic. Finally a bamboo sheath or "takenokawa" is used as a covering, with rubbing surface for printing one side and a twisted handle for the artist to hold on the other. Over time the outer sheath may need replacing due to wear and friction of printing. Our "sumi" baren is made in the traditional way with a plastic backing disk and has a finer coil. It is 130mm across and is suitable for printing the "key block" and fine details. This baren comes in a presentation box. Replacement bamboo sheaths are available to order specially. Learn More -
Japanese Gold Leaf 22,66ct Enzuke
Starting at: £61.00
Highest quality 22,66ct gold leaf from Japan. Leaves measure 109×109mm and are approximately 0.1μ~0.2μ in thickness. Enzuke gold leaf is beaten between sheets of traditional of washi paper called furuya-gami and refers to the subtle grid pattern that appears on the surface of the leaves. In Japan, Enzuke gold is considered more traditional and has a soft lustrous appearance. Each pack contains 10 leaves. Learn More -
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Cornelissen Historical Inks, Green Hawthorn Ink 30ml
£6.50A rich, soft green, this ink is made from organic Hawthorn berries, collected in Cambridgeshire. Inspired by the Green Hawthorn Ink used in medieval manuscripts and formulated according to a 19th century recipe. The ink is not fully lightfast, due to the presence of organic ingredients.
Not suitable for fountain pens. Learn More -
Empty Watercolour box for 48 half pans
£20.00This unbranded watercolour tin box is the same as the light weight metal boxes used by most of the major European colour-makers. The back of the box includes thumb ring. Dimensions: 22.8 x 11.3 x 2.3cm Learn More -
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Pfeil Professional Lino and Wood Set B
£125.00Exceptional quality Swiss made carving tools for lino cutting. Each tool is made from precisely ground stainless steel, with a classic mushroom hardwood handle. 70mm blade length, 125mm overall length.
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Set B is a perfect overall professional set which includes most of the tools you may need in lino or woodcarving, including some wider tools for larger work. Includes:
• L 5/3 – 3mm shallow gouge
• L 7/6 – 6mm gouge
• L 7/10 – 10mm gouge
• L 9/5 – 5mm shallow gouge
• L 11/1 – 1mm U
• L 12/1 – 1mm V -
Daler Calligraphy Pad
Starting at: £14.15
Daler-Rowney Calligraphy Paper is a high-quality parchment-style paper. The paperweight is 90gsm. It is suitable for calligraphy, pen and ink work, and certificate writing. Learn More -
Cornelissen Slim HB Pencil
£1.50L. Cornelissen & Son, own brand, slender, HB pencil. Ideal for sketching. Length 18cm Diameter 0.5cm Learn More -
Cornelissen Historical Inks, Iron Oak Gall
Starting at: £9.00
Exclusive to Cornelissen, our intense black Iron Oak Gall Ink is inspired by a medieval recipe using oak galls collected in Cambridgeshire. The small, handmade batches are blended to give the required consistency and strength, and are steeped for several weeks and allowed to mature for several more. Lightfast and fully waterproof 5-7 days after application, Oak Gall Ink has been used for centuries by calligraphers and scribes to create illuminated manuscripts and legal documents. When used on animal skins such as vellum, the acids in the Oak Gall Ink react with collagen, effectively ‘etching’ itself into the surface, hence its permanence. As with all products derived from natural ingredients, there may be slight variations in the colour and consistency of the ink due to seasonal changes. Not Suitable for fountain pens.
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Japanese Calligraphy Paper
Starting at: £3.05
Call to Order
Shoji: machine-made paper, 100% woodfree pulp, pH 6.2. Bright white, slightly smooth on one side. 48 gsm, size: 62 x 92 cm (24 x 36 inches). Pack of 25 sheets. Yuki: machine-made paper, 59% Rayon, 37 % woodfree 4% synthetic fibre, pH 6.2. size 64 x 94 cm (25 x 37 inches) Pack of 25 sheets. White, long Rayon fibres randomly on surface. slightly smooth on one side. Learn More -
Japanese Gold 23ct
Starting at: £55.00
Highest quality 23ct gold leaf from Japan. Leaves measure 109×109mm and are approximately 0.1μ~0.2μ in thickness. These Tachikiri (contemporary) leaves are beaten in between glassine paper which leaves a much softer impression on the surface of each leaf, resulting in a slightly shinier finish than the more traditional Enzuke gold leaf. Each pack contains 10 leaves. Learn More -
Schmincke Medium N
Starting at: £9.45
This product does not contain turpentine, and is therefore suitable for artists with allergies. A 'neutral', nearly non-yellowing painting and thinning medium for oil colours. Applicable for all painting techniques except for ground motifs on slightly absorbent undergrounds (not “lean” enough). Low impact on drying time. Thinner: Terpin (50023) (max. 30%). Dosage: 10 to max. 20%. Learn More -
Silverpoint Stylus Maestro. Renaissance Workshop Materials
£290.00Length 220 mm. For use on prepared paper. Hand-forged in London from silver bullion. Renaissance Workshop Materials are historically authentic drawing materials and tools, which would be recognisable to the artists of Renaissance Europe. Each product is made in the workshop by hand, using historical methods. Each product is borne from the same historical, European craft tradition, as the drawings and artworks from the Renaissance. In the words of the artisan maker, 'We make these materials in order to experience the historical craft and method of drawing in the most authentic way possible.' Learn More -
da Vinci Series 422 COLINEO Watercolour brush, fan brush
Starting at: £9.60
COLINEO Fan brush - Composition of straight and wavy synthetic fibres in different lengths with extra fine tips, precise point, high elasticity and colour absorption. - Handle made of water-resistant, hi-tech multicolour laminated wood - Ideal for watercolour painting - Very similar to Kolinsky Red Sable hair brushes Learn More -
Roberson Bronze Powders 1 kg
Starting at: £134.20
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Roberson Standard Bronze Powders Learn More -
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Asphaltum Powder
Starting at: £14.30
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Used in etching grounds and stopping out varnishes. Can be used as a blackish brown colourant but when combined with oil causes wrinkling and cracking. Learn More -
Cornelissen Pochade Boxes
Starting at: £180.00
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Handmade from American cherry wood. Leather handle embossed with L. Cornelissen & Son. Est. 1855 Learn More -
Cobalt Blue Pigment
Starting at: £6.50
Call to Order
PB28
Cobalt Blue is an artificial mineral pigment, produced by the calcination of cobalt oxide and aluminium oxide. It has been widely used since the early 1800s, following its discovery by the French chemist Thenard at the beginning of the century. The name Cobalt has its roots in the German word Kobold, meaning imp or evil spirit. German miners specifically used this name in the late-Middle Ages, as the presence of Cobalt ore in the mines made the extraction of silver very difficult. They were possibly aware of the toxic properties of the mineral frustrating their efforts.
Cobalt remains a very popular colour today, and is present in most ranges of paints, being a semi-transparent pigment that is stable in all media. As a watercolour, all cobalt pigments tend to granulate. As an oil paint, it requires less oil content than most other pigments, and dries quite quickly. Like Cerulean Blue, some artists may choose to bind it with poppy oil, to avoid any possible colour changes brought about by the yellowish cast of linseed oil and the pigment's weak tinting strength.
Limeproof
Toxicity: C
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Lascaux Studio Bronze Colours 500ml
Starting at: £53.50
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Lascaux Studio Bronze Original is a range of brilliant bronze colours made from pure, non-oxidizing metallic bronze for use in design, decoration and architecture. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Gamblin Tom Huck's Outlaw Black Relief Ink 1 lb
£25.00Call to Order
Relief printing cool black for highly detailed woodblock printing on paper. Stiff bodied, cool black Intense ink for fine detail Pure burnt plate linseed oil base No fillers, additives, or modifiers Learn More -
London Pigment, Mediaeval Inks Set, 1
£35.00Call to Order
Verdigris Ink Purple Madder and Lac Ink Purple Lac Ink Learn More -
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Tom's Studio, Flourish - Oblique Calligraphy Pen holder, Black
Starting at: £55.00
Call to Order
The Flourish is precision machined from a solid Aluminium bar meaning that it will last a lifetime and give you just the right amount of weight without feeling too heavy. This unique design fits nibs as large as a Nikko G, all the way down to smaller nibs like the Brause 66EF, as well as 3.5mm pencil lead, so you can draft your creations before committing to ink. This holder is designed so that you can easily customise the angle of the nib to suit your calligraphy style. The balance of the pen has been refined so that the centre of gravity sits between your forefinger and your thumb joint, making it feel neither top nor bottom heavy. Learn More -
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Mussini Luxury Wooden Chest
£1,442.95Call to Order
The Schmincke Mussini Luxury Wooden Chest contains 36 x 35 ml tubes, as well as many accessories, including palette knife, painting knife, palette cups, palette, mediums, charcoal and brushes. Learn More -
London Pigment, Purple Madder and Lac Ink, 20 ml
£12.50Call to Order
Madder and Lac Ink ****Please note, these pigments are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More