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Carbon Black Pigment
Starting at: £10.80
PBk7
Carbon Black is an inorganic synthetic pigment, created by burning natural gases to form an almost pure carbon. It is semi-transparent, and in oil dries very slowly to a soft, brittle paint film. It requires a wetting agent, and can show in streaks, even when mixed with other colours.
Larger quantities are available by request.
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Oriental Blue Pigment
Starting at: £5.40
Oriental Blue Pigment (PB29). Inorganic pigment consisting kaolin, soda ash, sulfides and coal. Semi-transparent. High tinting strength. Excellent Lightfastness. Medium to slow drying rate. Suitable in all media except Lime-fresco. Used since early 19th Century. Toxicity B Learn More -
Venetian Red Pigment
Starting at: £4.60
Venetian Red Pigment (PR101). Iron oxide and chalk. Semi-transparent and very lightfast. Stable in all media.
Limeproof
Toxicity: B
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Ferric Chloride
Starting at: £15.00
For the etching of plates for printing fine art images in intaglio. Ferric Chloride can be used as a non toxic alternative to nitric acid in the etching process. Suitable for etching most types of metals including copper, zinc, mild steel, aluminium, iron and brass. Learn More -
Gesso di Bologna
Starting at: £12.00
Gesso di Bologna is a bright white Calcium Sulphate, or gypsum, from Italy, which can be used as a substitute for whiting in the preparation of gesso. It is ground to a particularly fine powder, which makes it a suitable ground for gilding, as the small size of the particles allows for greater compression when burnishing. Learn More -
Faber-Castell TK4600 Leads
Starting at: £9.95
2 mm lead for Faber-Castell TK4600 pencil. Box of 10 leads. Available in 3B 2B B HB H 2H 4H. Learn More -
Carnauba Wax Grey
Starting at: £8.40
Carnauba Wax is the hardest wax commonly used in the production of artists' materials, with a melting point of 83-86°c. It is derived from a tree native to South America, and is available in a natural colour (grey), or a refined colour (pale yellow). Small amounts of carnauba wax are commonly used in both oil painting mediums and encaustic painting, usually in conjunction with beeswax to add toughness, durability and sheen to the paint film. It creates an inflexible surface, so works best on rigid supports such as gesso panels, and it should be noted that it will raise the melting point of encaustic mixtures. It can produce a glossy finish; as such it is used in waxes and polishes for shoes, cars, musical instruments, furniture, and wooden floors, especially when mixed with beeswax and turpentine. Learn More -
Chrome Yellow Light Pigment
Starting at: £10.00
Chrome Yellow Light Pigment (PY34). Synthetic Inorganic pigment (Lead Chromate). Opaque. Good tinting strength. Lightfastness is good, but in some cases unstable as it can darken and turn greenish. Low oil absorption with fast drying rate. Recommended for oils not suitable for water-based mediums. Used since late 18th Century.
Toxicity: D Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.
PERMITTED USES: Restoration of art works and protected buildings when there are no suitable alternatives.
IMPORTANT: Please refer to the MSDS (Material Safety Data Sheet) below.
SHIPPING: Please note, we are not able to send this product outside the UK.
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Gold Leaf Starter Packs
Starting at: £14.50
Gold leaf starter packs - 5 leaf booklets of genuine gold leaf available in 22 ct Yellow gold and 23 3/4 ct Warm gold Learn More -
Sankaku-toh 6mm (V Shape)
£36.00The Sankaku-toh is similar to western style “V” gouge tool and comes in a variety of useful sizes. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More -
Viarco 24 Watercolour Pencil Set
£45.50Water-soluble coloured pencils in a limited edition set. Viarco silkscreen series. Learn More -
Translucent Orange Oxide Pigment
Starting at: £9.40
Translucent Orange Oxide (PR101). Artificial mineral pigment, hydrated ferric oxides. Transparent and very lightfast. Stable in all media, medium drying rate in oil. Toxicity B. Learn More -
Gypsum
Starting at: £5.70
Gypsum is powdered Calcium Sulphate, a traditional ingredient in gesso grounds used in southern Europe. One of the advantages of preparing your painting surface with gypsum is that it allows for a particularly even absorption of the paint film. It can also be added to acrylic primers to increase absorbency or add tooth to a surface. Learn More -
Lascaux Tusche Lift Solution 500ml
£36.50The Lascaux Tusches are a unique range of innovative ready-to-use water-soluble painting materials specially designed for creating positives for light-sensitive printmaking processes. The positives can be used with water-based screenprinting, acrylic-resist etching, solar plate printing and traditional printmaking methods. The Lascaux Lift solution can be used in conjunction with Lascaux Tusche spray for making positives or as a lift in the acrylic-resist etching system. Learn More -
Classic Blotter
Starting at: £25.45
Classic Blotter made from beechwood. Blotting paper backing supplied. Rechargeable. Available in Natural Beechwood or Walnut stained finish. Learn More -
Lascaux Studio Acrylic Colours 250ml
Starting at: £25.70
Great quality acrylic paints ideal to use in silkscreen printing. Mix the colours undiluted to obtain the desired hue and then add the Lascaux Screenprinting Paste. It is advisable to experiment initially, to determine satisfactory working mixes. To find a satisfactory working ratio, it is useful to first print colours using a 50/50 mixture of undiluted colour to paste and to then shift the ratio depending on the results. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Japanese Gold 24ct
Starting at: £71.00
Highest quality 24ct gold leaf from Japan. Leaves measure 109×109mm and are approximately 0.1μ～0.2μ in thickness. These Tachikiri (contemporary) leaves are beaten in between glassine paper which leaves a much softer impression on the surface of each leaf, resulting in a slightly shinier finish than the more traditional Enzuke gold leaf. Each pack contains 10 leaves. Learn More -
Blue Verditer Pigment
Starting at: £7.50
** While stocks last ** Blue Verditer, sometimes referred to as Bremen Blue, is a synthetic form of Azurite, or copper-calcium carbonate. It has a weak tinting strength and is sligtly transparent. It works best in water-based binders, as the acidity of linseed oil can cause discolouration.
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Cornelissen Pigment Colour Chart
£40.00Cornelissen Pigment Colour Chart. 85 pigment samples displayed in a 6 page 300 gsm A4 booklet, including 'permanence' and 'colour index' references. Colour swatches have been made using a casein binder. Learn More -
Naples Yellow Light Pigment
Starting at: £7.40
Naples Yellow Light Pigment (PY41). Synthetic Inorganic pigment (Lead Antimoniate). Opaque. Good tinting strength. Excellent Lightfastness. Low oil absorption with fast drying rate. Suitable for all media except watercolours.
Toxicity: D Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.
PERMITTED USES: Restoration of art works and protected buildings when there are no suitable alternatives.
IMPORTANT: Please refer to the MSDS (Material Safety Data Sheet) below.
SHIPPING: Please note, we are not able to send this product outside the UK.
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Classic Nib Holder Sagittarius
Starting at: £2.90
Classic nib penholder made from FSC-certified wood. Available in Natural, Mahogany or Black. Learn More -
Omega Series 70 Hog Fitch Round
Starting at: £14.90
Soft round Italian hog hair with long flexible bristles and good colour holding capacity. Ideal for large scale painting in oils or acrylics. 100% pure hog hair. Learn More -
Raw Umber Greenish Pigment
Starting at: £4.80
PBr7
Raw Umber Greenish is a natural earth pigment composed of iron oxide, manganese, and aluminium silicate. It has its roots in the Umbria region of Italy, and was historically a popular colour for underpaintings, as it dries very quickly. It is semi-opaque, very lightfast, and stable in all media but may be difficult to disperse in acrylic. It requires a large amount of liquid when mixed with oil.
Toxicity: B
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Cadmium Vermilion Pigment
Starting at: £7.50
PR108
Cadmium Red is a synthetic organic pigment that has been in use since the 1920s. It is formed by heating cadmium sulphide and selenium, the hue is determined by the level of calcination and proportion of selenium. It is very opaque, and lightfast, with a high tinting strength. It absorbs a small amount of oil, and dries very slowly to form a hard, flexible paint film. This shade has been formulated to imitate the bright hue of vermilion.
Larger quantities are available by request.
Limeproof
Toxicity: C
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Lascaux Tusche Water-Soluble
£39.90This viscous tusche can be painted in a smooth even layer which can be scratched away to create delicate non-printing lines. It can also be used for a broad range of painted marks, offsetting and pattern-making. The diluted tusche dries to create granular washes that are full of character. Dry marks can be re-wet and altered if required. 500ml. Learn More -
Cornelissen Glass Mullers
Starting at: £24.50
Cornelissen Glass Mullers are handmade using superior boro silicate laboratory glass, which is 40% harder, more heat resistant, and offers better clarity than soda-lime glass. The base of each muller is ground perfectly flat, and sand-blasted to create a fine tooth to facilitate the grinding of pigments. The tall handle features an ergonomic top, to ease fatigue when grinding large amounts of pigment. Mullers act as flat-bottomed pestles, which are used to grind pigment into a binding medium, suspending it evenly to create a uniform covering of binder around each pigment particle. Using a muller and slab, rather than simply mixing pigment and binder together, will create a more homogenised and stable paint. Use in conjunction with a Cornelissen Glass Slab to make paint efficiently. The sand-blasted texture of the muller and plate helps to push and distribute the pigment throughout the binder quickly. This will mean less grinding, and more painting! Learn More -
Superior Medium Soft Rubber Rollers
Starting at: £133.20
Medium/Soft Superior NBR Rubber Rollers available in 3 different width and 60mm diameter. Suitable for all fine printmaking applications including wood engraving, lino cut and wood cut. Solid metal handle. Learn More -
Cornelissen Walnut Oil
Starting at: £8.20
The introduction of Walnut Oil as a pigment binder is contemporaneous with the emergence of Linseed Oil. Their drying properties have been appreciated since the Middle Ages, and throughout history there is evidence of both oils being used alongside each other within the same painting. In fact, until the sixteenth century, it is believed that Walnut Oil was the preferred binding medium among Italian artists. It is made from mature walnut kernals, offering a pale colour and brilliant gloss. For this reason, it is sometimes chosen as a binder for light colours, as it provides a stronger paint film than Poppy Oil, and faster drying times. However, a paint film made from Walnut Oil will tend to be brittle, so it is more suited to a rigid support rather than canvas.
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Sankaku-toh 3mm (V Shape)
£36.00The Sankaku-toh is similar to western style “V” gouge tool and comes in a variety of useful sizes. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More -
Automatic Border Stroke Pens
Starting at: £18.60
Square cut pens with smooth action and large ink reservoir. Ideal for creating double edged borders around book covers, artwork or picture mounts. Learn More
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