Search results for 'DE'
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Roberson Glass Mullers
Starting at: £42.70
Roberson Glass Mullers are handmade using high quality-glass.
Mullers act as flat-bottomed pestles, which are used to grind pigment into a binding medium, suspending it evenly to create a uniform covering of binder around each pigment particle. Using a muller and slab, rather than simply mixing pigment and binder together, will create a more homogenised and stable paint.
Roberson Glass Mullers are handmade using superior boro silicate laboratory glass, which is 40% harder, more heat resistant, and offers better clarity than soda-lime glass. The base of each muller is ground perfectly flat, and sand-blasted to create a fine tooth to facilitate the grinding of pigments.Use in conjunction with a Cornelissen Glass Slab to make paint efficiently. The sand-blasted texture of the muller and plate helps to push and distribute the pigment throughout the binder quickly. This will mean less grinding, and more painting!
NOTE: Sizes may vary slightly as these are handmade products.
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Lascaux Tusche Diluting Liquid 500ml
£36.50A ready-to-use liquid for diluting Lascaux Tusches to alter their handling characteristics or to create delicate washes on positives. Learn More -
Raw Sienna Pigment
Starting at: £4.00
PBr7
Raw Sienna is a natural earth pigment that dates back to antiquity. Our Raw Sienna comes from areas of Tuscany where the earth has been coloured by iron-rich minerals. It provides a good tinting strength, excellent lightfastness, and a fast to medium drying rate in oil. It is stable in all media but, like umber pigments, can be difficult to disperse in an acrylic binder. It is similar in composition to Yellow Ochre, but whereas Yellow Ochre contains a higher proportion of clay, Raw Sienna contains a higher proportion of silica. As a natural material, the exact colour and qualities of the resultant pigments can vary, but generally this difference creates a paler, more opaque Yellow Ochre, and a darker, more transparent Raw Sienna.
Toxicity: B
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Schmincke Lino Water-based Inks 35ml
Starting at: £7.75
Water based inks for block printing and linocut. Learn More -
Pro Arte Series 202 Round Acrylix
Starting at: £3.45
This brush has an excellen point and spring well suited to detail work in acrylic, watercolour and oils Learn More -
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Clutch Pencil with Sharpener Stand
Starting at: £28.00
Classic 5.5mm clutch pencil made from FSC certified beechwood. Supplied with display stand sharpener and HB graphite lead. Packed in a gift box. Available in Ash (oiled finish) or Black Stained. Learn More -
Schmincke Malbutter Impasto Medium
Starting at: £8.20
A gel medium that increases the buttery character of oil colours and decreases their drying time. Useful for impasto techniques and knife application. Add to oils in a maximum ratio of 1:4. Contains alkyd resin.
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Sosaku Brush 15mm
£6.50Sosaku inking brush for working the pigments and glue paste onto the carved block for printing. These are made from horse hair and are traditionally prepared by splitting and softening the hair on shark-skin or sandpaper before printing. Brushes come in 3 sizes. Learn More -
Realgar Pigment
Starting at: £12.75
Realgar, like Orpiment, is sulphide of arsenic, and these two substances are often found in close proximity to each other in nature. Realgar exists in small deposits throughout the world and has been used for its colour since ancient times, although its extreme toxicity means that it has been superseded by cadmiums in modern painting. It is an opaque pigment with poor tinting strength. Toxicity D.
Larger quantities are available by request.
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Ultramarine Blue Dark Pigment
Starting at: £4.00
PB29
Ultramarine Blue Dark is an artificial mineral pigment that is produced by heating clay, soda, sulphur and coal to high temperatures. Its name comes from outremer, or over-the-sea, as a reference to the highly-prized Lapis Lazuli pigment which had been imported into Europe from Afghanistan since the Middle Ages. First manufactured in France and Germany in 1828, synthetic Ultramarine provided a brilliant and affordable blue to artists, and it remains one of the most popular blues on artists' palettes today.
It is a transparent pigment, with a high tinting strength and excellent lightfastness. It reacts to alkali, therefore it is not suitable for use in lime-fresco; we do offer a Limeproof Ultramarine Blue for this purpose. It is stable in all other media, although it can be tricky to grind in oil. Instead of creating a thick, buttery paste, it can remain stringy and deteriorate when stored in a tube. To correct this, many commercial paint manufacturers include additives and waxes in their recipes; if you intend on grinding your own paint, you could try replacing 10-15% of your Linseed Oil with Poppy Oil to improve the consistency. Ultramine Blue provides a slow-drying, fairly hard paint film, which can tend towards brittleness.
Toxicity: B
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Cornelissen Pointed Quill Writer
Starting at: £18.45
Traditional long sable hair with plain wood handles bound in genuine quill. These brushes hold large amounts of colour for long lines but also point well for detail. Learn More -
Schmincke Horadam 12 Whole Pans
Starting at: £90.80
Call to Order
Schmincke Horadam 12 Whole Pans. Learn More -
Aisuki 4.5mm (Chisel Shape)
£28.00The Aisuki is a clearing tool used for clearing waste from the hangito tool. It is a small fan bevelled chisel and is designed to be used low to the wood. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More -
Cornelissen Imitation Gold No 2.5
Starting at: £7.40
Coverage per book of 25 leaves is 0.49 m2 (5.29 sq feet) Learn More -
da Vinci Series 1200 Sable Rigger
Starting at: £9.40
Made from pure Kolinsky sable hair to give added control and spring when painting long lines. Learn More -
Winsor & Newton Drying Poppy Oil
Starting at: £9.20
From the Winsor & Newton website: A fast-drying, pale oil made from poppy seeds which is well suited for whites and pale colours. Reduces consistency. Increases gloss & transparency. Resists yellowing.
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Cornelissen Variegated Metal Leaf 227
Starting at: £23.00
Cornelissen Variegated Metal Leaf Learn More -
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Cornelissen Silverpoint Pencil
£22.95The Cornelissen Silverpoint Pencil is comprised of a wooden handle sheathing a 50 mm length of silver. Diameter of the silver point is 1.6 mm. Overall length is 175 mm. The silver point can be sharpened or rounded like a lead pencil. Learn More -
Cretacolour Water Soluble Pencil
Starting at: £1.95
Cretacolour Water Soluble Pencil, available in three different grades. Learn More -
Cornelissen T52100 Professional Press
£3,250.00Cornelissen Press T52100, Bed size: 52 x 100 cm, Upper Roller Diameter: 157 mm, Lower Roller Diameter: 157mm, Weight: 106 kg. Etching press base: 58 x 63 cm. We offer press demonstrations for this model. Please call Cornelissen for more details. Delivery to your address usually takes up to 4 weeks to UK & EU countries and 6 weeks to USA after the order is placed.
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Roberson Safflower Oil
Starting at: £7.70
Safflower Oil is light-coloured, making it suitable for grinding pale pigments. It is still sometimes used as a binder for commercially available paints, although due to its very slow drying time it is best reserved for the final layers of a painting. Compared to Linseed oil, Safflower Oil will give a matte finish.
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Unison Pastels Mini Set, Red/ Orange Half Stick 8
£16.45A varied collection of flame oranges, golden yellows, and vibrant reds. A useful add on for a more floral landscape or sunsets.
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Gold Leaf Starter Packs
Starting at: £13.70
Gold leaf starter packs - 5 leaf booklets of genuine gold leaf available in 22 ct Yellow gold and 23 3/4 ct Warm gold Learn More -
Schmincke Norma Blue 35ml
Starting at: £8.15
Water-mixable (water miscible), highly pigmented, lightfast paints with a buttery consistency. Vegan, low odour, anti-allergenic, environmentally friendly. Learn More -
Cornelissen Historical Inks, Brazilwood
£6.50The highest quality ink ever found on illuminated manuscripts from medieval Britain. The muted peachy red of this ink is achieved by simmering brazilwood chunks in vinegar. Add a tiny drop of Oak Gall Ink to produce wonderfully bright violets.
Not suitable for fountain pens. Learn More -
da Vinci Series 5898 CASANEO Watercolour brush, flat
Starting at: £7.95
- Made from extra soft synthetic fibres with an extraordinary elasticity and an extremely high colour absorbing capacity - Short black polished esagonal handles - Particularly suitable for watercolour and fluid acrylic colour - Extraordinary elasticity and extremely high colour absorption capacity - For watercolour and wash Learn More -
Fabriano Rosaspina Paper
Starting at: £2.90
285GSm, 70cm x 50cm, Mould Made, 60% Cotton, Internally Sized, Acid free, Watermarked, 2 Deckle Edges, Matt Surface, White / Ivory Shades. Learn More